Arts and crafts of luzon
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MAPEH 7 FIRST QUARTER -ARTS
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Arts and crafts of luzon
- 1. Arts and Crafts of Luzon
- 2. Objectives: Identify characteristics of arts and crafts in Cordillera region known for their products Reflect on and derive the mood, idea, or message emanating from selected artworks Evaluate the effectiveness of mood, idea, or message as depicted by the visual image in the artwork
- 3. Review: Answer the questions below Why do the indigenous people of the Philippines excellent in arts and crafts.
- 4. ANSWER: Because they were driven by the call of survival. They had to provide the materials to meet their needs and survival.
- 5. Why is weaving popular among tribal people?
- 6. ANSWER: This serve as their wealth.------ family’s wealth was based on the textiles the family owned and these were given as dowry gifts at weddings and as offerings to the gods.
- 7. Identify the use of the following: Earring Hat Ring Bracelet Sunglasses House Slippers Tattoo necklace
- 8. VACUL - IVATAN A headgear used to protect the Ivatans from rain, wind and sun.it is made from vayavoy leaves or Philippine date palm Vacul---- for women Tallugong ---- for men
- 10. MOUNTAIN ART: JEWELRIES-made out of shells, flowers, leaves, bones, and plumage
- 11. Lingling -o Used by the indigenous people of the Cordillera as either an earring or a necklace pendant. They are made of silver and some are jades Some also are from gold, shell, clay, brass, or copper THE MATERIAL USED WHEN MAKING LINGLING-O IS A SIGN OF ITS OWNER’S STATUS.
- 12. AETAS Women generally let their hair grow long, often tying it in knots and adorned with comb.
- 13. IFUGAOS AND KANKANAY WARRIORS They wear Tankil armlet.
- 14. TANKIL ARMLET Made from boar’s tusk, fibers and narra wood.
- 15. FALLAKAT Small bamboo hat Worn on the back of the head by the Bontok males For decoration among young males Pouch for older ones
- 16. TINGUIANS AND ILOCANOS They use gourd hat to protect them from the heat of the sun and from rain.
- 17. TATTOO ART PRACTICED AMONG CORDILLERAS ( BONTOC, IFUGAO, AND KALINGA WARRIORS)
- 19. TINUNGFU This is for aesthetic purpose – An arm band that serves as the border circling around the elbow or fernlike marks on the arms.
- 20. “LITTLE MEN” Reflected the warrior’s status and wealth in the community.
- 21. BONTOCS Tattoos of a man was directly related to the proportion of human heads he had taken in the headhunts.( na shock ka ba???
- 22. THE CHAKLAG Running upward from each nipple, curving out on the shoulders and ending on the upper arms. Indicates the man had taken a head.
- 23. KALINGA Successful warriors have the tattoo at the back of their hands and wrists after their first kill. These strips designs were called gulot- meaning “cutter of heads”
- 24. BIKKING KALINGA MEN who killed two or more had elaborate pattern applied to their arms and chests. ---- the Bikking. BIKKING comprised of: Head axes (khaman) Centipede or snake scales (kufug)