Basic intro to using Film sound in media product. Some examples of music effects contrapuntal sound and the power of sound in reinforcing meaning in product
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Basic intro to using Film sound in media product. Some examples of music effects contrapuntal sound and the power of sound in reinforcing meaning in product
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
my report for Com 311: Seminar in Cross-Cultural Research at the College of Mass Communication, University of the Philippines Diliman - PhD Media Studies program
Table of ContentsP E A R S O N C U S T O M L I B R .docxdeanmtaylor1545
Table of Contents
P E A R S O N C U S T O M L I B R A R Y
I
Glossary
1
1Stephen Prince
1. Film Structure
13
13Stephen Prince
2. Cinematography
57
57Stephen Prince
3. Production Design
95
95Stephen Prince
4. Acting
121
121Stephen Prince
5. Editing: Making the Cut
149
149Stephen Prince
6. Principles of Sound Design
187
187Stephen Prince
7. The Nature of Narrative in Film
229
229Stephen Prince
8. Visual Effects
287
287Stephen Prince
9. Modes of Screen Reality
325
325Stephen Prince
381
381Index
II
G L O S S A R Y
3D digital matte A matte painting that has been camera
mapped onto a 3D geometrical model in computer space.
The digital matte can then be moved or rotated to
simulate the perspective of a moving camera. See also
camera mapping .
Additive Color Mixing A system used for creating color
on television where red, blue, and green lights are mixed
together to create all other hues.
ADR Automated dialogue replacement (ADR) is a post-
production practice in which actors re-record lines of dia-
logue or add new ones not present at the point of filming.
Computer software enables proper synching of these lines
with the performer’s lip movements as recorded on film.
Aerial Image Printing Method of producing dimensional
effects using matte paintings in an optical printer. An image
(such as a matte painting) is projected to a focal plane in space
(rather than onto a surface) where it can be photographed by
the process camera in the optical printer. That footage can be
combined with live action footage and other optical elements.
Aerial Perspective A visual depth cue in which the effects
of the atmosphere make very distant objects appear bluish
and hazy.
Alpha Channel In a digital image, this channel of informa-
tion specifies a pixel’s degree of transparency. The alpha
channel is often used for generating male and female mattes.
Ambient Sound The background sound characteristic of an
environment or location. For a film such as The Last of the
Mohicans , set in a forest, ambient sounds include the rustle
of branches and the cries of distant birds.
Anamorphic Method of producing a widescreen (2.35:1)
image by squeezing the picture information horizontally and
stretching it vertically. This method is used for both theatri-
cal films and for DVD home video formatted for 16 × 9 (wi-
descreen) monitors or projection systems. Unsqueezing the
picture information during projection or viewing produces
the widescreen image.
Ancillary Market All of the nontheatrical markets from
which a film distributor derives revenue. These include home
video, cable television, and foreign markets.
Angle of View The amount of area recorded by a given
lens. Telephoto lenses have a much smaller angle of view
than wide-angle lenses.
Animation 2D Traditional form of animation in cinema
wh.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Synthetic Fiber Construction in lab .pptxPavel ( NSTU)
Synthetic fiber production is a fascinating and complex field that blends chemistry, engineering, and environmental science. By understanding these aspects, students can gain a comprehensive view of synthetic fiber production, its impact on society and the environment, and the potential for future innovations. Synthetic fibers play a crucial role in modern society, impacting various aspects of daily life, industry, and the environment. ynthetic fibers are integral to modern life, offering a range of benefits from cost-effectiveness and versatility to innovative applications and performance characteristics. While they pose environmental challenges, ongoing research and development aim to create more sustainable and eco-friendly alternatives. Understanding the importance of synthetic fibers helps in appreciating their role in the economy, industry, and daily life, while also emphasizing the need for sustainable practices and innovation.
Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
2. As a noun, film is a sheet or strip of celluloid or
other material that has been coated with a
light-sensitive emulsion.
As a transitive verb, film means to make a
movie.
As an intransitive verb, film means to be in the
process of making a movie or to be suitable for
making into a movie.
3. Is a sequence of pictures
projected on a screen from a
developed and prepared film,
especially with an accompanying
sound track
Also called Motion Picture
5. Cinema is the art of
making movies
through the use of
a synthetic
material called
film.
6. Conventions made people accept that film,
movies or cinema can be used interchangeably
to connote a single meaning that is:
IT IS A FORM OF ENTERTAINMENT, WHERE PEOPLE
CAN RELATE THEIR EVERYDAY EXPERIENCES TO WHAT
IS PORTRAYED AND PROJECTED ON THE SCREEN.
7. a. Cinema was, from the start, a public
entertainment. Being public it had to be
widely advertised to attract paying patrons.
b. The commercial success of a film
presentation is measured by the size of the
paying audience.
c. Movie-going is a cross-class experience: the
fellow seated next to a viewer may be a
complete stranger, sharing or exhibiting
similar viewer reactions.
8. 1. Images must be capable of being
displayed in a series.
2. Use of standardized film strips
3. There must be a recording of a sound
that accompanies the image.
9. Cinema uses a strip of celluloid as support for
the series of images, which are called frames.
Cinema requires three machines to create and
display the images: camera, printer and
projector.
All three machines have basic principle: A
mechanism controls how light is admitted to
the film, advances the strip of film a frame at a
time, and exposes it to light for the proper
interval.
10. In a light-tight chamber, a drive mechanism
feeds the motion picture film from a reel (a)
pass a lens (b) and aperture (c) to a take-up reel
(d). The lens focuses light reflected from a
scene onto each frame of film (e). The
mechanism moves the film intermittently,
while a shutter (f) admits light through the lens
only when each frame is unmoving and ready
for exposure. The standard shooting rate for
sound film is 24 frames per second.
11. Printers exists in various designs, but all consists of
a light-tight chambers which drive a negative or
positive roll of film from a reel (a) pass an aperture
(b) to a take-up reel (c). Simultaneously, a roll of
unexposed film (a’, c’)moves through the aperture
(b or b’), either intermittently or continuously. By
means of a lens (d), light beamed through the
aperture, prints the image (e) on the unexposed
film (e’). The two rolls of film may come into
contact and pass through the aperture
simultaneously. (as in a contact printer). Or light
coming through the original may be beamed to the
unexposed roll through lenses, mirrors or prisms.
(as in the optical printer ).
12. A drive mechanism feeds the exposed and
developed film from a reel (a) pass a lens (b) and
aperture (c) to a take-up reel (d). Light is beamed
through the images (e) and magnified by the lens
for projection on a screen. Again a mechanism
moves the film intermittently pass the aperture,
while a shutter (f) admits light only when each
frame is pausing. For the movement effect to
occur, a film must display at last 12 frames per
second: the shutter blocks and reveals each frame
a least twice in order to reduce the flicker effect on
the screen. The standard projection rate for a
sound film is today is 24 frames per second.
13. The film strip is perforated along one or both
edges, so that small teeth (sprockets) in the
machines can seize the perforations (sprocket
holes) and pull the film at a uniform rate and
smoothness. Space is also reserved along on o
both edges for an optical or magnetic
soundtrack.
Motion picture film widths, called gauges are
measured in millimeters.
14. 8mm/super 8mm
16mm
35mm
70mm
*the higher the gauge, the better defined and
detailed the image.