SlideShare a Scribd company logo
AUDIENCE
Theory
Food for thought…
š Question 1
š Why do audiences choose to consume certain texts?
š Question 2
š How do they consume texts?
š Question 3
š What happens when they consume texts?
REMEMBER
š QUESTION 1B
š Examine ONE production in relation to a media concept
š CHOOSE THE PRODUCTION THAT RELATES MOST EFFECTIVELY TO THE CONCEPT
THEORY – READ/INTERACTION
š A main area of focus is the relationship between the text and audience, which is fluent
and changing.
š It is no longer acceptable to suggest that there is only one way of interpreting a text and
only one possible audience response. Audiences nowadays are not mass. They are
complex and sophisticated in their responses.
š Audiences are made up of individuals who bring social and cultural experiences to their
interpretation of any text which may then alert the messages they receive from the text.
Audiences are not unquestioning consumers as they once were in the past.
š “Far from being turned into “zombies” it has grown increasingly clear that audiences are in
fact capable of a high degree of self-determination in the nature of the response that
they make to products offered to them.” (Stewart et al, 2001)
AUDIENCE THEORY
š RELATIONSHIP BETWEEN TEXT AND AUDIENCE
š Effects Model (Hypodermic Needle)
š Uses & Gratifications
š Reception Theory
THE EFFECTS MODEL
š The consumption of media texts has an EFFECT or INFLUENCE upon the audience
š It is normally considered NEGATIVE
š Audiences are PASSIVE and powerless to prevent the influence
š The power lies with the MESSAGE of the text
š HYPODERMIC MODEL
š Messages in media texts are INJECTED into the audience by the powerful, syringe-like
media
š Therefore, the media works like a drug and the audience is DRUGGED, ADDICTED, DUPED
AUDIENCE POSITIONING
š STUART HALL (1973) suggested texts were encoded by the producers of texts to contain
certain meanings related to social and cultural background of the creator of the text.
However, once the viewer of the text ‘decoded’ that text, then the meanings intended by
the producer may change.
š He suggested 3 main perspectives involved in the way in which an audience responds to
a particular text
š This involved how the audience is positioned by the text and their subsequent response
STUART HALL
š PREFERRED (Dominant) READINGS
š The audience interprets the text as closely to the way in which the producer intended
š Ideological perception
š Similar social/cultural experience = little to challenge
š E.g. Watching a political speech and agreeing with it
š NEGOTIATED READINGS
š Audience negotiates with themselves to allow them to accept the way in which the text is presented
š Agree – Disagree – Adjust viewpoint in order to get the most out of your viewing
š The audience accepts, rejects or refines elements of the text in light of previously held views
š E.g. neither agreeing or disagreeing with the political speech or being disinterested
š OPPOSITIONAL (Resistant) READINGS
š Audience in conflict with the text itself due to beliefs / experiences
š Where the preferred meaning is recognised but rejected for cultural, political or ideological reasons
š E.g. Total rejection of the political speech and active opposition
STUART HALL – Reception Theory
š Considered how texts were ENCODED with meaning by producers and then DECODED by
audiences
š When a producer constructs a texts, it is encoded with meaning or message(s) that the producer
wishes to convey to the audience
š In some instances, audiences will correctly decode the meaning or message(s) and understand
what the producer was trying to say (preferred meaning)
š In some instances, the audience will either fail to correctly understand the message (negotiated)
or completely reject it(oppositional)
USES & GRATIFICATIONS
š Total opposite to Effects Model
š The audience is ACTIVE
š The audience USES the text and is NOT used by it
š The audience uses the text for their own GRATIFICATION or PLEASURE
š Here, POWER lies with the AUDIENCE and not the producers
š This theory emphasises what audiences DO with media texts – how and why the USE them
š Far from being duped by the media, the audience is free to REJECT, USE or PLAY with
media meanings as they see fit
š Audiences therefore use media texts to GRATIFY their needs for:
š Diversion
š Escapism
š Information
š Pleasure
š Personal Identity and Relationships *often comparisons
š Stimulation
USES & GRATIFICATIONS
š The audience is IN CONTROL and consumption of the media helps people with issues
such as:
š Learning
š Emotional Satisfaction
š Relaxation
š Help with issues of personal identity
š Help with issues of social identity
š CAN YOU THINK OF ANY MORE??
USES & GRATIFICATIONS
š What about this one:
š Help with issues of aggression and violence??
š Controversially, the theory suggests that the consumption of violent images can be
HELPFUL rather then harmful…
š The theory suggests that audiences act out their violent impulses through the consumption
of media violence
š Think video games...
š The audience’s inclination towards violence is therefore sublimited and they are less likely
to commit violent acts
USES & GRATIFICATIONS
MASLOW’S
HIERARCHY OF
NEEDS 1943
Dyer Mulvey Goodwin
š Thinks that audiences
want to consume
media products that
offer them Utopian
Solutions to their
problems
š Believes that the
media texts often
encourage the
audience to objectify
women and look at
them with a ‘male
gaze’
š Believes that
audiences are often
played in the position
of a voyeur within
music videos. He also
believes that the use
of CUs is important to
help the audience
appreciate the ‘star
persona’ of the lead
singer.
ESSAY INTRO
š Why is it important/essential for a media product like a film or a music video to appeal to
an audience?
š Who was your target audience for your production? Social Demographics &
Psychographic Profiles (gender, age, class, hobbies, media interests)
š What did you do to research what your audience wanted? What did you find out about
what they wanted? Why might they USE these things? – insert Media theory here!
š CHANGE FROM PASSIVE (FRANKFURT SCHOOL) TO ACTIVE (U&G) AUDIENCE.
MAIN PARAGRAPHS
š How did you use the following micro elements to attract/engage an audience?
š Cinematography
š Shot types, angles, movement
š Editing
š Experimental – Jump Cuts etc etc
š Sound
š Diegetic Vs Non-Diegetic
š Synchronous Vs Asynchronous – Audio & Visual
š Mise-en-Scéne
š Characters, Costume
š Location, Lighting, Colour
š Props
TERMINOLOGY
BOOKLET
MAIN PARAGRAPHS
š What feedback did you seek MIDWAY / AFTER production and what was their responses?
š Focus Groups
š How did a “real” audience react to your product?
š YouTube responses on the Lingfield Media Channel?
š Oscars Night – 8th May
š Did they react in a way you thought they would? Why?
š Reception Theory
CONCLUSION
š How important is it to consider your audience in depth?
š How has this changed or affected your production?
TO GET YOU’RE A/B GRADES:
*Incorporate theories into textual analysis of
micro elements
PLANNING
THEORIST THEORY MICRO ELEMENT HOW DOES IT APPLY TO MY VIDEO?
LAURA MULVEY
BLUMLER &
KATZ
MASLOW
MALE GAZE
U&G
HIERARCHY OF NEEDS
CINEMATOGRAPHY USING A PREDOMINANCE OF CLOSE
UP SHOTS ENGAGES THE AUDIENCE &
BUILDS A ”PERSONAL RELATIONSHIP”
WITH THE STAR PERSONA
SENSE OF BELONGING
MASLOW HIERARCHY OF NEEDS
HALL RECEPTIONTHEORY
GOODWIN VOUYEURISM
DYER UTOPIAN SOLUTIONS

More Related Content

What's hot

Audiance reception theory
Audiance reception theoryAudiance reception theory
Audiance reception theory
dorcasfaida
 
Audience theory
Audience theoryAudience theory
Audience theory
hallidayhannah
 
Media Theory - Audience Representation Narrative Genre
Media Theory - Audience Representation Narrative GenreMedia Theory - Audience Representation Narrative Genre
Media Theory - Audience Representation Narrative GenreMissMoore866
 
Audience theories
Audience theoriesAudience theories
Audience theoriesJDunn43
 
Active and passive audience theory
Active and passive audience theoryActive and passive audience theory
Active and passive audience theoryAziezatt Salisu
 
Media StudiesTheory: Audience
Media StudiesTheory: Audience Media StudiesTheory: Audience
Media StudiesTheory: Audience Kate McCabe
 
Audience reception theory
Audience reception theoryAudience reception theory
Audience reception theory
abibatr
 
Active and Passive audience theories
Active and Passive audience theoriesActive and Passive audience theories
Active and Passive audience theories
CrispySharp
 
Stuart hall (1980) audience reception theory
Stuart hall (1980)   audience reception theoryStuart hall (1980)   audience reception theory
Stuart hall (1980) audience reception theory
Nick Crafts
 
Audince theory
Audince theoryAudince theory
Audince theory
dankyjosh
 
Different types of audience
Different types of audienceDifferent types of audience
Different types of audience
Chloerose85
 
Media Studies CA1, Lesson 3
Media Studies CA1, Lesson 3Media Studies CA1, Lesson 3
Media Studies CA1, Lesson 3Emma McAneny
 
Audienceforq1b
Audienceforq1bAudienceforq1b
Audienceforq1baealey
 

What's hot (20)

Audiance reception theory
Audiance reception theoryAudiance reception theory
Audiance reception theory
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Media Theory - Audience Representation Narrative Genre
Media Theory - Audience Representation Narrative GenreMedia Theory - Audience Representation Narrative Genre
Media Theory - Audience Representation Narrative Genre
 
Audience theories
Audience theoriesAudience theories
Audience theories
 
Active and passive audience theory
Active and passive audience theoryActive and passive audience theory
Active and passive audience theory
 
Media StudiesTheory: Audience
Media StudiesTheory: Audience Media StudiesTheory: Audience
Media StudiesTheory: Audience
 
Reception theory
Reception theoryReception theory
Reception theory
 
Audience reception theory
Audience reception theoryAudience reception theory
Audience reception theory
 
Reception theory (1)
Reception theory (1)Reception theory (1)
Reception theory (1)
 
Audience behaviour theory
Audience behaviour theoryAudience behaviour theory
Audience behaviour theory
 
Reception Theory
Reception TheoryReception Theory
Reception Theory
 
Active and Passive audience theories
Active and Passive audience theoriesActive and Passive audience theories
Active and Passive audience theories
 
The reception theory
The reception theoryThe reception theory
The reception theory
 
Stuart hall (1980) audience reception theory
Stuart hall (1980)   audience reception theoryStuart hall (1980)   audience reception theory
Stuart hall (1980) audience reception theory
 
Audince theory
Audince theoryAudince theory
Audince theory
 
Audience
AudienceAudience
Audience
 
Media audiences
Media audiences Media audiences
Media audiences
 
Different types of audience
Different types of audienceDifferent types of audience
Different types of audience
 
Media Studies CA1, Lesson 3
Media Studies CA1, Lesson 3Media Studies CA1, Lesson 3
Media Studies CA1, Lesson 3
 
Audienceforq1b
Audienceforq1bAudienceforq1b
Audienceforq1b
 

Viewers also liked

Narrative take 2
Narrative take 2Narrative take 2
Narrative take 2
JHk
 
David Gauntlett
David GauntlettDavid Gauntlett
David GauntlettZoe Lorenz
 
Cultivation theory
Cultivation theoryCultivation theory
Cultivation theory
Minh Dieu Hoang
 
Barthes codes theory
Barthes codes theoryBarthes codes theory
Barthes codes theoryalexdabriel
 
Audience research
Audience researchAudience research
Audience research
emilyjcole
 
Andew Goodwin's theory on Illustration, amplification and disjuncture
Andew Goodwin's theory on Illustration, amplification and disjunctureAndew Goodwin's theory on Illustration, amplification and disjuncture
Andew Goodwin's theory on Illustration, amplification and disjunctureJosh Hooper
 
Psychographic profiling
Psychographic profilingPsychographic profiling
Psychographic profiling
jayjammerz
 
Blumler and katz
Blumler and katzBlumler and katz
Blumler and katzjessbird92
 
Collective identity
Collective identityCollective identity
Collective identityHeworthMedia
 
Narrative Theory
Narrative TheoryNarrative Theory
Narrative Theory
guest9e3b3b
 
Barthes 5 narrative codes
Barthes 5 narrative codesBarthes 5 narrative codes
Barthes 5 narrative codessarahlambe
 
Konsep audience
Konsep audienceKonsep audience
Konsep audience
Nur Alfiyatur Rochmah
 
Media Audiences an Introduction
Media Audiences an IntroductionMedia Audiences an Introduction
Media Audiences an Introduction
alevelmedia
 

Viewers also liked (14)

Narrative take 2
Narrative take 2Narrative take 2
Narrative take 2
 
David Gauntlett
David GauntlettDavid Gauntlett
David Gauntlett
 
Cultivation theory
Cultivation theoryCultivation theory
Cultivation theory
 
Barthes codes theory
Barthes codes theoryBarthes codes theory
Barthes codes theory
 
Audience research
Audience researchAudience research
Audience research
 
Andew Goodwin's theory on Illustration, amplification and disjuncture
Andew Goodwin's theory on Illustration, amplification and disjunctureAndew Goodwin's theory on Illustration, amplification and disjuncture
Andew Goodwin's theory on Illustration, amplification and disjuncture
 
Theory
TheoryTheory
Theory
 
Psychographic profiling
Psychographic profilingPsychographic profiling
Psychographic profiling
 
Blumler and katz
Blumler and katzBlumler and katz
Blumler and katz
 
Collective identity
Collective identityCollective identity
Collective identity
 
Narrative Theory
Narrative TheoryNarrative Theory
Narrative Theory
 
Barthes 5 narrative codes
Barthes 5 narrative codesBarthes 5 narrative codes
Barthes 5 narrative codes
 
Konsep audience
Konsep audienceKonsep audience
Konsep audience
 
Media Audiences an Introduction
Media Audiences an IntroductionMedia Audiences an Introduction
Media Audiences an Introduction
 

Similar to Audience Theory

Audience theory new 2017
Audience theory new 2017 Audience theory new 2017
Audience theory new 2017
KStockwell
 
A2 Media Studies Audience theory
A2 Media Studies Audience theoryA2 Media Studies Audience theory
A2 Media Studies Audience theoryRebecca Abrahamson
 
Key concept audience
Key concept audienceKey concept audience
Key concept audience
lgoodhew
 
Audience
AudienceAudience
Audience
KStockwell
 
Section A Audience
Section A AudienceSection A Audience
Section A Audience
Naamah Hill
 
Hall encoding and decoding
Hall encoding and decodingHall encoding and decoding
Hall encoding and decoding
jonreigatemedia
 
Section A Audience
Section A AudienceSection A Audience
Section A Audience
Naamah Hill
 
Audience powerpoint
Audience powerpointAudience powerpoint
Audience powerpointsparkly
 
Audience Positioning and Media Effects
Audience Positioning and Media EffectsAudience Positioning and Media Effects
Audience Positioning and Media Effects
hughes82
 
Audience
AudienceAudience
Audience
CoombeMedia1
 
Audience theories slideshare
Audience theories slideshareAudience theories slideshare
Audience theories slidesharechloelogan1
 
Audience theories slideshare
Audience theories slideshareAudience theories slideshare
Audience theories slidesharedaniellewatkins1
 
G325 audience theory applied march 2014
G325 audience theory applied march 2014G325 audience theory applied march 2014
G325 audience theory applied march 2014JadeMitha
 
Audience for Q1b 2013
Audience for Q1b 2013Audience for Q1b 2013
Audience for Q1b 2013Liz Davies
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
BrettMooreG321
 
Audience theory powerpoint
Audience theory powerpoint Audience theory powerpoint
Audience theory powerpoint N Jones
 
Audience Theory for Q 1b)
Audience Theory for Q 1b)Audience Theory for Q 1b)
Audience Theory for Q 1b)
hughes82
 
Key Concept Research
Key Concept ResearchKey Concept Research
Key Concept Research
27kherak
 

Similar to Audience Theory (20)

Audience theory new 2017
Audience theory new 2017 Audience theory new 2017
Audience theory new 2017
 
A2 Media Studies Audience theory
A2 Media Studies Audience theoryA2 Media Studies Audience theory
A2 Media Studies Audience theory
 
Key concept audience
Key concept audienceKey concept audience
Key concept audience
 
Audience
AudienceAudience
Audience
 
Section A Audience
Section A AudienceSection A Audience
Section A Audience
 
Hall encoding and decoding
Hall encoding and decodingHall encoding and decoding
Hall encoding and decoding
 
Section A Audience
Section A AudienceSection A Audience
Section A Audience
 
Audience powerpoint
Audience powerpointAudience powerpoint
Audience powerpoint
 
Audience Positioning and Media Effects
Audience Positioning and Media EffectsAudience Positioning and Media Effects
Audience Positioning and Media Effects
 
Audience theory
Audience theoryAudience theory
Audience theory
 
Audience
AudienceAudience
Audience
 
Audience theories slideshare
Audience theories slideshareAudience theories slideshare
Audience theories slideshare
 
Audience theories slideshare
Audience theories slideshareAudience theories slideshare
Audience theories slideshare
 
G325 audience theory applied march 2014
G325 audience theory applied march 2014G325 audience theory applied march 2014
G325 audience theory applied march 2014
 
Audience for Q1b 2013
Audience for Q1b 2013Audience for Q1b 2013
Audience for Q1b 2013
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
 
Audience theory powerpoint
Audience theory powerpoint Audience theory powerpoint
Audience theory powerpoint
 
Audience Theory
Audience TheoryAudience Theory
Audience Theory
 
Audience Theory for Q 1b)
Audience Theory for Q 1b)Audience Theory for Q 1b)
Audience Theory for Q 1b)
 
Key Concept Research
Key Concept ResearchKey Concept Research
Key Concept Research
 

More from JHk

Digital Skills for BTEC (unfinished)
Digital Skills for BTEC (unfinished)Digital Skills for BTEC (unfinished)
Digital Skills for BTEC (unfinished)
JHk
 
Music video history
Music video historyMusic video history
Music video history
JHk
 
Music Video & Representation
Music Video & RepresentationMusic Video & Representation
Music Video & Representation
JHk
 
Representation of Age
Representation of AgeRepresentation of Age
Representation of Age
JHk
 
Regional Identity
Regional IdentityRegional Identity
Regional Identity
JHk
 
Representation of Sexuality
Representation of SexualityRepresentation of Sexuality
Representation of Sexuality
JHk
 
Representation of Disability
Representation of DisabilityRepresentation of Disability
Representation of Disability
JHk
 
Representation of Disability
Representation of DisabilityRepresentation of Disability
Representation of Disability
JHk
 
Textual analysis template
Textual analysis templateTextual analysis template
Textual analysis template
JHk
 
Editing
EditingEditing
Editing
JHk
 
Representation
RepresentationRepresentation
Representation
JHk
 
Codes & Conventions of Film Posters
Codes & Conventions of Film PostersCodes & Conventions of Film Posters
Codes & Conventions of Film Posters
JHk
 
Green Day
Green Day Green Day
Green Day
JHk
 
Laura Mulvey_The_Male_Gaze
Laura Mulvey_The_Male_GazeLaura Mulvey_The_Male_Gaze
Laura Mulvey_The_Male_Gaze
JHk
 
Y10 Advertising
Y10 AdvertisingY10 Advertising
Y10 Advertising
JHk
 
Hitchcock as Auteur
Hitchcock as AuteurHitchcock as Auteur
Hitchcock as Auteur
JHk
 

More from JHk (16)

Digital Skills for BTEC (unfinished)
Digital Skills for BTEC (unfinished)Digital Skills for BTEC (unfinished)
Digital Skills for BTEC (unfinished)
 
Music video history
Music video historyMusic video history
Music video history
 
Music Video & Representation
Music Video & RepresentationMusic Video & Representation
Music Video & Representation
 
Representation of Age
Representation of AgeRepresentation of Age
Representation of Age
 
Regional Identity
Regional IdentityRegional Identity
Regional Identity
 
Representation of Sexuality
Representation of SexualityRepresentation of Sexuality
Representation of Sexuality
 
Representation of Disability
Representation of DisabilityRepresentation of Disability
Representation of Disability
 
Representation of Disability
Representation of DisabilityRepresentation of Disability
Representation of Disability
 
Textual analysis template
Textual analysis templateTextual analysis template
Textual analysis template
 
Editing
EditingEditing
Editing
 
Representation
RepresentationRepresentation
Representation
 
Codes & Conventions of Film Posters
Codes & Conventions of Film PostersCodes & Conventions of Film Posters
Codes & Conventions of Film Posters
 
Green Day
Green Day Green Day
Green Day
 
Laura Mulvey_The_Male_Gaze
Laura Mulvey_The_Male_GazeLaura Mulvey_The_Male_Gaze
Laura Mulvey_The_Male_Gaze
 
Y10 Advertising
Y10 AdvertisingY10 Advertising
Y10 Advertising
 
Hitchcock as Auteur
Hitchcock as AuteurHitchcock as Auteur
Hitchcock as Auteur
 

Recently uploaded

The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
Vivekanand Anglo Vedic Academy
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
Sandy Millin
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
MysoreMuleSoftMeetup
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
siemaillard
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
Jisc
 
Home assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdfHome assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdf
Tamralipta Mahavidyalaya
 
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxStudents, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
EduSkills OECD
 
Basic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumersBasic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumers
PedroFerreira53928
 
The geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideasThe geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideas
GeoBlogs
 
Polish students' mobility in the Czech Republic
Polish students' mobility in the Czech RepublicPolish students' mobility in the Czech Republic
Polish students' mobility in the Czech Republic
Anna Sz.
 
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Thiyagu K
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
Delapenabediema
 
The Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdfThe Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdf
kaushalkr1407
 
Language Across the Curriculm LAC B.Ed.
Language Across the  Curriculm LAC B.Ed.Language Across the  Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
Atul Kumar Singh
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
EverAndrsGuerraGuerr
 
How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17
Celine George
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star   -  Saka Neela TaraOperation Blue Star   -  Saka Neela Tara
Operation Blue Star - Saka Neela Tara
Balvir Singh
 
MARUTI SUZUKI- A Successful Joint Venture in India.pptx
MARUTI SUZUKI- A Successful Joint Venture in India.pptxMARUTI SUZUKI- A Successful Joint Venture in India.pptx
MARUTI SUZUKI- A Successful Joint Venture in India.pptx
bennyroshan06
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
MIRIAMSALINAS13
 
Digital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and ResearchDigital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and Research
Vikramjit Singh
 

Recently uploaded (20)

The French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free downloadThe French Revolution Class 9 Study Material pdf free download
The French Revolution Class 9 Study Material pdf free download
 
2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...2024.06.01 Introducing a competency framework for languag learning materials ...
2024.06.01 Introducing a competency framework for languag learning materials ...
 
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
Mule 4.6 & Java 17 Upgrade | MuleSoft Mysore Meetup #46
 
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa
 
Supporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptxSupporting (UKRI) OA monographs at Salford.pptx
Supporting (UKRI) OA monographs at Salford.pptx
 
Home assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdfHome assignment II on Spectroscopy 2024 Answers.pdf
Home assignment II on Spectroscopy 2024 Answers.pdf
 
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptxStudents, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
Students, digital devices and success - Andreas Schleicher - 27 May 2024..pptx
 
Basic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumersBasic phrases for greeting and assisting costumers
Basic phrases for greeting and assisting costumers
 
The geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideasThe geography of Taylor Swift - some ideas
The geography of Taylor Swift - some ideas
 
Polish students' mobility in the Czech Republic
Polish students' mobility in the Czech RepublicPolish students' mobility in the Czech Republic
Polish students' mobility in the Czech Republic
 
Unit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdfUnit 2- Research Aptitude (UGC NET Paper I).pdf
Unit 2- Research Aptitude (UGC NET Paper I).pdf
 
The Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official PublicationThe Challenger.pdf DNHS Official Publication
The Challenger.pdf DNHS Official Publication
 
The Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdfThe Roman Empire A Historical Colossus.pdf
The Roman Empire A Historical Colossus.pdf
 
Language Across the Curriculm LAC B.Ed.
Language Across the  Curriculm LAC B.Ed.Language Across the  Curriculm LAC B.Ed.
Language Across the Curriculm LAC B.Ed.
 
Thesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.pptThesis Statement for students diagnonsed withADHD.ppt
Thesis Statement for students diagnonsed withADHD.ppt
 
How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17How to Make a Field invisible in Odoo 17
How to Make a Field invisible in Odoo 17
 
Operation Blue Star - Saka Neela Tara
Operation Blue Star   -  Saka Neela TaraOperation Blue Star   -  Saka Neela Tara
Operation Blue Star - Saka Neela Tara
 
MARUTI SUZUKI- A Successful Joint Venture in India.pptx
MARUTI SUZUKI- A Successful Joint Venture in India.pptxMARUTI SUZUKI- A Successful Joint Venture in India.pptx
MARUTI SUZUKI- A Successful Joint Venture in India.pptx
 
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXXPhrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
Phrasal Verbs.XXXXXXXXXXXXXXXXXXXXXXXXXX
 
Digital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and ResearchDigital Tools and AI for Teaching Learning and Research
Digital Tools and AI for Teaching Learning and Research
 

Audience Theory

  • 2. Food for thought… š Question 1 š Why do audiences choose to consume certain texts? š Question 2 š How do they consume texts? š Question 3 š What happens when they consume texts?
  • 3. REMEMBER š QUESTION 1B š Examine ONE production in relation to a media concept š CHOOSE THE PRODUCTION THAT RELATES MOST EFFECTIVELY TO THE CONCEPT
  • 4. THEORY – READ/INTERACTION š A main area of focus is the relationship between the text and audience, which is fluent and changing. š It is no longer acceptable to suggest that there is only one way of interpreting a text and only one possible audience response. Audiences nowadays are not mass. They are complex and sophisticated in their responses. š Audiences are made up of individuals who bring social and cultural experiences to their interpretation of any text which may then alert the messages they receive from the text. Audiences are not unquestioning consumers as they once were in the past. š “Far from being turned into “zombies” it has grown increasingly clear that audiences are in fact capable of a high degree of self-determination in the nature of the response that they make to products offered to them.” (Stewart et al, 2001)
  • 5. AUDIENCE THEORY š RELATIONSHIP BETWEEN TEXT AND AUDIENCE š Effects Model (Hypodermic Needle) š Uses & Gratifications š Reception Theory
  • 6. THE EFFECTS MODEL š The consumption of media texts has an EFFECT or INFLUENCE upon the audience š It is normally considered NEGATIVE š Audiences are PASSIVE and powerless to prevent the influence š The power lies with the MESSAGE of the text š HYPODERMIC MODEL š Messages in media texts are INJECTED into the audience by the powerful, syringe-like media š Therefore, the media works like a drug and the audience is DRUGGED, ADDICTED, DUPED
  • 7. AUDIENCE POSITIONING š STUART HALL (1973) suggested texts were encoded by the producers of texts to contain certain meanings related to social and cultural background of the creator of the text. However, once the viewer of the text ‘decoded’ that text, then the meanings intended by the producer may change. š He suggested 3 main perspectives involved in the way in which an audience responds to a particular text š This involved how the audience is positioned by the text and their subsequent response
  • 8. STUART HALL š PREFERRED (Dominant) READINGS š The audience interprets the text as closely to the way in which the producer intended š Ideological perception š Similar social/cultural experience = little to challenge š E.g. Watching a political speech and agreeing with it š NEGOTIATED READINGS š Audience negotiates with themselves to allow them to accept the way in which the text is presented š Agree – Disagree – Adjust viewpoint in order to get the most out of your viewing š The audience accepts, rejects or refines elements of the text in light of previously held views š E.g. neither agreeing or disagreeing with the political speech or being disinterested š OPPOSITIONAL (Resistant) READINGS š Audience in conflict with the text itself due to beliefs / experiences š Where the preferred meaning is recognised but rejected for cultural, political or ideological reasons š E.g. Total rejection of the political speech and active opposition
  • 9. STUART HALL – Reception Theory š Considered how texts were ENCODED with meaning by producers and then DECODED by audiences š When a producer constructs a texts, it is encoded with meaning or message(s) that the producer wishes to convey to the audience š In some instances, audiences will correctly decode the meaning or message(s) and understand what the producer was trying to say (preferred meaning) š In some instances, the audience will either fail to correctly understand the message (negotiated) or completely reject it(oppositional)
  • 10. USES & GRATIFICATIONS š Total opposite to Effects Model š The audience is ACTIVE š The audience USES the text and is NOT used by it š The audience uses the text for their own GRATIFICATION or PLEASURE š Here, POWER lies with the AUDIENCE and not the producers š This theory emphasises what audiences DO with media texts – how and why the USE them š Far from being duped by the media, the audience is free to REJECT, USE or PLAY with media meanings as they see fit
  • 11. š Audiences therefore use media texts to GRATIFY their needs for: š Diversion š Escapism š Information š Pleasure š Personal Identity and Relationships *often comparisons š Stimulation USES & GRATIFICATIONS
  • 12. š The audience is IN CONTROL and consumption of the media helps people with issues such as: š Learning š Emotional Satisfaction š Relaxation š Help with issues of personal identity š Help with issues of social identity š CAN YOU THINK OF ANY MORE?? USES & GRATIFICATIONS
  • 13. š What about this one: š Help with issues of aggression and violence?? š Controversially, the theory suggests that the consumption of violent images can be HELPFUL rather then harmful… š The theory suggests that audiences act out their violent impulses through the consumption of media violence š Think video games... š The audience’s inclination towards violence is therefore sublimited and they are less likely to commit violent acts USES & GRATIFICATIONS
  • 15. Dyer Mulvey Goodwin š Thinks that audiences want to consume media products that offer them Utopian Solutions to their problems š Believes that the media texts often encourage the audience to objectify women and look at them with a ‘male gaze’ š Believes that audiences are often played in the position of a voyeur within music videos. He also believes that the use of CUs is important to help the audience appreciate the ‘star persona’ of the lead singer.
  • 16. ESSAY INTRO š Why is it important/essential for a media product like a film or a music video to appeal to an audience? š Who was your target audience for your production? Social Demographics & Psychographic Profiles (gender, age, class, hobbies, media interests) š What did you do to research what your audience wanted? What did you find out about what they wanted? Why might they USE these things? – insert Media theory here! š CHANGE FROM PASSIVE (FRANKFURT SCHOOL) TO ACTIVE (U&G) AUDIENCE.
  • 17. MAIN PARAGRAPHS š How did you use the following micro elements to attract/engage an audience? š Cinematography š Shot types, angles, movement š Editing š Experimental – Jump Cuts etc etc š Sound š Diegetic Vs Non-Diegetic š Synchronous Vs Asynchronous – Audio & Visual š Mise-en-Scéne š Characters, Costume š Location, Lighting, Colour š Props TERMINOLOGY BOOKLET
  • 18. MAIN PARAGRAPHS š What feedback did you seek MIDWAY / AFTER production and what was their responses? š Focus Groups š How did a “real” audience react to your product? š YouTube responses on the Lingfield Media Channel? š Oscars Night – 8th May š Did they react in a way you thought they would? Why? š Reception Theory
  • 19. CONCLUSION š How important is it to consider your audience in depth? š How has this changed or affected your production? TO GET YOU’RE A/B GRADES: *Incorporate theories into textual analysis of micro elements
  • 20. PLANNING THEORIST THEORY MICRO ELEMENT HOW DOES IT APPLY TO MY VIDEO? LAURA MULVEY BLUMLER & KATZ MASLOW MALE GAZE U&G HIERARCHY OF NEEDS CINEMATOGRAPHY USING A PREDOMINANCE OF CLOSE UP SHOTS ENGAGES THE AUDIENCE & BUILDS A ”PERSONAL RELATIONSHIP” WITH THE STAR PERSONA SENSE OF BELONGING MASLOW HIERARCHY OF NEEDS HALL RECEPTIONTHEORY GOODWIN VOUYEURISM DYER UTOPIAN SOLUTIONS