Basic Cinematography
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The video discusses how different film techniques like framing, depth, and contrast can impact storytelling and elicit different emotions from audiences. Framing with backgrounds adds richness while shallow depth can make audiences feel detached. Shots with low contrast can make characters difficult to see, while those with high contrast risk distracting from the focal point. Together, these techniques control what audiences see and how they experience the story.
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Basic cinematography
The document discusses basic cinematography techniques for telling stories through camera frames and depth. It explains that frames with background details make scenes look richer and more pleasing. It also discusses how depth creates rich frames that can indicate loneliness or detachment, and how flat shots are sometimes used to portray busy or boring lifestyles. Finally, it covers the use of contrast, noting that subjects in low contrast may be hard to see while high contrast can distract from the focal point.
One mans loss
This short film uses several cinematic techniques common in short films. It has a very shallow depth of field to give it a professional look. The shot focuses on a homeless man's emotionless face reflected in a mirror next to a suited man looking annoyed, showing their contrasting situations. With a limited budget, it uses only a few characters and two locations, and basic camera angles to tell a story about one man gaining from another's loss through a plot twist where clothes are thrown out a window to the homeless man below. Symbolism of shoes on a telephone wire expresses the films message that one man's loss can be another's gain.
Analysis of a short film
This document analyzes the short film "One Man's Loss" by Phillip Sansom. It discusses several conventions of the short film genre used in the film, including a shallow depth of field, creative angles, few characters to avoid backstories, basic camera angles for audience comfort, low budgets requiring few locations and crew, and symbolism to convey the film's message. The film's plot twist of clothes being thrown out a window for a homeless man to find provides a feel-good factor common to short films.
Research for short film
This document provides guidance on developing short film stories. It recommends that short films focus on one main character and their experience of a single event over a short period of time. Successful short films establish a clear setting, character, and problem to explore within 10-20 minutes. The character should have a clear want, need, or obligation that faces obstacles, creating dramatic tension and a problem for the audience to engage with.
Task 6 mediaA2
This document discusses and analyzes two short horror films, Lights Out and Skymare. Both films effectively draw the audience into the perspective and isolation of the main protagonist within the first 10 seconds. They also end on cliffhangers, leaving the audience wanting more. The document suggests incorporating shots that draw the audience into feeling like they are the protagonist, as well as including an unexpected twist or cliffhanger ending. This will help engage the target 15-30 year old audience and make the discussion's production more interesting.
How not to make a short film
The document provides tips for making an effective short film in 8 steps. It recommends keeping the film short (under 10 minutes) to control costs and appeal to film festivals. It advises avoiding cliches and stereotypes, telling a compelling story with goals and obstacles for the protagonist. The document also suggests balancing dialog with visual storytelling, focusing a single dramatic moment with conflict and choice, engaging the audience from the start and end, using lighting and sound effectively to enhance the narrative without being too dark or loud.
Woman In Black Presentation
The document analyzes the trailer for the film "The Woman in Black" through its use of genre conventions, editing techniques, and themes. It notes that the trailer establishes an unnerving mood through its gothic color scheme, diegetic soundtrack, and shots of children's toys. It also aims to appeal to audiences through the casting of Daniel Radcliffe and themes of isolation and vulnerability. Overall, the trailer effectively builds tension and intrigue around the mystery of the "Woman in Black" without revealing too much of the plot.
The Woman In Black Presentation
The document analyzes the trailer for the film "The Woman in Black" and discusses several techniques used to create tension and fear in the audience. It notes the use of a gothic color scheme, increasing diegetic sounds, point-of-view shots, and isolated/vulnerable main character to connect viewers emotionally. It also discusses keeping the plot mysterious and relying on the audience's imagination to intrigue them without revealing too much. The overall goal of the trailer's techniques is to engage audiences and leave a memorable effect so they feel like they experienced the story's events.
Recommended
Basic cinematography
The document discusses basic cinematography techniques for telling stories through camera frames and depth. It explains that frames with background details make scenes look richer and more pleasing. It also discusses how depth creates rich frames that can indicate loneliness or detachment, and how flat shots are sometimes used to portray busy or boring lifestyles. Finally, it covers the use of contrast, noting that subjects in low contrast may be hard to see while high contrast can distract from the focal point.
One mans loss
This short film uses several cinematic techniques common in short films. It has a very shallow depth of field to give it a professional look. The shot focuses on a homeless man's emotionless face reflected in a mirror next to a suited man looking annoyed, showing their contrasting situations. With a limited budget, it uses only a few characters and two locations, and basic camera angles to tell a story about one man gaining from another's loss through a plot twist where clothes are thrown out a window to the homeless man below. Symbolism of shoes on a telephone wire expresses the films message that one man's loss can be another's gain.
Analysis of a short film
This document analyzes the short film "One Man's Loss" by Phillip Sansom. It discusses several conventions of the short film genre used in the film, including a shallow depth of field, creative angles, few characters to avoid backstories, basic camera angles for audience comfort, low budgets requiring few locations and crew, and symbolism to convey the film's message. The film's plot twist of clothes being thrown out a window for a homeless man to find provides a feel-good factor common to short films.
Research for short film
This document provides guidance on developing short film stories. It recommends that short films focus on one main character and their experience of a single event over a short period of time. Successful short films establish a clear setting, character, and problem to explore within 10-20 minutes. The character should have a clear want, need, or obligation that faces obstacles, creating dramatic tension and a problem for the audience to engage with.
Task 6 mediaA2
This document discusses and analyzes two short horror films, Lights Out and Skymare. Both films effectively draw the audience into the perspective and isolation of the main protagonist within the first 10 seconds. They also end on cliffhangers, leaving the audience wanting more. The document suggests incorporating shots that draw the audience into feeling like they are the protagonist, as well as including an unexpected twist or cliffhanger ending. This will help engage the target 15-30 year old audience and make the discussion's production more interesting.
How not to make a short film
The document provides tips for making an effective short film in 8 steps. It recommends keeping the film short (under 10 minutes) to control costs and appeal to film festivals. It advises avoiding cliches and stereotypes, telling a compelling story with goals and obstacles for the protagonist. The document also suggests balancing dialog with visual storytelling, focusing a single dramatic moment with conflict and choice, engaging the audience from the start and end, using lighting and sound effectively to enhance the narrative without being too dark or loud.
Woman In Black Presentation
The document analyzes the trailer for the film "The Woman in Black" through its use of genre conventions, editing techniques, and themes. It notes that the trailer establishes an unnerving mood through its gothic color scheme, diegetic soundtrack, and shots of children's toys. It also aims to appeal to audiences through the casting of Daniel Radcliffe and themes of isolation and vulnerability. Overall, the trailer effectively builds tension and intrigue around the mystery of the "Woman in Black" without revealing too much of the plot.
The Woman In Black Presentation
The document analyzes the trailer for the film "The Woman in Black" and discusses several techniques used to create tension and fear in the audience. It notes the use of a gothic color scheme, increasing diegetic sounds, point-of-view shots, and isolated/vulnerable main character to connect viewers emotionally. It also discusses keeping the plot mysterious and relying on the audience's imagination to intrigue them without revealing too much. The overall goal of the trailer's techniques is to engage audiences and leave a memorable effect so they feel like they experienced the story's events.
Camera idea's
The document discusses different camera shot types and angles that could be used in a horror film trailer. It suggests using low angle shots to make the antagonist appear more dominant and scary. Close-ups could show glimpses of the killer's mask to leave a lasting horrific impression. High angle shots would make victims seem vulnerable and helpless. Establishing shots would set the scene and create unease, while pans could show abandoned locations that build anxiety. Different shot types like medium close-ups would balance detail and emotion. Varied shots would keep audiences entertained without boredom.
Short film conventions
The document discusses conventions that are commonly used in short films. It notes that short films need to quickly engage audiences with impactful opening scenes. Additionally, sound is very important in short films as it can have as much effect on the story as acting. The use of cliches and stereotypes should be avoided unless given a unique twist. Most importantly, short films work best when they convey a clear meaning or moral and include relatable scenes that audiences can connect with on a personal level.
Location ideas
The document discusses location options for filming a movie trailer, poster, and magazine cover. It considers two lakes - Little Britain Lake and Ruislip Lido. Little Britain Lake is described as less crowded and more isolated, making it a better choice to resemble the remote setting of Friday the 13th. Ruislip Lido is seen as more populated and less remote. Additional locations mentioned include filming some shots in a car and car park, and taking the poster photo in the woods at night with flashlights. The magazine cover would initially be filmed against a white backdrop for easier editing but may also incorporate the woods.
Woman in black presentation
The document analyzes the trailer for the film "The Woman in Black" and discusses its effectiveness. Some of the techniques used in the trailer that create tension and fear include a dark color scheme, creepy soundtrack, shots of toys to seem unnerving, and increasing pace of cuts. It targets a male-focused 20-30 age range by featuring Daniel Radcliffe. Overall the trailer hints at a mysterious woman and isolated house to generate interest without revealing too much of the plot.
Question 5
The document discusses how various elements of a student film were designed to attract and address the intended audience. Costumes were chosen to make the protagonist relatable to teenagers while making the antagonist appear menacing. Lighting techniques like chiaroscuro and black and white were used to appeal to fans of film noir. Interior locations took place in a familiar but confined kitchen setting to create tension, while exterior scenes in an isolated forest heightened the sense of danger. Camera angles such POV shots were intended to involve the audience emotionally. Cliffhangers and an ambiguous narrative kept viewers interested and uncertain about what was real.
Final research pp
The document discusses font choices for the title of a film project called "Ava". It considers several simplistic font options from the website Dafont that connote oldness or danger without revealing the horror genre. The favorite option is "October Crow" as it looks oldest and best suits the narrative. While custom fonts were designed, the filmmakers likely will use a font from Dafont. The title will use a controversial color like white to link to themes of innocence and danger. A doll will also be subtly featured in shots to attract audiences and relate to the successful film Annabelle.
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Sex tape 20182
The document provides a pitch for a short horror/documentary film titled "Ward". The 5-7 minute film would follow a group of teenage videographers exploring an abandoned hospital. While exploring different wards and floors to document for a YouTube video, strange events begin occurring. The target audience is teenagers interested in exploration and horror genre videos. The purpose is for entertainment that also adds to the filmmaker's portfolio. Character breakdowns and budget information is also included to provide production details.
Key media elements in short films
Short films often include a twist to keep audiences interested and finalize the film's message in an unexpected way. The twist in "Slip of the Tongue" occurs when the main character suddenly expresses anger toward the man after ignoring him. Most short films only have 2-3 characters to keep productions simple and focus on developing those characters within the limited runtime. Low budgets also require few extras, locations, and actors. For example, the short film "Loop" only has two actors and one location. Everyday situations can engage audiences if flipped in an unexpected way, like in "Happy Sushi" where an animated matchstick subverts the expected. Props are useful for impact but expensive ones are avoided to control budgets,
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3. Film genres are described as targeting specific themes to appeal to different audience tastes, with musicals and horror given as examples.
Media2014 pitch feedback
Very little criticism was given of the filmmaker's idea for 'The Basement' during a pitch feedback session. However, one comment noted that the film leaned too heavily on influences from The Conjuring and Insidious. This comment provoked the filmmaker to reconsider the first half of the trailer, which will have a more unconventional structure than most horror film trailers and generate a unique atmosphere through establishing shots rather than lengthy character introductions. This shift focuses the narrative on atmosphere and visuals rather than characters, representing a significant change from the filmmaker's initial more conventional ideas.
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This document provides an analysis of the film trailer for "Rocky Balboa" and discusses techniques used that could be applied to a student film trailer. The trailer uses flashbacks and shifts between Rocky and his opponent training to build tension. Rocky is portrayed more sympathetically through solo training scenes and defeated body language. Camera angles, lighting, editing techniques like flashes are discussed to convey emotion, power dynamics and build excitement during the climactic fight scene.
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This document summarizes and comments on various screen grabs from a student film opening sequence. It explains how each scene establishes elements of setting, characters, and plot to immerse the viewer in the story. While some scenes use typical techniques like title cards and establishing shots, others aim to be more unconventional through extended dialogue, point-of-view shots, and subtle dramatic effects. The overall sequence introduces a thriller plot involving stalking and helps justify the story's class and environmental settings.
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This document discusses techniques used in a short film that could be applied to another film project. It analyzes shots taken from a third-person camera attached to the actor's coat. Voiceovers are highlighted as an effective way to connect visuals and audio to convey meaning and anxiety. Effects like chroma blur and lens flares are also noted as possible techniques. Tripods are mentioned as providing steadier shots when subjects are still.
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This document provides analysis of several scenes from a film. It summarizes that the film shows characters rebelling against authority through acts like smoking and wearing disguises. A key scene shows the main character stealing a motorcycle, implying rebellion against society. Music and camera techniques are used to build tension during a bike ride. Interactions at a cafe then show cockiness and a taboo kiss, highlighting immature attitudes. A strange tiger sex scene follows, possibly linked to the African-style music but showing the character's childlike mind. Overall the analysis examines how the film portrays rebellion through the characters' actions and behaviors.
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6 sense
The poster for "Sixth Sense" uses conventions of psychological thriller posters through its dark and light color scheme and sense of mystery created by low-key lighting. Key elements that link it to the teaser trailer are the characters and tagline. The teaser trailer uses editing techniques common to the thriller genre like fade transitions, quick cuts, and non-diegetic voiceover to build tension and a sense of the unknown. It introduces the central theme of a boy who claims to see a dead woman and uses an unsettling soundtrack and heartbeat cuts to distress viewers.
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The group pitched a psychological thriller film about a journalist who wakes up trapped in a strange man's house with a timer counting down. They discussed similar films like "Split" and focused their story on the protagonist and antagonist. They proposed marketing the film through mystery and questions to intrigue audiences. For the teaser trailer, they planned tense scenes of the woman trying to escape while flashbacks reveal the man's dark past. Their target audience would be 16-30 year olds interested in psychological mysteries.
Analysis of ‘ill manors’ film poster
The film poster for "Ill Manors" conveys that the film will address serious issues through the image of a real gun in the center. The background of dull, old council estates in the background reinforces that the film will be a social realism drama. The central character appears powerful despite being dwarfed by the tall buildings, suggesting he is an important but fearless character. Dark colors and the large bold "ILL" emphasize the serious tone and imply the film will be gritty. Lack of star names forces focus on this central character, indicating he will be the main protagonist.
Codes and conventions of short films
This document discusses the codes and conventions of short films. It notes that short films typically have 1-3 main characters to avoid overwhelming the audience. Storylines are also kept simple due to the short length, which is usually between 3-20 minutes. Budgets for short films tend to be quite low since they are unlikely to make money. Short films appeal to niche audiences and are often distributed for free online to reach wider audiences.
film language - space
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The document discusses different camera shot types and angles that could be used in a horror film trailer. It suggests using low angle shots to make the antagonist appear more dominant and scary. Close-ups could show glimpses of the killer's mask to leave a lasting horrific impression. High angle shots would make victims seem vulnerable and helpless. Establishing shots would set the scene and create unease, while pans could show abandoned locations that build anxiety. Different shot types like medium close-ups would balance detail and emotion. Varied shots would keep audiences entertained without boredom.
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Location ideas
The document discusses location options for filming a movie trailer, poster, and magazine cover. It considers two lakes - Little Britain Lake and Ruislip Lido. Little Britain Lake is described as less crowded and more isolated, making it a better choice to resemble the remote setting of Friday the 13th. Ruislip Lido is seen as more populated and less remote. Additional locations mentioned include filming some shots in a car and car park, and taking the poster photo in the woods at night with flashlights. The magazine cover would initially be filmed against a white backdrop for easier editing but may also incorporate the woods.
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The document analyzes the trailer for the film "The Woman in Black" and discusses its effectiveness. Some of the techniques used in the trailer that create tension and fear include a dark color scheme, creepy soundtrack, shots of toys to seem unnerving, and increasing pace of cuts. It targets a male-focused 20-30 age range by featuring Daniel Radcliffe. Overall the trailer hints at a mysterious woman and isolated house to generate interest without revealing too much of the plot.
Question 5
The document discusses how various elements of a student film were designed to attract and address the intended audience. Costumes were chosen to make the protagonist relatable to teenagers while making the antagonist appear menacing. Lighting techniques like chiaroscuro and black and white were used to appeal to fans of film noir. Interior locations took place in a familiar but confined kitchen setting to create tension, while exterior scenes in an isolated forest heightened the sense of danger. Camera angles such POV shots were intended to involve the audience emotionally. Cliffhangers and an ambiguous narrative kept viewers interested and uncertain about what was real.
Final research pp
The document discusses font choices for the title of a film project called "Ava". It considers several simplistic font options from the website Dafont that connote oldness or danger without revealing the horror genre. The favorite option is "October Crow" as it looks oldest and best suits the narrative. While custom fonts were designed, the filmmakers likely will use a font from Dafont. The title will use a controversial color like white to link to themes of innocence and danger. A doll will also be subtly featured in shots to attract audiences and relate to the successful film Annabelle.
Location Scouting KARJ PRODUCTION
The document discusses location scouting and planning for 8 scenes of a short film called "The Job Interview". Scene 1 takes place in public toilets to allow characters privacy for reflection. Scene 2 is in a corridor outside the toilets to show the characters' journeys. Scene 3 splits the characters onto different paths with different lighting. Scenes 4-6 continue following the characters and lead to an outside area and entrance to the interview room. Scene 7 is a small waiting area outside the interview room. Scene 8 is the dark interview room itself, serving as the climax. The locations provide variety in shots while keeping focus on the characters.
Sex tape 20182
The document provides a pitch for a short horror/documentary film titled "Ward". The 5-7 minute film would follow a group of teenage videographers exploring an abandoned hospital. While exploring different wards and floors to document for a YouTube video, strange events begin occurring. The target audience is teenagers interested in exploration and horror genre videos. The purpose is for entertainment that also adds to the filmmaker's portfolio. Character breakdowns and budget information is also included to provide production details.
Key media elements in short films
Short films often include a twist to keep audiences interested and finalize the film's message in an unexpected way. The twist in "Slip of the Tongue" occurs when the main character suddenly expresses anger toward the man after ignoring him. Most short films only have 2-3 characters to keep productions simple and focus on developing those characters within the limited runtime. Low budgets also require few extras, locations, and actors. For example, the short film "Loop" only has two actors and one location. Everyday situations can engage audiences if flipped in an unexpected way, like in "Happy Sushi" where an animated matchstick subverts the expected. Props are useful for impact but expensive ones are avoided to control budgets,
Single camera essay
1. The document discusses various film and television formats, structures, and techniques including series, serials, single camera shooting, genres, narrative structures, and realism.
2. It provides examples like CSI for series, Coronation Street for serials, single camera techniques advantages like lower budget and better shot control, and Pulp Fiction for a non-linear narrative.
3. Film genres are described as targeting specific themes to appeal to different audience tastes, with musicals and horror given as examples.
Media2014 pitch feedback
Very little criticism was given of the filmmaker's idea for 'The Basement' during a pitch feedback session. However, one comment noted that the film leaned too heavily on influences from The Conjuring and Insidious. This comment provoked the filmmaker to reconsider the first half of the trailer, which will have a more unconventional structure than most horror film trailers and generate a unique atmosphere through establishing shots rather than lengthy character introductions. This shift focuses the narrative on atmosphere and visuals rather than characters, representing a significant change from the filmmaker's initial more conventional ideas.
Analysis of ‘Rocky Balboa’
This document provides an analysis of the film trailer for "Rocky Balboa" and discusses techniques used that could be applied to a student film trailer. The trailer uses flashbacks and shifts between Rocky and his opponent training to build tension. Rocky is portrayed more sympathetically through solo training scenes and defeated body language. Camera angles, lighting, editing techniques like flashes are discussed to convey emotion, power dynamics and build excitement during the climactic fight scene.
Evaluation activity 1
This document summarizes and comments on various screen grabs from a student film opening sequence. It explains how each scene establishes elements of setting, characters, and plot to immerse the viewer in the story. While some scenes use typical techniques like title cards and establishing shots, others aim to be more unconventional through extended dialogue, point-of-view shots, and subtle dramatic effects. The overall sequence introduces a thriller plot involving stalking and helps justify the story's class and environmental settings.
The irrational fear of nothing analysis
This document discusses techniques used in a short film that could be applied to another film project. It analyzes shots taken from a third-person camera attached to the actor's coat. Voiceovers are highlighted as an effective way to connect visuals and audio to convey meaning and anxiety. Effects like chroma blur and lens flares are also noted as possible techniques. Tripods are mentioned as providing steadier shots when subjects are still.
If microanalysis
This document provides analysis of several scenes from a film. It summarizes that the film shows characters rebelling against authority through acts like smoking and wearing disguises. A key scene shows the main character stealing a motorcycle, implying rebellion against society. Music and camera techniques are used to build tension during a bike ride. Interactions at a cafe then show cockiness and a taboo kiss, highlighting immature attitudes. A strange tiger sex scene follows, possibly linked to the African-style music but showing the character's childlike mind. Overall the analysis examines how the film portrays rebellion through the characters' actions and behaviors.
Inception trailer
The trailer uses surreal and confusing shots, unusual props, and distorted perspectives to establish that the film is a psychological thriller. It shows a spinning top, rippled water in a strangely lit room, and a fight in an unrealistic long corridor. These strange images pique viewers' curiosity. Well-known actor Leonardo DiCaprio is featured, and the ending text is over a maze-like background, confirming the themes of puzzles and the mind. The trailer presents an enigma for audiences to solve about complex dream-like events.
6 sense
The poster for "Sixth Sense" uses conventions of psychological thriller posters through its dark and light color scheme and sense of mystery created by low-key lighting. Key elements that link it to the teaser trailer are the characters and tagline. The teaser trailer uses editing techniques common to the thriller genre like fade transitions, quick cuts, and non-diegetic voiceover to build tension and a sense of the unknown. It introduces the central theme of a boy who claims to see a dead woman and uses an unsettling soundtrack and heartbeat cuts to distress viewers.
Pitch presentation
The group pitched a psychological thriller film about a journalist who wakes up trapped in a strange man's house with a timer counting down. They discussed similar films like "Split" and focused their story on the protagonist and antagonist. They proposed marketing the film through mystery and questions to intrigue audiences. For the teaser trailer, they planned tense scenes of the woman trying to escape while flashbacks reveal the man's dark past. Their target audience would be 16-30 year olds interested in psychological mysteries.
Analysis of ‘ill manors’ film poster
The film poster for "Ill Manors" conveys that the film will address serious issues through the image of a real gun in the center. The background of dull, old council estates in the background reinforces that the film will be a social realism drama. The central character appears powerful despite being dwarfed by the tall buildings, suggesting he is an important but fearless character. Dark colors and the large bold "ILL" emphasize the serious tone and imply the film will be gritty. Lack of star names forces focus on this central character, indicating he will be the main protagonist.
Codes and conventions of short films
This document discusses the codes and conventions of short films. It notes that short films typically have 1-3 main characters to avoid overwhelming the audience. Storylines are also kept simple due to the short length, which is usually between 3-20 minutes. Budgets for short films tend to be quite low since they are unlikely to make money. Short films appeal to niche audiences and are often distributed for free online to reach wider audiences.
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IEMA Associate Certificate with credit Sarah Piddington 2007.02
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My PowerPoint presentation for the pre-production stage of my A2 Media Studies coursework. By Karen Mahere
Single camera techniques learning aim a
Single cameras are mainly used in film and television production. This technique was first adopted in early Hollywood cinema in the 1910s and became standard in the film and TV industries. Using a single camera allows scenes to be shot individually on a set without needing to move equipment between takes, while multiple cameras allow different angles to be captured simultaneously for scenes like soap operas. Some advantages of single camera setups include lower costs, less equipment, easier editing, and avoiding other cameras being in frame. However, it can be more time consuming as each scene requires repeated takes from different angles and actors can grow tired. Proper shot types like close-ups and long shots are chosen to effectively convey specific information and elicit emotions from audiences.
Evaluation
The document provides details about a film trailer that was created to be intentionally confusing and provoke questions in the audience. Short, quick clips are used in a montage throughout the trailer to generate excitement while hiding key story elements. Actors and taglines were selected that fit the thriller genre and hinted at the main character facing difficult choices. Music with an intense pace was chosen to maintain audience attention despite the confusing narrative. The goal of the confusing trailer is to encourage audiences to view the full film for answers.
Evaluation
The document discusses a film trailer that uses quick cuts between scenes to confuse the audience and provoke questions. This is done intentionally to generate excitement and interest in the actual film by leaving the audience with unanswered questions. The trailer features different mini stories in each scene that are loosely connected to tease the overall film's plot without giving too much away.
Film trailer conventions[1]
The document discusses conventions that are typically seen in film trailers of different genres, including horror, romance, action, and sci-fi. For horror trailers, it notes the use of dark lighting, slow initial pacing that speeds up, and not showing the villain's face. For romance, it describes slow pacing, happy lighting, and focusing on the main characters. Action trailers are said to use dark lighting, fast pacing, and showing many locations. Sci-fi trailers are suggested to focus on space, use CGI, have slow then fast editing around disruptions, and use dim lighting. It then analyzes specific trailers for The Conjuring, (500) Days of Summer, and Fight Club against these
Single camera techniques
This document discusses the key differences between single camera and multi-camera film production techniques. Single camera productions use only one camera and allow more creative control over shots, but they are more time consuming. Some advantages of single camera include more realistic shots, ability to light scenes individually, and consistency in audio tracks. Common genres for single camera include drama, horror, and period films. Multi-camera is faster but provides less directorial control, and is better suited for genres like comedy and soap operas that need quick production turnarounds.
How not to make a short film
The document provides tips for how to effectively make a short film in 8 steps:
1. Keep the film short, under 10 minutes, to control costs and keep festival selectors interested. Test lengths with audiences.
2. Avoid cliches and stereotypes; tell original, personal stories that resonate with you.
3. Ensure the film has a compelling narrative with a protagonist, goal, and obstacle to engage audiences.
4. Balance visual storytelling and dialogue; use images and lack of dialogue to convey meaning.
5. Focus on a powerful single moment or conflict while avoiding too much action in too short a time.
6. Hook audiences from the start and provide a satisfying ending to keep them
Movie trailers analysis
The document discusses and analyzes two movie trailers - one for the comedy film "Life as we know it" and one for the horror sequel "Paranormal Activity 2". Key points made about the trailers include: showing the film title late increases memorability, using stars can attract audiences, music and pacing help set tone, and clips provide more context than posters to entice viewers without giving too much away. Both trailers aim to tease and build intrigue about the films' plots through suspenseful images and minimal text or voiceover.
Introduction to film trailers
The document provides information about film trailers, including what they are, when they are shown, and conventions used in different genres of trailers. It discusses how trailers for action, romantic comedy, and horror films typically employ conventions like fast-paced editing, music, and shots to set the mood and tone for each genre and pique audience interest. Examples are provided for Mission Impossible: Ghost Protocol representing action, It's Kind of a Funny Story for romantic comedy, and Insidious: Chapter 2 for horror.
Thriller seminar
Fast editing, cross cutting, and tracking shots are used to build tension and keep audiences engaged in thriller films. Flashbacks provide insight into a character's feelings and create a sense of disorientation. Establishing shots set the scene and tone, while close-ups reveal detail and emotion. Bird's-eye views can show a character's isolation or vulnerability. These cinematic techniques enhance suspense and drama in media thrillers.
2. research sf 2017
The document summarizes the student's experiments with filming, editing, and audio for a short film project. In filming experiments, the student found that close-ups worked well to show expression, while medium shots provided location context. However, handheld camerawork during one shot made the movement distracting. When editing, organizing footage helped identify missing shots and effects to add. However, the student needs more practice with video effects. For audio experiments, listing needed sounds and mimicking character footsteps aided realistic synchronization, but the student intends to create more original effects for their final project.
Thriller seminar
Fast editing, cross cutting, flashbacks, tracking and pan shots, point-of-view shots, establishing shots, close-ups, and aerial shots are commonly used cinematic techniques in media thrillers. These techniques are employed to build tension, create suspense, establish settings and tone, show character emotions, keep audiences interested by quickly changing scenes, and highlight characters' vulnerability or loss of power. For example, cross cutting between a character and subject builds tension, while establishing shots set the scene for the film's themes and aerial views emphasize a character's isolation or weakness.
Codes & conventions of a film trailer
The document outlines various codes and conventions commonly used in film trailers, including:
1) Beginning with the production company logo to establish credibility.
2) Including the age certification to indicate the target audience.
3) Encouraging viewers to engage on social media around hashtags and websites related to the film.
4) Introducing characters, especially famous actors, to draw in audiences familiar with their work.
5) Concluding with the film release date to motivate viewers to see it in theaters.
Asff 2020
This document appears to be a schedule and reviews for Amy Watson of various films shown on different days of the week. It includes the titles and genres of 6 films: Grab My Hand: A Letter to My Dad (animation), Werewolf (comedy), Our Sister (drama), Singularity (artist's film), Not a Wallflower (family friendly), and Evangeline (animation). For each film, Amy Watson provides a short summary of what she liked and disliked about the movie, how she thinks it will be received, how it made her feel, if it was funny or scary, if she would recommend it, and how it relates to her schoolwork.
Evaluation q1 media
The document discusses several techniques used in film openings to set the tone and establish expectations for the rest of the film. It describes how editing pace, sound design, mise-en-scene elements like lighting, costumes, sets and props, and location can be manipulated to convey genre and mood. Fast-paced editing may imply a thriller, while limited cuts suggest something more mysterious. Sounds, costumes and lighting are also used to immerse viewers in the intended atmosphere through techniques like diegetic, non-diegetic and high-key vs low-key lighting. Examples from films like Citizen Kane, Star Wars and Misfits are provided.
Critical approaches - modes of address
This document discusses three ways that films communicate with viewers: formality, point of view, and directness. It defines intimate, social, and impersonal shots to describe the level of formality. Point of view can be subjective, showing directly through a character's eyes, or selective, mainly following one character. Directness refers to whether characters directly address the viewer through voiceover or eye contact. Examples are provided to illustrate these concepts of how films establish relationships with their audience.
The Maze Runner
The document discusses how the trailer for The Maze Runner focuses on establishing the main character and showing the setting through shots. It aims to make the audience feel like they are experiencing what the characters are going through. The purpose is to promote the movie and increase publicity/sales by getting people to see it in theaters or buy it. The intended target audience is described as mainly ABC social class adults/men aged 15-34, but potentially most appealing to teenage males who can relate most to the teenage characters.
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What have you learnt from your audience feedback?
The document discusses the various types of audience feedback the creator received during the process of making a short film. This included primary research like questionnaires, interviews, and a screening, as well as secondary research online. The feedback helped improve elements like the script, poster, and film itself by addressing things like character development, layout, and achieving the desired tone. The creator found the audience feedback invaluable for creating a successful final product that would appeal to their target demographic.
Colour Grading - Lost in the Eve
The filmmakers color graded their short film because they had filmed during the day for scheduling reasons, despite the film being set at night. Color grading was needed to make the footage appear darker, as the cameras used were not suitable for low light conditions. They tested using Adobe Premiere Pro for color grading but found it made the test footage look too blue. Instead, they used Edius Pro 7, which allowed color grading in three stages for improved quality - equalizing colors across footage, adding a yellow layer to darken tones, and a blue layer with lowered opacity to avoid an unnecessary blue tint.
How did you use media technologies in the construction, research, planning an...
The document discusses the various media technologies used throughout the research, planning, and production stages of creating a short film. Key technologies included computers for initial research online, group communication via Twitter chat, cameras for filming, lighting equipment, and editing software like Edius Pro 7 and Adobe programs. The filmmaker learned to use these technologies through online research and practice, which supported collaborating with a group to plan, shoot, and edit a short narrative film on a tight schedule.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses the creation of a short film and how it adheres to conventions of the genre. It was created by the author and a production group for an A-Level media studies project. In writing the script and storyboarding, the author researched conventions of short films and tried to follow typical structures. The short film has a limited number of characters, a run-time under 30 minutes, and follows Tzvetan Todorov's narrative structure model. It also uses techniques like stereotyping characters and had a limited budget, reflecting common constraints of student short films.
Film Poster Audience Feedback Analysis
The document summarizes the results of a survey conducted with the target audience of a film poster for a short psychological thriller film. 25 people ages 19-25 answered questions about the poster. The majority liked the layout, felt it fit the genre, and were reminded of similar films. They were drawn to the poster by the image and felt the main character Eve looked innocent and vulnerable. Most rated the poster as looking professional and said it made them want to watch the film. In conclusion, the poster testing was very successful in conveying the intended message to the target demographic.
Film Poster Questionnaire
This is the questionnaire which we will be handing out in order to receive feedback on our film poster.
Opening Sequence
The document discusses establishing an effective opening sequence for a film. It emphasizes introducing the key locations, protagonists, and genre/theme in the opening shots. For their short psychological thriller film, the opening sequence will show the protagonist Richard happily singing in his campervan at night. It will then cut to Eve sitting vulnerably on the moors in a white dress. Richard notices her and pulls over, introducing both protagonists and the isolated moorland location to set the tone for the genre.
Improvement (preliminary vs main) version 2.0
The document compares the student's preliminary task cover and contents page with those created for their main music magazine task. It shows improvements in their Photoshop and InDesign skills like using brighter colors, less text on the cover, advanced selection and editing tools, adding effects like drop shadows, and creating their first double page spread using InDesign which they had to learn from scratch. The student learned through trial and error, practice, and tutorials to develop their technical skills for the higher quality final piece.
Problems that could occur during post production
This document discusses potential issues that may arise during the post-production of a short film and how they can be addressed in editing. It notes that problems with lighting, sound balance, and the film not flowing smoothly can occur. Lighting issues from daytime filming can be fixed using color grading and brightness/contrast editing. Sound imbalances between clips can be leveled by adjusting volumes. Color correcting can add a blue tinge to make day footage appear as evening. With careful editing, post-production problems can be resolved.
A2 EVALAUATION - In what ways does your media product use, develop or challen...
The document discusses the filmmaker's short film "Lost in the Eve" and how it utilizes conventions of the short film genre. Some conventions it follows include: limiting the film to 3 characters to save time on introductions; keeping the runtime under 30 minutes as most short films are; following Tzvetan Todorov's narrative structure of equilibrium disruption, recognition, attempt to repair, and new equilibrium; using stereotypes to quickly establish characters; and having a limited budget as most short films do. It also discusses some ways the film challenges conventions, such as through its pacing and shot types.
Choices Made When Creating my Music Magazine
The document discusses the choices made in designing the cover and contents page for a music magazine. For the cover, the designer used a close-up photo of Chelsey inspired by 1980s magazine covers. Cover lines advertise articles and competitions. The contents page continues the 1980s retro theme with ripped paper and Polaroid-style photos. Article names and page numbers are included to aid navigation. The double page spread features a large photo of interview subject Chelsey Denton with a pull quote from the interview as the heading.
The Use of Mise en-Scene in Our Short Film
The document discusses the filmmaking technique of mise-en-scene and provides examples of how the film production company HELK Productions incorporated mise-en-scene into their psychological thriller film. It describes mise-en-scene as the arrangement of scenery, props, lighting, costumes, etc. on a film set to help audiences understand the story and characters. The document then analyzes several scenes from the film, explaining how elements of mise-en-scene like lighting, backgrounds, props, framing/angles, body language, and costumes were used to convey meaning and move the narrative forward. It highlights how mise-en-scene was a key aspect in balancing the power dynamics between the main characters
Filming Checklist - Day 4
The film crew will be filming their last scene at St. John's Church in Baildon village on March 9th. They will bring two cameras, batteries, microphones, a jib with weights and screwdriver, two light heads and stands, two tripods, and a copy of the storyboards. This equipment will allow them to capture multiple shots of the graveyard scene as written in the storyboards, including a shot of Richard's expression as he reads a headstone, without needing a script. They will also bring snacks but not plan for lunch as the shoot is not expected to take up the full day.
Filming Checklist - Day 3
The checklist summarizes the equipment and preparations needed for the third day of filming. It will include filming the scene of the two main characters Richard and David meeting at the front door. They will bring two cameras on tripods from different angles, along with microphones and charged batteries to capture both reactions and maintain continuity when editing. Additional lighting equipment is needed to illuminate the doorway, which is quite dark. Copies of the script will be brought for the actors in case they forget theirs to help the pace of filming. They will also bring the storyboards to plan shots in advance of the cast's arrival.
Filming Checklist - Day 2
This checklist outlines equipment and items needed for the second day of filming a short film. It includes two cameras, batteries, microphones, a GoPro camera, lights, tripods, a jib, weights for the jib, light stands, storyboards, scripts, lunch, and costumes. The filming will take place on the moors to capture the opening scene and involve shooting from different perspectives. A variety of cameras and equipment will be used including GoPro and a jib to achieve different shots and angles. Preparations like downloading the GoPro app and charging batteries are noted to ensure a smooth filming day.
Filming Checklist - Day 1
The document provides a filming checklist for the first day of filming a kitchen scene. It details that filming will take place on January 15th from 10am to 4pm, and setup needs to begin by 9:30am. The checklist ensures that equipment like cameras, lighting, microphones, tripods, storyboards, and spare scripts are brought for the shoot. Two Sony HXR-NX30 cameras will be used and charged, along with extra batteries. Lighting will also be needed as days have been getting darker. The organized checklist and preparation will help make the filming more professional and efficient.
AS EVALUATION - In what ways does your media product use, develop and challen...
The document summarizes how the media product uses, develops, and challenges conventions of real music magazines. It discusses research conducted on forms and conventions of pop magazines. It then explains how the layout, design elements, and language of the created music magazine both adhere to and develop conventions from real magazines. The cover, contents page, double page spread, images, and tone were all influenced by research but also include original and developed elements to create a unique product.
Music Magazine Feedback Questionnaire
This document is a feedback questionnaire for a music magazine. It asks 13 questions to gather opinions on the layout of the cover, content pages, and double page spread. It also asks about the color scheme, conventions, typography, images, improvements, target age range, name, and potential alternative names. Respondents are asked to provide reasoning for their yes or no answers.
Music Magazine Questionnaire Feedback
The document summarizes the results of a survey about music magazine readership. It found that 17 people answered yes to reading music magazines, while 23 answered no. Of those who don't read magazines, many cited that they prefer accessing media online or don't have time. Those who do read magazines still prefer print copies over digital formats. The most popular genres of music magazines are pop, rock, and indie. Most readers are loyal to one magazine and consider interviews to be the most interesting content.
Improvement - Preliminary Task vs Main Task
The document summarizes the improvements the author has made in their Photoshop and InDesign skills from their preliminary task to their main music magazine task. Specifically:
- The author's manipulation of text and use of Photoshop tools has become more advanced in their main task compared to the preliminary task.
- The author learned that dark colors and too much text don't work as well on covers. Their main task cover incorporated brighter colors and less text.
- The contents page in the main task used a more effective structure and brighter colors compared to the preliminary task.
- A double page spread was created in InDesign for the main task, which the author had to learn from scratch.
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Basic Cinematography
- 2. FRAMES The video tells me how camera and frames can tell different stories mainly towards a person’s emotion. Having a frame background in an image, it will make the scene look more richer and more pleasing to the audience.
- 3. DEPTH Having good depth in films will make them seem that they have a very rich frame. This is a very flat wide shot/long shot. Some filmmakers chose not have depth in their shots because they may want their audience to feel lonely or detached.
- 4. DEPTH I have learnt that shots that are flat are also used if characters are in a busy or a boring lifestyle. Normally when we go to the cinema we expect films to have depth which will create rich frames. But a film which is totally flat may leave a different expectation upon the audience,
- 5. CONTRAST IN FILMS If we put a main character behind something that is low contrast and does not make them stand out, then it may be hard for the audience to see where they are. However something high contrasting can also be distracting for the audience because they will not look at the main focal point and instead look at something else which is not important. The first shot shows a boy who is in low contrast whereas in the second shot it shows a group of band, where it is high contrast.