This document provides guidance and resources for someone interested in becoming a photojournalist. It discusses the importance of practicing the craft by going out and shooting real assignments to gain experience. It also emphasizes developing versatility in different types of photography like news, sports, features, and more. The document provides many links to additional resources on photojournalism techniques, ethics, and how to get started in the field.
Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story.This slide will explain all the aspects of Photojournalism
Photojournalism is a particular form of journalism (the collecting, editing, and presenting of news material for publication or broadcast) that employs images in order to tell a news story.This slide will explain all the aspects of Photojournalism
Explanation of photojournalism and a bit about the photo essay. Includes searching for Google images that are free to use and share, as well as examples.
This is a personal Powerpoint presentation I made which I usually use during my session in photojournalism for our Cavite and Calabarzon campus journalism students.
Eyetracking Photojournalism Research by Sara QuinnSara Quinn
Eyetracking Photojournalism is research for the National Press Photographers Association.
In an age where images are instantaneous and easily shared, what characteristics make a photograph worth publishing and sharing? We explore how people perceive the quality of photographs — from those taken by seasoned professionals to cellphone images that capture everyday life. The research combines eyetrack testing with extensive interviews asking people their thoughts on storytelling, quality and what makes images memorable. Among our findings: people value images that reflect their lives and give context to the world around them. As consumers navigate a glut of visual clutter, they are developing a new language on images. The implications inform journalists, brand advocates and community activists. Ultimately, the findings help us understand how social media impacts democracy.
Explanation of photojournalism and a bit about the photo essay. Includes searching for Google images that are free to use and share, as well as examples.
This is a personal Powerpoint presentation I made which I usually use during my session in photojournalism for our Cavite and Calabarzon campus journalism students.
Eyetracking Photojournalism Research by Sara QuinnSara Quinn
Eyetracking Photojournalism is research for the National Press Photographers Association.
In an age where images are instantaneous and easily shared, what characteristics make a photograph worth publishing and sharing? We explore how people perceive the quality of photographs — from those taken by seasoned professionals to cellphone images that capture everyday life. The research combines eyetrack testing with extensive interviews asking people their thoughts on storytelling, quality and what makes images memorable. Among our findings: people value images that reflect their lives and give context to the world around them. As consumers navigate a glut of visual clutter, they are developing a new language on images. The implications inform journalists, brand advocates and community activists. Ultimately, the findings help us understand how social media impacts democracy.
Here are my top tips for giving great presentations based on going to and speaking at dozens and dozens of conferences and being inspired (or copying) other people's techniques.
The Thing ItselfThe fundamental principle of photography.docxchristalgrieg
The Thing Itself
The fundamental principle of photography
________________________________________________________________
Bill Jay
For more than 30 years I have been deeply involved with the medium of
photography; for most of that time I have directed my lectures and writings at
young(er) photographers.
Hopefully my own attitudes to the medium will continue to evolve; certainly, they
have undergone continuous change. In looking back at the last three decades,
however, I have been aware that one fundamental attitude has remained at the
core of all my experiences in the medium. It is this "frame of reference" which I
would like to share with you in a single article.
I am not claiming that this principle of photography is radical, different or new.
On the contrary. I believe that it is familiar and basic - which means that it
deserves and demands constant repetition, in an age when principles are often
impugned, as if they no longer held relevance.
But like all fixed Rules, it must also be accompanied by flexible strategies,
accounting for individual images of insight and brilliance which, seemingly, ignore
the principle we will discuss. But it is there, and no less crucial for being hidden,
like the foundations of a building.
Perhaps the most obvious, and therefore the most contentious, issue of
photography is the medium's inseparable relationship to The Thing Itself.
Photography performs one function supremely well: it shows what something or
somebody looked like, under a particular set of conditions at a particular moment
in time. This specificity has been, and remains, photography's boon as well as
its bane.
It was not by chance that photography was born in the early 19 century when a
deterministic spirit was fueling the Victorian's fanaticism for facts. The camera,
along with the microscope and the telescope, became one of the primary
instruments for investigating the details of reality. Deeply and strongly rooted in
subject matter, the medium has had an uneasy and tenuous alliance with
authorship since its introduction. Therefore, what a photograph depicts has
generally taken precedence over what a photograph means.
The advantage inherent in this notion is that photography has become an
increasingly useful tool in our society for the transmission of information about
every conceivable aspect of life.
The "disadvantage," is that while a photograph is directing attention to its subject,
it is de-emphasizing the role of the individual who made it. Indeed, in the vast
majority of photographs, even those of extraordinary impact in our lives, we have
no knowledge of, or interest in, the author. Attempting to make individualized
(artistic) photographs in this environment is a bit like discussing metaphysics at a
football stadium during the Super Bowl. This does not mean that the attempt is
without value; it may indeed influence your neighbor. But it does mean that the
chances of being recognized by the publi ...
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Welcome to TechSoup New Member Orientation and Q&A (May 2024).pdfTechSoup
In this webinar you will learn how your organization can access TechSoup's wide variety of product discount and donation programs. From hardware to software, we'll give you a tour of the tools available to help your nonprofit with productivity, collaboration, financial management, donor tracking, security, and more.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
Instructions for Submissions thorugh G- Classroom.pptxJheel Barad
This presentation provides a briefing on how to upload submissions and documents in Google Classroom. It was prepared as part of an orientation for new Sainik School in-service teacher trainees. As a training officer, my goal is to ensure that you are comfortable and proficient with this essential tool for managing assignments and fostering student engagement.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
2024.06.01 Introducing a competency framework for languag learning materials ...
Photojournalism
1.
2. Millie (about seven yrs. old) and Mary John (with the baby) eight years old. Both shuck oysters at the Alabama Canning Co. This is Mary’s
second year. She said, “I shucks six pots if I don’t got the baby; two pots if I got him.” (Many of the little ones, too young to work all the
time, tend the baby when not working.) Location: Bayou La Batre, Alabama. February, 1911 (Original caption; courtesy of the Library of
Congress Prints and Photographs Division, National Child Labor Committee Collection, LC-DIG-nclc-00846)
3. Photojournalism
Here’s what you need to know before going any further:
it’s ONE word but we’re going to use PJ:
http://rittman.blogspot.com/2008/03/do-you-know-your-
photojournalism-prove.html
https://www.youtube.com/watch?v=Vhb6GtIPrqo
https://www.youtube.com/watch?v=mHtRZBDOgag&playn
ext=1&list=PLE4ECA66F4BC8F206&feature=results_main
https://www.youtube.com/watch?v=V6VJw6PmBjE
http://rittman.blogspot.com/2008/01/death-of-arcade-my-
tribute-to-end-of.html
4. MEMO
We are visual creatures – but there is more to PJ than just
taking pictures
However, you also need to be able to plan, shoot, edit and
sell your own material
So, exploit your niche; people need new markets! It’s
cheap, fast and easy to broadcast whatever you want -
markhamnolan.com
Visual literacy – knowing the visual language, which
enhances your understanding and enjoyment of the
image
The writer has a second chance, the photographer rarely
5. About Photos Photo essays:
and Video more
important
YouTube –
unlimited and
than blogging can get you
Words and images: and tweeting anywhere:
or Facebook
There comes a
point when it’s time
to face the You need to
try it and get
stage, the page or good or else There are a
the blank screen. you’re just few myths…
like everyone
else
Get excited, show
up and let go. And
it’s yours.
6. Doesn’t have to be. You can
use iPhone or Droid video
online and shoot print-quality
photos with these tools as
well
Three basic rules or visual
grammar: sequences, framing
and white balance
7. Be a photojournalist: photos
and/or videos of people doing
interesting things
Shoot everyday news events, recording interviews, telling video stories
Hold the camera while asking questions single-handedly; you will feel
inadequate, but it’s possible. Challenge yourself and your lighting and
framing and depth of field.
PRACTICE!
Collaborate when you can - bell curve and the long tail business
Photojournalism is not news photography, publication photography, or
hyphenated photo-journalism.
No personal photos of parties, vacations and family events. Your records
trigger your memories even though represented usually by meaningless
photos
You need a main object and focal point, showing something not normally
seen. Reveal new information at each look answering some of the classic
questions of journalism: 5W1H
8. Shooting to
make it These
look natural are
is hard Buy
What They news
values:
prominence-proximity-
conflict- amusing-unusual-
timeliness-impact
9. It’s a science and
Tricks to storytelling: an art, too!
So, you have to be
because hiccups are a scientist, artist
, documentarian
and a PJ
going to happen
Bookend – end by returning to the beginning, again
Flashbacks – selective basis
Show, don’t tell – listen to whether you’re telling it or showing
it
Reflection – see how long you can get someone to look at
you, or pause in their interview. It’s about 5 to 10 seconds
Back to the past –always have a point to the story
johndmchugh.photoshelter.com
10. Photojournalism is facts and
information, NOT your personal and inner
thoughts
is always being learned, dug up, corrected, asked and answered. -
http://www.futureofcontext.com/?p=23
http://berglondon.com/blog/2009/12/17/magplus/
http://alexxhenry.com/blog/ipad/
http://hulldigital.co.uk/the-future-of-magazines/
is what people make it: http://buzzmachine.com/
is NOT personal camera: http://www.dslrnewsshooter.com/2010/03/15/dan-
chung-filming-chinas-migrant-children-using-the-canon-550d/
Is an honest report visual report of what happened in a form understandable
to others – the best photojournalist will arouse viewer’s emotions and
stimulate thought and action
The goal of the PJ is to tell the reader what was there, clearly, quickly, and
without mystery, confusion, or riddle.
11. PJs are
needed
The world needs what only journalists, who have
spent their lives studying journalism, provide
http://pressthink.org/
http://paidcontent.org/
http://www.tristanharris.com/
http://www.futureofcontext.com/
12. Since you are a PJ now:
Your life on Tuesday and Thursday morning will be to check in to the photo
desk, our room in J-107. You will receive your assignments, which will be a
collaborative list of assignments to tell a story. Then, after shooting, you will
decide with the photo staff what shots to use after discussing the pictures with
them.
You will publish the photos on your portfolio site and write the captions.
Finding your story ideas is part of the job. Further, while in between or traveling
to assignments, and on the few slow days when you have “spare time,” you will
need to find feature photos that can be used, perhaps only with brief captions –
evergreens
Your assignments will include news, features, sports, and wildcards, including
fashion, food, personality profiles, and in-depth stories.
You are also expected to be able to handle any type of assignment, from fashion
and illustration to sports, features, and news – versatility
13. Show up, which means actually going out and reporting on
issues that you know are going unreported
Familiarize yourself with wires, agencies, special
interest, trade, profession and hobby magazines, websites
and nonfiction publications where you want to get $$
You can master the technical and visual means of
communicating with a camera, but you must also have the
instincts of a reporter for news value, emphasis and
significance
The key is practice - because you can't get paid in theory for
something you haven't done in practice. You have to go and show up
for free, too. But, once you start doing it, then things start happening
for you. You can’t be a multimedia journalist if you’re sitting around
thinking about it all day.
14. Plans: you can’t
plan for magic Narrative set of
pictures that work
together to present a
single topic. A
complete photo story
Don’t wait for your whole includes
plan to make sense before headline, captions, a
you start. You don’t need nd a carefully
funding these days. Just coordinated page
start! Photojournalism is layout, if appllicable.
powerful – restrictions on
photos vs. taking notes
Your introductory or title slide should convey the overall “feeling” and focus of your presentation. For instance, I typically present about small-business trends, new business ideas, growth opportunities or other positive trends. In this sample presentation, I’m talking about new business ideas, so I used a sun graphic in this slide template to convey a positive feeling. Personalize this slide template with your company’s logo. To add a logo to all slides, place it on the Slide Master. To access the Slide Master, on the Themes tab of the Ribbon, click Edit Master and then click Slide Master.Disclaimer: You understand that Microsoft does not endorse or control the content provided in the following presentation. Microsoft provides this content to you for informational purposes only; it is not intended to be relied upon as business or financial advice. Microsoft does not guarantee or otherwise warrant the accuracy or validity of this information and encourages you to consult with a business or financial professional as appropriate.RIEVA LESONSKY Founder and President, GrowBiz Media RievaLesonsky is founder and president of GrowBiz Media, a content and consulting company specializing in covering small businesses and entrepreneurship. A nationally known speaker and authority on entrepreneurship, Lesonsky has been covering America’s entrepreneurs for nearly 30 years. Before co-founding GrowBiz Media, Lesonsky was Editorial Director of Entrepreneur Magazine.
I like to speak spontaneously, so I use PowerPoint as an outline to keep me on track. It’s best to keep your PowerPoint text brief, simply reinforcing key points you will talk about at more length. You can use this slide template to convey a series of steps or related points in a short format.
A plain old bulleted list can get boring, so use graphics to liven it up. An image that conveys what you’re saying in visual format (like this diagram) can reinforce your ideas in the audience’s mind.
I like to use an off-balance layout to keep things from getting too symmetrical. Customize this slide template graphics of your choice, including photos, clip art, your logo or illustrations. Good photos really help cement an idea in the audience’s mind. This slide is animated to display an appropriate image as you introduce each business type.
I often use color and graphics to add excitement to a presentation. Just because it’s about business doesn’t mean it has to be staid—you need movement, energy and color, as in this slide template. Use this slide template to illustrate relationships or processes. In this slide, I used it to show how demographic trends create a new consumer group and what products that group purchases. You could also use it to illustrate your sales cycle or relationships among departments in your company.
Insert a chart in this slide template to illustrate your topic visually, then use bullets or color to call out key findings or points from your chart in a brief format.
I like to use an off-balance layout to keep things from getting too symmetrical. Customize this slide template graphics of your choice, including photos, clip art, your logo or illustrations. Good photos really help cement an idea in the audience’s mind. This slide is animated to display an appropriate image as you introduce each business type.
A plain old bulleted list can get boring, so use graphics to liven it up. An image that conveys what you’re saying in visual format (like this diagram) can reinforce your ideas in the audience’s mind.
I often use color and graphics to add excitement to a presentation. Just because it’s about business doesn’t mean it has to be staid—you need movement, energy and color, as in this slide template. Use this slide template to illustrate relationships or processes. In this slide, I used it to show how demographic trends create a new consumer group and what products that group purchases. You could also use it to illustrate your sales cycle or relationships among departments in your company.
This slide template can show steps, stages or how various elements or factors combine to make one key result or goal. For instance, you could show how various departments in your business work together to make the sale, how key customer groups will all purchase your product, or how different funding sources will provide the total you need. This slide template also makes an excellent concluding slide for your presentation, enabling you to graphically sum up your key points into one final whole.