3. 1. Cordillera- style
of singing without
prior preparation
or practice in
leader-chorus
form.
a.Ibaloi Badiw
b. Dagdagay
c. Oppia
d. Owiwi
4. 2. The following
Cordillera Vocal
Music are infancy-
related songs of the
Kalinga except
________.
a.Bua
b. Dagdagay
c. Oppia
d. Owiwi
5. 3. Langan Bata-
Bata is an infancy-
related Cordilleran
vocal music of the
_______ tribe.
a.Ifugao
b. Kalinga
c. Subbanen
d. Tausug
6. 4. Ifugao epic
poetry which is
recited and
chanted during
occasions.
a.Bua
b. Hudhud
c. Kawayana
d. Langan
Bata
7. 5. Ifugao gongs
played by striking
with the palm while
rested on the lap
a.Bungkaka
b. Gangsa
Palook
c. Gangsa
Toppaya
d. Tongali
8. 6. Ifugao gongs
strike or beaten with
wooden mallets
while held by the left
hand. Usually played
by men.
a.Bungkaka
b. Gangsa
Palook
c. Gangsa
Toppaya
d. Tongali
10. 8. Cordillera nose
flute played with
the extreme
forward edge of
the right or left
nostril
a.Bungkaka
b. Gangsa
Palook
c. Gangsa
Toppaya
d. Tongali
11. 9. Which of the
following are
Cordilleran vocal
ensemble with
instrumental
accompaniment used
for matchmaking?
a. Antang
b. Sindaay,
Tarasul
c. Tamuyong
Dango,
Oggayam
d. Salidummay &
Dangdayang-ay
12. 10. Which of the
following are
Cordilleran vocal
ensemble with
instrumental
accompaniment used
for entertainment?
a. Antang
b. Sindaay,
Tarasul
c. Tamuyong
Dango,
Oggayam
d. Salidummay &
Dangdayang-ay
19. “AMBAHAN”
Composed of seven-
syllable line ending in
rhymes; often used by
parents for teaching their
children, in courtship, and
by visitors to ask for food.
31. DIRECTIONS: On your notebooks (Music
Segment), write the LETTER of the BEST
answer corresponding their respective
definitions.
32. 1. Song used to
communicate with
spirits; rituals for
healing the sick and
protecting the
community.
a.Ambahan
b. Marayaw
c. Oppia
d. Pamuybuyen
33. 2. Composed of seven-
syllable line ending in
rhymes; often used by
parents for teaching
their children, in
courtship, and by
visitors to ask for food.
a.Ambahan
b. Marayaw
c. Oppia
d. Pamuybuyen
34. 3. Mangyan lute with
long neck, and has
two strings that run
from the neck to the
base of a resonating
chamber.
a.Gangsa
b. Gitgit
c. Kalutang
d. Kudyapi
35. 4. Mangyan
instrument with 3
to 4 strings with a
wooden body and
human hair for the
bow.
a.Gangsa
b. Gitgit
c. Kalutang
d. Kudyapi
36. 5. Mangyan
instrument which is
a pair of equal-
sized wood struck
together.
a.Gangsa
b. Gitgit
c. Kalutang
d. Kudyapi
On a ¼ sheet of paper, write your name, grade & section, date & lrn. We will have a 10-item review quiz before we start our next lesson.
Write the LETTER of the CORRECT ANSWER on your answer sheets.
To give you a bit of an overview about Mindoro and its Mangyan people,
Mindoro is the seventh largest island in the Philippines, with an area of 10,224 square kilometers and two provinces – Oriental and Occidental. Of the total population of one million, the indigenous population is estimated at 100,000.
The Mangyan is divided into 8 indigenous groups; these are:
Iraya
Alangan
Tadyawan
Tau-buid
Bangon
Buhid
Hanunuo
Ratagnon
The following are some of the music terms of the Music of the Mangyan of Mindoro
a genre of songs used to communicate with spirits in rituals for healing the sick and protecting the community by an indigenous group called Iraya-Mangyan.
a chanted poem of seven lines, usually it is used by a young man to serenade a girl during courtship.
Texts are commonly written on bamboo
Often chanted with accompanying instruments
Reflection Questions:
What do you think is the message of the poem?
What do you think is the function of this poem in the lives of the Mangyan?
How can you relate this poem to your life?
The musical instruments of Mindoro are used during festivals, rituals, courtship and daily activities of the Mangyan.