Made presentation to cultural intermediation project
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Presentation by David Tittle of MADE to the Cultural Intermediation Project Continuity Day, 27 September 2013
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2) Planning Leytonstone Business and Enterprise School's two-year decant to a new location with input from students, staff, and local organizations.
3) Managing the DfES Participatory School Design program, which involved engaging students in the design process through inspirational tours, design festivals, and Architecture Week events.
Proposal ecop edbr (1)
The document proposes a project called ECOLLAGES that aims to promote eco-friendly living in Bosnia and Herzegovina through activities like developing new eco-friendly design concepts, researching sustainable materials and technologies, and creating a team of specialists to advise on product design and development. The project seeks to build capacity for sustainable design among local designers and architects and undertake demonstration projects to educate local companies. A budget of 9980 BAM is requested to fund personnel, training workshops, equipment, and other expenses over a two year period beginning in December 2012.
‘Art on Tyneside’: Redeveloping a Permanent Display about Art, Place and Iden...
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Delivered by Dr Rhiannon Mason, Dr Chris Whitehead and Dr Helen Graham from International Centre for Cultural and Heritage Studies, Newcastle University at Museums Association Conference October 2010.
disss.pdf
This document is a dissertation on waterfront development by Padma Priya.P. The aims of waterfront development projects are to enhance public space along riverfronts and reconnect cities with rivers. Objectives include creating accessible and enjoyable water environments. Case studies look at projects like the Jeddah waterfront development in Saudi Arabia, which started in 2011 with goals like connecting the waterfront, reusing cultural assets, and providing entertainment spaces. Limitations are that developments stop at the land and do not extend into rivers or seas. Waterfront planning should be comprehensive, sustainable, and involve all relevant disciplines.
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More from Phil Jones
Saskia Warren: Connecting diverse communities into the creative economy? A ca...
This document summarizes a case study of female Muslim migrants in Balsall Heath, Birmingham. It finds that the majority of the population is Asian or Arab and Muslim. The area suffers from multiple deprivations. Through participatory cultural mapping and walking interviews, the study identified key places in the community where the women engage in cultural and creative activities, such as the mosque, parks, home, and college. These spaces provide opportunities for hybrid sacred and secular engagement. Events like weddings and the Eid Mela festival are also important for big event culture. The study aims to better understand how to include migrant experiences in the local creative economy.
Tim May: CIRCUS - Collaborative Interdisciplinary Research Connecting Urban S...
CIRCUS is a collaborative research project led by Professor Tim May at the University of Salford. It has four main elements: a seminar series on cultural intermediation, reflection on research practices and knowledge exchange, producing outputs through new media, and a PhD investigating relationships between communities and universities. The project aims to critically examine the role of universities as cultural intermediaries and explore how to produce knowledge that is both excellent and relevant to communities. It involves workshops and conferences bringing together academics, practitioners, and other stakeholders. Future publications and events are planned to further these goals.
Laura Ager: Universities and festivals: thinking critically about cultural pr...
This document discusses the relationship between universities and cultural festivals. It notes that universities are increasingly partnering with festivals as part of their public engagement and knowledge exchange agendas. However, universities are also facing budget pressures that make them more exclusive and corporate. The document considers different perspectives on what festivals represent, from temporary spaces of freedom to opportunities for resistance or commercial recuperation. It raises questions about the role of universities in festivals and how collaborations might enable public cultural programming or risk being co-opted by market forces.
Phil Jones: Project Overview
This document provides an overview of the Cultural Intermediation Project, which aims to enhance cultural intermediation between communities and the creative economy. It involves case studies in Birmingham and Manchester to examine how cultural intermediaries connect deprived communities to cultural activities. The project consists of work packages on valuation/mapping, history, governance, communities and interventions. It also involves community pilots, evaluations, and workshops to understand cultural values and design interventions. The goal is to produce publications, papers and presentations to disseminate the findings.
Dave O'Brien: Thinking about Some Cities
This document discusses the Some Cities photography project in Birmingham. It provides an overview of the project, roles of partner organizations, the evaluation process involving local participants, and key findings. Participants reported social benefits from interacting with others, increased confidence with photography skills, and a new appreciation for their city through the project. The evaluation captured personal narratives and development while documenting the social and cultural impacts of the project.
Paul Long: Culturing communities? Understanding intermediation and locality
This document discusses a research project exploring how cultural intermediation connects communities to the creative economy. The project aims to understand how intermediation engages hard-to-reach communities and how to measure the value of these activities. Key research questions examine how formal cultural intermediation has involved different communities and facilitated their connection to the creative economy. The investigations will take empirical perspectives from within communities in Balsall Heath and Ordsall to understand the dynamic sites of cultural policy implementation and cultural production.
Paul Long Royal Geographical Society 2014 presentation
Whose Culture, Whose Creative City. A paper given by Paul Long of the AHRC-funded Cultural Intermediation project at the Royal Geographical Society annual conference in August 2014.
Cultural Intermediation as the Practice of Governing
This document summarizes the work of a research project team examining cultural intermediation and governance. The team took an interdisciplinary approach, studying cultural intermediation through an arts and humanities lens. They examined cultural intermediation's role in both formal governance structures and informal everyday practices. Through baseline assessments, case studies, and diary-keeping with participants, the team explored how cultural intermediation connects and disconnects different cultural sectors and communities. Their goal was to understand how cultural intermediation could help "re-govern" creative cities to be more inclusive. The team planned to share their findings through academic publications, policy discussions, and local seminars.
Interventions: Context. Challenge. Discussion
Some reflections on the challenges in setting up co-commissioned cultural projects as part of the AHRC-funded Cultural Intermediation research.
Intro and welcome
This document provides an overview of a 4-year cultural intermediation project with the overall aim of enhancing how cultural intermediation connects different communities to the creative economy. The project is divided into work packages focusing on valuation and mapping, history, governance, communities, and interventions. Outputs so far include a published article, papers under review, chapters in edited books, and various conference presentations. The attached schedule outlines presentations on topics like governing grey spaces and community experiences, followed by discussion and a local history walk.
Evaluation Some Cities
Materials relating to a participatory evaluation of the Some Cities project, conducted as part of the AHRC-funded Cultural Intermediation project (culturaintermediation.org.uk)
Cultural Intermediation at BCC Cultivating Culture Symposium
Slides from Phil Jones' presentation to Birmingham City Council's Cultivating Culture Symposium held at the Library of Birmingham 18 March 2014
2012 october pj cultural intermediation project and progress
This document provides an overview of the "Cultural intermediation: project and progress" research project. The project aims to identify ways to enhance cultural intermediation as a mechanism for connecting communities to the creative economy. It will examine cultural intermediation historically and critically evaluate the role of intermediaries. The research will also explore how intermediation can better connect hard-to-reach communities and design interventions to improve effectiveness. The project involves multiple work packages and universities over multiple years and will produce both academic and practice-based outputs. An update is provided on initial staffing, scoping studies, and planned presentations for the project continuity day.
2012 october ig nm historical evolution of cultural intermediaries birmingham
The document provides an overview of community photography in Birmingham from the 1970s-1980s as a form of cultural intermediation. It discusses organizations like WELD and Ten:8 magazine that documented the city's racial and industrial changes during that era. Examples from Manchester are also briefly mentioned, such as Daniel Meadows' photography project and David Chadwick's documentation of the Hulme Housing Estate. The document examines community photography as both a social practice and means of cultural representation during this transformative period in Britain.
2012 october dob governing culture and value
This document discusses the challenges of defining and measuring the value of culture in policy contexts. It notes that data collection and defining culture and cultural policy are longstanding issues in the cultural sector. The document also examines the complex relationships between culture, bureaucracy, management, and markets. It explores tensions between the promise of bureaucracy as a neutral mechanism and the unique nature of culture. Finally, it poses the question of what is meant by the "value" of culture.
2012 october ldp mapping cultural intermediaries
This document provides a literature review on cultural intermediaries. It begins by discussing theoretical conceptualizations of cultural intermediaries from academics like Bourdieu, O'Brien, and Hesmondhalgh. It then lists relevant Standard Industrial Classification codes and provides examples of case studies. The document outlines a value chain framework for cultural production and defines three types of intermediaries: creative intermediaries who create art, commodifying intermediaries who transform art into commodities, and outreach intermediaries who facilitate consumption. Tables are included that categorize example intermediaries according to the three types.
2012 april pl communities
This work package will explore how cultural intermediation connects communities to the creative economy through case studies in Birmingham and Manchester. It aims to understand how intermediation impacts communities and what cultural learning is facilitated. The research will use ethnography including interviews and events to examine how formal cultural intermediation has engaged hard-to-reach communities and supported their involvement in the creative economy. Local community researchers will be trained to help co-create knowledge and benefit from skills development. Planned outputs include academic publications, case studies, engagement guides and events, and online dissemination of lessons learned.
2012 april nm historic
This document outlines a research project examining the historical evolution of cultural intermediation. It discusses looking at periods of economic expansion and uncertainty to understand how cultural intermediation has developed and the interests it has served. The project will involve case studies and interviews in Birmingham and Manchester focusing on community organizations, performance groups, and alternative arts organizations from 1955-2005. Outputs will include data sets, papers, and a potential mobile/web application. It raises questions about comparing Birmingham and Manchester and whether a local community historian served as a cultural intermediary.
2012 april al ph d legal
This document summarizes a proposed PhD on the legal construction of cultural intermediaries. The PhD would examine how intermediaries are regulated and how relationships between artists, intermediaries, and communities are mediated through contract, licensing, property, and intellectual property law under both UK and EU frameworks. While the PhD aims to study legal issues as they arise from ongoing workstreams, it may be better to start in 2013 by investigating the legal implications for a specific community or aspect to provide a more defined focus for recruitment and funding purposes.
2012 april bp governance
This document outlines Work Package 3 of a research project on cultural intermediation. WP3 will critically evaluate the role of intermediaries in governing cultural economy initiatives and how different actors undertake cultural intermediation. It will examine changing governance through national interviews and case studies in two UK cities. The research aims to understand how cultural intermediation operates in this changing context and contribute to theory on cultural intermediaries, economies, and communities. WP3 links to and supports other work packages examining history, values, mapping, and frameworks. The research methods include interviews, fieldwork, diaries and a workshop. Outputs will include publications, briefings, and materials for exhibitions.
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Made presentation to cultural intermediation project
- 1. cultural intermediation at MADE 2003-13
- 24. phases of arts funding for MADE • 2004-2012 ACE regularly funded organisation (also CABE, and additional grant funding and partnerships) • (2007-2011 also part of regional regeneration establishment through funding from AWM for design review and enabling) • 2009-2012 Building Schools for the Future Arts & Culture Project • 2013-14 Tamed Grants for the Arts Project
- 25. types of activities • commissioning public art, instalations and participative events that explore place • arts based activities with schools related to the designed environment • engagement of young people in influencing the design of public and play spaces • advice to educationists on integration of arts and culture in infrastructure and curriculum (BSF) • discussion events (conferences, lectures) on artistic practice in relation to architecture, landscape and urbanism • facilitating the integration of artists into design teams
- 26. 05/06 ACE submission MADE’s artform based investigations and partnerships – sound and lighting – have increased the depth of our interrogations between art, artists and regeneration, which will be built on in 2006/7. Equally the culmination and experience of the long standing Youth Space, partnership project with GO- WM influenced MADE’s strategic development and in 2005/6 plans began to launch a new programme – Creative Communities – to build on the Youth Space approach of connecting artists, architects, local client teams and young people in urban design and crime reduction contexts.
- 27. Tamed • ACE G4A funded project • approach from Environment Agency (following previous failed bid) • context of flood defences in Witton, N. Birmingham • series of artist commissions: • Research and Outreach Artist • Design Team Artist • Community Artist Maker Mobile Drawing Studio
- 35. questions • built environment as cultural arena/expression? • cultural v. technical in design professions? • art v. design? • arts activity as a tool for engagement/consultation/exploration? • arts & culture as a seperate stream within MADE? • targetting - youth? - disadvantaged communities? • impact?