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Arts and
Crafts of
Luzon
AT T I R ES , FA B R I C S , A N D TA P EST R I ES
C R A F TS A N D AC C ES S O R I ES A N D B O DY O R N A M E N TAT I O N
Learning Objectives
At the end of this module, you will be able to:
1. recognize attire, fabrics and tapestries, crafts and
accessories, and body ornamentation in highlands and
lowlands of Luzon;
2. determine characteristics of attire, fabrics and
tapestries, crafts and accessories, and body
ornamentation in highlands and lowlands of Luzon; and
3. appreciate the importance of the characteristics of
attire, fabrics and tapestries, crafts and accessories and
body ornamentation in relation to highlands and lowlands
of Luzon’s culture.
Activity 1: “KAMEHAMEHA”
Welcome to the world of cartoons
and anime!
Directions: The following are
cartoon characters appeared on
television. Identify each cartoon
character whether it is Japanese
Anime or American Cartoons. Write
your answers in your activity
notebook.
Based on visual appearances,
which picture is closer to
reality, American cartoons or
Japanese Anime? Why?
_____________________________
_____________________________
_________________
Which of them offers
greater detail of face
structure, body, dressing,
etc.? Can you cite some
differences in their style?
__________________________________________________________________________________________________________________
Which uses a wide
range of color variants
and shades? Explain
briefly.
_______________________
______________
Now, you know the differences between Japanese
anime and American cartoons. You can easily
distinguish every cartoon character whether it is
American or Japanese anime by simply analyzing
its characteristics (style, technique, materials used
or medium, and subject). In connection with our
topic, we also need to identify the characteristics of
arts and crafts of Luzon (highlands and lowlands)
to recognize their aesthetic and unique qualities,
the real talents of the artists, and the importance
of their masterpieces in the community.
_____________________________________
TEXTILE (Attire,
Fabrics and
Tapestries)
Inabel is a handwoven fabric
made by Ilocanos which is
more popularly known as
“Abel Iloco”. It comes from
the root word “abel” which
means “to weave”.
_____________________________________
The word Inabel of Ilocanos
literally means “woven”. It is
created by skilled artisans
using traditional wooden
looms. It comes with different
patterns inspired by nature.
One of the most recognizable
patterns of Inabel is Binakol
(also known as binakel,
binakael, or binakul).
Binakol (meaning “twill”)
can be easily recognized
by its interlocked
geometric patterns which
represent the waves of the
sea that protects people
from malevolent spirits.
Kain is the basic dress for women
of Cordillera region. It is a type of
wrap-around skirt (tapis in
Tagalog) characterized by
horizontal stripes bordered by
decorated panels along the joins
and edges, uses bright colors
especially fiery red and
embroidered with beads and
shells. Some kain used other
colors like red, yellow, white,
black and green which signify the
color of things in nature.
Kadangyan is a burial cloth for
the rich people of Mountain
Province. It is a Cordilleran term
which literally means “rich”. In
earlier days, only the
grandmothers were allowed to
weave burial clothes (Kadangyan)
but now, any able weaver is
allowed to weave burial cloths for
the dead.
The handwoven fabrics of Bontoc
are characterized by different
geometric shapes and different
shapes of things from nature.
Siniwsiwan is the Bontoc’s
blanket and clothing wanes and
lufid and ginaspala wanes.
Wanes and Lufid are
costumes of Igorots from the
Mountain Province. Wanes is a
long strip of handwoven loincloth
(bahag) for men and Lufid is a
wrap-around skirt (tapis) for
women.
These clothes mirror the
personality of every Igorot and
reflect their culture and
traditions (ex: religious practices
and rituals).
Ginaspala Wanes is a belt
worn by a married women
of Bontoc and Kankana-y
that has Inawin designs
composed of continuous
zigzag pattern.
Bakwat is a belt used by
mothers after giving birth. It
is designed with white beads
as accents and patterns of
rivers and mountains with
bead works on the central
portion of the cloth. It is
made by Gaddang weavers of
Nueva Vizcaya.
Tingguian designs are very
meaningful for the people of
Abra. Their clothing has a simple
linear design but are assigned
with many meanings. Some of
their textiles are reserved for use
only during special occasions
such as birthgiving, weddings,
and harvesting. They use natural
dyes from different trees and
plants (mahogany-red,
jackfruit/ginger – yellow, narra -
brown, malatayum-indigo).
Piňa and jusi are the
traditional fabrics in
Batangas. In Taal, hand
embroideries are
characterized by a smooth
stitch, fine, composed of fine
delicate shapes, embossed,
and durable. Barong is an
embroidered formal men's
wear in the Philippines and it
is the most versatile apparel
on special occasions like
weddings and formal affairs.

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arts grade 7.pptx

  • 1. Arts and Crafts of Luzon AT T I R ES , FA B R I C S , A N D TA P EST R I ES C R A F TS A N D AC C ES S O R I ES A N D B O DY O R N A M E N TAT I O N
  • 2. Learning Objectives At the end of this module, you will be able to: 1. recognize attire, fabrics and tapestries, crafts and accessories, and body ornamentation in highlands and lowlands of Luzon; 2. determine characteristics of attire, fabrics and tapestries, crafts and accessories, and body ornamentation in highlands and lowlands of Luzon; and 3. appreciate the importance of the characteristics of attire, fabrics and tapestries, crafts and accessories and body ornamentation in relation to highlands and lowlands of Luzon’s culture.
  • 3. Activity 1: “KAMEHAMEHA” Welcome to the world of cartoons and anime! Directions: The following are cartoon characters appeared on television. Identify each cartoon character whether it is Japanese Anime or American Cartoons. Write your answers in your activity notebook.
  • 4.
  • 5. Based on visual appearances, which picture is closer to reality, American cartoons or Japanese Anime? Why? _____________________________ _____________________________ _________________
  • 6. Which of them offers greater detail of face structure, body, dressing, etc.? Can you cite some differences in their style? __________________________________________________________________________________________________________________
  • 7. Which uses a wide range of color variants and shades? Explain briefly. _______________________ ______________
  • 8. Now, you know the differences between Japanese anime and American cartoons. You can easily distinguish every cartoon character whether it is American or Japanese anime by simply analyzing its characteristics (style, technique, materials used or medium, and subject). In connection with our topic, we also need to identify the characteristics of arts and crafts of Luzon (highlands and lowlands) to recognize their aesthetic and unique qualities, the real talents of the artists, and the importance of their masterpieces in the community. _____________________________________
  • 9.
  • 11. Inabel is a handwoven fabric made by Ilocanos which is more popularly known as “Abel Iloco”. It comes from the root word “abel” which means “to weave”. _____________________________________
  • 12. The word Inabel of Ilocanos literally means “woven”. It is created by skilled artisans using traditional wooden looms. It comes with different patterns inspired by nature. One of the most recognizable patterns of Inabel is Binakol (also known as binakel, binakael, or binakul).
  • 13. Binakol (meaning “twill”) can be easily recognized by its interlocked geometric patterns which represent the waves of the sea that protects people from malevolent spirits.
  • 14. Kain is the basic dress for women of Cordillera region. It is a type of wrap-around skirt (tapis in Tagalog) characterized by horizontal stripes bordered by decorated panels along the joins and edges, uses bright colors especially fiery red and embroidered with beads and shells. Some kain used other colors like red, yellow, white, black and green which signify the color of things in nature.
  • 15. Kadangyan is a burial cloth for the rich people of Mountain Province. It is a Cordilleran term which literally means “rich”. In earlier days, only the grandmothers were allowed to weave burial clothes (Kadangyan) but now, any able weaver is allowed to weave burial cloths for the dead.
  • 16. The handwoven fabrics of Bontoc are characterized by different geometric shapes and different shapes of things from nature. Siniwsiwan is the Bontoc’s blanket and clothing wanes and lufid and ginaspala wanes.
  • 17. Wanes and Lufid are costumes of Igorots from the Mountain Province. Wanes is a long strip of handwoven loincloth (bahag) for men and Lufid is a wrap-around skirt (tapis) for women. These clothes mirror the personality of every Igorot and reflect their culture and traditions (ex: religious practices and rituals).
  • 18. Ginaspala Wanes is a belt worn by a married women of Bontoc and Kankana-y that has Inawin designs composed of continuous zigzag pattern.
  • 19. Bakwat is a belt used by mothers after giving birth. It is designed with white beads as accents and patterns of rivers and mountains with bead works on the central portion of the cloth. It is made by Gaddang weavers of Nueva Vizcaya.
  • 20. Tingguian designs are very meaningful for the people of Abra. Their clothing has a simple linear design but are assigned with many meanings. Some of their textiles are reserved for use only during special occasions such as birthgiving, weddings, and harvesting. They use natural dyes from different trees and plants (mahogany-red, jackfruit/ginger – yellow, narra - brown, malatayum-indigo).
  • 21. Piňa and jusi are the traditional fabrics in Batangas. In Taal, hand embroideries are characterized by a smooth stitch, fine, composed of fine delicate shapes, embossed, and durable. Barong is an embroidered formal men's wear in the Philippines and it is the most versatile apparel on special occasions like weddings and formal affairs.