The presentation will enhance the knowledge in the development of FM Radio in India. It also gives the full picture about the public and private broadcasters in FM sector in India
Radio will continue to be a big regional player in India. While Red FM and Radio Mirchi dominate the radio industry in India, Radio Mirchi has seen more success with over 43.8 million listeners across key cities. The document discusses the history and growth of radio in India and abroad, the major players in the Indian radio industry like Red FM and Radio Mirchi, and their achievements and strategies for success. It also raises questions about the future of the radio industry in India in terms of revenue growth, bidding for new cities, and which audience segments may see more traction.
Radio Mirchi is a private FM radio network in India owned by Entertainment Network India Ltd. It began operations in 1993 in Indore and has since expanded to 33 cities across India. Radio Mirchi dominates the radio market in major cities like Delhi, Mumbai, and Kolkata. It uses localized taglines in different cities and provides popular programs and radio jockeys. Radio Mirchi differentiates itself through its premium pricing compared to other radio stations.
Commercial radio stations generate revenue through advertisements to fund operations and make a profit. While the BBC focuses on public needs over viewership, commercial stations like Capital FM prioritize large audiences. Capital FM and Classic FM are owned by Global while Real Radio is owned by Guardian Media Group.
Public service broadcasting through the BBC aims to inform, educate, and entertain audiences. The BBC uses stations like Radio 1 to appeal to youth through music and relevant news.
New technologies like the internet and mobile phones have increased radio listenership by allowing on-demand and mobile listening. This has benefited both the BBC and commercial stations.
Non-profit community radio stations like Bradford Community Broadcasting serve local audiences and are funded through local business advertisements
Radio broadcasting involves the transmission of audio signals through radio waves to reach a wide audience. There are two main types of signals: analog audio and digital audio. The main types of radio broadcasting are AM and FM. AM uses amplitude modulation to encode the signal while FM uses frequency modulation. Radio broadcasting can also be commercial, non-commercial educational, public, or non-profit varieties like community radio and campus radio.
The document discusses the role of radio in disseminating information and raising social awareness. It outlines how radio serves to inform, educate, and entertain the public. Specifically, it notes that radio is an effective medium for (1) providing information to both urban and rural populations, (2) delivering educational content on topics like health and agriculture, and (3) mobilizing communities towards common goals like immunization campaigns. The document also reviews the history and development of radio in India from its beginnings in the 1920s to the establishment of Prasar Bharati in the 1990s.
Radio will continue to be a big regional player in India. While Red FM and Radio Mirchi dominate the radio industry in India, Radio Mirchi has seen more success with over 43.8 million listeners across key cities. The document discusses the history and growth of radio in India and abroad, the major players in the Indian radio industry like Red FM and Radio Mirchi, and their achievements and strategies for success. It also raises questions about the future of the radio industry in India in terms of revenue growth, bidding for new cities, and which audience segments may see more traction.
Radio Mirchi is a private FM radio network in India owned by Entertainment Network India Ltd. It began operations in 1993 in Indore and has since expanded to 33 cities across India. Radio Mirchi dominates the radio market in major cities like Delhi, Mumbai, and Kolkata. It uses localized taglines in different cities and provides popular programs and radio jockeys. Radio Mirchi differentiates itself through its premium pricing compared to other radio stations.
Commercial radio stations generate revenue through advertisements to fund operations and make a profit. While the BBC focuses on public needs over viewership, commercial stations like Capital FM prioritize large audiences. Capital FM and Classic FM are owned by Global while Real Radio is owned by Guardian Media Group.
Public service broadcasting through the BBC aims to inform, educate, and entertain audiences. The BBC uses stations like Radio 1 to appeal to youth through music and relevant news.
New technologies like the internet and mobile phones have increased radio listenership by allowing on-demand and mobile listening. This has benefited both the BBC and commercial stations.
Non-profit community radio stations like Bradford Community Broadcasting serve local audiences and are funded through local business advertisements
Radio broadcasting involves the transmission of audio signals through radio waves to reach a wide audience. There are two main types of signals: analog audio and digital audio. The main types of radio broadcasting are AM and FM. AM uses amplitude modulation to encode the signal while FM uses frequency modulation. Radio broadcasting can also be commercial, non-commercial educational, public, or non-profit varieties like community radio and campus radio.
The document discusses the role of radio in disseminating information and raising social awareness. It outlines how radio serves to inform, educate, and entertain the public. Specifically, it notes that radio is an effective medium for (1) providing information to both urban and rural populations, (2) delivering educational content on topics like health and agriculture, and (3) mobilizing communities towards common goals like immunization campaigns. The document also reviews the history and development of radio in India from its beginnings in the 1920s to the establishment of Prasar Bharati in the 1990s.
The document summarizes the history and growth of radio in India. It discusses how the first radio program was broadcast in 1923 in Mumbai. It then covers the introduction of commercial radio channels in 1957 which increased popularity. It notes that while there were only 275,000 receivers at independence, now there are over 132 million. All India Radio now has a network of 237 centers across the country. The document also briefly discusses the categories of radio stations in India today and the growth of the radio industry in recent years.
This document provides an overview of the radio industry, including the different types of radio stations and their funding models. It discusses commercial radio stations that are funded through advertising, public service broadcasting stations like the BBC that are funded by television licenses, and non-profit community stations. It also describes some of the major job roles in radio, such as presenters, producers, and sound engineers. Finally, it briefly outlines some of the professional bodies and new technologies that have impacted the radio industry.
This document traces the history of radio in India from the 1920s to present day. It discusses the key developments and milestones in radio broadcasting over the decades, including the establishment of All India Radio in 1936 which became the public service broadcaster. Private commercial FM stations were introduced in the 1990s, and community radio began in 2000. The timeline shows how radio has grown and modernized in India over the past century to serve the public.
The document discusses the history and evolution of drama from classical Greek and Roman times to the modern era. It covers major periods and playwrights that have influenced drama, including classical Greek drama, classical Roman drama, medieval drama, Elizabethan and Jacobean drama, and modern and post-modern drama. Key figures mentioned are William Shakespeare, Henrik Ibsen, and Bertolt Brecht. The document also briefly defines drama and its main genres such as tragedy, comedy, opera, pantomime, and creative drama.
This presentation is about Community Radio. We start with the basic question as to what is community radio. A brief history. The first NGO operated community radio and a few others in India. then we go more local to Hyderabad.
California FM is a network vision for community radio, independent culture and true democracy. It is produced by a loose coalition of nonprofit volunteers and has no organizational affiliation.
California FM aims to support local DJs, journalists, musicians, radio producers and nonprofit station operators thrive on the airwaves, in a landscape dominated by commercial monopolies and national nonprofit institutions.
Independently operated nonprofit radio stations are the anchors of California FM. As peers each nonprofit station can thrive in a mutual-aid network based on solidarity and shared resources and programming. This can extend everyone's reach while ensuring local programming requirements are met and exceeded.
It can start in San Francisco. We have the community. We have the resources. All we need is to work together.
This document discusses the history and development of radio broadcasting in India from its origins with the Indian Broadcasting Company to the current organization All India Radio (AIR) under Prasar Bharati. It outlines the organizational structure and functions of AIR, the different types of radio broadcasts, and the autonomy and privatization of radio over time. It also describes the code of conduct for radio broadcasts, particularly regarding elections.
This document discusses the history and development of television distribution and transmission in India. It notes that terrestrial broadcasting was the initial form of distribution but had limited range. Cable TV was introduced in 1991 and helped expand access. Satellite transmission then proved successful in providing both national and international channels. Over time, various companies launched direct-to-home services using set-top boxes. The document also outlines different television genres and programming as well as the technical aspects of television transmission and standards.
The document discusses different types of broadcasting including institutional public address systems, satellite radio and TV, internet channels, low-powered community radio, and national radio and TV. It describes how each type transmits audio, video, and other content to audiences using various technologies like radio waves, satellites, cables, and the internet. The key methods are one-to-many transmission models using transmitter towers, satellites, or streaming over the web to reach small local areas or nationwide/global audiences on demand or in real-time.
The document discusses the history and development of radio broadcasting in India. It begins with the earliest experiments in radio in India in the 1920s by amateur radio clubs and stations set up in major cities. It then covers the establishment of All India Radio in 1936 and its expansion following Indian independence in 1947. The document also describes the key radio services under AIR - Vividh Bharati, regional services, and external services. It provides details on the founding and role of Prasar Bharati, the public service broadcaster of India.
Radio is the most widely consumed mass media in America, with 93% of Americans tuning in each week via AM/FM radio. There are over 12,000 radio stations broadcasting in the US, reaching 228.5 million consumers weekly. While television and digital media have grown, radio remains popular due to its portability, ability to be consumed alongside other activities, universal availability, and ability for listeners to select their preferred format.
Community radio stations aim to entertain, inform, and serve a small local area. They attract different age groups and ethnicities. Ofcom licenses community radios, awarding Oldham Community Radio 99.7FM a license in 2005. As a non-profit, it relies on fundraising and donations to invest back into equipment and facilities while broadcasting news from Sky and relying on volunteers to host shows.
The document discusses radio as a medium of mass communication. It covers the basics of radio production and the organizational structures of government and private radio stations. It also describes the different types of radio stations based on reach and transmission methods, including national, regional, local, community radio stations and transmission via AM, FM, shortwave.
The document discusses radio as a medium of mass communication. It covers the basics of radio production and the history of radio broadcasting in India from its beginnings in the 1920s to becoming All India Radio post-independence. It describes the different types of radio stations based on reach and transmission methods, including national, regional, local, and community stations. It also outlines the organizational structures of government and private radio stations.
Community radio stations have benefited from new technologies like the internet and mobile phones. These technologies allow stations to more easily access and share information, empowering communities. However, technological advances alone are not enough - visionary policies are also needed to support community radio and ensure communities can access new technologies. Such policies could include providing funding to develop community radio, including radio in universal access policies, and supporting affordable internet access for rural community stations. Combining community radio and internet access has great potential to benefit underserved communities through information sharing.
This document summarizes research on the decline of the radio station Vividh Bharti in India. It conducted surveys of 30 people in Pune across age groups and gender to understand consumer behavior and attitudes. It found that less than 1% of respondents listen to Vividh Bharti, preferring other stations for better music, anchors and programming. While Vividh Bharti received good ratings for its classic music collection, it received poor ratings for latest music, anchor quality and programming. Most respondents felt it needs a makeover to appear more modern and youthful to attract more listeners.
The document discusses different methods of broadcasting including telephone, radio, television, cable, satellite, and webcasting. It defines broadcasting as the mass distribution of audio, video, or other messages intended for a widespread audience. Broadcasting uses electromagnetic waves or the internet to disseminate information to entertain, educate, and inform the public. The document also covers several means of financial support for continuous broadcasting, including commercial broadcasting (supported by advertising), public broadcasting (supported by public funds and donations), and community broadcasting (run by non-profits and focused on local issues).
Radio is a transmission of signals through electromagnetic waves to transmit sound and other information through the air. It works by converting information like sound into electronic signals which are transmitted through a transmitter and received by a receiver. The document then provides data on FM radio penetration in various Indian cities from 2007-2011 and the devices owned by FM listeners. It also lists the top advertising categories on radio and the top 10 towns in India for radio listenership. Finally, it discusses aspects of radio advertising like spot advertising, factors to consider for planning campaigns, and community radio stations in India.
The document discusses the radio industry in India. It provides details on the number of private FM stations and All India Radio. It describes radio as a cost-effective medium for advertisers. The document also outlines the operational structure of radio organizations and discusses the phases of growth for private radio in India from 2000 to the present. It covers topics like radio programming, the programming team, targeting audiences, and major players in the radio market in India.
This document provides information about the history of radio in India. It states that All India Radio (AIR) was India's first radio station, established in 1930. AIR originated programming in 23 languages and 179 dialects. The document also discusses that the Radio Club of Bombay made the first broadcast in India in 1923. It then provides details about the development of private radio stations in India in the 1920s and lists some popular private radio stations in India along with the types of programming they provide. Finally, it summarizes that radio is an easy way to connect with the world without borders, despite risks to journalists and stations.
The document discusses the evolution of radio content in India from pre-independence to the present digital age. It traces the origins and development of radio in India, from amateur stations used by freedom fighters, to the establishment of All India Radio in 1927. It describes how radio was initially used only for political purposes and national integration, but later diversified to include entertainment, commercials, and catering to regional audiences. Modern developments have included the growth of private FM stations since the 1990s, digital technologies like internet radio and podcasts, and more informal and interactive content and communication styles.
The document provides an overview of the history and development of radio broadcasting in India. Some key points:
- Radio broadcasting in India began in the 1920s with amateur clubs in major cities. The Indian Broadcasting Company was formed in 1927.
- All India Radio (AIR) was established in 1936 under government control. It was the sole provider of radio services in India until the 1990s.
- In the 1950s, Vividh Bharati service was launched to provide entertainment and compete with foreign stations. Commercials were added in later decades.
- FM broadcasting was introduced in the 1990s and opened to private operators in the 2000s, dramatically expanding radio across India. Today hundreds of stations operate
The document summarizes the history and growth of radio in India. It discusses how the first radio program was broadcast in 1923 in Mumbai. It then covers the introduction of commercial radio channels in 1957 which increased popularity. It notes that while there were only 275,000 receivers at independence, now there are over 132 million. All India Radio now has a network of 237 centers across the country. The document also briefly discusses the categories of radio stations in India today and the growth of the radio industry in recent years.
This document provides an overview of the radio industry, including the different types of radio stations and their funding models. It discusses commercial radio stations that are funded through advertising, public service broadcasting stations like the BBC that are funded by television licenses, and non-profit community stations. It also describes some of the major job roles in radio, such as presenters, producers, and sound engineers. Finally, it briefly outlines some of the professional bodies and new technologies that have impacted the radio industry.
This document traces the history of radio in India from the 1920s to present day. It discusses the key developments and milestones in radio broadcasting over the decades, including the establishment of All India Radio in 1936 which became the public service broadcaster. Private commercial FM stations were introduced in the 1990s, and community radio began in 2000. The timeline shows how radio has grown and modernized in India over the past century to serve the public.
The document discusses the history and evolution of drama from classical Greek and Roman times to the modern era. It covers major periods and playwrights that have influenced drama, including classical Greek drama, classical Roman drama, medieval drama, Elizabethan and Jacobean drama, and modern and post-modern drama. Key figures mentioned are William Shakespeare, Henrik Ibsen, and Bertolt Brecht. The document also briefly defines drama and its main genres such as tragedy, comedy, opera, pantomime, and creative drama.
This presentation is about Community Radio. We start with the basic question as to what is community radio. A brief history. The first NGO operated community radio and a few others in India. then we go more local to Hyderabad.
California FM is a network vision for community radio, independent culture and true democracy. It is produced by a loose coalition of nonprofit volunteers and has no organizational affiliation.
California FM aims to support local DJs, journalists, musicians, radio producers and nonprofit station operators thrive on the airwaves, in a landscape dominated by commercial monopolies and national nonprofit institutions.
Independently operated nonprofit radio stations are the anchors of California FM. As peers each nonprofit station can thrive in a mutual-aid network based on solidarity and shared resources and programming. This can extend everyone's reach while ensuring local programming requirements are met and exceeded.
It can start in San Francisco. We have the community. We have the resources. All we need is to work together.
This document discusses the history and development of radio broadcasting in India from its origins with the Indian Broadcasting Company to the current organization All India Radio (AIR) under Prasar Bharati. It outlines the organizational structure and functions of AIR, the different types of radio broadcasts, and the autonomy and privatization of radio over time. It also describes the code of conduct for radio broadcasts, particularly regarding elections.
This document discusses the history and development of television distribution and transmission in India. It notes that terrestrial broadcasting was the initial form of distribution but had limited range. Cable TV was introduced in 1991 and helped expand access. Satellite transmission then proved successful in providing both national and international channels. Over time, various companies launched direct-to-home services using set-top boxes. The document also outlines different television genres and programming as well as the technical aspects of television transmission and standards.
The document discusses different types of broadcasting including institutional public address systems, satellite radio and TV, internet channels, low-powered community radio, and national radio and TV. It describes how each type transmits audio, video, and other content to audiences using various technologies like radio waves, satellites, cables, and the internet. The key methods are one-to-many transmission models using transmitter towers, satellites, or streaming over the web to reach small local areas or nationwide/global audiences on demand or in real-time.
The document discusses the history and development of radio broadcasting in India. It begins with the earliest experiments in radio in India in the 1920s by amateur radio clubs and stations set up in major cities. It then covers the establishment of All India Radio in 1936 and its expansion following Indian independence in 1947. The document also describes the key radio services under AIR - Vividh Bharati, regional services, and external services. It provides details on the founding and role of Prasar Bharati, the public service broadcaster of India.
Radio is the most widely consumed mass media in America, with 93% of Americans tuning in each week via AM/FM radio. There are over 12,000 radio stations broadcasting in the US, reaching 228.5 million consumers weekly. While television and digital media have grown, radio remains popular due to its portability, ability to be consumed alongside other activities, universal availability, and ability for listeners to select their preferred format.
Community radio stations aim to entertain, inform, and serve a small local area. They attract different age groups and ethnicities. Ofcom licenses community radios, awarding Oldham Community Radio 99.7FM a license in 2005. As a non-profit, it relies on fundraising and donations to invest back into equipment and facilities while broadcasting news from Sky and relying on volunteers to host shows.
The document discusses radio as a medium of mass communication. It covers the basics of radio production and the organizational structures of government and private radio stations. It also describes the different types of radio stations based on reach and transmission methods, including national, regional, local, community radio stations and transmission via AM, FM, shortwave.
The document discusses radio as a medium of mass communication. It covers the basics of radio production and the history of radio broadcasting in India from its beginnings in the 1920s to becoming All India Radio post-independence. It describes the different types of radio stations based on reach and transmission methods, including national, regional, local, and community stations. It also outlines the organizational structures of government and private radio stations.
Community radio stations have benefited from new technologies like the internet and mobile phones. These technologies allow stations to more easily access and share information, empowering communities. However, technological advances alone are not enough - visionary policies are also needed to support community radio and ensure communities can access new technologies. Such policies could include providing funding to develop community radio, including radio in universal access policies, and supporting affordable internet access for rural community stations. Combining community radio and internet access has great potential to benefit underserved communities through information sharing.
This document summarizes research on the decline of the radio station Vividh Bharti in India. It conducted surveys of 30 people in Pune across age groups and gender to understand consumer behavior and attitudes. It found that less than 1% of respondents listen to Vividh Bharti, preferring other stations for better music, anchors and programming. While Vividh Bharti received good ratings for its classic music collection, it received poor ratings for latest music, anchor quality and programming. Most respondents felt it needs a makeover to appear more modern and youthful to attract more listeners.
The document discusses different methods of broadcasting including telephone, radio, television, cable, satellite, and webcasting. It defines broadcasting as the mass distribution of audio, video, or other messages intended for a widespread audience. Broadcasting uses electromagnetic waves or the internet to disseminate information to entertain, educate, and inform the public. The document also covers several means of financial support for continuous broadcasting, including commercial broadcasting (supported by advertising), public broadcasting (supported by public funds and donations), and community broadcasting (run by non-profits and focused on local issues).
Radio is a transmission of signals through electromagnetic waves to transmit sound and other information through the air. It works by converting information like sound into electronic signals which are transmitted through a transmitter and received by a receiver. The document then provides data on FM radio penetration in various Indian cities from 2007-2011 and the devices owned by FM listeners. It also lists the top advertising categories on radio and the top 10 towns in India for radio listenership. Finally, it discusses aspects of radio advertising like spot advertising, factors to consider for planning campaigns, and community radio stations in India.
The document discusses the radio industry in India. It provides details on the number of private FM stations and All India Radio. It describes radio as a cost-effective medium for advertisers. The document also outlines the operational structure of radio organizations and discusses the phases of growth for private radio in India from 2000 to the present. It covers topics like radio programming, the programming team, targeting audiences, and major players in the radio market in India.
This document provides information about the history of radio in India. It states that All India Radio (AIR) was India's first radio station, established in 1930. AIR originated programming in 23 languages and 179 dialects. The document also discusses that the Radio Club of Bombay made the first broadcast in India in 1923. It then provides details about the development of private radio stations in India in the 1920s and lists some popular private radio stations in India along with the types of programming they provide. Finally, it summarizes that radio is an easy way to connect with the world without borders, despite risks to journalists and stations.
The document discusses the evolution of radio content in India from pre-independence to the present digital age. It traces the origins and development of radio in India, from amateur stations used by freedom fighters, to the establishment of All India Radio in 1927. It describes how radio was initially used only for political purposes and national integration, but later diversified to include entertainment, commercials, and catering to regional audiences. Modern developments have included the growth of private FM stations since the 1990s, digital technologies like internet radio and podcasts, and more informal and interactive content and communication styles.
The document provides an overview of the history and development of radio broadcasting in India. Some key points:
- Radio broadcasting in India began in the 1920s with amateur clubs in major cities. The Indian Broadcasting Company was formed in 1927.
- All India Radio (AIR) was established in 1936 under government control. It was the sole provider of radio services in India until the 1990s.
- In the 1950s, Vividh Bharati service was launched to provide entertainment and compete with foreign stations. Commercials were added in later decades.
- FM broadcasting was introduced in the 1990s and opened to private operators in the 2000s, dramatically expanding radio across India. Today hundreds of stations operate
I have described how a FM radio programming is conducted and how non-music programs gained momentum. Case studies of different programs have been done to emphasize on the popularity.
'Presentation on History of Radio In Indiamohinibhade9
Guglielmo Marconi invented radio in the 1890s and sent the first wireless telegraph message in 1895. Radio broadcasting began in India in 1922 through private companies and All India Radio was established in 1936 as the national public broadcaster. Today, both public and private radio stations operate across the country. All India Radio has over 450 stations while there are over 369 private stations across 101 cities. Radio listenership in India reached 51 million in 2020 and radio is expected to expand further through new technologies.
Seminar on Radio Broadcasting in India
Radio as a communication medium has played a very important role in the economic, political and cultural development of nations. It has the unique advantage of being receivable through low cost, battery operated, and mobile receiving sets,affordable for almost everyone, even in the rural areas. For the average argumentative Indian who loves talking, radio is an easy and effective medium to bond with and hence its continuing popularity in India.
Radio : Evolution, medium, a tool to change the societyIrfan Pathan
Radio developed significantly over time as a means of mass communication. Early forms of communication like signal lights and pony express were slow. Samuel Morse invented the telegraph in 1823, but it was limited by wires. Guglielmo Marconi experimented with wireless communication in the 1890s. John Fleming and Lee De Forest further developed vacuum tubes, making radio broadcasts possible. In India, amateur radio clubs started informal broadcasts in the 1920s. All India Radio was established by the British in 1936. After independence, AIR expanded nationwide. The introduction of FM broadcasting in the 1990s increased listenership and commercialization of radio in India. Today AIR has a vast network while private FM stations have grown popular for their variety of
Radio : Evolution, medium, a tool to change the societyIrfan Pathan
Radio developed significantly over time as a means of mass communication. Early forms of communication like signal lights and pony express were slow. Samuel Morse invented the telegraph in 1823, but it was limited by wires. Guglielmo Marconi experimented with wireless communication in the 1890s. John Fleming and Lee DeForest further developed vacuum tubes, making radio broadcasts possible. The Titanic disaster showed radio's importance for rescue operations. In India, amateur radio clubs launched early broadcasts, and All India Radio was established by the British in 1936. After independence, AIR expanded nationwide. The introduction of private FM stations in the 1990s increased listenership and advertising revenue for radio in India.
The communication before radio was very slow, taking months to deliver messages over long distances. In the 1800s, systems like signal lights and the Pony Express sped up communication but were still limited. In the 1890s, inventors like Marconi, Fleming, and de Forest experimented with wireless telegraphy and radio waves, eventually achieving the first radio broadcasts. Radio became an important communication tool in the early 1900s and was vital for rescues at sea. All India Radio was established in the 1930s and was the sole broadcaster until the 1990s when private FM radio was introduced, growing the radio market.
All India Radio (AIR) was India's national public radio broadcaster, established in 1936. It began as the India State Broadcasting Service in 1927 but struggled financially and shut down. In 1932, the government took over broadcasting and it was renamed AIR in 1936. AIR saw significant expansion over the decades, growing from 6 stations at independence to 146 AM stations by the 1990s and adding FM, shortwave, and digital stations. Commercial radio was introduced in 1967 with stations like Vividh Bharti. The radio sector has continued to grow and become more competitive with the introduction of phases of licensing and changes in foreign investment rules.
The Indian radio industry evolved from the Radio Club of Bombay in 1923 to becoming All India Radio in 1936 under government control. Private FM stations were introduced in 1999 and have since grown, with phases 2 and 3 expanding FM coverage across India. Key events included the establishment of the Indian Broadcasting Company in 1926, taking over by the government in 1930 to form the Indian State Broadcasting Service, and transition to Prasar Bharati Corporation in 1997.
An indepth study & presentation done by me on the Radio industry in india- 2012 for my MBA program
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Community radio for rural development in puducherry kulasekaran proKulasekaran Krishnan
Community radio plays a vital role in rural development by informing, empowering, and giving voice to marginalized communities. It provides locally relevant content to audiences overlooked by larger commercial stations. Studies of community radio programs in Puducherry, India found they had significant positive impacts on education levels, health, sanitation, food habits, and leadership skills among local families. Community radio was shown to be an effective tool for community development and bridging communication between governments and citizens.
Community radio for rural development in puducherry kulasekaran proKula Vani
Community radio plays a vital role in rural development by informing, empowering, and giving voice to marginalized communities. It provides locally relevant content to audiences that may be overlooked by larger commercial stations. In India, community radio was legalized in 2006 and there are now over 100 operational community radio stations. In Puducherry, there are several community radio stations that broadcast local programming focused on community issues like education, health, and development.
In 1895, Guglielmo Marconi invented radio and in 1906 shared the Nobel Prize for his contributions. In the early 1920s, over 500 radio stations broadcast news, music, and entertainment programs. Radio was introduced to India in the 1920s by amateur clubs in major cities. While radio played an important role, it has now been relegated primarily to Bollywood music. However, radio still remains relevant for many in India, especially in rural areas.
The world is changing and so does the people living in it. it is very important to shift with the coming times and hence this ppt is a representation of how radio Mirchi is pacing up with the real world while being relevant in the market.
The document summarizes the history of radio and television broadcasting in India. It discusses the origins of All India Radio in 1924 and its development into a national broadcasting service with over 80 stations by 1947. It also outlines the establishment of Doordarshan, India's national television broadcaster, in 1959 with experimental transmission and the addition of stations over the following decades. The introduction of cable television in the 1990s led to the growth of private television channels in India.
This document discusses different types of radio stations and compares commercial radio stations to community radio stations. It notes that community radio stations are non-profit and aim to directly serve the community by addressing local issues and priorities. Modern radio can take on aspects of community radio by programming locally relevant content to empower citizens and address social demands, while still allowing for some revenue generation to support sustainability. Overall, the document advocates that radio, including modern commercial radio, can better serve communities by adopting principles of community radio.
All India Radio (AIR) is India's national public radio broadcaster. It broadcasts in 23 languages and 146 dialects, covering 92% of India's total area and reaching 99.1% of the population. AIR's mission is to inform and educate the public. It began as the Indian Broadcasting Company in 1927 and became All India Radio in 1936. Today it operates 415 stations across India and 16 external services broadcasting in foreign languages to over 100 countries.
Radio was invented in the late 19th century by Guglielmo Marconi. It soon became a mass communication medium and went through several developments in the 20th century, including the introduction of AM/FM broadcasting, portable transistor radios, integration into vehicles and other devices. Today radio remains popular and is accessible through various platforms like traditional broadcast, internet, and cell phones. It provides news, music and entertainment to large audiences.
This document provides an overview of why films should be studied. It discusses several key reasons for studying films, including that films are:
1) A dynamic medium that can rearrange time and motion to reveal social, historical, and other dimensions.
2) An art of audience stimulation, as described by Alfred Hitchcock.
3) A form of entertainment, pleasure, and a way for audiences to find identification and expression.
It introduces the early development of American Cinema and gives an overview of early exhibitions and talks about the monopoly of Edisons' MPPC and Self Censorship in Films
The document discusses several primary models of communication:
1) The Linear Model proposed by Aristotle which views communication as one-way from the speaker to the passive audience.
2) The Transactional Model which sees communication as circular with feedback between parties.
3) The Interactional Model which focuses on the interactions between parties in a communication exchange.
It then provides more details on Aristotle's model and its elements, as well as other influential models like the Lasswell model, Shannon and Weaver's mathematical model, and Osgood and Schramm's circular model which introduced concepts like feedback and noise.
The document discusses the history of television from its early experiments in the 1920s to its growth and development worldwide. Some key points:
- Early experiments with television broadcasting began in the 1920s in the US and Europe, with the invention of important technologies like the iconoscope camera tube.
- By the 1950s, television had become a common feature in life, with over 40 stations in the US covering 23 cities. Satellite communication further expanded television worldwide starting in the 1960s.
- India's first television station launched in Delhi in 1959. Over the subsequent decades, more stations opened across India and the reach of television programming expanded significantly.
- Television played an important role in disseminating information on
This document discusses advertising as a form of mass communication. It notes that advertising aims to inform, persuade, and remind potential consumers to purchase products and services. The document outlines some key elements of effective advertising, including having a clear message, emotional appeal, originality, and using audio and visual elements when applicable. It also discusses important constituents like visual impact, great copy, perfect placement, timing, and a clear call to action. Overall, the document provides an overview of advertising as a communication tool and highlights factors that make advertising more effective.
1. The document discusses various socio-economic, cultural, and psychological aspects of advertising.
2. Economically, advertising helps increase product value and consumer demand by educating customers and differentiating products. It also affects business cycles and prices.
3. Socially, advertising can impact values and cause deception or offensiveness, though it also provides employment and information.
4. Culturally, advertising must consider factors like culture, social class, and symbols to be effective.
5. Psychologically, advertising influences consumer attitudes, perceptions, and motivations.
It describes communication practices from the beginning of human civilization to the pre-independence era in India. Also highlighted vernacular press in India.
The presentation talks about Ad Script Writing.it also gives additional insights to understand the target audience and explains various persuasion modes.
This presentation talks about the different narrative approaches in Telugu Cinema. It also highlights the importance of realistic and formalistic styles in film making.
It talks about the historical perspective of Japanese Cinema. It highlights the popular genres, stalwarts in film making, golden era of Japanese Cinema... etc.
This document discusses the technique of montage in film editing. It begins by defining montage as editing together short shots to compact space, time, and information. It then discusses the development of montage, particularly in Soviet films of the 1920s, where directors like Eisenstein and Vertov used montage to tell stories or illustrate ideas through juxtaposing images. The document outlines key aspects of Soviet montage theory and how it was shaped by the political context in Russia after the Bolshevik Revolution. It provides examples of famous Soviet montage sequences and discusses how the technique was later adapted by modern filmmakers.
German Expressionism was an artistic style in early 20th century Germany that depicted subjective emotions rather than objective reality through techniques like distortion, exaggeration, and fantasy. Expressionist artists explored dramatic and emotional themes using expressive color and line. The style was notable for its harshness and boldness, aiming to convey mental states through disconnected and distorted sets. While it captured the suffering of post-WWI Germany, Expressionism declined in the 1920s and its artists moved to Hollywood as the style lost popularity.
The presentation talks about the filmmaking movements in the history of world cinema. it highlights the french style of characterization which potrayals the psychological depth in the story progression
Italian Neorealism developed as a major film movement in Italy after World War II when the country aimed to restart with a liberal ideology. Neorealist filmmakers sought to tell stories of everyday peoples' lives using non-professional actors, filming on location with minimal resources. Vittorio De Sica's 1948 film Bicycle Thieves is considered exemplary of the movement in its portrayal of the working class and themes of poverty and desperation in postwar Italy. The movement gained international attention when Roberto Rossellini's Rome, Open City won awards at Cannes in 1946, establishing Italy's cinematic "golden era".
Italian Neorealism developed as a major film movement in Italy after World War II when the country aimed to restart with a liberal ideology. Neorealist filmmakers sought to tell stories of everyday peoples' lives using non-professional actors, filming on location with minimal resources. Notable films included Bicycle Thief and Rome, Open City, which portrayed the struggles of the working class and gained international attention, marking Italy's "golden era" of film. Characteristics included stories set amongst the poor, filmed in long takes on location using non-actors.
The document discusses the definition and values of news. It defines news as a report of recent events published in newspapers, television, radio or online. Some key news values it outlines are timeliness, proximity, prominence, controversy, impact, current events, oddity, human interest, usefulness and educational value. It also discusses the importance of credibility, objectivity and fairness when reporting news. The primary functions of news mentioned are to inform, educate, entertain, form public images and drive curiosity.
Assessment and Planning in Educational technology.pptxKavitha Krishnan
In an education system, it is understood that assessment is only for the students, but on the other hand, the Assessment of teachers is also an important aspect of the education system that ensures teachers are providing high-quality instruction to students. The assessment process can be used to provide feedback and support for professional development, to inform decisions about teacher retention or promotion, or to evaluate teacher effectiveness for accountability purposes.
A Strategic Approach: GenAI in EducationPeter Windle
Artificial Intelligence (AI) technologies such as Generative AI, Image Generators and Large Language Models have had a dramatic impact on teaching, learning and assessment over the past 18 months. The most immediate threat AI posed was to Academic Integrity with Higher Education Institutes (HEIs) focusing their efforts on combating the use of GenAI in assessment. Guidelines were developed for staff and students, policies put in place too. Innovative educators have forged paths in the use of Generative AI for teaching, learning and assessments leading to pockets of transformation springing up across HEIs, often with little or no top-down guidance, support or direction.
This Gasta posits a strategic approach to integrating AI into HEIs to prepare staff, students and the curriculum for an evolving world and workplace. We will highlight the advantages of working with these technologies beyond the realm of teaching, learning and assessment by considering prompt engineering skills, industry impact, curriculum changes, and the need for staff upskilling. In contrast, not engaging strategically with Generative AI poses risks, including falling behind peers, missed opportunities and failing to ensure our graduates remain employable. The rapid evolution of AI technologies necessitates a proactive and strategic approach if we are to remain relevant.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Thinking of getting a dog? Be aware that breeds like Pit Bulls, Rottweilers, and German Shepherds can be loyal and dangerous. Proper training and socialization are crucial to preventing aggressive behaviors. Ensure safety by understanding their needs and always supervising interactions. Stay safe, and enjoy your furry friends!
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
This presentation includes basic of PCOS their pathology and treatment and also Ayurveda correlation of PCOS and Ayurvedic line of treatment mentioned in classics.
हिंदी वर्णमाला पीपीटी, hindi alphabet PPT presentation, hindi varnamala PPT, Hindi Varnamala pdf, हिंदी स्वर, हिंदी व्यंजन, sikhiye hindi varnmala, dr. mulla adam ali, hindi language and literature, hindi alphabet with drawing, hindi alphabet pdf, hindi varnamala for childrens, hindi language, hindi varnamala practice for kids, https://www.drmullaadamali.com
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
3. FM BROADCASTING
In 1977, Frequency Modulation broadcasting was introduced in
Madras
Later at Jalandhar in 1992
On 15th Aug, 1993, FM channel was launched in Bombay
In 1993, time slots started to be leased to private companies
Then FM becomes synonymous with pop music and youth culture
4. FM BROADCASTING
With nine hours of Radio time leased to Times FM, Radio Star
& Radio Midday.
Music video Channels like –V, MTV were launched
FM broadcast ensured reception free from atmospheric noise
The AIR stations of Delhi, Bombay, Panaji, Bangalore, Madras
& Calcutta sold FM slots to private
5. FM BROADCASTING
AIR charged a fee of Rs. 3000/- per hour
But, Private companies charged advertisers Rs. 250-300 for ten
seconds commercials.
Urban English-speaking youth were the targeted listeners
Western pop-music dominated
FM programmes includes Chat shows, Contests and Quizzes
Phone-ins, Page-ins and Write-ins were the strategies used to
involve listeners
6. FM BROADCASTING
It became new mass medium for urban India
FM technology facilitates localization of broadcasting
New York-82 stations
London- 42 stations
Manila-35
Jakarta-29
India-5
Until 2000, Private broadcaster (ToI, Midday) to hold on their
monopoly
Transmission bands for FM radio -80-108 Mhz
7. FM AIRWAVES
AIR has extended FM broadcasting to many India cities
In 1995, the S.C. pronounced that ‘the airwaves are public
property’
It ‘couldn’t be monopoly’ of either government or business
The government privatize the airwaves
The monopoly of AIR ended in 1999 with private commercial FM
radio channels
In 2001, 108 FM radio licenses were sanctioned for 40 cities
ToI group was the largest winner of 10 years license
8. FM AIRWAVES
In early 2006 as many as 338 licenses for FM stations in 91 cities
were auctioned off
All the private companies were allowed to get up to 20% FDIs
The second phase (2007) saw the auction of 97 stations to 27
companies
It led the establishing of FM stations in small cities like Bikaner,
Trichy, Udaipur, Agartala, Gangtok & Warangal
This phase ushered in the revenue share model
ToI, Living Media, Hindustan Times, Dainik bhaskar, Jagran
Prakashan, Midday, Zee TV, Star, Sun an Eenadu have gained
9. FM AIRWAVES
By the end of 2007, FM radio industry was worth over Rs. 310 cr.
BIG FM, Survan, Radio Mirchi, Radio City and AIR’s FM( Rainbow
FM & FM gold) were the main players
Jagaran Prakashan Radio Mantra
Midday Radio One
Hindustan Times Radio Fever
ToI Radio Mirchi
India Today Radio Today/ Meow
Dainik Bhaskar My FM
Dinakaran Suryan FM/ ‘S’ FM
Malayala Manorama Manorama Radio/Mango
Anand Bazar Patrika Friends FM
Pudhari Publications Tamato FM
Prabhat Khabbar Radio Dhoom
10. FM AIRWAVES
Music, Chat, News, Current affairs and live sports commentaries
were allowed
Since 2007, FM receivers were raised to 78 million
The composition of typical radio hours
Music 67%
Advt. 14%
R.J. talk 09%
Promotions 05%
Fillers 04%
Others 01
11. GROWTH OF RADIO INDUSTRY
Radio has the widest reach & coverage
With 132 million radio sets & reach to almost entire population
The coverage of AIR’s FM stations about 31%
Private FM stations a bare 9 %
NGOs & small communities have succeeded in ‘Community Radio’
It relates to non-state & non profit narrow casting
50% programmes were made by local communities
In early 2006, Raghav ( Bihar) ran community radio station
He forced him to shut the station
He had no training & spent Rs. 50/- to put his station
12. GROWTH OF RADIO INDUSTRY
The BBC called Raghav’s FM was amazing
Some of the Community Radio stations Radio Ujjas (Gujarat)
DDS- in Pastapur (AP), Namma Dhawani in Karnataka, Radio
Alakal in Trivandrum etc,
Some social activities in Bangalore in 1996 to started
‘Bangalore Declaration’
In 2002, Govt. opened up FM radio to Community groups
and to universities
13. GROWTH OF RADIO INDUSTRY
17 campus radios such as Jamia Milia Islamia, IGNOU,
Annamalai, Pune, FTII, IIMC, HCU and so on are functioning
End of 2007, 26 community radio stations were on the air
In 2006, Govt. announced a new policy
It opened up FM licensing to Civil Societies, NGOs,
Autonomous, Registered societies
But, for individuals, Political parties, profit making institutions
were prohibited
No license fee was required for community radio
14. DIGITAL AUDIO BROADCASTING
Mid 1990s, Several broadcaster including AIR started DAB
DAB was arose by European project called Eureka-147
It was launched by BBC in 1995 in London
It transmits sound as computer code rather than as analogue waves
It provides interference-free sound
DAB can also carry multimedia services such as Text, Data files,
Graphics, pictures and moving videos
DAB listeners can enjoy programmes accompanied by information
and pictures on the computers
15. SATELLITE RADIO
World space is the only private satellite radio platform working
in India
It has the headquarters in Washington D.C.
It was launched in 2000 with free to air
Later, it became a pay service, Offering over 40 radio channels in
several Indian languages
It has variety of genres, Jazz, Classical, Old Hindi film music &
Rock
It is unaffordable business plan, requires special radio receivers
16. VISUAL RADIO
It is convergent technology
Combination of FM radio with Mobile phones
Radio built into mobile devices
Visual radio shows you what is playing on the phone screen
Listeners pay only for the data service carried via General Packet
Radio Service
India is the third country in the world to offer Visual Radio
It provides rich textual and visual information
www.myspace.com, www.secondlife.com, www.flickr.com were part of
this services
17. INTERNET RADIO
Several public & commercial radio stations transmit their music and
talk shows on the Internet
Most Indian FM channels have an active presence
Hindi film music dominates on these desi-radio sites
18. BROADCASTING ETHICS
Ethics of broadcasting is very similar to those for the print media
Those are accuracy, fairness, respect for privacy/religious beliefs
Respect the practices of different communities
Need for caution in reporting violence/ communal disturbances
Need to follow the caution in Criticizing Judicial acts
Respect for the confidentiality of sources
Need to avoid obscenity and vulgarity