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Photojournalism
Querino D. Lonsagon
Photojournalism
 is journalism that uses images to tell a news story.
 is distinguished from other close branches of photography (such
as documentary photography, social documentary photography, war
photography, street photography and celebrity photography) by having a
rigid ethical framework which demands an honest but impartial approach
that tells a story in strictly journalistic terms.
 contribute to the news media, and help communities connect with one
other.
Kevin Carter Pulitzer Prize-winning photo Starving Child and Vulture | 1993
Dorothea Lange | Migrant Mother | 1936
Steve McCurry /The Afghan Monalisa
Philippe Halsman shot this famous photo Dalí Atomicus in 1948
Nick Ut’s famous photo The Terror of War | 1972
Exposure is the amount
of light that reaches your
camera’s sensor, creating
visual data over a period
of time. That time period
could be fractions of a
second or entire hours.
Camera exposure is the overall brightness
or darkness of a photograph.
The exposure triangle
There is no single camera setting for exposure. Instead, exposure is made up of three different data
settings known as the exposure triangle.
Shutter speed is the amount of time that the camera’s shutter is open, and measures the length of
exposure. Modern camera shutter speeds are measured in fractions of a second.
Aperture is the adjustable lens opening that controls the amount of light allowed into the camera. It
functions much like the pupil in a human eye, which dilates to let in light and narrows in bright settings.
ISO represents the sensitivity of the light sensor within the camera. Low ISO means the camera’s
sensor is less sensitive to light, and high ISO more so. More sensitivity is not always good. Higher ISO
in relation to shutter speed or aperture can result in pictures filled with digital noise, which looks
grainy. If ISO is too low, a photo will be underexposed.
Focal length
While not part of the exposure triangle, focal length and depth of field — the distance at which objects
are still sharp and in focus in a picture — may affect how you adjust other settings.
* A shallow depth of field means that objects become blurrier at closer distances. Focal length is the
distance between the center of the lens and the camera’s sensor. Lenses are named for their focal
length, and shorter focal lengths can capture wider scenes.
4 Types of Exposure
1. Overexposure: happens when the film or camera sensor is
exposed to too much light. As a result, the photograph loses
highlight detail and the bright parts become washed out.
2. Underexposure: happens when the film or camera sensor
is not exposed to enough light. As a result, the photograph
loses shadow detail and the dark parts are almost all black.
3. Long exposure: also called time exposure or slow-shutter
photography, is a technique that captures a subject over an
extended period of time. The static elements of the photo
contrast with the elements in motion, which create blurs,
smears, and trails. Long exposure is commonly used in night
photography.
4. Double exposure:, also called multiple exposure, is a
technique where the camera shutter opens twice to expose
4 Different Types of Photography
• 1. Portrait mode: Sets a low F-stop value to create a
shallow depth of field, allowing the focus to be on your subject.
• 2. Landscape mode: Sets a high F-stop value to create a large
depth of field, allowing the entire landscape to be in focus.
• 3. Sports/Action mode: Sets a low F-stop value, fast shutter
speed, and higher ISO to capture an athlete or a moving
subject.
• 4. Night/Low-light mode: Sets a fast shutter speed, increased
ISO speed, and may use the flash to better expose your subject
in low light.
Sharpness refers
to an image's overall
clarity in terms of
both focus and
contrast. When the
subject of an image
is sharp the image
appears clear and
lifelike, with detail,
contrast and texture
rendered in high
detail.
How to Take Sharp Photos
• Hold your camera correctly
• Use tripod
• Select a fast shutter speed
• Choose a narrow aperture
• Keep your ISO as low as possible
• Turn on your image stabilization
• Improve your focusing technique
• Make sure your lens are sharp
• Get your eyes checked
• Clean your camera
• Use your len’s aperture sweet spot
Angles in photography,
intentionally
used, define voice,
presence and visual
purpose. The angle
chosen to capture a
scene defines the
commentary of the
artist.
Basic Camera Shots
1. Eye Level -
exactly what it
sounds like-- an
image captured
at the direct eye
level of your
subject.
• 2. Close Up - used to
create an intimate and
welcoming
atmosphere to your
photos, since it serves
as a happy medium of
being not too
adversarial and not
too isolated.
Basic Camera Shots
3. Long Shot -
This type of shot
demonstrates the
relationship of a
subject to its
surrounding
environment.
Basic Camera Shots
Different Angle Shots in Photography
• 1. Low Angle is when the
camera is held down and angled
upward at your subject or main
object of the photo, causing it to
appear bigger than it is. Low
angles can also make the
movement in your photo look
more dramatic, especially since
the subject will appear bigger
from this angle, and their
physical movements will seem
more intense.
• 2. High Angle -is when the
camera is held above eye level
and angled downward to the
subject or object below. This
angle can make your subject
look smaller than average, and in
turn, convey a child-like
innocence when the camera is
held above your head and
peering down at the subject.
This angle can be used to show
more of the surrounding
background of your image which
can give it more context of
where it was taken.
Different Angle Shots in Photography
• 3. Dutch Angle -, or the
tilted angle, is a camera
technique used to give
your image an original or
unique look to it and is
achieved by physically
tilting your frame. In order
to give your image this
unconventional
perspective, the shot
must have a noticeable
tilt on the camera’s x-axis.
Different Angle Shots in Photography
4. Wide Angle -This
type of shot is most
commonly used in
landscape,
architecture, and
street photography;
yet, it has also
gained popularity in
the action-sports
photography
industry.
Different Angle Shots in Photography
Photography is increasingly
seen as a form of visual
storytelling, whether it is the
personal story of the
photographer, told in metaphors
and symbols, or a story about
the social and political world,
told through the lives of people
in the remotest corners of the
world. Storytelling, once
reserved for the world of
literature, is now appearing in
photography.
Photo story, or photo essay, means
presenting a story or essay primarily
through images. Of course, many of
photo stories have written elements that
help narrate the story. And, individual
images may even have captions that
give more in-depth information or
context to that photo.
Photo stories within photojournalism
are meant to be as truthful to the
original event as possible. Journalists
strive to remove bias from their work, in
order to present facts and details to
their audience.
Tips in writing a Caption:
• Avoid making assumptions. Do not assume anything that you can
see in the photo. It is always best to get quotes from people to
really understand how they felt in that moment.
• Avoid the obvious. Do not use phrases such as ‘is shown, is
pictured, looks on, above, etc.’ because the reader can already tell
who is pictured. Also, tell the reader what they cannot see or might
not know about the photo.
• Start your captions as general and get more specific. Give your
reader a broad idea of what the story is about and then provide
them more information to get them interested in reading the story.
• If you have to label multiple people in a photo, identify people from
left to right and start your caption with the phrase ‘from left.’
• Example 1:
Shams Al-Badry (12) works on her state capitals worksheet during
Brian Goodbrake’s 2nd period AP U.S. History class. Students will
have a quiz over state capitals next week.
• Example 2:
Social Studies teacher Shaunna Meyer explains the characteristics of
introverts to students in her 1st period Theory of Knowledge
class. Students will use this information to learn more about
themselves and their personalities.
10 Basic Composition Rules
1. Rule of Thirds
The rule of thirds is a
compositional guideline
that breaks an image
down into thirds (both
horizontally and
vertically) so you have
nine pieces and four
gridlines. According to
the rule, by positioning
key elements along the
gridlines, you’ll end up
with better compositions.
2. Leading Lines
• Another basic and workable
rule that takes the viewer's
attention magically is
leading lines. The rule
states that all the image
elements should lead
directly to the primary
subject of the frame. The
leading lines can be
pathways, walls, and even
patterns. As the onlooker
takes the first glance at the
image, the focus is
automatically switched to
the central masterpiece of
the frame.
3. Centered Composition and Symmetry
Where the rule of thirds
makes you arrange your
primary subject off-center,
this rule states the opposite.
The placement of the
important element has to be
carefully adjusted in the
center whilst considering the
symmetry and balance of the
viewpoint. The symmetrical
scenes work perfectly with
centered composition.
4. Do Not Forget the White Space
• White space is often
considered space,
which is an
inappropriate term.
The phrase
"Emptiness" takes
the negative
narrative, stating
that the image is not
completing its
desired purpose.
However, it is not the
case here.
5. Patterns and Repetition
The next basic rule to
take under consideration
is "Patterns and
Repetition." Speaking of
a man's brain, it
automatically gets
excited upon
encountering patterns
and repetitive textures.
Thus, it generates a
sense of harmony and
balance in the frame
whilst taking all the
desired attention of the
observer.
6. Balance Elements in the Scene
• Incorporating the
rule of thirds in
design and
photography might
be workable for
most, but it leaves a
space in the frame.
The next basic rule,
"Balance Elements,"
in the scene, comes
to the rescue.
7. Golden Triangles
• There is a close
connection of golden
triangles with the rule
of thirds in design.
However, instead of a
grid of rectangles, the
frame is divided into
diagonals from one
corner to another.
8. Golden Ratio
• The Golden Ratio is an
exceptional rule when it
comes to design or
photography. It isn't easy
to become a pro in
handling this ratio as it
goes back to centuries-old
history. The Golden Ratio
is a perfect balance
between 1:1.618. The focus
is kept on the primary
subject of the frame with
more minute details. In this
rule, the frame is divided
into a series of squares
known as "Phi Grid."
9. Particular Color Combinations
• The use of colors is an
expressive way of
sending the message
across. The idea of
particular color
combinations is
familiar to graphic
designers and interior
designers as they are
partially responsible
for getting attention.
10. Simplicity and Minimalism
• You often hear the
clause “Less is More”
that perfectly fits here.
Simplicity is a strong
compositional tool that
displays the photograph
with uncomplicated
backgrounds and keeps
the attention where it is
due. In this rule, you
focus and zoom in to a
particular scene's
subject and capture it
without any hassle.

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Photojournalism.pptx

  • 1.
  • 3.
  • 4. Photojournalism  is journalism that uses images to tell a news story.  is distinguished from other close branches of photography (such as documentary photography, social documentary photography, war photography, street photography and celebrity photography) by having a rigid ethical framework which demands an honest but impartial approach that tells a story in strictly journalistic terms.  contribute to the news media, and help communities connect with one other.
  • 5. Kevin Carter Pulitzer Prize-winning photo Starving Child and Vulture | 1993
  • 6. Dorothea Lange | Migrant Mother | 1936 Steve McCurry /The Afghan Monalisa
  • 7. Philippe Halsman shot this famous photo Dalí Atomicus in 1948
  • 8. Nick Ut’s famous photo The Terror of War | 1972
  • 9.
  • 10.
  • 11.
  • 12. Exposure is the amount of light that reaches your camera’s sensor, creating visual data over a period of time. That time period could be fractions of a second or entire hours. Camera exposure is the overall brightness or darkness of a photograph.
  • 13. The exposure triangle There is no single camera setting for exposure. Instead, exposure is made up of three different data settings known as the exposure triangle. Shutter speed is the amount of time that the camera’s shutter is open, and measures the length of exposure. Modern camera shutter speeds are measured in fractions of a second. Aperture is the adjustable lens opening that controls the amount of light allowed into the camera. It functions much like the pupil in a human eye, which dilates to let in light and narrows in bright settings. ISO represents the sensitivity of the light sensor within the camera. Low ISO means the camera’s sensor is less sensitive to light, and high ISO more so. More sensitivity is not always good. Higher ISO in relation to shutter speed or aperture can result in pictures filled with digital noise, which looks grainy. If ISO is too low, a photo will be underexposed. Focal length While not part of the exposure triangle, focal length and depth of field — the distance at which objects are still sharp and in focus in a picture — may affect how you adjust other settings. * A shallow depth of field means that objects become blurrier at closer distances. Focal length is the distance between the center of the lens and the camera’s sensor. Lenses are named for their focal length, and shorter focal lengths can capture wider scenes.
  • 14. 4 Types of Exposure 1. Overexposure: happens when the film or camera sensor is exposed to too much light. As a result, the photograph loses highlight detail and the bright parts become washed out. 2. Underexposure: happens when the film or camera sensor is not exposed to enough light. As a result, the photograph loses shadow detail and the dark parts are almost all black. 3. Long exposure: also called time exposure or slow-shutter photography, is a technique that captures a subject over an extended period of time. The static elements of the photo contrast with the elements in motion, which create blurs, smears, and trails. Long exposure is commonly used in night photography. 4. Double exposure:, also called multiple exposure, is a technique where the camera shutter opens twice to expose
  • 15. 4 Different Types of Photography • 1. Portrait mode: Sets a low F-stop value to create a shallow depth of field, allowing the focus to be on your subject. • 2. Landscape mode: Sets a high F-stop value to create a large depth of field, allowing the entire landscape to be in focus. • 3. Sports/Action mode: Sets a low F-stop value, fast shutter speed, and higher ISO to capture an athlete or a moving subject. • 4. Night/Low-light mode: Sets a fast shutter speed, increased ISO speed, and may use the flash to better expose your subject in low light.
  • 16.
  • 17. Sharpness refers to an image's overall clarity in terms of both focus and contrast. When the subject of an image is sharp the image appears clear and lifelike, with detail, contrast and texture rendered in high detail.
  • 18. How to Take Sharp Photos • Hold your camera correctly • Use tripod • Select a fast shutter speed • Choose a narrow aperture • Keep your ISO as low as possible • Turn on your image stabilization • Improve your focusing technique • Make sure your lens are sharp • Get your eyes checked • Clean your camera • Use your len’s aperture sweet spot
  • 19. Angles in photography, intentionally used, define voice, presence and visual purpose. The angle chosen to capture a scene defines the commentary of the artist.
  • 20. Basic Camera Shots 1. Eye Level - exactly what it sounds like-- an image captured at the direct eye level of your subject.
  • 21. • 2. Close Up - used to create an intimate and welcoming atmosphere to your photos, since it serves as a happy medium of being not too adversarial and not too isolated. Basic Camera Shots
  • 22. 3. Long Shot - This type of shot demonstrates the relationship of a subject to its surrounding environment. Basic Camera Shots
  • 23. Different Angle Shots in Photography • 1. Low Angle is when the camera is held down and angled upward at your subject or main object of the photo, causing it to appear bigger than it is. Low angles can also make the movement in your photo look more dramatic, especially since the subject will appear bigger from this angle, and their physical movements will seem more intense.
  • 24. • 2. High Angle -is when the camera is held above eye level and angled downward to the subject or object below. This angle can make your subject look smaller than average, and in turn, convey a child-like innocence when the camera is held above your head and peering down at the subject. This angle can be used to show more of the surrounding background of your image which can give it more context of where it was taken. Different Angle Shots in Photography
  • 25. • 3. Dutch Angle -, or the tilted angle, is a camera technique used to give your image an original or unique look to it and is achieved by physically tilting your frame. In order to give your image this unconventional perspective, the shot must have a noticeable tilt on the camera’s x-axis. Different Angle Shots in Photography
  • 26. 4. Wide Angle -This type of shot is most commonly used in landscape, architecture, and street photography; yet, it has also gained popularity in the action-sports photography industry. Different Angle Shots in Photography
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  • 28. Photography is increasingly seen as a form of visual storytelling, whether it is the personal story of the photographer, told in metaphors and symbols, or a story about the social and political world, told through the lives of people in the remotest corners of the world. Storytelling, once reserved for the world of literature, is now appearing in photography.
  • 29. Photo story, or photo essay, means presenting a story or essay primarily through images. Of course, many of photo stories have written elements that help narrate the story. And, individual images may even have captions that give more in-depth information or context to that photo. Photo stories within photojournalism are meant to be as truthful to the original event as possible. Journalists strive to remove bias from their work, in order to present facts and details to their audience.
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  • 31.
  • 32. Tips in writing a Caption: • Avoid making assumptions. Do not assume anything that you can see in the photo. It is always best to get quotes from people to really understand how they felt in that moment. • Avoid the obvious. Do not use phrases such as ‘is shown, is pictured, looks on, above, etc.’ because the reader can already tell who is pictured. Also, tell the reader what they cannot see or might not know about the photo. • Start your captions as general and get more specific. Give your reader a broad idea of what the story is about and then provide them more information to get them interested in reading the story. • If you have to label multiple people in a photo, identify people from left to right and start your caption with the phrase ‘from left.’
  • 33. • Example 1: Shams Al-Badry (12) works on her state capitals worksheet during Brian Goodbrake’s 2nd period AP U.S. History class. Students will have a quiz over state capitals next week. • Example 2: Social Studies teacher Shaunna Meyer explains the characteristics of introverts to students in her 1st period Theory of Knowledge class. Students will use this information to learn more about themselves and their personalities.
  • 35.
  • 36. 1. Rule of Thirds The rule of thirds is a compositional guideline that breaks an image down into thirds (both horizontally and vertically) so you have nine pieces and four gridlines. According to the rule, by positioning key elements along the gridlines, you’ll end up with better compositions.
  • 37. 2. Leading Lines • Another basic and workable rule that takes the viewer's attention magically is leading lines. The rule states that all the image elements should lead directly to the primary subject of the frame. The leading lines can be pathways, walls, and even patterns. As the onlooker takes the first glance at the image, the focus is automatically switched to the central masterpiece of the frame.
  • 38. 3. Centered Composition and Symmetry Where the rule of thirds makes you arrange your primary subject off-center, this rule states the opposite. The placement of the important element has to be carefully adjusted in the center whilst considering the symmetry and balance of the viewpoint. The symmetrical scenes work perfectly with centered composition.
  • 39. 4. Do Not Forget the White Space • White space is often considered space, which is an inappropriate term. The phrase "Emptiness" takes the negative narrative, stating that the image is not completing its desired purpose. However, it is not the case here.
  • 40. 5. Patterns and Repetition The next basic rule to take under consideration is "Patterns and Repetition." Speaking of a man's brain, it automatically gets excited upon encountering patterns and repetitive textures. Thus, it generates a sense of harmony and balance in the frame whilst taking all the desired attention of the observer.
  • 41. 6. Balance Elements in the Scene • Incorporating the rule of thirds in design and photography might be workable for most, but it leaves a space in the frame. The next basic rule, "Balance Elements," in the scene, comes to the rescue.
  • 42. 7. Golden Triangles • There is a close connection of golden triangles with the rule of thirds in design. However, instead of a grid of rectangles, the frame is divided into diagonals from one corner to another.
  • 43. 8. Golden Ratio • The Golden Ratio is an exceptional rule when it comes to design or photography. It isn't easy to become a pro in handling this ratio as it goes back to centuries-old history. The Golden Ratio is a perfect balance between 1:1.618. The focus is kept on the primary subject of the frame with more minute details. In this rule, the frame is divided into a series of squares known as "Phi Grid."
  • 44. 9. Particular Color Combinations • The use of colors is an expressive way of sending the message across. The idea of particular color combinations is familiar to graphic designers and interior designers as they are partially responsible for getting attention.
  • 45. 10. Simplicity and Minimalism • You often hear the clause “Less is More” that perfectly fits here. Simplicity is a strong compositional tool that displays the photograph with uncomplicated backgrounds and keeps the attention where it is due. In this rule, you focus and zoom in to a particular scene's subject and capture it without any hassle.