SlideShare a Scribd company logo
LESSON 1
 As a noun, film is a sheet or strip of celluloid or
other material that has been coated with a
light-sensitive emulsion.
 As a transitive verb, film means to make a
movie.
 As an intransitive verb, film means to be in the
process of making a movie or to be suitable for
making into a movie.
 Is a sequence of pictures
projected on a screen from a
developed and prepared film,
especially with an accompanying
sound track
 Also called Motion Picture
The art or technique of
making movies
Cinema is the art of
making movies
through the use of
a synthetic
material called
film.
 Conventions made people accept that film,
movies or cinema can be used interchangeably
to connote a single meaning that is:
 IT IS A FORM OF ENTERTAINMENT, WHERE PEOPLE
CAN RELATE THEIR EVERYDAY EXPERIENCES TO WHAT
IS PORTRAYED AND PROJECTED ON THE SCREEN.
a. Cinema was, from the start, a public
entertainment. Being public it had to be
widely advertised to attract paying patrons.
b. The commercial success of a film
presentation is measured by the size of the
paying audience.
c. Movie-going is a cross-class experience: the
fellow seated next to a viewer may be a
complete stranger, sharing or exhibiting
similar viewer reactions.
1. Images must be capable of being
displayed in a series.
2. Use of standardized film strips
3. There must be a recording of a sound
that accompanies the image.
 Cinema uses a strip of celluloid as support for
the series of images, which are called frames.
 Cinema requires three machines to create and
display the images: camera, printer and
projector.
 All three machines have basic principle: A
mechanism controls how light is admitted to
the film, advances the strip of film a frame at a
time, and exposes it to light for the proper
interval.
 In a light-tight chamber, a drive mechanism
feeds the motion picture film from a reel (a)
pass a lens (b) and aperture (c) to a take-up reel
(d). The lens focuses light reflected from a
scene onto each frame of film (e). The
mechanism moves the film intermittently,
while a shutter (f) admits light through the lens
only when each frame is unmoving and ready
for exposure. The standard shooting rate for
sound film is 24 frames per second.
 Printers exists in various designs, but all consists of
a light-tight chambers which drive a negative or
positive roll of film from a reel (a) pass an aperture
(b) to a take-up reel (c). Simultaneously, a roll of
unexposed film (a’, c’)moves through the aperture
(b or b’), either intermittently or continuously. By
means of a lens (d), light beamed through the
aperture, prints the image (e) on the unexposed
film (e’). The two rolls of film may come into
contact and pass through the aperture
simultaneously. (as in a contact printer). Or light
coming through the original may be beamed to the
unexposed roll through lenses, mirrors or prisms.
(as in the optical printer ).
 A drive mechanism feeds the exposed and
developed film from a reel (a) pass a lens (b) and
aperture (c) to a take-up reel (d). Light is beamed
through the images (e) and magnified by the lens
for projection on a screen. Again a mechanism
moves the film intermittently pass the aperture,
while a shutter (f) admits light only when each
frame is pausing. For the movement effect to
occur, a film must display at last 12 frames per
second: the shutter blocks and reveals each frame
a least twice in order to reduce the flicker effect on
the screen. The standard projection rate for a
sound film is today is 24 frames per second.
 The film strip is perforated along one or both
edges, so that small teeth (sprockets) in the
machines can seize the perforations (sprocket
holes) and pull the film at a uniform rate and
smoothness. Space is also reserved along on o
both edges for an optical or magnetic
soundtrack.
 Motion picture film widths, called gauges are
measured in millimeters.
 8mm/super 8mm
 16mm
 35mm
 70mm
 *the higher the gauge, the better defined and
detailed the image.
 Soundtrack may either be:
 MAGNETIC
 OPTICAL

More Related Content

What's hot

Types of camera angles
Types of camera anglesTypes of camera angles
Types of camera angles
Zahra Khan
 
Intro to Film: The Director
Intro to Film: The DirectorIntro to Film: The Director
Intro to Film: The Director
Rob Nyland
 
Film Sound
Film SoundFilm Sound
Film Sound
Guy Stanley
 
Film theory
Film theoryFilm theory
Film theory
ShahEman
 
The history of cinema
The history of cinemaThe history of cinema
The history of cinemashahrukh0508
 
Eadweard muybridge research presentation
Eadweard muybridge research presentationEadweard muybridge research presentation
Eadweard muybridge research presentationchrisnaufel
 
History of film
History of filmHistory of film
History of film
Holly Littlefair
 
Film & Cinema
Film & CinemaFilm & Cinema
Film & Cinema
Edmundo Dantes
 
Part 1 - Silent Era
Part 1 - Silent EraPart 1 - Silent Era
Part 1 - Silent Era
Elle Sullivan
 
Mise-en-Scene: Design and Composition
Mise-en-Scene: Design and CompositionMise-en-Scene: Design and Composition
Mise-en-Scene: Design and CompositionMatthew Hartman
 
History of film
History of filmHistory of film
History of film
joseklo
 
The Theory of Montage:
The Theory of Montage: The Theory of Montage:
The Theory of Montage: gregdut
 
Short films Presentation
Short films PresentationShort films Presentation
Short films Presentation
Skye O'Neill
 
Film making
Film makingFilm making
1. introduction to writing a screenplay
1. introduction to writing a screenplay1. introduction to writing a screenplay
1. introduction to writing a screenplay
Richard Dwyer
 
What are storyboards?
What are storyboards?What are storyboards?
What are storyboards?
iain bruce
 
History of film
History of filmHistory of film
History of filmStephWebb
 
Film History 1
Film History 1Film History 1
Film History 1
John Grace
 

What's hot (20)

Types of camera angles
Types of camera anglesTypes of camera angles
Types of camera angles
 
Intro to Film: The Director
Intro to Film: The DirectorIntro to Film: The Director
Intro to Film: The Director
 
Film Sound
Film SoundFilm Sound
Film Sound
 
Film theory
Film theoryFilm theory
Film theory
 
The history of cinema
The history of cinemaThe history of cinema
The history of cinema
 
Eadweard muybridge research presentation
Eadweard muybridge research presentationEadweard muybridge research presentation
Eadweard muybridge research presentation
 
History of film
History of filmHistory of film
History of film
 
Auteur theory
Auteur theoryAuteur theory
Auteur theory
 
Film & Cinema
Film & CinemaFilm & Cinema
Film & Cinema
 
Part 1 - Silent Era
Part 1 - Silent EraPart 1 - Silent Era
Part 1 - Silent Era
 
Mise-en-Scene: Design and Composition
Mise-en-Scene: Design and CompositionMise-en-Scene: Design and Composition
Mise-en-Scene: Design and Composition
 
History of film
History of filmHistory of film
History of film
 
The Theory of Montage:
The Theory of Montage: The Theory of Montage:
The Theory of Montage:
 
Short films Presentation
Short films PresentationShort films Presentation
Short films Presentation
 
Film making
Film makingFilm making
Film making
 
Film History
Film HistoryFilm History
Film History
 
1. introduction to writing a screenplay
1. introduction to writing a screenplay1. introduction to writing a screenplay
1. introduction to writing a screenplay
 
What are storyboards?
What are storyboards?What are storyboards?
What are storyboards?
 
History of film
History of filmHistory of film
History of film
 
Film History 1
Film History 1Film History 1
Film History 1
 

Viewers also liked

Contextual theories of communication pdf
Contextual theories of communication pdfContextual theories of communication pdf
Contextual theories of communication pdf
Kriztine Viray
 
Tv programming
Tv programmingTv programming
Tv programming
Kriztine Viray
 
Organizing model of communication theory
Organizing model of communication theory Organizing model of communication theory
Organizing model of communication theory
Kriztine Viray
 
Lesson 1 multimedia gs
Lesson 1 multimedia gsLesson 1 multimedia gs
Lesson 1 multimedia gs
Kriztine Viray
 
Lesson 1 advance theories
Lesson 1 advance theoriesLesson 1 advance theories
Lesson 1 advance theories
Kriztine Viray
 
Comm theory module 1 theory overview pdf
Comm theory module 1  theory overview pdfComm theory module 1  theory overview pdf
Comm theory module 1 theory overview pdf
Kriztine Viray
 
Identity Negotiation Theory
Identity Negotiation TheoryIdentity Negotiation Theory
Identity Negotiation Theory
University of the Philippines Diliman
 
Model of communication pdf
Model of communication pdfModel of communication pdf
Model of communication pdf
Kriztine Viray
 
Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)
Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)
Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)
Jeremy Eliab
 
Episode 5 remember those lines pdf
Episode 5 remember those lines pdfEpisode 5 remember those lines pdf
Episode 5 remember those lines pdf
Kriztine Viray
 
Film appreciation and theories prelim
Film appreciation and theories prelim Film appreciation and theories prelim
Film appreciation and theories prelim
Zyrille Maningo
 
Episode 10 rulesofengagement pdf
Episode 10 rulesofengagement pdfEpisode 10 rulesofengagement pdf
Episode 10 rulesofengagement pdf
Kriztine Viray
 
Session 1A film elements: Film Appreciation Course (Hum 3)
Session 1A film elements: Film Appreciation Course (Hum 3)Session 1A film elements: Film Appreciation Course (Hum 3)
Session 1A film elements: Film Appreciation Course (Hum 3)
Jeremy Eliab
 
Comm theories final lecture pdf
Comm theories final lecture pdfComm theories final lecture pdf
Comm theories final lecture pdf
Kriztine Viray
 
Film appreciation Intro
Film appreciation IntroFilm appreciation Intro
Film appreciation Intro
Laura Rebecca
 
WHO Report, the third meeting of the Member State mechanism on substandard/sp...
WHO Report, the third meeting of the Member State mechanism on substandard/sp...WHO Report, the third meeting of the Member State mechanism on substandard/sp...
WHO Report, the third meeting of the Member State mechanism on substandard/sp...
Yasmin AbdelAziz
 
Session 4 film narration: Film Appreciation Course
Session 4 film narration: Film Appreciation CourseSession 4 film narration: Film Appreciation Course
Session 4 film narration: Film Appreciation CourseJeremy Eliab
 
Types of films
Types of filmsTypes of films
Types of films
Shraddha Mehta
 

Viewers also liked (20)

Contextual theories of communication pdf
Contextual theories of communication pdfContextual theories of communication pdf
Contextual theories of communication pdf
 
Tv programming
Tv programmingTv programming
Tv programming
 
Organizing model of communication theory
Organizing model of communication theory Organizing model of communication theory
Organizing model of communication theory
 
Lesson 1 multimedia gs
Lesson 1 multimedia gsLesson 1 multimedia gs
Lesson 1 multimedia gs
 
Lesson 1 advance theories
Lesson 1 advance theoriesLesson 1 advance theories
Lesson 1 advance theories
 
Comm theory module 1 theory overview pdf
Comm theory module 1  theory overview pdfComm theory module 1  theory overview pdf
Comm theory module 1 theory overview pdf
 
Identity Negotiation Theory
Identity Negotiation TheoryIdentity Negotiation Theory
Identity Negotiation Theory
 
Model of communication pdf
Model of communication pdfModel of communication pdf
Model of communication pdf
 
Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)
Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)
Session 2 Film Basic Visual Units: Film Appreciation Course (Hum 3)
 
Episode 5 remember those lines pdf
Episode 5 remember those lines pdfEpisode 5 remember those lines pdf
Episode 5 remember those lines pdf
 
Film appreciation and theories prelim
Film appreciation and theories prelim Film appreciation and theories prelim
Film appreciation and theories prelim
 
Episode 10 rulesofengagement pdf
Episode 10 rulesofengagement pdfEpisode 10 rulesofengagement pdf
Episode 10 rulesofengagement pdf
 
Session 1A film elements: Film Appreciation Course (Hum 3)
Session 1A film elements: Film Appreciation Course (Hum 3)Session 1A film elements: Film Appreciation Course (Hum 3)
Session 1A film elements: Film Appreciation Course (Hum 3)
 
Comm theories final lecture pdf
Comm theories final lecture pdfComm theories final lecture pdf
Comm theories final lecture pdf
 
Film appreciation Intro
Film appreciation IntroFilm appreciation Intro
Film appreciation Intro
 
WHO Report, the third meeting of the Member State mechanism on substandard/sp...
WHO Report, the third meeting of the Member State mechanism on substandard/sp...WHO Report, the third meeting of the Member State mechanism on substandard/sp...
WHO Report, the third meeting of the Member State mechanism on substandard/sp...
 
Session 4 film narration: Film Appreciation Course
Session 4 film narration: Film Appreciation CourseSession 4 film narration: Film Appreciation Course
Session 4 film narration: Film Appreciation Course
 
Chapter 12
Chapter 12Chapter 12
Chapter 12
 
Art Appreciation OBJECTIVES
Art Appreciation OBJECTIVESArt Appreciation OBJECTIVES
Art Appreciation OBJECTIVES
 
Types of films
Types of filmsTypes of films
Types of films
 

Similar to Film appreciation

Table of ContentsP E A R S O N C U S T O M L I B R .docx
Table of  ContentsP E A R S O N  C U S T O M  L I B R .docxTable of  ContentsP E A R S O N  C U S T O M  L I B R .docx
Table of ContentsP E A R S O N C U S T O M L I B R .docx
deanmtaylor1545
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
sodhi3
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
sleeperharwell
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
priestmanmable
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
blondellchancy
 
EMC/JOUR 3000 Lecture 1 - The Technical Dimension
EMC/JOUR 3000 Lecture 1 - The Technical DimensionEMC/JOUR 3000 Lecture 1 - The Technical Dimension
EMC/JOUR 3000 Lecture 1 - The Technical DimensionEdward Bowen
 
Animation Techniques
Animation TechniquesAnimation Techniques
Animation Techniques
Media Studies
 
Imax technology (venkat)
Imax technology (venkat)Imax technology (venkat)
Imax technology (venkat)
Venkata Krishna
 
(Computer) Animation Technique
(Computer) Animation Technique(Computer) Animation Technique
(Computer) Animation Techniquejustinesolano
 
Editing introduction and history support
Editing introduction and history support Editing introduction and history support
Editing introduction and history support
Louise Sands
 
3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project
3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project
3D Film - Enver Cankan Arar - 20112598 - Eng 102 ProjectEnver Arar
 
Persistence of vision
Persistence of visionPersistence of vision
Persistence of vision
Varshini1999
 
Chapter 1 film as art creativity, technology, and business
Chapter 1  film as art creativity, technology, and businessChapter 1  film as art creativity, technology, and business
Chapter 1 film as art creativity, technology, and businessYu Liu
 
Broadcast media
Broadcast mediaBroadcast media
Broadcast media
NEO NEWS NETWORK
 
Animation
AnimationAnimation
Animation
Pooja Goswami
 
Lecture 1 History of Animation.pptx
Lecture 1 History of Animation.pptxLecture 1 History of Animation.pptx
Lecture 1 History of Animation.pptx
DeodatusKalekona1
 
Counselors training on VFX pro
Counselors training on VFX pro Counselors training on VFX pro
Counselors training on VFX pro Sagar Kapoor
 

Similar to Film appreciation (20)

Table of ContentsP E A R S O N C U S T O M L I B R .docx
Table of  ContentsP E A R S O N  C U S T O M  L I B R .docxTable of  ContentsP E A R S O N  C U S T O M  L I B R .docx
Table of ContentsP E A R S O N C U S T O M L I B R .docx
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
 
Film
FilmFilm
Film
 
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
9 781292 041292ISBN 978-1-29204-129-2Movies and Meanin.docx
 
EMC/JOUR 3000 Lecture 1 - The Technical Dimension
EMC/JOUR 3000 Lecture 1 - The Technical DimensionEMC/JOUR 3000 Lecture 1 - The Technical Dimension
EMC/JOUR 3000 Lecture 1 - The Technical Dimension
 
Animation Techniques
Animation TechniquesAnimation Techniques
Animation Techniques
 
Imax technology (venkat)
Imax technology (venkat)Imax technology (venkat)
Imax technology (venkat)
 
(Computer) Animation Technique
(Computer) Animation Technique(Computer) Animation Technique
(Computer) Animation Technique
 
Film strip ok
Film strip okFilm strip ok
Film strip ok
 
Editing introduction and history support
Editing introduction and history support Editing introduction and history support
Editing introduction and history support
 
Tv journalism notes
Tv journalism notesTv journalism notes
Tv journalism notes
 
3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project
3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project
3D Film - Enver Cankan Arar - 20112598 - Eng 102 Project
 
Persistence of vision
Persistence of visionPersistence of vision
Persistence of vision
 
Chapter 1 film as art creativity, technology, and business
Chapter 1  film as art creativity, technology, and businessChapter 1  film as art creativity, technology, and business
Chapter 1 film as art creativity, technology, and business
 
Broadcast media
Broadcast mediaBroadcast media
Broadcast media
 
Animation
AnimationAnimation
Animation
 
Lecture 1 History of Animation.pptx
Lecture 1 History of Animation.pptxLecture 1 History of Animation.pptx
Lecture 1 History of Animation.pptx
 
Counselors training on VFX pro
Counselors training on VFX pro Counselors training on VFX pro
Counselors training on VFX pro
 

More from Kriztine Viray

Tv production basics
Tv production basicsTv production basics
Tv production basics
Kriztine Viray
 
Media 301 report pdf
Media 301 report pdfMedia 301 report pdf
Media 301 report pdf
Kriztine Viray
 
Episode 12 let there be light pdf
Episode 12 let there be light pdfEpisode 12 let there be light pdf
Episode 12 let there be light pdf
Kriztine Viray
 
Episode 11 creating eye candy pdf
Episode 11 creating eye candy pdfEpisode 11 creating eye candy pdf
Episode 11 creating eye candy pdf
Kriztine Viray
 
Episode9 calling the shots pdf
Episode9 calling the shots pdfEpisode9 calling the shots pdf
Episode9 calling the shots pdf
Kriztine Viray
 
Episode 8 gearing up the shoot pdf
Episode 8 gearing up the shoot pdfEpisode 8 gearing up the shoot pdf
Episode 8 gearing up the shoot pdf
Kriztine Viray
 
Episode 7 crew man your positions pdf
Episode 7 crew man your positions pdfEpisode 7 crew man your positions pdf
Episode 7 crew man your positions pdf
Kriztine Viray
 
Episode 6 write it on paper pdf
Episode 6 write it on paper pdfEpisode 6 write it on paper pdf
Episode 6 write it on paper pdf
Kriztine Viray
 
Episode 4 share that story pdf
Episode 4 share that story pdfEpisode 4 share that story pdf
Episode 4 share that story pdf
Kriztine Viray
 
Episode 3 the place to be
Episode 3 the place to beEpisode 3 the place to be
Episode 3 the place to be
Kriztine Viray
 
Episode 2 meet the characters ppt
Episode 2 meet the characters pptEpisode 2 meet the characters ppt
Episode 2 meet the characters ppt
Kriztine Viray
 
Episode 2 meet the characters Film Writing 101
Episode 2 meet the characters Film Writing 101Episode 2 meet the characters Film Writing 101
Episode 2 meet the characters Film Writing 101
Kriztine Viray
 
Episode 1 any bright ideas 2 Film writing 101
Episode 1 any bright ideas 2  Film writing 101Episode 1 any bright ideas 2  Film writing 101
Episode 1 any bright ideas 2 Film writing 101
Kriztine Viray
 
Episode 3 the place to be Film Writing 101
Episode 3 the place to be Film Writing 101Episode 3 the place to be Film Writing 101
Episode 3 the place to be Film Writing 101
Kriztine Viray
 

More from Kriztine Viray (14)

Tv production basics
Tv production basicsTv production basics
Tv production basics
 
Media 301 report pdf
Media 301 report pdfMedia 301 report pdf
Media 301 report pdf
 
Episode 12 let there be light pdf
Episode 12 let there be light pdfEpisode 12 let there be light pdf
Episode 12 let there be light pdf
 
Episode 11 creating eye candy pdf
Episode 11 creating eye candy pdfEpisode 11 creating eye candy pdf
Episode 11 creating eye candy pdf
 
Episode9 calling the shots pdf
Episode9 calling the shots pdfEpisode9 calling the shots pdf
Episode9 calling the shots pdf
 
Episode 8 gearing up the shoot pdf
Episode 8 gearing up the shoot pdfEpisode 8 gearing up the shoot pdf
Episode 8 gearing up the shoot pdf
 
Episode 7 crew man your positions pdf
Episode 7 crew man your positions pdfEpisode 7 crew man your positions pdf
Episode 7 crew man your positions pdf
 
Episode 6 write it on paper pdf
Episode 6 write it on paper pdfEpisode 6 write it on paper pdf
Episode 6 write it on paper pdf
 
Episode 4 share that story pdf
Episode 4 share that story pdfEpisode 4 share that story pdf
Episode 4 share that story pdf
 
Episode 3 the place to be
Episode 3 the place to beEpisode 3 the place to be
Episode 3 the place to be
 
Episode 2 meet the characters ppt
Episode 2 meet the characters pptEpisode 2 meet the characters ppt
Episode 2 meet the characters ppt
 
Episode 2 meet the characters Film Writing 101
Episode 2 meet the characters Film Writing 101Episode 2 meet the characters Film Writing 101
Episode 2 meet the characters Film Writing 101
 
Episode 1 any bright ideas 2 Film writing 101
Episode 1 any bright ideas 2  Film writing 101Episode 1 any bright ideas 2  Film writing 101
Episode 1 any bright ideas 2 Film writing 101
 
Episode 3 the place to be Film Writing 101
Episode 3 the place to be Film Writing 101Episode 3 the place to be Film Writing 101
Episode 3 the place to be Film Writing 101
 

Recently uploaded

Biological Screening of Herbal Drugs in detailed.
Biological Screening of Herbal Drugs in detailed.Biological Screening of Herbal Drugs in detailed.
Biological Screening of Herbal Drugs in detailed.
Ashokrao Mane college of Pharmacy Peth-Vadgaon
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Akanksha trivedi rama nursing college kanpur.
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
EverAndrsGuerraGuerr
 
Introduction to AI for Nonprofits with Tapp Network
Introduction to AI for Nonprofits with Tapp NetworkIntroduction to AI for Nonprofits with Tapp Network
Introduction to AI for Nonprofits with Tapp Network
TechSoup
 
The Diamonds of 2023-2024 in the IGRA collection
The Diamonds of 2023-2024 in the IGRA collectionThe Diamonds of 2023-2024 in the IGRA collection
The Diamonds of 2023-2024 in the IGRA collection
Israel Genealogy Research Association
 
Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
DeeptiGupta154
 
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments UnitDigital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit
chanes7
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
Jisc
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
MysoreMuleSoftMeetup
 
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxChapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx
JosvitaDsouza2
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
Pavel ( NSTU)
 
JEE1_This_section_contains_FOUR_ questions
JEE1_This_section_contains_FOUR_ questionsJEE1_This_section_contains_FOUR_ questions
JEE1_This_section_contains_FOUR_ questions
ShivajiThube2
 
CACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdfCACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdf
camakaiclarkmusic
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
Jisc
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
EugeneSaldivar
 
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat  Leveraging AI for Diversity, Equity, and InclusionExecutive Directors Chat  Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
TechSoup
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
heathfieldcps1
 
MASS MEDIA STUDIES-835-CLASS XI Resource Material.pdf
MASS MEDIA STUDIES-835-CLASS XI Resource Material.pdfMASS MEDIA STUDIES-835-CLASS XI Resource Material.pdf
MASS MEDIA STUDIES-835-CLASS XI Resource Material.pdf
goswamiyash170123
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 

Recently uploaded (20)

Biological Screening of Herbal Drugs in detailed.
Biological Screening of Herbal Drugs in detailed.Biological Screening of Herbal Drugs in detailed.
Biological Screening of Herbal Drugs in detailed.
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
 
Introduction to AI for Nonprofits with Tapp Network
Introduction to AI for Nonprofits with Tapp NetworkIntroduction to AI for Nonprofits with Tapp Network
Introduction to AI for Nonprofits with Tapp Network
 
The Diamonds of 2023-2024 in the IGRA collection
The Diamonds of 2023-2024 in the IGRA collectionThe Diamonds of 2023-2024 in the IGRA collection
The Diamonds of 2023-2024 in the IGRA collection
 
Overview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with MechanismOverview on Edible Vaccine: Pros & Cons with Mechanism
Overview on Edible Vaccine: Pros & Cons with Mechanism
 
Digital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments UnitDigital Artifact 1 - 10VCD Environments Unit
Digital Artifact 1 - 10VCD Environments Unit
 
The approach at University of Liverpool.pptx
The approach at University of Liverpool.pptxThe approach at University of Liverpool.pptx
The approach at University of Liverpool.pptx
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
 
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxChapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
 
1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx1.4 modern child centered education - mahatma gandhi-2.pptx
1.4 modern child centered education - mahatma gandhi-2.pptx
 
Synthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptxSynthetic Fiber Construction in lab .pptx
Synthetic Fiber Construction in lab .pptx
 
JEE1_This_section_contains_FOUR_ questions
JEE1_This_section_contains_FOUR_ questionsJEE1_This_section_contains_FOUR_ questions
JEE1_This_section_contains_FOUR_ questions
 
CACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdfCACJapan - GROUP Presentation 1- Wk 4.pdf
CACJapan - GROUP Presentation 1- Wk 4.pdf
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
 
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...TESDA TM1 REVIEWER  FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
TESDA TM1 REVIEWER FOR NATIONAL ASSESSMENT WRITTEN AND ORAL QUESTIONS WITH A...
 
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat  Leveraging AI for Diversity, Equity, and InclusionExecutive Directors Chat  Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
 
The basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptxThe basics of sentences session 5pptx.pptx
The basics of sentences session 5pptx.pptx
 
MASS MEDIA STUDIES-835-CLASS XI Resource Material.pdf
MASS MEDIA STUDIES-835-CLASS XI Resource Material.pdfMASS MEDIA STUDIES-835-CLASS XI Resource Material.pdf
MASS MEDIA STUDIES-835-CLASS XI Resource Material.pdf
 
Chapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptxChapter 3 - Islamic Banking Products and Services.pptx
Chapter 3 - Islamic Banking Products and Services.pptx
 

Film appreciation

  • 2.  As a noun, film is a sheet or strip of celluloid or other material that has been coated with a light-sensitive emulsion.  As a transitive verb, film means to make a movie.  As an intransitive verb, film means to be in the process of making a movie or to be suitable for making into a movie.
  • 3.  Is a sequence of pictures projected on a screen from a developed and prepared film, especially with an accompanying sound track  Also called Motion Picture
  • 4. The art or technique of making movies
  • 5. Cinema is the art of making movies through the use of a synthetic material called film.
  • 6.  Conventions made people accept that film, movies or cinema can be used interchangeably to connote a single meaning that is:  IT IS A FORM OF ENTERTAINMENT, WHERE PEOPLE CAN RELATE THEIR EVERYDAY EXPERIENCES TO WHAT IS PORTRAYED AND PROJECTED ON THE SCREEN.
  • 7. a. Cinema was, from the start, a public entertainment. Being public it had to be widely advertised to attract paying patrons. b. The commercial success of a film presentation is measured by the size of the paying audience. c. Movie-going is a cross-class experience: the fellow seated next to a viewer may be a complete stranger, sharing or exhibiting similar viewer reactions.
  • 8. 1. Images must be capable of being displayed in a series. 2. Use of standardized film strips 3. There must be a recording of a sound that accompanies the image.
  • 9.  Cinema uses a strip of celluloid as support for the series of images, which are called frames.  Cinema requires three machines to create and display the images: camera, printer and projector.  All three machines have basic principle: A mechanism controls how light is admitted to the film, advances the strip of film a frame at a time, and exposes it to light for the proper interval.
  • 10.  In a light-tight chamber, a drive mechanism feeds the motion picture film from a reel (a) pass a lens (b) and aperture (c) to a take-up reel (d). The lens focuses light reflected from a scene onto each frame of film (e). The mechanism moves the film intermittently, while a shutter (f) admits light through the lens only when each frame is unmoving and ready for exposure. The standard shooting rate for sound film is 24 frames per second.
  • 11.  Printers exists in various designs, but all consists of a light-tight chambers which drive a negative or positive roll of film from a reel (a) pass an aperture (b) to a take-up reel (c). Simultaneously, a roll of unexposed film (a’, c’)moves through the aperture (b or b’), either intermittently or continuously. By means of a lens (d), light beamed through the aperture, prints the image (e) on the unexposed film (e’). The two rolls of film may come into contact and pass through the aperture simultaneously. (as in a contact printer). Or light coming through the original may be beamed to the unexposed roll through lenses, mirrors or prisms. (as in the optical printer ).
  • 12.  A drive mechanism feeds the exposed and developed film from a reel (a) pass a lens (b) and aperture (c) to a take-up reel (d). Light is beamed through the images (e) and magnified by the lens for projection on a screen. Again a mechanism moves the film intermittently pass the aperture, while a shutter (f) admits light only when each frame is pausing. For the movement effect to occur, a film must display at last 12 frames per second: the shutter blocks and reveals each frame a least twice in order to reduce the flicker effect on the screen. The standard projection rate for a sound film is today is 24 frames per second.
  • 13.  The film strip is perforated along one or both edges, so that small teeth (sprockets) in the machines can seize the perforations (sprocket holes) and pull the film at a uniform rate and smoothness. Space is also reserved along on o both edges for an optical or magnetic soundtrack.  Motion picture film widths, called gauges are measured in millimeters.
  • 14.  8mm/super 8mm  16mm  35mm  70mm  *the higher the gauge, the better defined and detailed the image.
  • 15.  Soundtrack may either be:  MAGNETIC  OPTICAL