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Digital
Photojournalism
Major 18
Campus Journalism
Ballesteros, Perlita M.
BSEd – 4
Core Gateway Colleges, Inc.
“ A picture paints a
thousand words.”
- Anonymous
What is Digital
Photojournalism?
 Digital Photojournalism is not
just taking pictures; it’s
telling the news through
photographs.
 Like reporters,
photojournalist or news
photographers must have a
nose for news.
 They must also have the skill
to show news, accurately and
objectively, through
photographs.
 The ways photos are used
vary: Some stand alone as a
story with a cutline and others
are part of a photo essay.
 Most photographs, however,
accompany stories, so they
must coordinate well with
those stories.
To accomplish this, you’ll
need to be prepared – not only
for spontaneous photo
opportunities but for more
formally arranged photo
sessions, or shoots.
 First, you need to understand
why photographs are used.
 Understanding the functions
photos will serve guide the
success of your photo coverage.
Functions
of
Photographs
1. Communication
A photograph can
communicate general
information very quickly.
Photos may communicate
emotions as well as facts.
They inform and express.
Mood too can be
communicated in
photographs.
2. Credibility
 A photograph makes
whatever is pictured seem
and true more real.
3. Visual Appeal
 Photographs are visual
magnets, drawing readers
into a page or a story.
Composition
of
Photographs
1. The Rule of Thirds
 Many cameras include a
circle in the center of the
view finder that serves as a
focusing tool.
It’s not a target for positioning
subjects!
Subjects placed smack in the
middle of a frame create a
static, boring photograph.
 By following the rule of
thirds, you can avoid this
humdrum visual
arrangement.
 As you look through your
view finder, divide the frame
by thirds horizontally and
vertically to form a grid--like
a tic-tac-toe board.
 Place your main subject on
one of the intersecting points
of the grid.
 Other subjects may be
placed diagonally opposite to
create dynamic tension.
 Horizontal lines should be
along the top or bottom
line of the grid.
2. Filling the Frames
 Fill your frame with the
image.
3. Background and
Foreground No matter how you get,
watch the background.
 In that case, play it up.
But if it’s destructing, move
yourself or your subject to
minimize destruction.
 Another option is to adjust
your depth of field so the
background is out of focus.
 Pay attention to the
foreground too.
 Remove distracting
objects if possible.
 Use the foreground to
your advantage when you
can.
4. Leading Lines
 People can’t resist following
lines wherever they go.
 Use lines within your
composition to lead viewers
to important subjects in the
scene.Horizontal lines are restful,
whereas vertical lines imply
action.
 Diagonal lines are the most
exciting and powerful.
5. Actions
Take candid photos of people
engaged in activity.
They communicate more and
are more interesting visually.
6. Contrast Colors
Contrast of colors in your
subject really add vitality.
It also attracts people/judge
to focus on your photograph
because it’s more interesting
visually.
7. Lines and Textures
 Same as cartooning, you
must also notice and apply
different lines (vertical,
horizontal, zigzag, diagonal,
etc.) in your subject to have a
great output.
8. Insert Size Indicator
 Size indicator is useful to
speak more on your subject.
9. Posed Group Shot
 Avoid photographing
large groups (more than
ten people), especially in
small photos.
Determine the
newsmakers in the group
and concentrate on them.
10. Bird’s Eye View
 A top view shots make
your photograph excellent
and great.
11. Worm’s Eye View
 Below the ground or
worm’s eye view shots.
12. SILHOUETTE (Shadow,
outline)
13. Angles and Viewpoints
Always take more than one
photograph of each scene.
Take the same photo
from different angles--
from above, below, to the
side, and so on.
14. Framing
Artificial Framing
14. Framing
Natural
Framing
15. Reflections
Thank you!
Source: Digital
Photojournalism by Manuel C.
Zacarias

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Major 18: Campus Journalism - Digital Photojournalism