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INTRODUCTION
 Louis H. Sullivan (1856-1924)
was one of the most influential
architects to come out of the
Chicago School of architecture in
the late 1800s.
 He is often called the father of
the skyscraper or the prophet
of modern architecture .
 Louis Sullivan’s architecture is a
mixture of
1. plain geometry
2. undisguised massing
punctuated with elaborate
pockets of ornamentation in
stone, wood and terra cotta.
For follow fu ctio -louis
sullivan
 Form follows function -
The principle is that the
shape of a building or
object should be primarily
based upon its intended
function or purpose.
 Functionalism of the
building was the main
important criteria for louis
sullivan in their building.
 He takes simple geometric
forms which makes it
distinctive style of
ornament that embraced
natural forms.
ORGANIC SYMBOLS WERE USED
FOR CREATING ORNAMENTATION
STEEL STUCTURES
 The mass production of steel was the
main driving force behind the ability to
build skyscrapers during the mid-
1880s.
 The development of cheap, versatile
steel in the second half of the 19th
century changed rules.
 The taller the building, the more strain
this placed on the lower sections of the
building; since there were clear
engineering limits to the weight such
"load-bearing" walls could sustain,
large designs meant massively thick
walls on the ground floors, and
definite limits on the building's height.
 A much more urbanized society was
forming and the society called out for
new, larger buildings.
SEMI-CIRCULAR ARCH
 Another signature
element of Sullivan's
work is the massive,
semi-circular arch.
 Sullivan employed such
arches throughout his
career—in shaping
entrances, in framing
windows, or as interior
design.
 Year(s) of construction: 1895-
1896
 Architects: Louis H. Sullivan and
DankmarAdler
 Function: Office Building
 Present name: Prudential
Building
 No. of Floors:13
 Height:46 m
GURRANTY BUILDING
PLANS
The building is essentially a U-shaped plan stacked upon a rectangular solid. The interstitial
spaces between wings of the U create opportunities to introduce skylights to the lobby
below, and to cover the ceilings with stained glass. The plan contained a single vertical
circulation core with four elevators, a mail slot, and staircase. No fire-stair was provided or
necessary. The internal portion of the U faces south so as to collect light for the interior
recesses of the building- light being a necessary commodity to attract good tenants
Sections and elevation
 The structure was built
entirely of steel
 Combines masonry with
terra cotta
 Ornaments :most
defining characteristics
 used strong vertical lines
to emphasize their
verticality
INTERIOR
AUDITORIUM BUILDING
 Location: 430 S.
Michigan Avenue
Chicago Illinois 60605
United States
 Built: 1889
 Architect:Louis sullivan
 Architectural style: Late
19th and Early 20th
Century American
Movements
 The Auditorium
Building in Chicago is one
of the best-known designs
of louis Sullivan.
 It was added to the National
Register of Historic
Places on April 17, 1970. It
was declared a National
Historic Landmark in
1975, and was designated
a Chicago Landmark on
September 15, 1976.
 auditorium was designed so
that all seats would have
good views and acoustics
 No. of Floors:13
 Height:46 m
Sectional view of the building
features
 The building was equipped with the
first central air conditioning system &
 the theater was the first to be entirely lit
by incandescent light bulbs
 The theatre, created to hold up to 4,200
audience members.
 The raft foundation distributes the
weight of the massive outer walls over a
large area
 Ceiling is constructed in such a way that it
doesn’t reflect large amount of incident
sound energy; but absorbs
Louis sullivan
Louis sullivan

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Louis sullivan

  • 1.
  • 2. INTRODUCTION  Louis H. Sullivan (1856-1924) was one of the most influential architects to come out of the Chicago School of architecture in the late 1800s.  He is often called the father of the skyscraper or the prophet of modern architecture .  Louis Sullivan’s architecture is a mixture of 1. plain geometry 2. undisguised massing punctuated with elaborate pockets of ornamentation in stone, wood and terra cotta.
  • 3. For follow fu ctio -louis sullivan  Form follows function - The principle is that the shape of a building or object should be primarily based upon its intended function or purpose.  Functionalism of the building was the main important criteria for louis sullivan in their building.  He takes simple geometric forms which makes it distinctive style of ornament that embraced natural forms.
  • 4.
  • 5. ORGANIC SYMBOLS WERE USED FOR CREATING ORNAMENTATION
  • 6. STEEL STUCTURES  The mass production of steel was the main driving force behind the ability to build skyscrapers during the mid- 1880s.  The development of cheap, versatile steel in the second half of the 19th century changed rules.  The taller the building, the more strain this placed on the lower sections of the building; since there were clear engineering limits to the weight such "load-bearing" walls could sustain, large designs meant massively thick walls on the ground floors, and definite limits on the building's height.  A much more urbanized society was forming and the society called out for new, larger buildings.
  • 7. SEMI-CIRCULAR ARCH  Another signature element of Sullivan's work is the massive, semi-circular arch.  Sullivan employed such arches throughout his career—in shaping entrances, in framing windows, or as interior design.
  • 8.  Year(s) of construction: 1895- 1896  Architects: Louis H. Sullivan and DankmarAdler  Function: Office Building  Present name: Prudential Building  No. of Floors:13  Height:46 m GURRANTY BUILDING
  • 9. PLANS The building is essentially a U-shaped plan stacked upon a rectangular solid. The interstitial spaces between wings of the U create opportunities to introduce skylights to the lobby below, and to cover the ceilings with stained glass. The plan contained a single vertical circulation core with four elevators, a mail slot, and staircase. No fire-stair was provided or necessary. The internal portion of the U faces south so as to collect light for the interior recesses of the building- light being a necessary commodity to attract good tenants
  • 11.  The structure was built entirely of steel  Combines masonry with terra cotta  Ornaments :most defining characteristics  used strong vertical lines to emphasize their verticality
  • 13. AUDITORIUM BUILDING  Location: 430 S. Michigan Avenue Chicago Illinois 60605 United States  Built: 1889  Architect:Louis sullivan  Architectural style: Late 19th and Early 20th Century American Movements
  • 14.  The Auditorium Building in Chicago is one of the best-known designs of louis Sullivan.  It was added to the National Register of Historic Places on April 17, 1970. It was declared a National Historic Landmark in 1975, and was designated a Chicago Landmark on September 15, 1976.  auditorium was designed so that all seats would have good views and acoustics  No. of Floors:13  Height:46 m
  • 15. Sectional view of the building
  • 16. features  The building was equipped with the first central air conditioning system &  the theater was the first to be entirely lit by incandescent light bulbs  The theatre, created to hold up to 4,200 audience members.  The raft foundation distributes the weight of the massive outer walls over a large area  Ceiling is constructed in such a way that it doesn’t reflect large amount of incident sound energy; but absorbs