Portfolio Of Student Of Dezyne E'cole College , Akshra, Second Year Interior Design.This Is The Portfolio Of Her Work From Second Year .For More Details Visit www.dezyneecole.com

1. 2nd Year Commercial Design Diploma NSQF Level-6 of NSDC
Dezyne E’cole College, www.dezyneecole.com
LIGHT
DES
AKSHRA
ING
GN

2. Project Report
On
Lighting Design
At
Dezyne E’cole College
Ajmer
Submitted To
Dezyne E’cole College
Towards The
Partial Fulfilment of
2nd Year Interior Design Diploma
NSQF Level 6 Of NSDC
By
Akshra
Dezyne E’Cole College
106/10, Civil Lines, Ajmer
Tel.: 0145 – 2624679
www.dezynecole.com
2018 – 2019
Lighting Design

3. I, Akshra, Student Of Dezyne E'cole College, Am Extremely Grateful To Each And Every Individual Who Has Contributed
In Successful Completion Of My Project. I Would Like To Express My Special Thanks Of Gratitude Towards Dezyne E'cole
College And Its Mentors For Their Guidance And Constant Supervision As Well As For Providing Me The Necessary
Information And Support Regarding The Completion Of Project. I Also Want To Thank My Parents And My Friends Who
Helped Me A Lot In Finalizing This Project Within A Limited Time Frame.
Thank You.
Due Regards
Akshra
ACKNOWLEDGMENT
Lighting Design

4. This Project Report On Lighting & Color In Interiors Has Been Created, Developed And Designed By Me During My Study
Of Commercial Spaces Confirming To NSQF Level 6 Of NSDC. In This Project I Have Discussed How Lighting & Color
Affect The Perception Of Interior Spaces. It Is Important To Understand And Know The Effects Of Colored Lighting On
Interior Space Because This Knowledge Would Contribute To Lighting Design Of Interior Space. It Also Aims To Compare
Different Colored Lighting In Order To Understand Their Different Effects On Interior Space Perception. The Findings Of
The Study Can Be Helpful Not Only On Interior Designers But Also Lighting Designers Who Have The Control Of Lighting
In A Space. I Request You To Kindly Go Through My Portfolio Pages. As A Novice In This Field I Have Tried My Level Best
To Bring Out The Best Of My Knowledge Gained At Dezyne E’cole College.
SYNOPSIS
Lighting Design

5. The Project Report Of Ms. Akshra , A Student 2nd Year Commercial Design Diploma , NSQF Level 6 Of NSDC , Has Been
Checked And Is Graded As
Thank You
Principle
(Seal & Sign)
GRADE SHEET
Lighting Design

6. AKSHRA
I n t e r i o r D e s i g n e r
My Passion For Interior Designing Pushed Me To Exceed My Own Limits. I Always Had An Attraction
Towards Architecture Of The World, Designed Spaces Of Commercial And Residential Areas. Where A
Variety Of Textures, Colours And Style Were Used. I Honed My Skills In The Field Of Residential And
Commercial Space Design. My Skills In Space Planning, Idea Generation And Design Development Have
Been Exemplary. It Has Become A Goal And I Took Towards Excelling My Interior Design Skills In My
Career Ahead.
Contact
Dezyne E'cole College,
104/10 Civil Lines, Ajmer
305001 (Rajasthan) India
dezyneecole@gmail.com
+19829024839
+911452624679
• Good Knowledge Of Elements And Principle Off Design
• Good Aesthetic Sense
• Drafting
• Good In Software
Skills
• Schooling :- 2002-2017
• B.Sc. Interior Design :- 2017-2020
• Diploma 1st Year Residential Design :- 2017-2018
• Diploma 2nd Year Commercial Design :- 2018-2019
Education

10. Lighting Design
VISIT AT GOVERNMENT
MUSEUM AJMER

11. Lighting Design is A Process. It is The Process Of Integrating
Light Into The Fabric Of Architecture. Regardless Of The
Space To Be Lighted- A Bank, A Church, An Office, A Gallery,
A Restaurant, A Store, A Classroom-and Regardless Of The
Light Sources Available For Use, The Process Is Always The
Same. A Common Mistake When Providing Light For
Buildings is To Select The Lighting Equipment First. Selecting
Luminaires Is The Last Step In The Process. What is
Important is Not What Makes The Light, But Which Objects
And Surfaces Receive It.
LIGHTING DESIGN
ARTIFICIAL LIGHT DAYLIGHT
Lighting Design

12. Color Temperature Describes How A Lamp Appears When
Lighted. Color Temperature Is Measured In Kelvin(k), A Scale
That Starts At Absolute Zero (-273°c).
Incandescent Lamps Used In Architectural Lighting Have Color
Temperatures From 2700k To 7500k.
CORELATED COLOR TEMPERATURE (CCT)
COLOR TEMPERATURE IN THE KELVIN SCALE
Lighting Design

13. Expresses How Colors Appear Under A Given Light Source.
THE Most Accepted Method To Determine The Color
Rendering Index (CRI).
The Comparison Is Expressed As An Ra Factor, On A Scale Of
1 To 100, Which Indicates How Closely The Given Light
Source Matches The Color Rendering Ability Of The
Reference Light Source.
COLOR RENDERING INDEX
Lighting Design

14. It Provide Shielding In One Direction, Along A Single Axis. For
Small Aperture Luminaires, A Baffle Around The Perimeter
Provides Shielding From Al Directions.
BAFFLES
These Are A Series Of Baffles Or Shielding Elements Placed In
A Geometric Pattern To Provide Shielding From Many
Directions With Minimum Interference To The Desired Beam
Distribution.
LOUVERS
Lighting Design
Baffles Are Used In
Ceiling To Prevent
Glare
Light Source
Louvers

15. The Principal Difference Between Glare And Sparkle Is The Relationship
Between The Area And Magnitude Of Luminance In The Field Of View. Large
Areas Of Luminance Are Distracting And Disconcerting; Relatively Small Areas
Of Similar Or Higher Intensity Are Points Of Sparkle And Highlight That
Contribute To Emotional Excitement And Visual Interest.
SPARKLE
 Direct Sparkle : Examples Include Christmas Tree Lights; Small,
Exposed, Clear Filament Lamps; And Perforated Shielding Materials.
 Reflected Sparkle : Examples Include Textured Metal And Pebbled
Surface Finishes.
 Transmitted Sparkle : Examples Include
Crystal Chandeliers And Sandblasted Or Etched-
glass (Frosted) Diffusers Around Clear Filament
Lamps.
Lighting Design

16. INCANDESCENT LAMPS
Lighting Design
The Incandescent Lamp Is A Simple Device – A Hot Wire
(The Filament) Sealed In A Glass Jar (The Bulb). An
Electric Current Passing Through The Wire Heats It To
Incandescence, And The Wire Emits Light. The Filament
Wire Diameter And Length Determine The Amount Of
Electrical Current Drawn By The Lamp, Regulating Its
Light Output.
How An Incandescent Bulb Works?
Lamp Bulbs Do Not Contain Air, Because The
Incandescent Tungsten Will React The Oxygen In The
Air And Quickly Evaporate. Originally This Was
Prevented By Creating A Vacuum In The Bulb. Today,
Filling The Bulb With An Inert Gas Slows Bulb
Blackening, Which Is Caused By Condensation Of
Evaporated Tungsten Particles On The Inner Bulb Wall.
Argon, Nitrogen, And Krypton Gases Are Used For This
Purpose. (Some Incandescent Lamps, Particularly Those
Below 40w, Still Use A Vacuum.)
The Problem With Incandescent Is You End Up Paying
More In The Electricity Costs. Incandescent Are
Inefficient – 90% Of The Energy Goes Towards Heat And
Only 10% Toward Light. Incandescent Also Don’t Last As
Long As CFL’S And LED’S.
Why There Is A Need To Switch Over
Incandescent Bulb With LED’S?

17. INCANDESCENT LAMPS
Lighting Design
The Family Of Large Lamps Contain About One Hundred
Combinations Of Glass And Quartz Bulb Shapes And Sizes. These
Variations Are Designated By A Two-part Abbreviation: The First Part,
One Or More Letters, Indicates The Shape Of The Bulb; The Second
Part, A Number, Indicates The Diameter Or The Bulb In Eighths Inch.
An A19 Lamp Is An Arbitrary Shaped Lamp That Is 19/8 Inches
Diameter.
A Arbitrary ( With Familiar Teardrop Shape)
AR Aluminum Reflector
B Flame (Smooth)
C Cone Shape
CA Candle
F Flame (Irregular)
G Globe Shape
GT Globe Tubular
MR Multifaceted Mirror Reflector
P Pear Shape
PAR Parabolic Aluminized Reflector
PS Pear-straight Neck
R Reflector
S Straight Side
T Tubular

18. INCANDESCENT LAMPS
Lighting Design
Incandescent Lamps Have A Base At One End, Although
Some Tubular Lamps Have Bases At Both Ends. All Bases
Conduct Current From The Electrical Supply Into The
Lamp.
Similar Lamps Have Smaller Bases, Including Bayonet,
Bipin, Candelabra, Intermediate, Miniature, Mini-
candelabra (“Mini-can”), Twistand-lock And Two-pin
Bases. Larger Lamps Have Larger Bases, Including Mogul
Screw And Medium Bipost Bases.
Lamp Efficacy Is The Ratio Of Light Produced (Measured In Lumens [Lm]) To
Electricity Consumed (Measured In Watts (W)). Lamp Life Is Measured In Hours
(Hrs.)

19. DISCHARGE LAMPS
Lighting Design
In Electric Discharge Lamps, Light Is Produced By The Passage Of An
Electric Current Through A Vapor Or Gas, Rather Than Through A
Tungsten Wire As In Incandescent Lamps. The Light Production By
Discharging Sources Is More Efficient Than The Electric Heating
Method Used In Filament Lamps.
A Fluorescent Lamp Is A Low-pressure Mercury Arc Discharge
Source. Its Operation Relies On An Electrical Arc Passing Between
Two Cathodes, One At Either End Of A Glass Tube. Fluorescent
Lamps Required A Ballast To Provide The Proper Starting Voltage And
Regulate The Lamp Operating Current.
FLUORESCENT LAMPS

20. COMPACT FLUORESCENT LAMPS
Lighting Design
Compact Florescent Lamps Provide High Efficacy, A Cri Of 82,
And 10000- To 20000 Hrs. Lives In A Single-ended, Multi-tube
Fluorescent Lamp. They Operate In The Preheat And Rapid
Start Circuit Modes; Many Have A Starter Built Into The Lamp
Base. Compact Fluorescent Lamps Have Significantly Higher
Lumen Output Per Unit Length Than Conventional Small
Florescent Lamps.
While, Initially, They Cost More, Cfls Are Less Expensive In The
Long Run Because They Last Much Longer Than Incandescent
Bulbs. And Since Cfls Use A Third Of The Electricity And Last Up
To 10times As Long As Incandescent Bulbs, They Are Much Less
Expensive Overall. You Will See A Noticeable Change In Your
Electricity Bills Once You Change Over To Cfls.
ADVANTAGE :
Cfls Are Not Suitable For Focused Or Spotlights Or Where
Narrow Beams Of Light Are Required. They Are Meant Only For
Ambient Light.
DISADVANTAGE :

21. Lighting Design
LIGHT EMITTING DIODE (LED BULBS)
WHAT ARE LEDS AND WHAT THEY USED FOR ?
A Light-emitting Diode (LED) Is A Two-lead Semiconductor
Light Source . Early Leds Were Often Used As Indicator Lamps
For Electronic Devices, Replacing Small Incandescent Bulbs.
They Were Soon Packaged Into Numeric Readouts In The Form
Of Seven-segment Displays And Were Commonly Seen In
Digital Clocks.
HOW DOES A LED LIGHT BULB WORK ?
Light-emitting Diodes (Led) Are Semiconductors . As Electrons
Pass Through This Type Of Semiconductor, It Turns Into Light.
Compared To Incandescent And CFL Bulbs, Led Lights Are More
Efficient At Turning Energy Into Light. Therefore, Less Of The
Energy Radiates From The Bulb As Heat.
WHAT IS IT BETTER TO USE LED LIGHT ?
Energy Efficient Led Lights Are Up To 80% More Efficient Than
Traditional Lighting Such As Fluorescent And Incandescent
Lights. 95% Of The Energy In Leds Is Converted Into Light And
Only 5% Is Wasted As Heat. This Is Compared To Fluorescent
Lights Which Convert 95% Of Energy To Heat And Only 5% Into
Light.
INTERNAL STRUCTURE

22. Lighting Design
COLOR TEMPERATURE OF LIGHTS BULBS
Aside From The Light Bulb Itself, Use Kelvin Temperature Can Also Help Guide You In Determining Which Fixture Is Right
For Each Room. Whether You Need An Ambient Source Of Light Or One For Highly Focused Task Lighting, Keep In Mind
The Following Kelvin Ranges:
• LESS THAN 2000K : Gives Off A Dim Glow Of Light, Similar To What You Might Find From Candlelight; Best For Low Light Areas Where
Ambient Illumination Is Welcomed
• 2000K – 3000K : Gives Off A Soft White Glow, Often Yellow In Appearance; Best For Living Rooms, Dining Rooms, Bedrooms And Outdoor
Spaces
• 3100K – 4500K : Gives Off A Bright Amount Of White Light; Best For Kitchens, Offices, Work Spaces And Vanities Where Task Lighting Is
Needed
• 4600K - 6500K : Gives Off A Bright Amount Of Blue-white Light, Similar To That Of Daylight; Best For Display Areas And Work Environments
Where Every Bright Illumination Is Needed
• 6500K AND UP : Gives Off A Bright Bluish Hue Of Light, Often Found In Commercial Locations; Best For Bright Task Lighting

23. Lighting Design
DEGREES OF BRIGHTNESS CONTRAST
Degree Of Brightness Contrast Establishes The Emotional Setting, Which Either Reinforces Or Undermines The Intended Activity.
• The Degree Of Brightness Contrast Evokes Emotions In The Same Way As Background Music. It Affects The Performance Of Tasks,
Influence The Behavior Of People At Work And At Play And Impacts The Amount Of Contentment And Pleasure We Experience
LOW CONTRAST ENVIRONMENT :
A Large Proportion Of Diffuse Light And A Small Amount Of
Focused Light Produce This Low-contrast Environment. Low
Contrast Lighting Systems Are Intended To Provide Easy
Seeing For Visual Tasks, To Allow Random Circulation, Or To
Permit Flexible Relocation Of Work Surfaces.
HIGH CONTRAST ENVIRONMENT :
A Small Proportion Of Diffuse Light And A Large Amount Of
Focused Light Produce A High Contrast Environment. High
Contrast Lighting Systems Render Patterns Of Light And
Shade: They Intentionally Establish A Hierarchy Between
Foreground And Background.

24. Lighting Design
THE THREE ELEMENT OF LIGHT
Ambient Light, Focal Glow And Sparkle
1. Ambient Luminescence :
Ambient Luminescence Is Shadow Less
Illumination. It Minimizes Form And
Bulk. It Dematerializes. It Reduces The
Importance Of Things And People. It Fills
People With A Sense Of Freedom Of
Space And Suggests Infinity. It Is Usually
Reassuring And Restful.
2. Focal Glow :
Focal Light Is Directive, Creates A Bright
Centre; It Tells Us What To Look At,
Organizes, Marks The Most Important
Element. It Creates Sense Of Space: You
Can Organize Depth Through A
Sequence Of Focal Centers.
3. Sparkle :
Sparkle Is Scintillation. It Is A Tiny
Microscopic Bombardment Of Points Of
Light – The Most Exciting Kind Of Light
There Is. It Stimulates And Arouse
Appetites Of All Kinds: Chandeliers In
Dining Rooms, Sequins On Dresses, And
Lights On Theatres.

25. Lighting Design
THREE NASIC TYPES OF LIGHTING
Ambient Lighting :
Also Called General Lighting, Ambient
Lighting Provides Overall Illumination
For A Room, And Is Intended To Create A
Uniform Light Level Throughout A Space,
Independent Of Any Special Lighting
That May Be Needed In Targeted Areas
Of A Room. In Most Home Settings,
When A Person Steps Into A Room And
Flips On A Switch, Ambient Lighting
Illuminates The Space.
Task Lighting:
Targeted To A Particular Area Of A
Room, Task Lighting Intended To Room,
Task Lighting Is Intended To Illuminate A
Specific Function. Areas Of A Home That
Requires Task Lighting Include Kitchen
Counters Where Food Will Be Prepared;
Living Room Seating Area Where
Reading Will Take Place; And Home
Office Desk Surfaces Where Paperwork
Will Be Done. In A Kitchen, Under
cabinet Lighting Provides Task Lighting
For A Countertop.
Accent Lighting :
Also Called Highlighting, Accent Lighting
Draws Attention To A Particular Object
Such As Artwork, Sculpture, Plants Or
Bookcases. Accent Lighting Is Often Used
Outdoors, To Highlight A Beautiful Tree,
Plant Or Water Feature, Or To Draw The
Eye To A Particular Area Of The
Landscape. Recessed Or Track Lighting Is
Often Used For Accent Lighting, With
Adjustable Fittings That Allow Light To
Be Focused Precisely Even On A Small
Object.

26. Lighting Design
BRIGHTNESS VERSUS LUMINANCE
DIRECTION AND DISTURBING OF LIGHT
• Brightness Is The Subjective Sensation That Occurs In The Consciousness Of A Human Observer . Luminance Is The Objective
Measurement Of Intensity Per Unit Of Projected Area.
Specification The Direction And Distribution Of Light In A Space Yields The Desired Brightness Contrast
A Luminaire Emits Light In One Of Three Directions – Downward, Upward, Or Multidirectional – And In One Of Two Distributions –
Concentrated Or Diffuse

27. Lighting Design
Concentrated Downward Direct Lighting
Luminaires With Narrow Beam-spreads That Lack An
Upward Component Of Light Produce A Concentrated
Downwards Distribution. When Located In Low Ceilings,
Concentrated Downward Beams – With Spreads Of 30°
Or Less Create Areas Of High Luminance On The Floor
With Dark Areas In Between. To Avoid This Unevenness,
Luminaires Would Need To Be Placed Inordinately Close
To Each Other. Low Ceiling Require The Use Of Diffuse
Downward Luminaires.
Diffuse Downward Direct Lighting
Luminaires With DIFFUSE Beam-spreads And A
DOWNWARD DISTRIBUTION PRODUCE DIFFUSE
DOWNWARD LIGHT. Diffuse Downward Beams-with
Spreads From 80 ° To 120 ° Offer A More Practical Light
Distribution For Many Purposes. This Greater
Percentage Of Purposes. This Greater Percentage Of
Light At Higher Angles Increases Incident Light On
Vertical Surfaces, Models Faces, And Reduces The
Concentration Of Brightness Within The Space.

28. Lighting Design
Concentrated Upward Indirect Lighting
A Concentrated Upward Distribution Light Toward The
Ceiling. With Light Directed Upward And The Downward
Component Removed, The Ceiling Becomes Visually
Prominent. It Also Becomes A Secondary Light Source
Because Of Its Reflective Properties. When Mounted In
Close Proximity To The Surface Being Lighted,
Concentrated Upward Beams Create Isolated Areas Of
High Luminance.
Diffuse Upward Indirect Lighting
A Diffuse Upward Distribution Directs Light Toward
Ceiling And The Upper Side Walls. This Technique Is
Used To Create Uniform Ceiling Luminance For The
Prevention Of Glare In Areas With Video Display
Terminals And To Emphasize Structural From Or
Decorative Detail On The Ceiling Plane Because Each
Point On The Ceiling Reflects Light In Every Direction,
Diffuse Upward Distribution Produces A Flat Low
Contrast Environment: The Reflected Light Reduces
Contrast And Shadow.

29. Lighting Design
Direct Indirect Lighting
Luminaires That Deliver Both Direct And Indirect
Components Of Diffuse Light, But No Side Lighting, Are
Called Direct/Indirect. They Provide Efficient Use Of
Light On Work Surfaces While Reliving Contrast By
Reflecting Light From The Ceiling Plane
Multidirectional Lighting
Multidirectional Distribution Created With
Concentrated Beam-spread Is Called Multidirectional
Concentrated. It Is Also Called Semi directional If 60%
To 90% Of The Lumens Are Directed Downward And
Semi-indirected If 60% To 90% Of The Lumens Are
Directed Upward. A Higher Contrast, Nonuniform
Brightness Condition Is Produced With Concentrated
Distributions Present In Both The Upward And
Downward Components.

30. Lighting Design
MULTIDIRECTIONAL DIFFUSE LIGHTING
Multidirectional Diffuse Distribution Is Produced By
Luminaires That Deliver Both Upward And Downward
Components Of Light. These Luminaires Emit Light In
Several Directions At The Same Time – Toward The
Ceiling And Walls As Well As Toward The Floor. The
Reflected Light From The Ceiling And The Inter
Reflection Of Light In The Space Diffuse The Downward
Distribution, Reducing Shadow And Contrast And
Creating A Uniform, High0brightness Interior.

31. Lighting Design
THREE DIMENSIONAL FORM
Grazing Light Is Appropriate For Lighting Heavily
Textured Surfaces Such As Rough Plaster, Masonry, Or
Concrete. It Is Disastrous For “Flat” Walls Of Smooth
Plaster Or Gypsum Board, However, Because Such Walls
Are Not Truly Flat: Minor Surface Imperfections Such As
Trowel Marks, Tape, And Nail-head Depressions Are
Magnified By The Shadows That Result From Grazing
Light.
Diffuse Wash Light Reduces The Likelihood That Surface
Flaws Will Be Noticed And Strengthens An Impression
Of Surface Smoothness. This Is More Suitable For A
Gypsum Board Wall Or An Acoustical Tile Ceiling.
Diffuse Wash Light From The Front Particularly
Successful At Reducing Or Removing Shadows And
Small Variations In Brightness.

32. Lighting Design
LED TRACK LIGHT (TR-003) - 35 WATT
MODEL NAME: LED TRACK LIGHT (SSK-TR-003-35W)
MODEL NUMBER: SSK –TR-003
SHAPE: ROUND
INPUT POWER : 35W
INPUT POWER : AC90-300V.50HZ
SIZE (MM): 90X150
COLOR TEMERATURE: 4000K-5000K
CRI: MORE THAN 85
BEAM ANGLE: 60°
LUMENS: 3150
LED TRACK LIGHT (TR-004) - 35 WATT
MODEL NAME: LED TRACK LIGHT (SSK-TR-004-15W)
MODEL NUMBER: SSK –TR-004
SHAPE: ROUND
INPUT POWER : 15W
INPUT POWER : AC90-300V.50HZ
SIZE (MM): 70X130
COLOR TEMERATURE: 4000K-5000K
CRI: MORE THAN 85
BEAM ANGLE: 60°
LUMENS: 1300
LED TRACK LIGHT (TR-010) - 45 WATT
MODEL NAME: LED TRACK LIGHT (SSK-TR-010-45W)
MODEL NUMBER: SSK –TR-010
SHAPE: ROUND
INPUT POWER : 45W
INPUT POWER : AC90-300V.50HZ
SIZE (MM): 90X 160
COLOR TEMERATURE: 4000K-5000K
CRI: MORE THAN 85
BEAM ANGLE: 60°
LUMENS: 4000

33. Lighting Design
BAFFLES AND LOUVERS
Baffles And Louvers Shield Glare At Normal
Viewing Angles, Thereby Contributing To Visual
Comfort.
COVES LIGHTING
Coves Are Useful To Supplement More Energy-
effective Lighting Methods, Such As Recessed
Down lighting Systems

34. Lighting Design
When Space Constraints Limit The Cove Design So That The Source Is Located Too Close To The Adjacent Wall And Ceiling, These Surfaces
Will Appear Excessively Bright. Shields Can Be Incorporated Into The Cove Design To Intercept Some Of The Light And Prevent It From
Reaching The Upper Wall.
These Two Pictures
Shows The
Dimensions Needed
Fro Strip Led On Cove
Lighting For Ceiling

35. Lighting Design
LIGHTING LAYOUTS
Given The Wide Choice
Of Different Lamps And
Luminaires Available,
There Is An Almost
Infinite Set Of Different
Arrangement Of
Electric Lights Within A
Room That Will
Provide A Certain
Illumination Level. The
Primary Concern In
Lighting Layout Is To
Avoid Glare On Activity
Surfaces. Such Glare Is
A Result Of Light
Bouncing Directly Into
User’s Eyes, Rather
Than Diffusely.

36. After Getting Knowledge About Light And Its Structure I Developed Light Structure (Pendant Lighting).
Their Detailed Drawing, Orthographic Projections, Assembling And The Rendered Views Are Displayed In
Further Pages. The Material Required And The Type Of Light Used In The Fixture Is Also Well Defined.
Lighting Design
Practical Working

37. Lighting Design
Inspiration Board
Tubular Flowers Are Sun-loving Native North
American Vine That Is As Rugged And
Vigorous As It Is Useful—especially For
Interior Decoration For Example:- Unsightly
Wall Or Naked Fence That Need Covering.
I’m Inspired From Tubular Flowers Because
Of There Attractive Shapes And Bright
Colours.

38. Lighting Design
12’’ Diameter
9’’ Diameter
15’’ Diameter
Rings And Batten With
Dimension
12’’
Diameter
9’’
Diameter
12’’
5’’
Detailed Drawings

39. Lighting Design
Orthographic Projection
15’’
15’’
Front And Back View Left And Right View
Isometric View Isometric View With Material Application
Material Used
• Wood
• Resin to Stick Wood
Light Used
• Company – Philips
• Colour – Warm
• Bulb Technology- LED
• Lumen -300lm
• Watt – 3w

40. Lighting Design
Rendered Views

41. 2nd Year Commercial Design Diploma NSQF Level-6 of NSDC
Dezyne E’cole College, www.dezyneecole.com
AKSHRA
Thank You