Inside cover
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The document summarizes the first two stages of creating an inside CD cover in Photoshop with a basketball theme. The creator searched for an image online to edit, adding red using the paint bucket tool. They then added an image of Sarz and applied a filter, moving the whole image to the left and removing red to have the basketball hoop closer to Sarz.
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6. production reflection
Jack Lowes created the main playable character and level for their game. They designed the character as a knight and focused on getting the proportions correct. They also created a magical spear. For the level, they used greys, reds, and browns to texture a castle. They added brickwork and plan to improve the shading and textures. In later updates, they added enemies and improved level design with more shading. For animation, they created a walking cycle but realized they lacked special effects. Sound effects were also not a perfect fit when added to the animation in Premiere.
Production Process Contents Page
The document describes the production process for creating a contents page for a magazine. It discusses importing text and images into Quark Express and experimenting with layouts and color schemes. It details changes made based on feedback, such as removing an advertisement, changing images, and adjusting the layout to look "full" like similar magazines. The final contents page had retaken pictures, one column of text, repositioned title and date, and added/changed graphic features to white and yellow.
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Production log
Robert Hillard-Linney created a production log to track his progress on an 8-week assignment. He drew up a schedule to ensure he completed tasks on time and drew initial character designs featuring long coats and old-style clothing to portray a futuristic character from the past. He also designed futuristic wrist devices and compiled mood boards with different designs to draw from for his character's final design. He created game levels in Photoshop using a similarly styled character for the environment. His final watercolor study compiled all the designs into one character. He then created an Illustrator image of the character, starting with outlines and adding colors to match the watercolor over about a week.
2. initial plans
Here are 7 potential sources you could include in your bibliography:
1. Edmund McMillen and Tyler Glaiel (2010) Super Meat Boy
2. Team Meat (2008) Super Meat Boy
3. Edmund McMillen (2005) Aether
4. Derek Yu (2003) Spelunky
5. Lucas Pope (2013) Papers, Please
6. Jonathan Blow (2008) Braid
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Final intitial plans
Carter Smith plans to create a 2D pixel art game for a school project, considering ideas like a stick man running game or improving upon a previous game called "Sweet Sweep." Other potential ideas are a 2D shooting game or a stick man fighting or escaping game. Carter believes the stick man concept could look professional yet simple and allow their game to stand out from other classmates' projects.
Advance Illustration Porfolio
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Shoot reflection and action plan
I think that all my shoots went well. For each one I made sure I had a three-point lighting set up to ensure that my images were as high quality and bright as possible. I also decided to use a white backdrop for my images to make it easier when I am editing them in photo shop. Now that I have taken all of my shots I need to work out where I want to use each image.
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6. production reflection
Jack Lowes created the main playable character and level for their game. They designed the character as a knight and focused on getting the proportions correct. They also created a magical spear. For the level, they used greys, reds, and browns to texture a castle. They added brickwork and plan to improve the shading and textures. In later updates, they added enemies and improved level design with more shading. For animation, they created a walking cycle but realized they lacked special effects. Sound effects were also not a perfect fit when added to the animation in Premiere.
Production Process Contents Page
The document describes the production process for creating a contents page for a magazine. It discusses importing text and images into Quark Express and experimenting with layouts and color schemes. It details changes made based on feedback, such as removing an advertisement, changing images, and adjusting the layout to look "full" like similar magazines. The final contents page had retaken pictures, one column of text, repositioned title and date, and added/changed graphic features to white and yellow.
BeansPicture - Beans Art App
DigitalQuest is holding a hack day focused on creating "Coffee Beans Art". The event organizers and teams are introduced. Coffee Beans Art involves using different colored coffee beans to recreate images by carefully placing the beans on a surface resembling a photo. Participants will choose coffee beans, take a picture, select a background, and their artwork will be displayed online. Additional features may allow using items besides coffee beans, like peas or rice, to expand creative options.
Production log
Robert Hillard-Linney created a production log to track his progress on an 8-week assignment. He drew up a schedule to ensure he completed tasks on time and drew initial character designs featuring long coats and old-style clothing to portray a futuristic character from the past. He also designed futuristic wrist devices and compiled mood boards with different designs to draw from for his character's final design. He created game levels in Photoshop using a similarly styled character for the environment. His final watercolor study compiled all the designs into one character. He then created an Illustrator image of the character, starting with outlines and adding colors to match the watercolor over about a week.
2. initial plans
Here are 7 potential sources you could include in your bibliography:
1. Edmund McMillen and Tyler Glaiel (2010) Super Meat Boy
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3. Edmund McMillen (2005) Aether
4. Derek Yu (2003) Spelunky
5. Lucas Pope (2013) Papers, Please
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7. ThatGameCompany (2009) flOw
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Carter Smith plans to create a 2D pixel art game for a school project, considering ideas like a stick man running game or improving upon a previous game called "Sweet Sweep." Other potential ideas are a 2D shooting game or a stick man fighting or escaping game. Carter believes the stick man concept could look professional yet simple and allow their game to stand out from other classmates' projects.
Advance Illustration Porfolio
My final Porfolio for my Advanced Illustration for Production class, from the Art Institutes of Caliofornia-San Diego, taught in Winter 2016, by Duanne Loose
Shoot reflection and action plan
I think that all my shoots went well. For each one I made sure I had a three-point lighting set up to ensure that my images were as high quality and bright as possible. I also decided to use a white backdrop for my images to make it easier when I am editing them in photo shop. Now that I have taken all of my shots I need to work out where I want to use each image.
Pitch
This document discusses plans for a project on the theme of illusion. Specifically:
[1] The author plans to do a photoshoot in a natural setting and edit the photos in Adobe Photoshop to create a "trippy" collage style. They will post the edited photos on a webpage.
[2] They intend to use augmented reality (Adobe Aero) to create an illusion around historic places in York, where scanning QR codes brings up layered, edited versions of photos from those locations.
[3] Initial trial runs editing a sample photo and placing layers in Adobe Aero were successful, demonstrating how the app could be used to distort perceptions of real world locations.
6. production reflection
Jay Birkin spent the first week of production working on backgrounds for their game. On day 1, they created a background bridge in Photoshop and selected a color palette. On day 2, they made a cave background and took ideas from their planning documents. By day 3, they created final top-down and cave backgrounds and an initial character. Over the course of the week, they built tools for the game and drew character faces.
3. production experiments
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Unit78 production log
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8. evaluation 2
Charlotte Oliver evaluated her research and planning for a game design project. For her research, she looked at graphics, dialogue, terminology, and gaming addiction articles from a recent game as references. She felt her research helped her understand game codes and conventions but could have improved her graphics comparisons. For planning, she created a style sheet exploring colors and pixel art styles. She also planned sound effects, ensured contingencies, and did a health and safety document. However, she struggled creating her production and spent too much time editing, which caused her to not stick to her planned schedule.
Evaluation
The document discusses the process of planning and creating an abstract photography exhibition. The author evaluated different photography genres and decided to focus on abstract and macro photography. They researched abstract photography and took test photos with this genre in mind. Their plan was to make colorful abstract photos exploring new techniques. They took several photos and selected their favorites to edit. Through a questionnaire, the author gathered feedback on which photos people preferred and included these in their exhibition. Overall they were pleased with the outcome but felt they could have explored more locations and techniques for their photos.
6. production reflection(2)
The document describes the process of creating a pixel art game over multiple days. On the first day, a basic menu screen was made with a black background, yellow border, and pixelated text. On the second day, a background with a pixelated Earth, stars, and title was added. The third day involved creating an in-game play board and option menu with red and yellow pixelated elements. Further days were spent adding gameplay elements like barriers and scoring to the board, as well as a title screen with a border and centered text. Various pixel art tools were used to create and animate the different elements.
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The document describes several experiments the author conducted to practice and improve their pixel art skills. They traced existing character portraits and sprites to experiment with colors and shading. They created character profiles showing portraits, classes, levels, and HP. The author also drew a character riding a horse holding a sword. They used Photoshop and drew with pixels, experimenting with different colors. In a reflection, the author indicates they will draw inspiration from Fire Emblem games for the final product's character designs, art style, and color palettes.
Construction
The document describes the process of creating a magazine cover design. It involved taking a photo of a brick wall for the background, converting it to grayscale, and selectively coloring some of the bricks. Images were edited and cut out in Photoshop before being arranged on the background in InDesign. Text size and placement took some adjustments to balance with the large background image. Multiple layers were used in InDesign to structure the overlapping images and text.
Photoshoot Planning
This presentation outlines the planning for a photo shoot to create images for a front cover, contents page, and double page spread. The model was placed on a green screen to allow easy removal of the background during editing. All clothing and props, including a microphone prop to look professional, were prepared in advance. Key items included an R&B-style outfit for the main artist and additional clothing options of a scarf and jacket. Photography was done with a Nikon camera chosen for its sharp quality suitable for a photo shoot.
6. fmp production reflection
The document provides details on the processes Jay-Birkin used to create various products in Adobe Photoshop CS6 for their game brand. Key tools used included the magnetic lasso tool, paint bucket, text tool, pencil tool, and magic wand tool. Projects created included a logo designed in pixels, posters with silhouettes and text, unique keychains featuring characters, t-shirt designs uploaded to Redbubble, a skateboard deck with a dragon graphic, and Xbox controller art with a fire background. For each product, the document outlines the steps taken to design and finalize the graphics in Photoshop.
7. fmp evaluation
The document provides an evaluation of Jay Birkin's final major project (FMP) for a gaming brand. It summarizes the key stages of the project: research, planning, production, and peer feedback. For research, Jay analyzed existing gaming products and conducted a survey to inform his project. His planning included mind maps, mood boards, and defining his target audience. For production, Jay created logo, keychains, t-shirts, skateboard decks, posters, and a website showcasing the products. Peer feedback was positive about the consistent branding and keychain/logo designs, suggesting minor improvements. Overall, Jay felt the project was well-managed and achieved its goals of creating an cohesive branded gaming product
6. production reflection(3) (1)
Nathan Millett reflects on the process of creating a poster and magazine pages about action games. To modify images and avoid copyright infringement, he used tools like the rubber tool, bucket tool, and magic wand tool to change colors, remove backgrounds, and adjust properties. He aimed to make the designs eye-catching with bright colors like red and blue, large text and images, and an engaging layout with quotes, prizes and interviews to draw in the target audience.
7. evaluation
Kai Todd evaluated their game project. For research, they felt their research was thorough but could have used a wider range of sources like movies or comics. For planning, they planned everything out well but could have created early character designs. For time management, they were slow drawing characters and menus so couldn't animate more abilities. They would have added another level and boss if given more time.
6. interactive production reflection 2
Oliver Frost created a character and level for a mobile game app. He outlined and colored the character, an otter, and added backgrounds and elements to the level. For the level, he used lines and shapes to create a cave environment and added rocks, water, and lamps. Oliver also designed enemies, keys, and powerups for the level, tracing images and adding his own style. He placed the elements in the level and animated the enemies.
Group presentation
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6. production reflection(3)
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6. production reflection(3)
The document describes the process of producing a game. The creator first designed the background using pixel art. Then added coins and platforms for the character to collect and jump on. A weapon was also included for the character to collect. Next, the character was added. Finally, animation was added to make it into a platformer game, which was completed.
7. production reflection
The student began creating their video game character using Photoshop by designing a female character in a dress using the pencil tool. They also began designing objects like handbags and clothing for the character to collect or dodge. The student then created two soundtracks for the game using the website Beep Box, which they found simple to use. When first beginning, the student felt rushed and didn't properly plan their game, struggling especially with the background. They simplified the character's movement to work better with their experience. The background was the most time consuming part, but the student got better at pixel creation as they progressed.
Final project experiments
The document discusses experiments the author conducted to develop techniques for her magazine's aesthetic. She took polaroid photos to capture the raw, gritty style she wanted. She also edited photos in Lightroom to refine images while maintaining a blurry, documentary style. Additional experiments included pixelating models' eyes and drawing on prints to anonymize subjects while conveying characteristics of Generation Z. The author also played with opacity layers to create a glitchy effect and tested different writing methods like a graphics tablet, scanning, and Photoshop to incorporate text snippets in a way that breaks up the photos without overwhelming the magazine.
Media presetation ms connell
Journalism involves writing and reporting on events or issues to inform people. Journalists collect information by interviewing people and attending events, then publish their writing in newspapers, magazines, or broadcast reports on television or radio. Some benefits of a career in journalism are traveling, meeting interesting people, and having a variety of career paths, though long hours and time spent away from home can be challenges. Pay ranges from around £19,000-£33,000 for newspaper jobs and £19,000-£32,000 for magazine positions.
Inside cover
The document summarizes the first two stages of creating an inside CD cover in Photoshop with a basketball theme. The creator searched for an image online to edit, adding red using the paint bucket tool. They then added an image of Sarz and used filters, moving the whole image to the left and removing red to have the basketball hoop nearer to Sarz.
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Pitch
This document discusses plans for a project on the theme of illusion. Specifically:
[1] The author plans to do a photoshoot in a natural setting and edit the photos in Adobe Photoshop to create a "trippy" collage style. They will post the edited photos on a webpage.
[2] They intend to use augmented reality (Adobe Aero) to create an illusion around historic places in York, where scanning QR codes brings up layered, edited versions of photos from those locations.
[3] Initial trial runs editing a sample photo and placing layers in Adobe Aero were successful, demonstrating how the app could be used to distort perceptions of real world locations.
6. production reflection
Jay Birkin spent the first week of production working on backgrounds for their game. On day 1, they created a background bridge in Photoshop and selected a color palette. On day 2, they made a cave background and took ideas from their planning documents. By day 3, they created final top-down and cave backgrounds and an initial character. Over the course of the week, they built tools for the game and drew character faces.
3. production experiments
The document summarizes an experiment Jay Birkin conducted to create a city landscape background image in Photoshop for a 2D side-scrolling game. However, the simple city image did not fit well in the game. For the final product, Jay thinks the view will look down from above the city as characters navigate through it. The image was drawn by hand using basic Photoshop tools like the pencil, move, and color selection tools. While more detail could have been added, Jay learned they want to include more pixel artwork, especially for characters, and use a dark color scheme in the final products.
Unit78 production log
Luke Summers completed several tasks for his Digital Graphics for Computer Games unit, including research, mind maps, character profiles, sketches, and draft illustrations. He created these using Microsoft Word, Bubbl.us, Photoshop and Adobe Illustrator. For his final product, Luke combined his character illustration with a nighttime cityscape background in Adobe Illustrator to depict his character atop a building.
8. evaluation 2
Charlotte Oliver evaluated her research and planning for a game design project. For her research, she looked at graphics, dialogue, terminology, and gaming addiction articles from a recent game as references. She felt her research helped her understand game codes and conventions but could have improved her graphics comparisons. For planning, she created a style sheet exploring colors and pixel art styles. She also planned sound effects, ensured contingencies, and did a health and safety document. However, she struggled creating her production and spent too much time editing, which caused her to not stick to her planned schedule.
Evaluation
The document discusses the process of planning and creating an abstract photography exhibition. The author evaluated different photography genres and decided to focus on abstract and macro photography. They researched abstract photography and took test photos with this genre in mind. Their plan was to make colorful abstract photos exploring new techniques. They took several photos and selected their favorites to edit. Through a questionnaire, the author gathered feedback on which photos people preferred and included these in their exhibition. Overall they were pleased with the outcome but felt they could have explored more locations and techniques for their photos.
6. production reflection(2)
The document describes the process of creating a pixel art game over multiple days. On the first day, a basic menu screen was made with a black background, yellow border, and pixelated text. On the second day, a background with a pixelated Earth, stars, and title was added. The third day involved creating an in-game play board and option menu with red and yellow pixelated elements. Further days were spent adding gameplay elements like barriers and scoring to the board, as well as a title screen with a border and centered text. Various pixel art tools were used to create and animate the different elements.
3. production experiments (10)
The document describes several experiments the author conducted to practice and improve their pixel art skills. They traced existing character portraits and sprites to experiment with colors and shading. They created character profiles showing portraits, classes, levels, and HP. The author also drew a character riding a horse holding a sword. They used Photoshop and drew with pixels, experimenting with different colors. In a reflection, the author indicates they will draw inspiration from Fire Emblem games for the final product's character designs, art style, and color palettes.
Construction
The document describes the process of creating a magazine cover design. It involved taking a photo of a brick wall for the background, converting it to grayscale, and selectively coloring some of the bricks. Images were edited and cut out in Photoshop before being arranged on the background in InDesign. Text size and placement took some adjustments to balance with the large background image. Multiple layers were used in InDesign to structure the overlapping images and text.
Photoshoot Planning
This presentation outlines the planning for a photo shoot to create images for a front cover, contents page, and double page spread. The model was placed on a green screen to allow easy removal of the background during editing. All clothing and props, including a microphone prop to look professional, were prepared in advance. Key items included an R&B-style outfit for the main artist and additional clothing options of a scarf and jacket. Photography was done with a Nikon camera chosen for its sharp quality suitable for a photo shoot.
6. fmp production reflection
The document provides details on the processes Jay-Birkin used to create various products in Adobe Photoshop CS6 for their game brand. Key tools used included the magnetic lasso tool, paint bucket, text tool, pencil tool, and magic wand tool. Projects created included a logo designed in pixels, posters with silhouettes and text, unique keychains featuring characters, t-shirt designs uploaded to Redbubble, a skateboard deck with a dragon graphic, and Xbox controller art with a fire background. For each product, the document outlines the steps taken to design and finalize the graphics in Photoshop.
7. fmp evaluation
The document provides an evaluation of Jay Birkin's final major project (FMP) for a gaming brand. It summarizes the key stages of the project: research, planning, production, and peer feedback. For research, Jay analyzed existing gaming products and conducted a survey to inform his project. His planning included mind maps, mood boards, and defining his target audience. For production, Jay created logo, keychains, t-shirts, skateboard decks, posters, and a website showcasing the products. Peer feedback was positive about the consistent branding and keychain/logo designs, suggesting minor improvements. Overall, Jay felt the project was well-managed and achieved its goals of creating an cohesive branded gaming product
6. production reflection(3) (1)
Nathan Millett reflects on the process of creating a poster and magazine pages about action games. To modify images and avoid copyright infringement, he used tools like the rubber tool, bucket tool, and magic wand tool to change colors, remove backgrounds, and adjust properties. He aimed to make the designs eye-catching with bright colors like red and blue, large text and images, and an engaging layout with quotes, prizes and interviews to draw in the target audience.
7. evaluation
Kai Todd evaluated their game project. For research, they felt their research was thorough but could have used a wider range of sources like movies or comics. For planning, they planned everything out well but could have created early character designs. For time management, they were slow drawing characters and menus so couldn't animate more abilities. They would have added another level and boss if given more time.
6. interactive production reflection 2
Oliver Frost created a character and level for a mobile game app. He outlined and colored the character, an otter, and added backgrounds and elements to the level. For the level, he used lines and shapes to create a cave environment and added rocks, water, and lamps. Oliver also designed enemies, keys, and powerups for the level, tracing images and adding his own style. He placed the elements in the level and animated the enemies.
Group presentation
The document discusses various roles and stages in animation production including concept art, character design, storyboarding, music, editing, directing, and production bibles. It also mentions casting a dog actor and drawing a storyboard to determine the animation style and shots.
6. production reflection(3)
The document describes the process for creating a magazine cover and double page spread advertising the game Team Fortress 2. Key steps included using Photoshop, adding characters from the game to be the center of attention, experimenting with fonts and layouts, adding a fiery background to fit the Pyro character, and including general game information and design elements like page numbers to make it look authentic.
6. production reflection(3)
The document describes the process of producing a game. The creator first designed the background using pixel art. Then added coins and platforms for the character to collect and jump on. A weapon was also included for the character to collect. Next, the character was added. Finally, animation was added to make it into a platformer game, which was completed.
7. production reflection
The student began creating their video game character using Photoshop by designing a female character in a dress using the pencil tool. They also began designing objects like handbags and clothing for the character to collect or dodge. The student then created two soundtracks for the game using the website Beep Box, which they found simple to use. When first beginning, the student felt rushed and didn't properly plan their game, struggling especially with the background. They simplified the character's movement to work better with their experience. The background was the most time consuming part, but the student got better at pixel creation as they progressed.
Final project experiments
The document discusses experiments the author conducted to develop techniques for her magazine's aesthetic. She took polaroid photos to capture the raw, gritty style she wanted. She also edited photos in Lightroom to refine images while maintaining a blurry, documentary style. Additional experiments included pixelating models' eyes and drawing on prints to anonymize subjects while conveying characteristics of Generation Z. The author also played with opacity layers to create a glitchy effect and tested different writing methods like a graphics tablet, scanning, and Photoshop to incorporate text snippets in a way that breaks up the photos without overwhelming the magazine.
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5) Finishing touches like a barcode, thank you's, and website links to make it seem realistic.
Photoshoot
The photographer took multiple photos of a model during a photo shoot outdoors and indoors. Several poses were captured to create diversity, including some that mimicked famous images. Some photos were considered for the cover but ultimately not used due to issues like blurriness. One photo of the model looking directly at the camera was chosen for editing onto the CD cover due to its high impact.
Photoshoot
The photographer conducted a photo shoot with a model to create images for a CD cover. Several settings and poses were captured to provide diversity. Some pictures showed the model looking at the camera or to the side in unconventional poses. Others mimicked famous images or included props. In the end, only a few images were selected and edited for the final cover, prioritizing those with high impact eye contact or unique poses.
6. production reflection
This document summarizes the process taken to create a magazine double page spread about esports. Screenshots were taken of an esports tournament to be used. An interview was conducted with the manager of a gaming center. Images were also taken at the gaming center. In InDesign, a background image was selected and text boxes were used to layout the interview responses. Fonts, sizes and colors were adjusted to create a uniform style across the spread. An infographic was also added using images found online.
6. production reflection
The document provides a weekly summary of a student's progress on a game production project over 10 days. Some of the key tasks completed include:
- Creating pixel art backgrounds of a bridge, house, cave, and interior rooms in Photoshop.
- Designing characters like a dwarf and adding animations for walking and talking.
- Developing tools, health bars, and other UI elements to include in the game.
- Writing dialogue and testing out sound effects.
- Refining the title and logo designs.
- Exporting animated backgrounds and beginning to piece together the game's menus and levels.
The student made steady progress each day in developing art assets and began anim
Digipak final design and making process
The document summarizes the design and creation process of a digipak for an album. Key points include:
- Templates were created in Microsoft Word since suitable templates could not be found online. Photoshop was used to edit images for the front, back, and inside covers.
- The front cover displays the artist name and album title. The back cover includes track listings and production details.
- Inside panels contain additional artwork, credits, and a plastic case to hold the CD. Consistent fonts, colors, and image editing styles were applied.
- Extra details like a studio logo, copyright information, and album title text were added to make the digipak look more authentic. Care
Before and after photos
The document describes the process of creating photoshopped images for a band's digipak album packaging. Key steps included cutting out hands and band members from photos and layering them to create the illusion of the band balancing on a hand for the front cover. For the back cover, photos were layered and cropped with some flipped and colors manipulated. Individual band member photos were edited to emphasize different colors representing each personality. Additional inner images were created by resizing and relayering previously manipulated photos to link the designs and show the band more clearly standing on the hand. A symmetrical group photo was selected for an advertisement with added confetti effects to hint at the band's persona.
03,) Production experiments
George conducted experiments to develop the front cover and double page spread for a magazine. For the front cover, he used Photoshop to position images of characters on different layers with a diamond and marble background. Text was added in various fonts and colors. For the double page spread, he again used Photoshop to position a faded character image and cut out the main image. Repeated "ha" images and text boxes were added along with a heading and details at the bottom in different fonts. Elements from the experiments that George wants to include in the final product are the primary colors of black and red, borders, and cover lines for the front cover and a faded background character, large drop cap letter, and minimalist images for
Overallevaluation
The document provides an evaluation of a design project for an IRN-BRU can. It summarizes the key technical skills learned, including using gradients, blending options, clipping masks, and creating animated GIFs. It also evaluates the aesthetic qualities of the can design and several poster concepts. The poster concepts feature superheroes to appeal to the target demographic. Feedback indicates room for improvement on backgrounds but that the concepts are generally fit for purpose in promoting the drink.
6. production reflection f
1) The document provides a reflection on the process of creating the front cover and double page spread for a magazine production project.
2) Key aspects of the front cover production included planning the layout, selecting images and colors, and adding design elements like banners and advertisements.
3) For the double page spread, the process involved planning the layout, framing the page with banners, adding a large cover line, and incorporating photos and an interview article about a fake band.
4) Reflections on the process note the importance of pre-production planning, adjustments made along the way, and ensuring both pieces conveyed a cohesive brand identity for the magazine.
The progression and making of my digipak
This document summarizes the creator's process of designing their first digipak cover. They began with different designs using photos of band members but felt the photos did not match well. For their second attempt, they used more natural photos of the band members together. They continued refining the design by changing logo colors, photos, and adding purple accents. The creator detailed how they edited individual photos and composited them together to create the final digipak cover design.
Ancillary tasks - magazine progress
The document summarizes the progress made on designing the cover of a magazine in Photoshop. It describes experimenting with different background images and colors, editing a masthead design to make it stand out against dark backgrounds, shaping elements of a featured image, and copying the title from a related movie poster to link the magazine content. The next steps will be adding a tagline, subheadings, and other typical magazine elements like barcodes and prices.
production reflection magazine
The document provides details on Daniel Morland's process for producing a magazine on rock climbing. He emails a rock climbing facility to request permission to take photos on site. When they do not respond, he visits in person and is granted access. He takes photos of a friend rock climbing in different positions. He imports the photos to his computer and organizes them. He designs the magazine cover in Photoshop, adding images, textures, and fonts. He then designs the double-page spread, again using Photoshop to layout images and guides before adding text in InDesign. He exports the final design as a PNG for online sharing.
3. production experiments 1-1-1
The document describes a student's process for creating a draft poster advertising Bethesda games. The student replaced letters in the word "Bethesda" with logos from games like Doom, Brink, and Rage. In reflections, the student notes which elements will carry over to the final poster, including the large Bethesda logo, game images, and overall layout. The student also plans improvements like using the magic wand tool instead of pen to cut out images, replacing some game images, and adjusting the background color and logo placement.
3. production experiments 1-1
The document describes a student's process for creating a draft poster advertising Bethesda games. The student replaced letters in the word "Bethesda" with logos from games like Doom, Brink, and Rage. In reflections, the student notes which elements will carry over to the final poster, including the large Bethesda logo, game images, and overall layout. The student also plans improvements like using the magic wand tool instead of pen to cut out images, replacing some game images, and adjusting the background color and logo placement.
Making of the cover
1. The document describes the process of creating a magazine cover, including photographing a model, editing the background photo, and designing the layout in Photoshop.
2. The key steps were finding a location to photograph the model, getting permission to use a music practice room, selecting the best photo, and designing the cover layout with a red color scheme.
3. The final cover included the masthead, barcode, headlines, and shadowing behind the model to make it stand out, creating a professional look according to the document.
6. production reflection(visual).pptx 3
The document provides a summary of the process taken to design the cover of a magazine focused on the video game The Legend of Zelda: Breath of the Wild. First, an image of Link was found and placed on the cover with a blurred blue background added. Then the magazine title "Digital" was chosen and styled with neon colors. Next, the game subtitle used rendered text with red overlay and gold border for visibility. Link was made to look 3D by positioning his arrow over the text. Details on the game were added along with downloaded Zelda font matching the cover style. Additional content headings and images were included for Dark Souls and Nintendo Switch with borders to match the theme.
6. production reflection
James Gannon created front covers for a magazine using Photoshop and InDesign. For the first cover, he placed an image off-center in a 6x6 grid and added a title. He adjusted the hue and saturation to darken the edges of the image. For the second cover, he used grid lines to neatly position the image and text. He preferred the cover with the more distant diving image over the close-up statue shot as it was more interesting. For a double-page spread, he researched diving locations and included photos, details on locations and activities. He planned to replace a placeholder bubble photo with his own images once downloaded.
Production reflection
The document describes the process of creating a map and background for a game project. It discusses using Photoshop to create a map with land and ocean areas, adding effects like glow and textures. It then discusses using Unity to build a 3D landscape using terrain tools and textures from the asset store. The document notes challenges with directional cameras and adding trees in Unity. It also describes creating concept art characters by sketching and scanning them in, and focusing on fantasy elements. The background was made in Photoshop with details like a bridge and floating island, using layers and Steampunk elements. Lighting and textures were explored in Unreal to understand perspectives and properly cast shadows to make objects look natural.
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Inside cover
- 1. These are the first two stages of the construction of my inside cover in photo shop. I knew I wanted to incorporate a basketball theme. So I searched Google for an image I could edit. The only change I made was to put on some red using paint bucket.
- 2. Here I added in image of Sarz and used filter as I did I then just decided to for the front cover, but move the whole image used a different affect. to the left taking the red out and having the I removed the red basketball hoop nearer from the bottom Sarz as I thought it of the image and looked better. decided to put colour else where
- 3. To make my CD I found a image on Google to create myself a template. I then got the image I used for my front cover and edited to create the distorted image above.
- 4. I then manipulated the image using the template and the rubber tool in Photoshop. For the “Sarz” and “Ransom” I used the same I used for the front of the CD cover which made life simple.