The document discusses the elements of mise-en-scène in film, including set design, character design, and lighting design. It emphasizes the importance of selecting appropriate locations and actors that match their roles, as well as the different styles of lighting such as realist, modernist, and post-modernist. Additionally, it outlines the pre-production packet required for production design, which includes documents like script breakdowns and character sketches.

1. Episode
11:
Creating
Eye
Candy
Kriztine
Rosales-­‐Viray

2. Concept
Catcher
⬧ MISE-­‐EN-­‐SCENE
-­‐-­‐
a
french
term
that
means
“putting
into
the
scene”,
aspects
such
as
sets,
costumes
and
lights.
⬧ Key
Design
Areas:
⬧ 1.
Set
Design
⬧ 2.
Character
Design
⬧ 3.
Lighting
Design
⬧ 4.
Framing
and
Composition

3. ⬧ In
designing
the
set,
the
primary
concern
is
to
identify
the
location.
⬧ Interior/INT
–
indoor
location
⬧ Exterior/EXT
–
outdoor
location
⬧ For
the
character
design,
the
most
important
step
is
the
selection
of
the
actor.
⬧ The
actor
must
at
the
very
least
resemble
the
character.
⬧ TYPECAST
–
get
actors
known
for
portraying
a
certain
kind
of
genre
role
⬧ CAST
AGAINST
TYPE
–
get
actor
to
play
role
they
never
played
before
or
which
critics
may
find
unconventional
for
them.

4. ⬧ TRAITMAKING
–
using
external
attributes
to
fit
the
role.

5. ⬧ Designing
the
mood
of
the
entire
visual
narrative
is
easily
conveyed
by
proper
lighting
design.
⬧ 3
Basic
Lighting
Design
⬧ 1.
Realist
–
logical
or
actual
light
sources.
“what
the
eye
can
see”
⬧ 2.
Modernist
–
non-­‐naturalistic.
Based
on
abstract
or
is
subjective.
⬧ 3.
Post
Modernist
-­‐-­‐
tricky.
Unrelated
to
the
thoughts
and
feelings
of
the
character.

6. REALIST
LIGHTING

7. Modernist
Lighting

8. POSTMODERNIST
LIGHTING

9. BRAINSTORM
⬧ The
task
of
preparing
design
documents
as
part
of
the
pre-­‐production
packet
is
headed
by
the
art
director
and/or
production
designer
along
with
a
team
of
costume
designers,
wardrobe
assistants,
make-­‐up
artists,
prosthetic
artists,
location
scouts,
set
designers,
property
master,
props
men
,
etc.
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10. Pre-­‐Production
Packet
Documents
⬧1.
Script
Breakdown
Sheet
⬧2.
Location
Site
Survey
⬧3.
Location
photo/sketch
⬧4.
Character
Sketch
⬧5.
Casting
sheet
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11. Production
design
⬧ To
help
you
design
your
production,
answer
the
following
questions:
⬧ 1.
PERIOD?
When
and
Where
am
I?
⬧ 2.
GENRE?
What
kind
of
story
is
this?
⬧ 3.
MOOD?
How
do
I
feel?
⬧ 4.
MOTIF?
What
items
help
reflect
this
idea?
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