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Horror Film Poster Overview 
In this overview, I will be describing the different characteristics and aspects that are traditionally 
used for horror film posters of the supernatural sub-genre.
The six posters have been designed to effectively promote films within the supernatural horror 
genre. Through carrying out them to each other, it is possible to identify shared features within 
them and to establish recurring patterns that are visible. All of the posters feature typical film poster 
conventions, as we see expected general conventions in all, such as a title, always the largest and 
significant text in the frame, an image that dominates the frame and that indicates something 
important about the film’s narrative, a slogan to anchor the image and, as predictable of a horror 
film poster in general, troubling and upsetting imagery. 
In parallel to this, we see additional patterns that are also generally repeated. By observing every 
poster, you will see that each and every one of them feature a female character, be it that they are 
looking concerned, or seemingly under threat from something in an unsettling fashion. In the Ring 
poster, the imagery that can be seen embedded into the title features that of a woman screaming in 
horror from something that is unseen to the audience. In the Drag Me to Hell poster, we see an 
image of a female crying out in terror as demonic hands seems to be pulling into the flames that are 
part of the mise-en-scene. The suggestion from this is that, like countless other supernatural 
horrors, centre on the narrative being that of a female protagonist who has to seemingly fight 
against paranormal occurrences that are perceived as a threat to her. Another thing to be known is 
that it is normal for the female protagonist featured to be young and attractive. She does not; 
however, appear to be much of an idiot or fit the profile of a ‘bimbo’. This would be understandable 
as the stereotype of a ‘bimbo’ would not have the intelligence or courage to fight off the danger in 
front of them. 
In one of the six posters, we see children. This reinforces he idea that such characters are common in 
supernatural horrors and that children often appear to being possessed by some kind of sinful 
presence. This is most possibly due to children normally being connected with innocence and purity, 
as opposed to evil children, who are distressing and are considered to be freaks of nature. In the 
poster for Mama, the child stands there hidden behind a being shrouded in darkness while clutching 
hold of their arm. Their face indicates a sense of suffering and being fri ghtened, which adds to the 
chilling characteristics of the main image. 
The images that are being presented across the six posters are horrific and designed to both scare 
and clearly signal that these films belong to the horror genre. In the poster for The Conjuring, we see 
the tree with a hanging noose attached to it. The setting reveals a large house in the background, 
secluded by trees and an approaching mist. Looking more closely at the leaf-ridden ground in front 
of the tree, a shadow of someone being hanged is visible, although the actual person is not present 
in being. There is a pattern consistency in terms of the colour being used as well. Pale, cold colours 
such as blue and grey are very much common, in order to create a sinister and unfriendly mood. In 
pretty much every single poster, these colours are used to emphasise the cold, dark and mysterious 
world that the movie is based in. 
In each poster, the title of the film is situated in a noticeable position and is conventionally, the 
largest piece of text on the page. For the six posters, the title is either placed at the top or bottom of 
the image. This is to conjure up the idea that audience will be presented with the title, once they 
have been attracted to the image, or vice versa. This also connotes to a layout convention. Each title 
is presented in an uppercase font in order for the text to be highly visible to the audience to read
from. Text effects, such as the embedded image of the protagonist screaming in the title for The 
Ring are sometimes used in order to create more of a horrific effect. 
Most of the six posters have presented institutional information that is positioned at the base of the 
poster, along with the introduction of a tagline that would help to anchor and support the meaning 
of the image, or to the reveal more of an insight into the narrative of the film. The tagline for Drag 
Me To Hell reveals that the protagonist, as featured as the main image, is ‘going to hell’. This 
compliments the main image of her actually being literally dragged into flames by the hands of 
demonic beings. Other such texts such as for example, ‘Presented by Guillermo Del Toro’ are used to 
draw in audiences. In this case for Mama, the use of this specific piece of text is used to attract 
audiences who are fans of Del Toro’s work. Another instance that is common on a lot of horror film 
posters is the use of the phrase, ‘Based on a True Story’. The idea that the film has been inspired by 
an actual supernatural event that has taken place will make the film a lot more frightening or the 
audiences, with the fear of thinking that the same exact thing could happen to them. All of the text 
is presented in a small and readable font, occasionally in sans serif. 
All of the posters that are included in this section are ef fective and very conventional for their target 
audiences. They also have simplicity in common, with minimal text and the dominating imagery 
creating most of that chilling effect.

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Horror Film Poster Overview

  • 1. Horror Film Poster Overview In this overview, I will be describing the different characteristics and aspects that are traditionally used for horror film posters of the supernatural sub-genre.
  • 2. The six posters have been designed to effectively promote films within the supernatural horror genre. Through carrying out them to each other, it is possible to identify shared features within them and to establish recurring patterns that are visible. All of the posters feature typical film poster conventions, as we see expected general conventions in all, such as a title, always the largest and significant text in the frame, an image that dominates the frame and that indicates something important about the film’s narrative, a slogan to anchor the image and, as predictable of a horror film poster in general, troubling and upsetting imagery. In parallel to this, we see additional patterns that are also generally repeated. By observing every poster, you will see that each and every one of them feature a female character, be it that they are looking concerned, or seemingly under threat from something in an unsettling fashion. In the Ring poster, the imagery that can be seen embedded into the title features that of a woman screaming in horror from something that is unseen to the audience. In the Drag Me to Hell poster, we see an image of a female crying out in terror as demonic hands seems to be pulling into the flames that are part of the mise-en-scene. The suggestion from this is that, like countless other supernatural horrors, centre on the narrative being that of a female protagonist who has to seemingly fight against paranormal occurrences that are perceived as a threat to her. Another thing to be known is that it is normal for the female protagonist featured to be young and attractive. She does not; however, appear to be much of an idiot or fit the profile of a ‘bimbo’. This would be understandable as the stereotype of a ‘bimbo’ would not have the intelligence or courage to fight off the danger in front of them. In one of the six posters, we see children. This reinforces he idea that such characters are common in supernatural horrors and that children often appear to being possessed by some kind of sinful presence. This is most possibly due to children normally being connected with innocence and purity, as opposed to evil children, who are distressing and are considered to be freaks of nature. In the poster for Mama, the child stands there hidden behind a being shrouded in darkness while clutching hold of their arm. Their face indicates a sense of suffering and being fri ghtened, which adds to the chilling characteristics of the main image. The images that are being presented across the six posters are horrific and designed to both scare and clearly signal that these films belong to the horror genre. In the poster for The Conjuring, we see the tree with a hanging noose attached to it. The setting reveals a large house in the background, secluded by trees and an approaching mist. Looking more closely at the leaf-ridden ground in front of the tree, a shadow of someone being hanged is visible, although the actual person is not present in being. There is a pattern consistency in terms of the colour being used as well. Pale, cold colours such as blue and grey are very much common, in order to create a sinister and unfriendly mood. In pretty much every single poster, these colours are used to emphasise the cold, dark and mysterious world that the movie is based in. In each poster, the title of the film is situated in a noticeable position and is conventionally, the largest piece of text on the page. For the six posters, the title is either placed at the top or bottom of the image. This is to conjure up the idea that audience will be presented with the title, once they have been attracted to the image, or vice versa. This also connotes to a layout convention. Each title is presented in an uppercase font in order for the text to be highly visible to the audience to read
  • 3. from. Text effects, such as the embedded image of the protagonist screaming in the title for The Ring are sometimes used in order to create more of a horrific effect. Most of the six posters have presented institutional information that is positioned at the base of the poster, along with the introduction of a tagline that would help to anchor and support the meaning of the image, or to the reveal more of an insight into the narrative of the film. The tagline for Drag Me To Hell reveals that the protagonist, as featured as the main image, is ‘going to hell’. This compliments the main image of her actually being literally dragged into flames by the hands of demonic beings. Other such texts such as for example, ‘Presented by Guillermo Del Toro’ are used to draw in audiences. In this case for Mama, the use of this specific piece of text is used to attract audiences who are fans of Del Toro’s work. Another instance that is common on a lot of horror film posters is the use of the phrase, ‘Based on a True Story’. The idea that the film has been inspired by an actual supernatural event that has taken place will make the film a lot more frightening or the audiences, with the fear of thinking that the same exact thing could happen to them. All of the text is presented in a small and readable font, occasionally in sans serif. All of the posters that are included in this section are ef fective and very conventional for their target audiences. They also have simplicity in common, with minimal text and the dominating imagery creating most of that chilling effect.