IP Erasmus at Siegen
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The Myth of Rome and the Roman World in the Experience of the First Medieval Communes in Central- Northern Italy and in Southern France Enrica Salvatori Erasmus IP – Siegen (18/03/2010)
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1 20Art History Unit 5 The Roman Empire2 2.docx
1 / 20
Art History
Unit 5: The Roman Empire
2 / 20 4th century CE. Catacomb of Santissimi Pietro e Marcellino, Rome
Early example of Christian painting. Stylistically similar to Roman wall paintings of Pompeii, which Christian motifs.
The central figure is a shepherd and represents Jesus Christ.
3 / 20 Jacopo Grimaldi. Interior of Old St. Peter’s, Rome. 1619
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4 / 20 Old St. Peter’s, Rome. Basilica floor plan.
5 / 20 Interior (view through ambulatory into rotunda), Santa Costanza, Rome. ca. 350 CE
6 / 20 Santa Costanza, Rome. Central Floor Plan
7 / 20 Interior of Santa Maria Maggiore, Rome. ca. 440–442 CE
Interiors of Christian worship buildings were decorated using mosaic, which are small stones arranged into a picture.
The overall effect is a glittering jewel-box, one that symbolizes the divine..
8 / 20 The Parting of Lot and Abraham and Shepherds in a Landscape. Mosaic. ca. 432–440 CE
9 / 20 Sarcophagus of Junius Bassus. ca. 359 CE
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with representational, three-dimensional, human forms. Yet, the images all represent Christian stories from the Bible.
10 / 20 BYZANTINE Art: Exterior, San Vitale, Ravenna, Italy
Byzantine is a style of early Christian art that derives its inspiration from Constantinople, and the church leaders from the east.
11 / 20 Interior (view from the apse), San Vitale, Ravenna, Italy
12 / 20 Emperor Justinian and His Attendants. ca. 547 CE
Byzantine Art represents government leaders in Christian roles and motifs. Where in Rome,
the papacy controlled the Church, in Constantinople it was ruled by the Emperor and a Patriarch.
13 / 20 Empress Theodora and Her Attendants. ca. 547 CE
14 / 20 Exterior, Hagia Sophia, Istanbul
The Hagia Sophia is a Byzantine Church originally built in Constantinople. It survived the Turkish invasions
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15 / 20 Interior, Hagia Sophia, Istanbul
16 / 20
Jacob Wrestling the Angel. Page from the
Vienna Genesis. Early sixth century CE
• Manuscript Illumination played a key role in Early Christians leaders ability
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• These manuscripts are works of art, carefully and methodically crafted
using precious materials to express the utmost in beauty.
• Advancements in paper making during this time led to the discovery of
parchment, a paper made from animal hide and strong enough to bound into
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• The image on this page is a continuous narration, which means this one
picture represents the progression of the story as it travels along the road,
rather than one brief moment of time.
17 / 20
Christ Icon. Sixth cen ...
1. - In the Gothic art, Paris is the center of intellect, and peop.docx
1. - In the Gothic art, Paris is the center of intellect, and people made enormous book illuminations. Thus, book manufactures became professional artists, and they made books for royal family, scholars, and prosperous merchants. The image of Christ represents many characteristics of Gothic Arts. For example, like other illuminated books in Gothic period, it is consisted of three dimensional architectural setting similar to the figure 13.36. It is dived two big parts, drawing and texts. The upper side of drawing depicts Christ with two angels. Christ is blessing with his right hand, and he holds the bible with his left hand-old iconography of Christ. The lower side of drawing demonstrates three small figures. One of them is the angel of God who directs Saint John to write the book. Artist shows his motivation to make this book through the angel figure who directs him. Many artist in Gothic period, represents his motive, name or brand name on the books. In addition, similar to the figure 13.32, it gives figures volume by using different colors and lights. It uses distinctive colors, especially blue and red.
2.- The image of Christ has been changed many times. At first, in Byzantine period, Christ is often depicted as royal and sacred being. Byzantine considered them as Roman empire, so they tried to depict Christ with resembling Roman royal people. For example, Jesus in the figure 9.13 appears in a deep blue almond shape mandorla-the light, and the background is gold colors which is related Roman empire. Also, Jesus is bigger than others, and he is blessing others with his right arms. It represents that Jesus has powers and authority, and he is sacred being. The other example is the figure 9.29 Virgin and Child. The Christ and Mary wear gold and black clothing related royal art. Also, Mary is depicted omniscient being because the sadness appears on her face as if she already know sacrifice of her son.
In Romanesque period, people depict Christ as a final judge after he returns. In that time, people tried to inherit Roman empire’s works like Byzantine period, but Romanesque Europe has combinations of lots of art style from different cultures. For example, the figure 12.12 depicts the last judgment. Christ is larger than other figures, and he is in the mandorla like Byzantine works. There is both heaven and hell, so it warns to people that they go to hell when the last judgment if they don’t believe Jesus. In addition, the figures are similar to icon image rather than roman figures. It indicates that Romanesque art is the combinations of all different art.
In Gothic period, Christ is more humanize because, in Gothic period, people emphasize humanism on their art. Thus, people depict intensive emotion of both Christ and Mary on the works. The example is the figure 13.51 Virgin with the Dead Christ. The body of Christ is stiffed in death, and covered with blood. Unlike the former image of Christ, it represents death of Christ as human being rath ...
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1 20Art History Unit 5 The Roman Empire2 2.docx
1 / 20
Art History
Unit 5: The Roman Empire
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3 / 20 Jacopo Grimaldi. Interior of Old St. Peter’s, Rome. 1619
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7 / 20 Interior of Santa Maria Maggiore, Rome. ca. 440–442 CE
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12 / 20 Emperor Justinian and His Attendants. ca. 547 CE
Byzantine Art represents government leaders in Christian roles and motifs. Where in Rome,
the papacy controlled the Church, in Constantinople it was ruled by the Emperor and a Patriarch.
13 / 20 Empress Theodora and Her Attendants. ca. 547 CE
14 / 20 Exterior, Hagia Sophia, Istanbul
The Hagia Sophia is a Byzantine Church originally built in Constantinople. It survived the Turkish invasions
that led to the fall of the Eastern Christian Empire, and was converted into a Mosque. Today, it is a museum.
15 / 20 Interior, Hagia Sophia, Istanbul
16 / 20
Jacob Wrestling the Angel. Page from the
Vienna Genesis. Early sixth century CE
• Manuscript Illumination played a key role in Early Christians leaders ability
to teach the masses about Christian doctrine.
• These manuscripts are works of art, carefully and methodically crafted
using precious materials to express the utmost in beauty.
• Advancements in paper making during this time led to the discovery of
parchment, a paper made from animal hide and strong enough to bound into
books.
• The image on this page is a continuous narration, which means this one
picture represents the progression of the story as it travels along the road,
rather than one brief moment of time.
17 / 20
Christ Icon. Sixth cen ...
1. - In the Gothic art, Paris is the center of intellect, and peop.docx
1. - In the Gothic art, Paris is the center of intellect, and people made enormous book illuminations. Thus, book manufactures became professional artists, and they made books for royal family, scholars, and prosperous merchants. The image of Christ represents many characteristics of Gothic Arts. For example, like other illuminated books in Gothic period, it is consisted of three dimensional architectural setting similar to the figure 13.36. It is dived two big parts, drawing and texts. The upper side of drawing depicts Christ with two angels. Christ is blessing with his right hand, and he holds the bible with his left hand-old iconography of Christ. The lower side of drawing demonstrates three small figures. One of them is the angel of God who directs Saint John to write the book. Artist shows his motivation to make this book through the angel figure who directs him. Many artist in Gothic period, represents his motive, name or brand name on the books. In addition, similar to the figure 13.32, it gives figures volume by using different colors and lights. It uses distinctive colors, especially blue and red.
2.- The image of Christ has been changed many times. At first, in Byzantine period, Christ is often depicted as royal and sacred being. Byzantine considered them as Roman empire, so they tried to depict Christ with resembling Roman royal people. For example, Jesus in the figure 9.13 appears in a deep blue almond shape mandorla-the light, and the background is gold colors which is related Roman empire. Also, Jesus is bigger than others, and he is blessing others with his right arms. It represents that Jesus has powers and authority, and he is sacred being. The other example is the figure 9.29 Virgin and Child. The Christ and Mary wear gold and black clothing related royal art. Also, Mary is depicted omniscient being because the sadness appears on her face as if she already know sacrifice of her son.
In Romanesque period, people depict Christ as a final judge after he returns. In that time, people tried to inherit Roman empire’s works like Byzantine period, but Romanesque Europe has combinations of lots of art style from different cultures. For example, the figure 12.12 depicts the last judgment. Christ is larger than other figures, and he is in the mandorla like Byzantine works. There is both heaven and hell, so it warns to people that they go to hell when the last judgment if they don’t believe Jesus. In addition, the figures are similar to icon image rather than roman figures. It indicates that Romanesque art is the combinations of all different art.
In Gothic period, Christ is more humanize because, in Gothic period, people emphasize humanism on their art. Thus, people depict intensive emotion of both Christ and Mary on the works. The example is the figure 13.51 Virgin with the Dead Christ. The body of Christ is stiffed in death, and covered with blood. Unlike the former image of Christ, it represents death of Christ as human being rath ...
(humanities)
In 330 AD, Constantine the Great moved the Roman capital from Rome to Byzantium, renaming the city Constantinople. This established the Byzantine Empire, with Constantinople as its center, that lasted until the fall of the city to the Ottoman Turks in 1453. Byzantine art was created primarily for the Eastern Orthodox Church, and included mosaics, frescoes, and sculptures that decorated church interiors. Notable artistic works included the Hagia Sophia with its massive central dome and glittering mosaics that created an otherworldly atmosphere for worshippers. Byzantine architecture and art had a profound influence on neighboring cultures like the Arab world.
Enbe town x
The document discusses the key components and elements needed to design a livable future town. It begins by explaining what defines a town and some characteristics that make a good town, such as location, infrastructure, services, and governance. It then provides examples of significant ancient and present-day cities, highlighting Venice and its canal system, bridges, and eco-friendly transportation, as well as China's Tianjin Eco City as models of sustainable design. The document concludes by outlining the design of a new proposed town called "Town of Nature," which utilizes renewable energy sources, public parks, electric transportation, and integration with the natural environment.
Week6 roman middleages_part2
mediterranean, greek, classical, helenistic, sculpture, ancient, egyptian, art, art appreciation, art history
Rome
The document is a student's history project on ancient Rome. It provides information on several iconic sites from Rome including the Pantheon, Colosseum, Roman Forum, Circus Maximus, and Piazza Navona. It describes the origins and historical significance of each location. The student cites thinkquest.org as the sole reference used for research.
Jennifer (humanities)
In 330 AD, Constantine the Great moved the capital of the Roman Empire from Rome to Byzantium, renaming the city Constantinople. The Byzantine Empire lasted until the fall of Constantinople in 1453, influencing art and architecture throughout its territory. Byzantine art was primarily religious in nature, focused on glorifying Christianity through mosaics, frescoes, ivories, and architecture in churches. Key works included the Hagia Sophia, San Vitale, and the mosaics and frescoes of the Vladimir Virgin and Lamentation of Christ. Byzantine architecture used domes and Greek crosses and inspired later Islamic structures like the Alhambra and Great Mosque of Cordoba.
Museum Of National History And Archaeology Constanta
The Museum of National History and Archaeology in Constanta, Romania showcases the history and archaeology of the Dobroudja region between the Lower Danube and Black Sea. It has collections from the Paleolithic through modern eras, with a focus on the Greco-Roman period. Artifacts on display include sculptures, glass vessels, coins, and items from Roman settlements like Tomis, Histria, and Adamclisi including the reconstructed Tropaeum Traiani monument. The museum conducts archaeological excavations, research, and preservation of finds to educate visitors about the romanization process in Eastern Europe.
History of Church Architecture: Byzantine, Romanesque, Gothic
This Lecture was meant to cover a quick summary of the history of churches from early Christian, Byzantine, Romanesque, and Gothic. IT also Reflected on a brief history of Coptic churches in Egypt.
About the history and the monuments of our country Greece and of our island,...
This document provides a summary of the history of Greece and the island of Rhodes. It discusses important historical events and monuments in Greece such as the Ancient Olympic Games, Athens and the birth of democracy, Alexander the Great's expansion of Greek influence, and the modern Greek state established in 1830. For Rhodes, it outlines the classical, Roman, Byzantine, Knights', Ottoman, and Italian periods of history and some of the significant developments that occurred during each era, including construction of fortifications and public buildings. The document also describes some of Rhodes' most prominent archaeological sites like the Palace of Knossos and important historical monuments in Greece like the Acropolis of Athens and the Parthenon.
Thessaloniki
This document provides a historical overview of the city of Thessaloniki, Greece. It discusses that Thessaloniki was founded in 315 BC and has a history spanning over 2,300 years. As the second largest city of the Byzantine Empire, it contains many notable Byzantine monuments from that era. The document describes some of the most prominent historical sites from Thessaloniki's Roman and Byzantine periods, including the Rotunda, Arch of Galerius, and various churches. It outlines how Thessaloniki became an important center of Christianity and the spread of the faith in the region.
The monastery of San Salvatore
The document provides details about the Monastery of San Salvatore, a Franciscan monastery located in Chania, Crete, Greece. It discusses the monastery's history from its origins in the 13th century through the Venetian, Ottoman, and modern periods. Specifically, it details how the monastery was originally a small chapel that expanded over time. It also describes how the monastery functioned and the common facilities like the cloister and peristyle that were used by the Franciscan friars.
Porolissum Excavations - Romania
The Porolissum Forum Project aims to study the urban development and daily life of Porolissum, a Roman city in Dacia. Excavations of the forum area have uncovered evidence of five phases: an early wooden fortress (AD 106-140s); an early stone forum (140s-150s); a mature Severan forum (AD 193-217); late Roman/post-Roman occupation (AD 260-375); and Migration period activity (5th-10th c.). The mature forum consisted of colonnades enclosing buildings that may have been a basilica, bath complex, and shops. After the Roman withdrawal in AD 271, the structures were reused by local populations until gradual deterioration over subsequent
Architectural history
This painting by Claude Monet depicts a sunrise scene at the port of Le Havre, France. In the foreground are two small rowboats, with fishing boats and larger ships like clippers and steamships in the middle and background. Monet painted the scene to capture the contrast of traditional fishing alongside the modern industry symbolized by steamboats and cranes, representing France's regeneration after recent defeat in war. The painting helped give rise to the Impressionist movement with its focus on capturing fleeting light and atmospheric effects over meticulous detail.
Architectural History
This painting by Claude Monet depicts a sunrise scene at the port of Le Havre, France. In the foreground are two small rowboats, with fishing boats and larger ships like clippers and steamships in the middle and background. Monet painted the scene to capture the contrast of traditional fishing alongside the modern industry symbolized by steamboats and cranes, representing France's regeneration after its recent defeat in the Franco-Prussian war. The painting helped give rise to the Impressionist movement with its loose brushwork and focus on capturing fleeting light effects.
Roman architecture
The document provides information about Roman architecture and some key structures from ancient Rome. It discusses the typical layout of Roman cities, with two main streets intersecting at the central forum. It then focuses on the famous Pantheon building, describing its dome structure and how it was one of the most preserved and influential buildings from ancient Rome. The summary concludes by noting that the Pantheon's dome structure was an engineering marvel for its time.
Ancient Rome Essay
Ancient Rome
Essay Ancient Rome
Essay about Rome
Women in Ancient Rome Essay
Roman Architecture Essay
Acropoils & other hellenic world monuments
This document provides information about European Heritage Days and World Heritage Monuments in Greece. It discusses the European Heritage Days initiative which takes place annually in September and highlights local cultural assets, skills, and traditions. It then provides details about several UNESCO World Heritage sites in Greece, including the Acropolis of Athens and the Archaeological Site of Aigai (modern Vergina), describing their historical and architectural significance.
Alexandria Found and Lost - an online lecture by Dr Chris Naunton
Dr. Chris Naunton provides historical background on Alexandria, founded by Alexander the Great in Egypt in 332 BCE. Strabo's writings from the 1st century CE describe the layout of Ptolemaic Alexandria, including its two harbors, the Pharos lighthouse, royal palaces and gardens, and public buildings like the museum. Over time, Alexandria was lost and rediscovered, with few remains of its ancient glory. Excavations have uncovered remnants of the city walls, temples like the Caesareum and Serapeum, and civic structures like the stadium.
Medieval Art. Romanesque and Gothic.pdf
The document summarizes Romanesque and Gothic styles of medieval art in Europe between the 11th-15th centuries. Romanesque art developed in churches and monasteries to depict biblical scenes and strengthen Christianity. It used elements of Roman architecture like arched vaults. Gothic art flourished as cities and the church grew in importance. Gothic cathedrals featured pointed arches, ribbed vaults and large stained glass windows to let in more light. Both styles used sculpture and paintings on church walls and in manuscripts to convey religious messages through depictions of Bible stories and saints.
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Film vocab for eal 3 students: Australia the movie
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IP Erasmus at Siegen
- 1. The Myth of Rome and the Roman World in the Experience of the First Medieval Communes in Central- Northern Italy and in Southern France Erasmus IP – Siegen (18/03/2010)
- 2. The Myth of Rome
- 16. Cathedral façade
- 19. Several tombs in Roman sarcophagus Beatrice tomb (XI c.) Roman sarcophagus (II a.C.) with the reliefs of Fedra and Hippolytus’ myth It was in the south wall of the Cathedral (now in the monumental courtyard) The most honorable kind of tomb for important people Witness of a political program : recupero and showing bounds with the ancient Rome
- 28. Late influences Nicola e Giovanni Pisano Nicola Pisano took inspiration from the sarcophagus of Fedra to create some shapes for the pulpit of the baptistery
- 30. Milan XII - Porta Romana
- 31. Milan XII Porta Romana + ANNO DOMINICE INCARNATIONIS MILESSIMO CENTESIMO SEXAGESIMO SEPTIMO DIE IOVIS QUINTO KAL. MAGII MEDIOLANENSES INTRAVERUNT CIVITATEM +ANNO DOMINICE INCARNATIONIS MILESSIMO CENTESIMO SEPTUAGESIMO PRIMO MENSE MARTII HOC OPUS TURRIUM ET PORTARUM HABUIt INITIUM CONSULES REIPUBLICE QUI IVI ERANT ET HOC OPUS FIERI FECERUNT FUERUNT (names) … 1162 destruction of Milan by Frederik I 1167 the inhabitants go back into the city 1171 Porta Romana rebuilt with reliefs and epigraph recalling Roman reliefs and the Republic
- 33. Cola di Rienzo Cola di Rienzo, tribune of Roman People in XIV cent. His goal was to do well in Rome, despite being the seat of the Pope and the Emperor even in theory, a municipality with its own laws and resources, governed by representatives of the people of Rome, inspired by the memory of his greatness. He was very fond of Roman history and remains He deliberately use Roman titles and languages in public documentation and in speeches Another different USE of Rome , even in a municipality: the Rome of Cola is the Roman Republic, symbol of freedom and justice, where the power was in the hands of the People ruled by laws. Now a modern statue of Cola is in Roma at EUR district build entirely by fascist rule using deliberately the myth of Rome