1) Good lighting design is important for creating the right mood and allowing people to perform activities in homes. Lighting must be tailored to the different spaces and uses within a home.
2) Light is a form of electromagnetic radiation that makes vision possible. Key factors that affect light include its wavelength, sources like incandescence and luminescence, and how it behaves through reflection, refraction, and interactions with materials.
3) Proper lighting design considers factors like illuminance, luminance, lighting types like general, accent, decorative, and task lighting, and how light impacts vision and psychology within a space. A variety of artificial light sources exist that must be selected appropriately.
Light is fundamental for space and essential for human well-being and it is the success of any building.
Light quality affects human behaviour, health, comfort and mood.
"Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep“ -Le Corbusier, August27,1965
Light, space and human they effect and work with each other.
Space needs light to illuminate; light needs space to receive it, light within the space change human experience
Interior Lighting: Bringing Rooms To Life teaches the basics of residential interior lighting. The liveaction video demonstrates how the angle, quality, and intensity of light influence how it is perceived and used.
The program explains ambient lighting, task lighting, and accent lighting. It demonstrates different kinds of lamps and lighting fixtures and shows how each contributes to the overall interior design plan.
The video is aimed at students taking introductory courses in interior design or lighting.
Light is fundamental for space and essential for human well-being and it is the success of any building.
Light quality affects human behaviour, health, comfort and mood.
"Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep“ -Le Corbusier, August27,1965
Light, space and human they effect and work with each other.
Space needs light to illuminate; light needs space to receive it, light within the space change human experience
Interior Lighting: Bringing Rooms To Life teaches the basics of residential interior lighting. The liveaction video demonstrates how the angle, quality, and intensity of light influence how it is perceived and used.
The program explains ambient lighting, task lighting, and accent lighting. It demonstrates different kinds of lamps and lighting fixtures and shows how each contributes to the overall interior design plan.
The video is aimed at students taking introductory courses in interior design or lighting.
FAGERHULT | Architecture of Light - AOLPaulo Chong
Room configuration using lighting.
Light as a building block
Natural light is an obvious component of architecture and one of the main building blocks of a room. Artificial light is a vital complement. Good lighting supports the architect’s vision and enhances a room’s configuration. Luminaires should function as an extension of the building.
the act of illuminating or the state of being illuminated. a source of light, oftenly a light or lights, esp coloured lights, used as decoration in streets, parks, etc.
Akshra, 2nd Year Interior Design (Lighting Design Project)dezyneecole
Portfolio Of Student Of Dezyne E'cole College , Akshra, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
FAGERHULT | Architecture of Light - AOLPaulo Chong
Room configuration using lighting.
Light as a building block
Natural light is an obvious component of architecture and one of the main building blocks of a room. Artificial light is a vital complement. Good lighting supports the architect’s vision and enhances a room’s configuration. Luminaires should function as an extension of the building.
the act of illuminating or the state of being illuminated. a source of light, oftenly a light or lights, esp coloured lights, used as decoration in streets, parks, etc.
Akshra, 2nd Year Interior Design (Lighting Design Project)dezyneecole
Portfolio Of Student Of Dezyne E'cole College , Akshra, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com
Modern Furniture Catalogue is product from Piguno Furniture, with minimalist and exclusive from our profetional designer. Check this out. Visit us : www.pigunofurnture.com Email : info@pigunofurniture.com
24 percent of commercial energy end-use is used for lighting purposes, a very big percentage of which is utilized for lighting buildings during the daytime.
Our idea is to use optical fibers to bring concentrated day-light into buildings so that significant savings can be made in electricity cost as well as CO2 emissions.
This presentation was done as part of the assignments for Venture-lab, Technology Ventures 2012 course.
This workshop will provide a general overview of daylighting strategies in commercial buildings, emphasizing the importance of integrating daylighting with energy-efficient lighting systems and controls. We will also explore how daylighting is achieved from a LEED standpoint and how CA's Title 24 addresses daylighting.
Sandy Houck, LC, LEED AP of Brummitt Energy Associates will present the benefits of daylighting strategies for your commercial project.
Types of Light Source
Ambient
No position in space.
Point Source
At a point in space.
Equal intensity in all directions.
Directional Source
Source is “at infinity.”
Has direction only.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
Transforming Brand Perception and Boosting Profitabilityaaryangarg12
In today's digital era, the dynamics of brand perception, consumer behavior, and profitability have been profoundly reshaped by the synergy of branding, social media, and website design. This research paper investigates the transformative power of these elements in influencing how individuals perceive brands and products and how this transformation can be harnessed to drive sales and profitability for businesses.
Through an exploration of brand psychology and consumer behavior, this study sheds light on the intricate ways in which effective branding strategies, strategic social media engagement, and user-centric website design contribute to altering consumers' perceptions. We delve into the principles that underlie successful brand transformations, examining how visual identity, messaging, and storytelling can captivate and resonate with target audiences.
Methodologically, this research employs a comprehensive approach, combining qualitative and quantitative analyses. Real-world case studies illustrate the impact of branding, social media campaigns, and website redesigns on consumer perception, sales figures, and profitability. We assess the various metrics, including brand awareness, customer engagement, conversion rates, and revenue growth, to measure the effectiveness of these strategies.
The results underscore the pivotal role of cohesive branding, social media influence, and website usability in shaping positive brand perceptions, influencing consumer decisions, and ultimately bolstering sales and profitability. This paper provides actionable insights and strategic recommendations for businesses seeking to leverage branding, social media, and website design as potent tools to enhance their market position and financial success.
You could be a professional graphic designer and still make mistakes. There is always the possibility of human error. On the other hand if you’re not a designer, the chances of making some common graphic design mistakes are even higher. Because you don’t know what you don’t know. That’s where this blog comes in. To make your job easier and help you create better designs, we have put together a list of common graphic design mistakes that you need to avoid.
Dive into the innovative world of smart garages with our insightful presentation, "Exploring the Future of Smart Garages." This comprehensive guide covers the latest advancements in garage technology, including automated systems, smart security features, energy efficiency solutions, and seamless integration with smart home ecosystems. Learn how these technologies are transforming traditional garages into high-tech, efficient spaces that enhance convenience, safety, and sustainability.
Ideal for homeowners, tech enthusiasts, and industry professionals, this presentation provides valuable insights into the trends, benefits, and future developments in smart garage technology. Stay ahead of the curve with our expert analysis and practical tips on implementing smart garage solutions.
2. Introduction Good lighting can make or break a home in the same way that furnishings and interior decoration set a style, yet too often lighting is treated as an afterthought. Designing light require the architect to start with the space to light and most importantly will look at what space is FOR. Designers must treat space as a dynamic entity because homes are not static showpieces, people live in them and lighting design must account the different activities in each spaces. Every human activity needs different lighting state that gives the right levels of light for visual task on appropriate mood. Finally, the quality of lighting design must evoke the emotional feeling of the space.
3. Light Energy producing brightness: the energy producing a sensation of brightness that makes seeing possible Is visually perceived radiant energy on the electromagnetic spectrum in the range visible to the human eye.
4. Visible light comprises only a very small part of the energy spectrum yet makes it possible for people to see. Light and color affects human sight. Color is determined by wave length (370 nanometers to 800 nanometers)1 nanometer = 1billionth of a meter Longest wavelength has lowest frequency and shortest wavelength has highest frequency Fundamental Laws of Light
6. Sources of Light Incandescence In an incandescent light source, hot atoms collide with one another. These collisions transfer energy to some electrons, boosting them into higher energy levels. As the electrons release this energy, they emit photons. Some collisions are weak and some are strong, so the electrons are excited to different energy levels and photons of different energies are emitted. Candle light is incandescent and results from the excited atoms of soot in the hot flame. Light from an incandescent light bulb comes from excited atoms in a thin wire called a filament that is heated by passing an electric current through it.
7. Sources of Light Luminescence A luminescent light source absorbs energy in some form other than heat, and is therefore usually cooler than an incandescent source. The color of a luminescent source is not related to its temperature. A fluorescent light is a type of luminescent source that makes use of chemical compounds called phosphors..
8. Sources of Light Laser A laser is a special kind of light source that produces very regular waves that permit the light to be very tightly focused. Laser is actually an acronym for Light Amplification by Stimulated Emission of Radiation. Each radiating charge in a non laser light source produces a light wave that may be a little different from the waves produced by the other charges. Laser sources have atoms whose electrons radiate all in step, or synchronously. As a result, the electrons produce light that is polarized, monochromatic, and coherent, which means that its waves remain in step, with their peaks and troughs coinciding, over long distances.
9. Behavior of Light Light behavior can be divided into two categories: how light interacts with matter and how light travels, or propagates through space or through transparent materials. The propagation of light has much in common with the propagation of other kinds of waves, including sound waves and water waves.
10. is the bending of light when it passes from one kind of material into another. Because light travels at a different speed in different materials, it must change speeds at the boundary between two materials. If a beam of light hits this boundary at an angle, then light on the side of the beam that hits first will be forced to slow down or speed up before light on the other side hits the new material. This makes the beam bend, or refract, at the boundary. Refraction
11. Reflection Reflection also occurs when light hits the boundary between two materials. Some of the light hitting the boundary will be reflected into the first material. If light strikes the boundary at an angle, the light is reflected at the same angle. Light that is reflected from a flat boundary, such as the boundary between air and a smooth lake, will form a mirror image. Light reflected from a curved surface may be focused into a point, a line, or onto an area, depending on the curvature of the surface.
12. Types of Reflection Specular – Directed from a smooth polished surface Diffused – A scattered reflection of light from an irregular surface or an erratic dispersion through a translucent material.
13. Reflectance – The ratio of the radiation reflected by a surface to the total incident on the surface Absorptance – The ratio of the radiation absorbed by a surface to the total incident on the surface Transmittance – The ratio of the radiation transmitted through and emerging from a body to the total incident on it, equivalent to 1 minus the absorption
14. Materials in relation to Light Opaque – Impenetrable to light Translucent – Transmitting and diffusing light so that bodies on the opposite side are not clearly visible Transparent – Capable of transmitting light so that bodies situated beyond or behind can be distinctly seen.
15. Lighting The science, theory, or method of providing illumination through the use electric lamps
16. Lighting Fundamentals Candlepower – The Intensity of light from a source in a certain direction, and measured in candelas. Coefficient of Utilization – The ratio of illuminance to the lumens radiated from the light source. Efficacy – The ratio of the approximate initial lumens produced by a light source divided by the necessary power to produce them.
17. Lighting Fundamentals Footcandle – A unit of illuminance measurement; the number of lumens that are incident on each square foot of work surface. 1fc = 10.76 lux Illuminance – The light falling on a surface, measured in footcandles or lux. Lumen – A measure of total light producing output of a source; the quantity of visible light emitted.
18. Lighting Fundamentals Luminaire – An assembly used to house one or more light sources. Also called lighting fixture. Luminance – The emitted or reflected light from a surface in a particular direction, measured in candelas per square meter. Lux – A unit of measurement used to gauge the illuminance falling on a surface; the number of lumens incident on each square meter
20. Categories of Luminaires Direct: 90 – 100% downward Semi direct: 60 – 90% downward General diffuse: 40 – 60% both downward and upward Direct – indirect: little light is emitted in the horizontal plane Semi – indirect: providing 60 – 90% of its output upward Indirect: providing 90-100% of its luminous output upward.
21. Classification of Luminaires Recessed Ceiling Mounted Track Mounted Wall mounted Suspended Architectural Portable Pole Mounted Bollard Outdoor
22. Lighting and Vision Factors that affect visual performance independent of lighting Contrast: refers to the luminance difference between the critical detail of a task and its immediate background Size: refers to the size of the visual task Time: refers to the time a visual task is presented.
23. Factors that affect visual performance dependent on lighting Task Luminance Reflectance of a surface Veiling Reflections: reflections that create a luminous veil over a visual task Glare: an annoying or painful sensation caused by the non-uniformityof lighting Lighting and Vision (cont.)
25. The following means can reduce discomfort glare Decrease the luminance of the offending source of light Reducing the area or size of the offending source Increasing the luminance of surfaces surrounding the offending source
26. Lighting and Psychology Research has resulted in some approaches to lighting a space that tend to reinforce some subjective impressions. Visual Clarity: reinforced by bright, uniform lighting combined with high brightness of the walls Spaciousness: reinforced by uniform wall lighting Relaxation: reinforced by non-uniform lighting and lower ceiling brightness Privacy/Intimacy: reinforced by non-uniform lighting (low levels around the occupants, higher levels further away) Pleasantness/preference: reinforced by non-uniform lighting with high wall brightness
28. Lighting Calculations Illuminance Inverse Square Cosine Law E =(I cosx)/D2 Where: I is the Luminous Intensity in Candelas D is the distance between the source and the point and the angle x between the normal or perpendicular to surface A and the direction along the distance D Luminance L = rE/ Where: r is the reflectance, and E is the illuminance in lux