Designing for immigrants. 2 cases. Interaction design and Urban planningMariana Salgado
This presentation was used in a class for Bachelor students in Aalto University. Design Department. The course was Service for immigrants. November 2014
Aanijalki, Opening Dialogue for Visually Impaired Inclusion in MuseumsMariana Salgado
This paper was published in the proceedings of the International Workshop of Re-thinking technology in museums. In Limerick (2005). University of Limerick
Designing for immigrants. 2 cases. Interaction design and Urban planningMariana Salgado
This presentation was used in a class for Bachelor students in Aalto University. Design Department. The course was Service for immigrants. November 2014
Aanijalki, Opening Dialogue for Visually Impaired Inclusion in MuseumsMariana Salgado
This paper was published in the proceedings of the International Workshop of Re-thinking technology in museums. In Limerick (2005). University of Limerick
Slide deck from HSDAMNY 2019
DAMs and Cultural Heritage - A Professional Dialog
May 2, 2019 - New York, NY
with Susan Wamsley, Digital Asset Manager, Solomon R. Guggenheim Museum
and Douglas Hegley, Chief Digital Officer, Mia
Session Description:
Join us for an in-depth look at the current state and future horizon of digital asset management within the Cultural Heritage sector (which includes museums, archives, libraries and other organizations dedicated to preserving and sharing the wonders of our human experience). This session features a dialog between two professionals - a C-suite executive and a leading DAM practitioner - who will explore challenging topics from their perspectives. Among the ideas to be discussed are the impact of a collecting/preserving mission on DAM practice, some of the unique needs of museums and cultural heritage organizations, the stark reality of nonprofit budget constraints, and how the sector is currently going through a “second wave” of DAMs implementation and usage. Attendees are encouraged to join in throughout the discussion with questions and comments.
A presentation at the Russian Teachers Day held as part of the IGU congress in Moscow, the presentation looks a aspects of spatial learning, sustainable development, Spatial citizenship and futures
Standards, prototypes, and pilot projects - technology and flexibility in des...Alessandro Califano, PhD
This presentation is a slightly enhanced version of the one introducing, on behalf of ICOM Italy, its "Commissione tematica per gli Audiovisivi e le Nuove Tecnologie", and ICOM-AVICOM, CDCH 2012, a Satellite Workshop at VL/HCC 2012 - IEEE Symposium on Visual Languages and Human-Centric Computing (Innsbruck, Austria, 4 October 2012).
SOUND AIR WAVES: DIGITISATION IN INDIAN SOCIETYMira K Desai
Presentation for UGC Sponsored National Seminar on Understanding Digital Sound- Music/Sound Recording Techniques organised by SVT College of Home Science, SNDT Women’s university, Mumbai. March 8-9, 2016
App highlights from Mobile World Congress 2014delestre.org
Fast overview Mobile app trends spotted during the annual trade fair Mobile World Congress in Barcelona; focus on the app ecosystem with wrinkles towards sectors like transport, wearables,...
Slide deck from HSDAMNY 2019
DAMs and Cultural Heritage - A Professional Dialog
May 2, 2019 - New York, NY
with Susan Wamsley, Digital Asset Manager, Solomon R. Guggenheim Museum
and Douglas Hegley, Chief Digital Officer, Mia
Session Description:
Join us for an in-depth look at the current state and future horizon of digital asset management within the Cultural Heritage sector (which includes museums, archives, libraries and other organizations dedicated to preserving and sharing the wonders of our human experience). This session features a dialog between two professionals - a C-suite executive and a leading DAM practitioner - who will explore challenging topics from their perspectives. Among the ideas to be discussed are the impact of a collecting/preserving mission on DAM practice, some of the unique needs of museums and cultural heritage organizations, the stark reality of nonprofit budget constraints, and how the sector is currently going through a “second wave” of DAMs implementation and usage. Attendees are encouraged to join in throughout the discussion with questions and comments.
A presentation at the Russian Teachers Day held as part of the IGU congress in Moscow, the presentation looks a aspects of spatial learning, sustainable development, Spatial citizenship and futures
Standards, prototypes, and pilot projects - technology and flexibility in des...Alessandro Califano, PhD
This presentation is a slightly enhanced version of the one introducing, on behalf of ICOM Italy, its "Commissione tematica per gli Audiovisivi e le Nuove Tecnologie", and ICOM-AVICOM, CDCH 2012, a Satellite Workshop at VL/HCC 2012 - IEEE Symposium on Visual Languages and Human-Centric Computing (Innsbruck, Austria, 4 October 2012).
SOUND AIR WAVES: DIGITISATION IN INDIAN SOCIETYMira K Desai
Presentation for UGC Sponsored National Seminar on Understanding Digital Sound- Music/Sound Recording Techniques organised by SVT College of Home Science, SNDT Women’s university, Mumbai. March 8-9, 2016
App highlights from Mobile World Congress 2014delestre.org
Fast overview Mobile app trends spotted during the annual trade fair Mobile World Congress in Barcelona; focus on the app ecosystem with wrinkles towards sectors like transport, wearables,...
This paper is the continuation of the paper published by the authors Arun Balaji and Baskaran [2].
Multiple linear regression (MLR) equations were developed between the years of rice cultivation and Feed
Forward Back Propagation Neural Network (FFBPNN) method of predicted area of rice cultivation / rice
production for different districts pertaining to Kuruvai, Samba and Kodai seasons in Tamilnadu. The
average r2 value in area of cultivation is 0.40 in Kuruvai season, 0.42 in Samba season and 0.46 in Kodai
season, where as the r2 value in rice production is 0.31 in Kuruvai season, 0.23 in Samba season and
0.42 in Kodai season. The Rice Data Simulator (RDS) predicted the area of rice cultivation and rice
production using the MLR equations developed in this research. The range of average predicted area for
Kuruvai, Samba and Kodai seasons varies from 12052.52 ha to 13595.32 ha, 48998.96 ha to 53324.54 ha
and 4241.23 ha to 6449.88 ha respectively whereas the range of average predicted rice production varies
from 45132.88 tonnes to 46074.48 tonnes in Kuruvai, 128619 tonnes to 139693.29 tonnes in Samba and
15446.07 to 20573.50 tonnes in Kodai seasons. The mean absolute relative error (ARE) between the
FFBPNN and multiple regression methods of prediction of area of rice cultivation was found to be 15.58%,
8.04% and 26.34% for the Kuruvai, Samba and the Kodai seasons respectively. The ARE for the rice
production was found to be 17%, 11.80% and 24.60% for the Kuruvai, Samba and the Kodai seasons
respectively. The paired t test between the FFBPNN and MLR methods of predicted area of cultivation in
Kuruvai shows that there is no significant difference between the two types of prediction for certain
districts.
This presentation was used for an invited lecture for the course Services for immigrants in Design Department, Aalto University. 31.03.2015. These three cases are work in progress and part postdoctoral research activities by the author in Media lab, Aalto University.
"Let's marathon!" Why to motivate the reuse of audiovisual archivesMariana Salgado
This article presents the argument that archivists and media scholars need to take on new practices, such as organizing hackathons or marathons, to facilitate the creative re-use of archival material. With these practices they could support the outreach of local communities and understand the nuances of reusing archival content to contextualize their records. In order to sustain this claim, I present one case study in which a group of international writers and video makers join forces to re-use audiovisual archive material in Helsinki, Finland. I unfold the limitations and opportunities that a one-day event presented to artists, archivists and media scholars, while collaborating and creatively re-using audiovisual archival material. The discussion uncovers issues pertaining to the facilitation of creative re-use as means for integration, the multicultural representation of the archives, the development of media literacy in collaborative processes and the challenges in the practice of legally reusing archival material.
Paul Gerhardt @ Workshop "Towards Open and Dynamic Archives", 10 June 2008, Brussels. In the context of BOM-vl. see http://www.diagonalthoughts.com/?p=192
Slides and audio recording from my presentation at Aalto university Media Lab, concerning copyright, creative commons, remixing, and such. The actual presentation is just over half an hour long - the last slide has 20 minutes of discussions, which may be of interest as well.
FutureEverything - The City as Living Lab or Play SpaceDrew Hemment
My keynote presentation at Metropolis Lab in Copenhagen on 28 June on the FutureEverything festival as a living lab, an approach developed in collaboration with ImaginationLancaster.
Similar to Augmenting audiovisual archives by inclusing immigrants in remix practices (20)
Esta es la presentación que usé para dar una charla como oradora principal en el congreso Huellas Territoriales, organizado en la Universidad de Valparaiso, como parte de las actividades de DISUR. DiSur es la red latinoamericanas de universidades que enseñan diseño. Hablé de como se entretejen la investigación y la práctica como diseñadora.
Cocreando ciudades, la importancia del diseño participativo.pptxMariana Salgado
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in Urban Planning , Actas de la 13° Conferencia de Diseño Participativo, Windhoek, Namibia, 6 de octubre de 2014
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"Let's Marathon!" Why to motivate the re-use of audiovisual archives? Mariana Salgado
This presentation took place in NECS (European Network of Cinema and Media Studies) in Lodz, Poland (June, 2015). This is a summary of a full paper (forthcoming). It presents the argument that archivists and media scholars need to take on new practices, such as organizing hackathons or marathons, to facilitate the creative re-use of archival material. With these practices they could support the outreach of local communities and understand the nuances of reusing archival content to contextualize their records. In order to sustain this claim, I present one case study in which a group of international writers and video makers join forces to re-use audiovisual archive material in Helsinki, Finland. I unfold the limitations and opportunities that a one-day event presented to artists, archivists and media scholars, while collaborating and creatively re-using audiovisual archival material. The discussion uncovers issues pertaining to the facilitation of creative re-use as means for integration, the multicultural representation of the archives, the development of media literacy in collaborative processes and the challenges in the practice of legally reusing archival material.
Designing new online support services for woman that have experience violenc...Mariana Salgado
Designing new online support services for
woman that have experience violence or threat
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A Workshop on Contextualization, or:How can AV contextualization practices b...Mariana Salgado
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https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
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Augmenting audiovisual archives by inclusing immigrants in remix practices
1. ”I hear voices”
Augmenting audiovisual
archives by including
immigrants in remix practices
Dr. Mariana Salgado
Postdoctoral Researcher
Arki Research group
Department of Media
School of Arts, Design and Architecture
Aalto University
3. INTRO
• Immigrants &social
inclusion
• Audiovisual Archives
(Case: EUscreenXL)
• Remix
• Research questions
• Research plan
• Discussion
4. IMMIGRANTS & INCLUSION
There are and there will be always immigrants. But the ones that
migrate are only a small proportion of the population.
(Saskia Sassen, 1999)
Underused creative capacity of immigrants-> design research posibility
to stage participation, create disensus and intervene in the political
order (Kashavarz & Mazé, 2013)
Design as an agent of social change
Inclusion through media (in this case video)
6. ARCHIVOS AUDIOVISUALES
• EUscreen Best Practice Network
eContentplus programme
• 36 months (2009-12)
• Consortium
29 partners
17 EU countries
TV broadcasters, archives, researchers, educators, IT
companies
Relation to Europeana
Access to 40,000 items of audiovisual archive
About EUscreen
7. AUDIOVISUAL ARCHIVES
EUscreenXL is an EU funded project that aims to create public access to AV
content from broadcasters and archives around Europe.
EUscreenXL is AV domain aggregator for the Europeana project:
• 36 meses (2013-16)
• Consortium
• Additional 20,000 items of AV content on portal by 2016
Content in 14 European languages
Access to 1.000.000 elements of audiovisual material
About EUscreenXL
8. AUDIOVISUAL ARCHIVES
Europeana.eu is an internet portal that acts as an interface to millions of books,
paintings, films, museum objects and archival records that have been digitised
throughout Europe.
About Europeana
Screenshot from: http://www.europeana.eu/portal/
9. REMIX
Remix definition: separating and
recombining many types of media
including images, video, literary text, and
video game assets.
It is a form of creativity. Is is a culture of
“rip and create” Fagerjord (2010)
RIP! A Remix Manifesto
10. “Our culture no longer bothers to use words like
appropriation or borrowing to describe those very
activities. Today's audience isn't listening at all - it's
participating. Indeed, audience is as antique a term as
record, the one archaically passive, the other archaically
physical. The record, not the remix, is the anomaly today.
The remix is the very nature of the digital”
(Gibson, 2005).
11. Political remix
Imagine This!
Machinima
Where are you from?
Movie Trailers
Harry Potter mixed with Pride and Prejudice
Machinima music video
Machinima music video
12. Remix practices serve
as a way to
contextualize records
(making them part of
new entities) and
decentralize curation
(remixers
reconsider which
videos will be reuse). CC by Stallio in Flickr
13. Remixers are not perceived
as possessive. They want
to share their content and
have it remixed or
appropriated by others
(Dikopoulus et al, 2007).
This is a different approach
in respect on how archives
relate to their content.
CC by Stallio in Flickr
14. The ability to share movies
and feel part of the online
community is perceived as
central motivation for
creating.
CC by Stallio in Flickr
15. In practical terms
CC by Mariana Salgado-Our City project
Everything is a remix
25. Discussion
On the evolution of media environment to support
multiculturality
Societal impact- how to use video remix to empower people?
Ethics issues in relation to the work with vulnerable populations
26. Reference
s
Diakopulus, N; Luther, K, Medynskiy, Y: Essa, I. (2007)
Rethinking Authorship: Reconfiguring the author in Online Video
Remix Culture.
Fagerjord, A. (2010). After Convergence: YouTube and Remix
Culture. International Handbook of Internet Research. Edited by
Husinger et al.
Keshavarz, M. and Mazé, R. (2013) 'Design and Dissensus:
Framing and Staging Participation in Design Research', Design
Philosophy Papers, 1: unpaginated.
Lammers, E. (2005). Refugees, asylum seekers and
anthropologists: the taboo on giving. Global Migration
Perspectives. Global Commission on International Migration.
Switzerland.
Sassen, S. (1999) Guests and Aliens. The New Press. USA
As project initiators we determine the approach, methods, scope, and resources. Participants are engaged and selected afterwards. Normally we tried to avoid dissensus. The staging of the design process involves not only the framing of the problem and the social organization, but a realm of the project that may also endure long after. (Mazé and Keshavarz).
Especialmente el que se comparte en sitios como Europeana o Euscreen?
different sorts of empathy, mechanisms to cross boundaries
Reflect on the meaning of the characteristics of media that immigrants use? how their stories or their life influence the media in use.