On the Sublime (Greek: Περì Ὕψους Perì Hýpsous; Latin: De sublimitate) is a Roman-era Greek work of literary criticism dated to the 1st century AD. Its author is unknown, but is conventionally referred to as Longinus (/lɒnˈdʒaɪnəs/; Ancient Greek: Λογγῖνος Longĩnos) or Pseudo-Longinus. It is regarded as a classic work on aesthetics and the effects of good writing. The treatise highlights examples of good and bad writing from the previous millennium, focusing particularly on what may lead to the sublime.
Willing suspension of disbelief by samuel taylor coleridgeDayamani Surya
Willing suspension of disbelief is a term coined by Samuel Taylor Coleridge. It would mean suspend one's critical faculties and believe the unbelievable; sacrifice of realism and logic for the sake of judgement.
Introduction of Writer, his works, essay tradition and individual talent, theory of poetry( impersonality of poetry, historical sense, poetic emotion, comparison of Wordsworth and T.S eliot theory of poetry, objective correlative, dissociation of Sensibility, unification of sensibility, meta-physical poetry, conceit , use of Conceit in John Donne’s poetry.
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
Merits of Milton's Paradise Lost in Samuel Johnson's CriticismRaja Zia
This presentation contains Merits of Paradise Lost as explained by Samuel Johnson in his The Study of Milton's Paradise Lost. When I was looking for these, I was unable to find these on the internet, hope my contribution will help.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
On the Sublime (Greek: Περì Ὕψους Perì Hýpsous; Latin: De sublimitate) is a Roman-era Greek work of literary criticism dated to the 1st century AD. Its author is unknown, but is conventionally referred to as Longinus (/lɒnˈdʒaɪnəs/; Ancient Greek: Λογγῖνος Longĩnos) or Pseudo-Longinus. It is regarded as a classic work on aesthetics and the effects of good writing. The treatise highlights examples of good and bad writing from the previous millennium, focusing particularly on what may lead to the sublime.
Willing suspension of disbelief by samuel taylor coleridgeDayamani Surya
Willing suspension of disbelief is a term coined by Samuel Taylor Coleridge. It would mean suspend one's critical faculties and believe the unbelievable; sacrifice of realism and logic for the sake of judgement.
Introduction of Writer, his works, essay tradition and individual talent, theory of poetry( impersonality of poetry, historical sense, poetic emotion, comparison of Wordsworth and T.S eliot theory of poetry, objective correlative, dissociation of Sensibility, unification of sensibility, meta-physical poetry, conceit , use of Conceit in John Donne’s poetry.
Matthew Arnold (24 December 1822 – 15 April 1888) was an English poet and cultural critic who worked as an inspector of schools. He was the son of Thomas Arnold, the famed headmaster of Rugby School, and brother to both Tom Arnold, literary professor, and William Delafield Arnold, novelist and colonial administrator.
During this time Arnold wrote the bulk of his most famous critical works, Essays in Criticism (1865) and Culture and Anarchy (1869), in which he sets forth ideas that greatly reflect the predominant values of the Victorian era.
Merits of Milton's Paradise Lost in Samuel Johnson's CriticismRaja Zia
This presentation contains Merits of Paradise Lost as explained by Samuel Johnson in his The Study of Milton's Paradise Lost. When I was looking for these, I was unable to find these on the internet, hope my contribution will help.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Ars Poetica, or "The Art of Poetry," is a poem written by Horace c. 19 BCE, in which he advises poets on the art of writing poetry and drama. The Ars Poetica has "exercised a great influence in later ages on European literature, notably on French drama..."and has inspired poets and writers through the ages
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
Tragic Plot-Its constituent parts, Importance of plot, Poet as a maker of plot not story, The construction of plot, the magnitude of plot, organic unity of plot, Fatal and fortunate plots, peripety and anagnorisis, complication and denouement, Freytag pyramid, Aristortle's concern, Dramatic unities
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
biography of s.t coleridge
introduction to biographia literaria
synopsis of chap 14
critical analysis
literary devices
objections and defence
fancy and imagination
primary and secondary imagination
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
Ars Poetica, or "The Art of Poetry," is a poem written by Horace c. 19 BCE, in which he advises poets on the art of writing poetry and drama. The Ars Poetica has "exercised a great influence in later ages on European literature, notably on French drama..."and has inspired poets and writers through the ages
Aristotle's Poetics (Greek: Περὶ ποιητικῆς, Latin: De Poetica;[1] c. 335 BCE[2]) is the earliest surviving work of dramatic theory and the first extant philosophical treatise to focus on literary theory.[3]
In it, Aristotle offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama—comedy, tragedy, and the satyr play—as well as lyric poetry and epic poetry).
Literary Criticism - Essay on Dramatic PoesyRohitVyas25
John Dryden has given good criticism for dramatic poesy. Here in this presentation, I've put introduction of the original essay and Dryden's definition of play.
Tragic Plot-Its constituent parts, Importance of plot, Poet as a maker of plot not story, The construction of plot, the magnitude of plot, organic unity of plot, Fatal and fortunate plots, peripety and anagnorisis, complication and denouement, Freytag pyramid, Aristortle's concern, Dramatic unities
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
biography of s.t coleridge
introduction to biographia literaria
synopsis of chap 14
critical analysis
literary devices
objections and defence
fancy and imagination
primary and secondary imagination
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
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Longinus as a Critic
1.
2. A Greek critic Longinus wrote the treatise On the Sublime. He
was the greatest creative writer of the 3rd
century AD.
Longinus was attracted to the logical or ethical side of
Plato’s work.
He used for his own purpose the platonic account of the
enchantments with which poetry can ravish and lift us out of
ourselves.
He superimposed the imagination and insight of Plato.
3. According to Longinus, a work of genius does not aim at
persuasion, but ecstasy – on lifting the reader out of himself.
The sublime effect of literature is attained not by arguments
but by revelation, or illumination.
Its function is sacramental. The truly sublime has uplifting
effect.
In other words, we are lifted out of ourselves and carried to a
new realm of experience and perception, and filled with
ecstasy as if we ourselves had created what we see and
hear.
4. For his theory of sublimity, Longinus classifies its characteristics.
The five sources of sublimity are:
1. Capacity for great thought and a firm grasp of ideas,
2. Inspired emotion and strong passion,
3. Figures of speech and a proper construction of figures,
4. Noble diction,
5. The effect of dignity and elevation - the power to integrate
and fuse the elements so as to give them a tone of sublimity.
5. Longinus also talked about the three impediments to sublimity:
1) affectation,
2) cold pedantry, and
3) sentimentality
6. The treatise of Longinus influenced the post-renaissance critics.
For Addison, Milton’s Paradise Lost is a great poem on account of
sublimity.
The Romantic concept of inspiration of the artist is an echo of
sublimity.
Northrop Frye builds up a typology framed on the basis of Longinus’
ecstasies.
The transport of Longinus can be seen in relation to the concept of
‘synaesthesia’, or an equilibrium or organization of impulses
suggested by I.A. Richards.
7. In general we may consider that passage which always
pleases, and pleases all readers, contains the beauty and
truth of the sublime.
Thought and passion (which are the requirements for
sublimity) – are demanded by Longinus in the same spirit in
which Matthew Arnold demanded “truth and seriousness”.
According to him, the sublime consists of certain loftiness of
language and it is by this only that the greatest poets and
prose-writers have won pre-eminence and lasting fame.