Kajsa Hartig of Nordiska museet discusses bringing photographic collections online. Museums in Sweden have hundreds of thousands of photos online but they are not easily discoverable or user-friendly. New technologies and participatory culture have prompted museums to rethink how they share collections. Nordiska museet recently announced a collaboration with Wikimedia to upload photos to Wikipedia Commons under Creative Commons licenses, allowing broader access and interaction with the collections. Hartig considers challenges of working with Wikipedia volunteers and questions around meeting demands for metadata and formats.
Leadership Day takes place Sunday, 18 May, from 8:00 AM-12:30 PM, in the Ellis Room of the Hyatt Regency Phoenix. http://lanyrd.com/scycxf
The Leadership Day program will be published in early 2014. All community leaders are invited to attend. There is a small surcharge for this event. Email Elaine Gilliam to register if you did not do so when registering for the Summit.
Presentation about how Python Ireland started, who we are, how we got to where we are today, the events we hold including PyCon Ireland and how we integrate with other user groups in Ireland.
Elements of an effective wiki must be collaborative, community-building, flexible and include asynchronous editing in either a public, protected or private environment.
Leadership Day takes place Sunday, 18 May, from 8:00 AM-12:30 PM, in the Ellis Room of the Hyatt Regency Phoenix. http://lanyrd.com/scycxf
The Leadership Day program will be published in early 2014. All community leaders are invited to attend. There is a small surcharge for this event. Email Elaine Gilliam to register if you did not do so when registering for the Summit.
Presentation about how Python Ireland started, who we are, how we got to where we are today, the events we hold including PyCon Ireland and how we integrate with other user groups in Ireland.
Elements of an effective wiki must be collaborative, community-building, flexible and include asynchronous editing in either a public, protected or private environment.
Unpacking the “Toolbox for Museum School Programs”West Muse
This session will explore resources and case studies that will help museums explore innovative partnerships and create diverse and meaningful ways to work with school groups using the Nova Scotia Museum’s Toolbox for Museum School Programs (a free online resource). Presentation will include an in-depth look at examples from the Baile nan Gàidheal / Highland Village Museum as well as examples from Nova Scotia Museum sites, the Nova Scotia Library, and Nova Scotia Archives.
MODERATOR: Maggie MacIntyre, Manager of Collections (Acting), Nova Scotia Museum
PRESENTER: Katherine MacLeod, Learning and Media Specialist, Baile nan Gàidheal /
Highland Village Museum
The Teylers Challenge: Working Together from Shared IdealsSandra Fauconnier
Presentation by Geert-Jan Janse (Teylers) & Sandra Fauconnier (Wikimedia NL) for the GLAM-Wiki conference, April 2013, British Library, UK. https://uk.wikimedia.org/wiki/GLAM-WIKI_2013
The Dutch chapter of Wikimedia and Teyler Museum organised a writing challenge from January till June 2012 to expand the coverage on various topics related to Teylers Museum and its rich collections. Curators and Wikipedians have successfully worked together, resulting in over 300 new articles in more then 13 languages, including Esperanto,Catalan and Volapük. Why did this project take place, how was it organised, what were our experiences, what are the lessons learned and how do we hope to continue our fruitful collaboration?
A presentation from the event "Apps and projects to enhance special and inclusive education". The presentation describes the ways the Interactive Systems Research Group work closely with usergroups to develop, test and enhance research projects and their outcomes.
Authors: Bouke Huurnink and Lotte Belice Baltussen.
In this talk we discuss some of the R&D work being done at the Netherlands Institute for Sound and Vision. We endeavour to answer the following questions: What does Sound and Vision do and what kind of collections do they safeguard? What kind of work is being done by their R&D department? What is the current status of multimedia annotation and multimedia retrieval in the archive? In addition we zoom in on the newly arising problem of contextualisation in the archive. How can we make the most of the relations between multiple collections that contain information about the same program, person, or topic? We conclude with a discussion of potential collaboration, and some questions that we would like to answer in future work.
An Introduction to GLAM-Wiki Projects by Shani Evenstein, National GLAM Projects Coordinator, Wikimedia Israel
ppt file of the presentation at the
EVA/Minerva Jerusalem International Conference on Digitisation of Culture,
Jerusalem, The Jerusalem Van Leer Institute, 12-13 November 2013
http://www.digital-heritage.org.il
Presentations available at: http://2013.minervaisrael.org.il
Significant developments in OA, driven by HEFCE’s “Policy for open access in the post-2014 Research Excellence Framework” state that authors’ final peer-reviewed manuscripts must be deposited in a repository on acceptance for publication i.e. “green” OA. In many ways the policy is a response to the Finch report and RCUK policy which emphasise “gold” whereby a journal provides immediate OA to articles on the publisher’s website and may levy a fee as an alternative to library subscription.
There is consensus that established models of scholarly communication, especially related to copyright, inhibit scientific progress, and RCUK emphasise that gold OA must be CC-BY. In response, traditional publishers have moved towards a “hybrid” model whereby they facilitate green by permitting “self-archiving” – often subject to embargo – but increasingly promote gold whereby authors pay a fee to publish CC-BY (average fee across the sector ≈ £1800 per article), in stark contrast to the use of open licences in OE more generally and reflecting commercial interests with evidence that publishers benefit in the form of “double dipping”, effectively paid twice for the same content via library subscription and OA fees (Pinfield et al 2014).
To comply with HEFCE, there is considerable activity across the sector to develop robust infrastructure – repositories, CRIS, RIOXX, Jisc’s “Publication Router”, “Open Mirror”, Monitor project and CORE aggregator. Individual HEIs are also iterating to develop infrastructure and appropriate internal policies; at Leeds Beckett, like many Universities, we are looking into the management of APCs to ensure double-dipping does not occur which requires collaboration between library, research office and faculty. In addition, the more specialised requirements of a HEFCE compliant repository means we are reviewing our infrastructure and considering a Jorum “Window” to manage OER rather than the current “blended” repository comprising OA research and OER.
HEFCE policy serves to emphasise OA over OE and there are questions of academic support structure; academic librarians typically specialise in research support or teaching and learning. Increasingly, librarians advocate for OA/OE, particularly using the HEFCE mandate as a tool to encourage OA publishing routes and it was thought OE/OA would solve the problem of the “serial crisis”, this is now not thought to be the case (Harris, 2012).
OA and OE have much to share and remain convergent in many ways. This paper will describe the developing OA landscape and invite participants to explore synergies and dissonance with OE in the contexts of infrastructure, policy and licensing; we will argue that to avoid continued commercial exploitation, the fostering of partnerships across the academy is crucial to mainstreaming Open Education.
Pinfield, S., Salter, J. and Bath, P.A. (2015) The ‘total cost of publication’ in a hyb
Nicole Sullivan and Stoyan Stefanov discuss their work optimizing CSS at Facebook and Yahoo!, As well as the state of CSS optimizations in the Alexa Top 1000 websites. What a mess!
From Velocity Conference and Texas-Javascript.
Unpacking the “Toolbox for Museum School Programs”West Muse
This session will explore resources and case studies that will help museums explore innovative partnerships and create diverse and meaningful ways to work with school groups using the Nova Scotia Museum’s Toolbox for Museum School Programs (a free online resource). Presentation will include an in-depth look at examples from the Baile nan Gàidheal / Highland Village Museum as well as examples from Nova Scotia Museum sites, the Nova Scotia Library, and Nova Scotia Archives.
MODERATOR: Maggie MacIntyre, Manager of Collections (Acting), Nova Scotia Museum
PRESENTER: Katherine MacLeod, Learning and Media Specialist, Baile nan Gàidheal /
Highland Village Museum
The Teylers Challenge: Working Together from Shared IdealsSandra Fauconnier
Presentation by Geert-Jan Janse (Teylers) & Sandra Fauconnier (Wikimedia NL) for the GLAM-Wiki conference, April 2013, British Library, UK. https://uk.wikimedia.org/wiki/GLAM-WIKI_2013
The Dutch chapter of Wikimedia and Teyler Museum organised a writing challenge from January till June 2012 to expand the coverage on various topics related to Teylers Museum and its rich collections. Curators and Wikipedians have successfully worked together, resulting in over 300 new articles in more then 13 languages, including Esperanto,Catalan and Volapük. Why did this project take place, how was it organised, what were our experiences, what are the lessons learned and how do we hope to continue our fruitful collaboration?
A presentation from the event "Apps and projects to enhance special and inclusive education". The presentation describes the ways the Interactive Systems Research Group work closely with usergroups to develop, test and enhance research projects and their outcomes.
Authors: Bouke Huurnink and Lotte Belice Baltussen.
In this talk we discuss some of the R&D work being done at the Netherlands Institute for Sound and Vision. We endeavour to answer the following questions: What does Sound and Vision do and what kind of collections do they safeguard? What kind of work is being done by their R&D department? What is the current status of multimedia annotation and multimedia retrieval in the archive? In addition we zoom in on the newly arising problem of contextualisation in the archive. How can we make the most of the relations between multiple collections that contain information about the same program, person, or topic? We conclude with a discussion of potential collaboration, and some questions that we would like to answer in future work.
An Introduction to GLAM-Wiki Projects by Shani Evenstein, National GLAM Projects Coordinator, Wikimedia Israel
ppt file of the presentation at the
EVA/Minerva Jerusalem International Conference on Digitisation of Culture,
Jerusalem, The Jerusalem Van Leer Institute, 12-13 November 2013
http://www.digital-heritage.org.il
Presentations available at: http://2013.minervaisrael.org.il
Significant developments in OA, driven by HEFCE’s “Policy for open access in the post-2014 Research Excellence Framework” state that authors’ final peer-reviewed manuscripts must be deposited in a repository on acceptance for publication i.e. “green” OA. In many ways the policy is a response to the Finch report and RCUK policy which emphasise “gold” whereby a journal provides immediate OA to articles on the publisher’s website and may levy a fee as an alternative to library subscription.
There is consensus that established models of scholarly communication, especially related to copyright, inhibit scientific progress, and RCUK emphasise that gold OA must be CC-BY. In response, traditional publishers have moved towards a “hybrid” model whereby they facilitate green by permitting “self-archiving” – often subject to embargo – but increasingly promote gold whereby authors pay a fee to publish CC-BY (average fee across the sector ≈ £1800 per article), in stark contrast to the use of open licences in OE more generally and reflecting commercial interests with evidence that publishers benefit in the form of “double dipping”, effectively paid twice for the same content via library subscription and OA fees (Pinfield et al 2014).
To comply with HEFCE, there is considerable activity across the sector to develop robust infrastructure – repositories, CRIS, RIOXX, Jisc’s “Publication Router”, “Open Mirror”, Monitor project and CORE aggregator. Individual HEIs are also iterating to develop infrastructure and appropriate internal policies; at Leeds Beckett, like many Universities, we are looking into the management of APCs to ensure double-dipping does not occur which requires collaboration between library, research office and faculty. In addition, the more specialised requirements of a HEFCE compliant repository means we are reviewing our infrastructure and considering a Jorum “Window” to manage OER rather than the current “blended” repository comprising OA research and OER.
HEFCE policy serves to emphasise OA over OE and there are questions of academic support structure; academic librarians typically specialise in research support or teaching and learning. Increasingly, librarians advocate for OA/OE, particularly using the HEFCE mandate as a tool to encourage OA publishing routes and it was thought OE/OA would solve the problem of the “serial crisis”, this is now not thought to be the case (Harris, 2012).
OA and OE have much to share and remain convergent in many ways. This paper will describe the developing OA landscape and invite participants to explore synergies and dissonance with OE in the contexts of infrastructure, policy and licensing; we will argue that to avoid continued commercial exploitation, the fostering of partnerships across the academy is crucial to mainstreaming Open Education.
Pinfield, S., Salter, J. and Bath, P.A. (2015) The ‘total cost of publication’ in a hyb
Nicole Sullivan and Stoyan Stefanov discuss their work optimizing CSS at Facebook and Yahoo!, As well as the state of CSS optimizations in the Alexa Top 1000 websites. What a mess!
From Velocity Conference and Texas-Javascript.
Zdjęcia Magda i Marcin "Tańce Wśród Piratów"follow-up
Podróżnicy, których sponsorujemy mogą pochwalić się kolejną wystawą swoich zdjęć z podróży. Tym razem możemy je podziwiać na Uniwersytecie Ekonomicznym w Krakowie na ul. Rakowicka 27 w przejściu między budynkami UEKu.
Presentation for the Finnish National Gallery brainstormning seminar and workshop Communicating Digital Collections, at Kiasma Helsinki 22 January 2016
Workshop Slides by Dr. Karin Glasemann (Digital Coordinator, Nationalmuseum Sweden) for Sharing is Caring - Hamburg Extension
Museum für Kunst und Gewerbe Hamburg 20 April 2017
http://sharecare.nu/hamburg-2017/
On 21 February 2020, meemoo and the Royal Library of Belgium organised a special study day in Brussels in celebration of Public Domain Day. Sam Donvil (meemoo) introduced the basic principles of the public domain and its significance to heritage institutions. He also gave an overview of authors that fell into the public domain in 2020, some examples of possibilities with public domain works all over the world and illustrated concrete actions taken by meemoo, a.o. concerning the oeuvre of James Ensor. Then, two other speakers from Vlaamse Kunstcollectie and KU Leuven took the floor. Sam Donvil continued with some guidelines for institutions that want to bring collections into the public domain, and a few words on Open Access in Belgium. To conclude, the results of the Wiki Loves Heritage photography competition were announced.
Presentation at #DISH2011 in Rotterdam, in the session "Institutional Change - Change achieved through action" chaired by Michael Edson, Smithsonian Institution, Dec 7, 2011
Summary of current trends and emerging topics in GLAM-Wiki activities. Presented at the Central & Eastern European (CEE) Wikimedians conference, August 2016
Slides by Friederike Fankhänel for Sharing is Caring - Hamburg Extension.
Museum für Kunst und Gewerbe Hamburg 20 April 2017
http://sharecare.nu/hamburg-2017/
How does UCC Library use exhibitions? How to create an exhibition? Use the LibGuide: http://libguides.ucc.ie/exhibitions/home as a starting point. Presentation as part of CPPD schedule in UCC Library (2017).
Museum in a Box - Museum Showoff Feb 16Thomas Flynn
What if you could curate your own 3D printed museum? What if the objects in your collection would talk to the internet and connect you to other like minded humans?
The OpenGLAM community: promoting free & open access to digital cultural heritage | Lieke Ploeger, Open Knowledge Foundation at http://books2ebooks.eu/eod2014
Set art free and the rest will follow? Facilitation as key to successful user...Merete Sanderhoff
Talk given at 'Community Involvement in Theme Museums'
15th Conference of the Estonian Maritime Museum, Tallinn
2-3 September 2015
http://konverents.meremuuseum.ee/en/#/p/avaleht
Collecting the ephemeral social media photograph for the futureKajsa Hartig
Presentation by Kajsa Hartig, Bente Jensen, Anni Wallenius and Elisabeth Boogh at Museums and the Web conference in Vancouver, April 19, 2018. The Collecting Social Photo project is a three year research project funded by Riksbankens Jubileumsfond, and facilitated by Nordiska museet, Stockholm, Sweden. http://collectingsocialphoto.nordiskamuseet.se
Om hur digitaliseringen av samhället påverkar museer. Exempel från forskningsprojektet Collecting Social Photo, som syftar till att skapa nya rekommendationer för insamling av fotografi, och skapandet av det fotografiska kulturarvet.
KEYNOTE: Digitala samlingar - en central resurs för museer i en föränderlig v...Kajsa Hartig
Föredrag vid utbildningen Det relevante museum, Trondheim. Den 20 oktober 2016. Presentationen bygger på den som gavs vid NORSAM-konferensen i februari 2016.
KEYNOTE: Digitala samlingar / Digital collectionsKajsa Hartig
Från digitaliserade objekt och metadata, till en central resurs för museer i en föränderlig värld / From digitized objects and metadata to a central resource for museums in a changing world. Conference: Digitala samlingar – för ett öppnare Norden / Digital collections – for open Nordic countries.
Kulturarvsorganisationerna och sociala_medierKajsa Hartig
En dag om bildavtal, sociala medier och tredje mans användning på kulturarvsområdet
Den 23 april 2015
Plats: Hörsalen, Riksarkivet Marieberg, Fyrverkarbacken, Stockholm
Moderator: Rolf Källman, Digisam
Digital transformation, presentation at We Are Museums June 5 2014Kajsa Hartig
Digital transformation is necessary to cope with new challenges for museums in a digital world. This presentation adresses the challenges and ways forward to make the digital tranformation as efficient as possible.
Digital Engagement at the Nordiska museetKajsa Hartig
Presentation given at seminar: Experiencing the Digital World: The Cultural Value of Digital Engagement with Heritage, a project run by University of Leeds.
1. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Swedish GLAM:s and Wikipedia
Bringing Photographic Collections Online – again!
New possibilities opening up.
Kajsa Hartig, Nordiska museet
Stockholm, Sweden
2. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Bringing Photographic Collections Online
• Looking back
• The big change
• Visions for the future
• ...and some photos ofcourse...
3. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Bringing Photographic Collections Online
• Looking back
• The big change
• Visions for the future
• ...and some photos ofcourse...
4. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Bringing Photographic Collections Online
• Looking back
• The big change
• Earlier this week
• Visions for the future
• ...and some photos ofcourse...
5. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Bringing Photographic Collections Online
• Looking back
• The big change
• Earlier this week
• Visions for the future
• ...and some photos ofcourse...
6. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Bringing Photographic Collections Online
• Looking back
• The big change
• Earlier this week...
• Visions for the future – where do we go from
here?
• ...and some photos ofcourse...
7. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Photographic Collections Online
• Looking back
• The big change
• Earlier this week...
• Visions for the future – where do we go from
here?
• ...and some photos ofcourse...
8. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Looking back: GLAM:s in Sweden
• Hundreds of thousands of photos online
• Small and big museums
• Local historical societies
• An absolute treasure
• But... not very user friendly...
9. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Looking back (and around)
• Online for years, but where on earth (not found
on Google etc.)?
• Different metadata (quality and quantity)
• Different interfaces (usability)
• Online? Yes, but don’t touch!
10. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
The big change
• Social media (Wikipedia early!)
> New technical platforms (new possibilities)
> New participatory culture (share, contribute!)
> New webservices
• This has caused us to think again:
I.e. Redefining the role of the institution,
and... we’re all doing ”work in progress”!
11. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
The big change
• Credits to: Flickr and Flickr Commons
• International influence: Library of Congress,
Brooklyn Museum, Powerhouse Museum, etc...
• Swedish National Heritage Board
12. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Flickr and Flickr Commons
• Easy to use
• Not only for professionals
• Full control (almost)
• Creative Commons licensing
• Large audience
13. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
(Old) Concerns about collections online
• The photographs can be misused
• Someone else can make money out of them
• Remixing is distorting history
• Noone will come to our museum anymore
• We might be sued by the copyright holder...
14. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Unraveling the mysteries of the
Copyright law (...well, try at least)
• Who is the photographer?
• When did he/she die?
• Can the user trim the photograph (what about the
moral rights)?
• Is a private school = commercial use?
Sweden: Is it a photographic work or an ”image”
15. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Finding help in Creative Commons
• BY: Who is the photographer?
• PD: When did he/she die?
• ND: Can the user trim the photograph (what about
the moral rights)?
• NC: Is a private school = commercial use?
Sweden: Is it a photographic work or an ”image”
16. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Progress? It’s all about being challenged!
• Challenges help us
develop
• We’re letting go of
control
• We have to ask ourselves
what we’re doing
By Wonderlane, http://www.flickr.com/photos/wonderlane/276898561/
17. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
In early 2009:
– Help, they’re using our images!
Wikipedia gives Stockholm Transport Museum (and the rest
of us) a wake-up call
19. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
This was in early 2009...
...so what has happened since then?
20. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
From
By SOCIALisBETTER http://www.flickr.com/photos/27620885@N02/2594362917/
21. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
To
By cheetah100 http://www.flickr.com/photos/devcentre/74685966/
22. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Earlier this week:
Nordiska museet and Wikimedia Sweden
announced a long term collaboration
23. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
http://commons.wikimedia.org/wiki/Category:Images_from_Nordiska_Museet
Nordiska museet
24. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
http://commons.wikimedia.org/wiki/Category:Images_from_Regionarkivet
Regional Archives, Göteborg
25. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Some visions – where do we go from here?
• We need to use other platforms
• We need to listen to our users
• We need to solve copyright issues
• We need to be ready for change, be flexible
• ...and Wikipedia is one very interesting way for us
to take a step forward with our online presence
26. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Advantages
• With Wikipedia we can reach out to a very large
audience
• Wikipedians are active and demanding users, this
is challenging in a good way
• On Wikipedia we get to see the interaction with
our collections (how are collections being used?)
• We can interact with target groups, using Wiki-
pedia as a tool (challenges, collaboration etc.)
27. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Some questions
• How do we work on a long term basis with a non
profit organization (volunteers)?
• Can Wikipedia mobilize enough resources
(people) to meet our demands?
• How do we meet the requests from the Wikipedi-
ans (f.ex. about metadata, formats)
• It’s not that easy to upload images...
28. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
We will see more of
Wikipedia + GLAM...
...so, it’s necessary to share our experiences
and facilitate further collaboration.
Perhaps through annual #glamwiki events?
29. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
The River Selue by Philip Henry Delamotte. Source Original from the
Victor von Gegerfelt collection, Volume K 1:3,
Region- och Stadsarkivet Göteborg.
30. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Autochrome, from the collections of Nordiska museet. Photographer: N. Moosberg (around
1900–1915).
31. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Author August Strindberg (1849-1912). Self portrait with a Wunderkamera.
From the Nordiska museet collections.
32. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Tugboat Hercules, Stockholm. From the Nordiska museet collections.
33. Kajsa Hartig, Nordiska museet, Stockholm, Sweden,/GLAM-Wiki UK, November 27 2010
Thank you!
Kajsa Hartig
kajsa.hartig@nordiskamuseet.se
@kajsahartig
Nordiska museet, Stockholm