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ARTS AND CRAFTS
OF THE
ILOCOS REGION
AND
THE CORDILLERA ADMINISTRATIVE REGION (CAR)
Matching Type: Elements and Priciples of Design
Matching
Column I Column II
__1. A large difference between the two things, for a.
Rhythm example rough, and smooth or white and black.
b. Contrast __2. A way of combining visual elements to
produce a c. Movement __3. A visual tempo or beat-often
described as alternating, d. Value regular, following,
progressive, or jazzy e. Line __4. An
element of art that refers to the lightnessor
darkness of a color.
__5. A mark with length and direction, created by a point
that moves across a surface.
20XX presentation title 2
Matching Type: Elements and Priciples of Design
Matching
Column I Column II
__6.The empty or open area between, around, above, below, a.
Balance
and within objects. b.
Form __7. A feeling that all the parts are working together as
a team c. Unity the quality wholeness.
__8. Area in a work of art that holds the viewers’
a ttention d. Empitness __9. Principle or design referring to the way
the element e. Space are arranged to create a feeling of
stability in a work-parts of equal visual weight.
__10. Any three-dimensional object that can
be measured by height, width, and depth.
20XX presentation title 3
ILOCOS REGION
20XX presentation title 4
Architecture
Vigan is considered the “Intramuros of the
North”. It is one of the best-preserved
examples of a planned Spanish colonial town
in Asia. It retains the Spanish colonial
architecture along its narrow and cobble-
stoned streets known as Calle Crisologo.
ILOCOS NORTE
Calle Crisologo
Calle Crisologo, also known as
Mena Crisologo street, is a
notable tourist attraction in the
heritage city of Vigan. These old
Spanish-type houses have
huge, high-pitched roofs, large
and rectangular living rooms
that are made of adobe, bricks,
lime terracotta, hardwood floors,
and windows of Capiz shells
framed in wooden window
panels.
2022 presentation title 6
TEXTILE
Inabel is a hand-weaving
technique of the Ilocanos that
was produced using traditional
wooden looms. The different
designs represent different
meanings: the dizzying
“binakol” weave represents the
waves of the sea. They believed
that this design protects them
from bad spirits.
2022 presentation title 7
TEXTILE
The inabel designs are inspired
by natural elements: patterns
that depict different landforms,
the colors of flowers and
vegetation, plaid, zigzags,
animal patterns, and the ocean
waves.
2022 presentation title 8
BURNAY
Burnay is an ungiazed earthen jar
with small opening.
The burnay industry (pottery making
industry) in Vigan is also a popular
cottage industry. It is believed that
time natives already practiced pottery
even before the Spanish colonizers
arrived in the Philippines.
It is used for the storage of water and
rice grains and as container for salts,
brown sugar, basi (local wine), and
bagoong.
2022 presentation title 9
PANGASINAN
The name Pangasinan means “land of salt” or
“place of salt-making”. It is derived from asin, the
word for “salt” in the Pangasinan language.
An ancient kingdom called Luyag na Kaboloan
once existed in Pangasinan. Princess Urduja, a
legendary woman warrior, is believed to have
ruled in Pangasinan around the 4th century.
Pangasinan was probably connected to the
maritime trade network that once flourished in
ancient Southeast Asia.
Weaving is one of the arts and crafts of
Pangasinan including the smoothly
woven Bolinao mats made from buri or
Raffa leaves and the bamboo crafts
(baskets, furniture) of San Carlos.
WEAVING
DO YOU STILL REMEMBER THE ELEMENTS AND PRINCIPLES OF ART?
Elements of Art
1. Line - mark made by a
moving
point
2. Form - object with three-
dimensions
3. Space - distance or area
4. Color - use of hue in
artwork
5. Shape - defined with
edges
6. Texture - surface quality
of an
object
Principles of Art
1. Movement - shows action
2. Unity - quality of wholeness
3. Harmony - using similar elements
throughout the work
4. Variety - quality or state of having
different forms or type
5. Balance - placement of all the
elements of the composition
6. Contrast - showing opposites
7. Proportion - proper relation
between
two objects
8. Pattern/rhythm - regular repetition
of
elements of art
CORDILLERA
ADMINISTRATVE REGION
(CAR)
20XX presentation title 13
KALINGA
The native of Kalinga is skilled weavers. One of their finest
products is their textiles, which is characterized by red stripes
and white, yellow, and black geometrical pattern.
20XX presentation title 14
KALINGA
Kain is a wrapped-around skirt
or tapis that southern Kalinga
women wear. It is a worm below
the abdomen, and when they
walk, one of the thighs is
exposed.
20XX presentation title 15
KAIN
Kain is a wrapped-around skirt
or tapis that southern Kalinga
women wear. It is a worm below
the abdomen, and when they
walk, one of the thighs is
exposed.
Native Kalinga also wear saya,
an ordinary woman’s skirt
covering the body from waist to
feet.
20XX presentation title 16
KAIN
The colors they used in their
textiles have cultural woman’s
meaning: red signifies bravery,
black is for the soil or land;
white is for the flowers of the
coffee trees; yellow for the sand;
and green for the mountains.
20XX presentation title 17
BASKETRY
The basketry of Kalinga shows its
fine craftsmanship. The labba is a
bowl-shaped basket made from
rattan, with sizes that vary from 20
to 150 cm in diameter.
20XX presentation title 18
TATTOOING
Tattooing is another form of art of
Kalinga. Because it usually covers
the chest and the arm, it may be
considered as clothing and
decoration.
20XX presentation title 19
WANG-OD
Whang-Od is the lasr “mambabatok” or
traditional Kalinga tattoo artist. She uses
a mixture of charcoal and water that is
tapped onto the skin through a torn end.
The painful tattoo technique is said to be
a thousand years old and can only be
passed through lineage. It is believed
that if someone outside of the bloodline
does the tattoo, it will get infected. In
order to preserve the art form; she is
now training some of her relatives to
follow her work.
20XX presentation title 20
IFUGAO
Ifugaos who live in the mountainous part of the Central
Cordillera in Northern Luzon is excellent weaver, potters, and
skillful craftsmen. They are well-known for carving the
mountain slopes of the world-famous Banaue rice terraces.
The term Ifugao means “native of the Cordillera”.
Banaue shows dynamic lines which signify movements,
cheerfulness, and continuity.
BAL’UL
The Bul’ul is a wooden that represent
the rice granary spirits.
This Bul’ul is important to them because
of their belief that they can have an
abundant harvest.
Bul’ul usually made of narra, which
signifies wealth, happiness, and well-
being to the Ifugao
HAGIBI
Another important
woodcarving is the Hagibi.
This is a piece of wood which
unique because it is carved to
become a bench.
This Hagibi is a sign of
riches.
HAGIBI
Another important
woodcarving is the Hagibi.
This is a piece of wood which
unique because it is carved to
become a bench.
This Hagibi is a sign of
riches.
MOUNTAIN PROVINCE
Mountain Province was formerly referred to as Mountain in
some foreign references. The name usually shortened by
locals by Mt. Province.
The province is known for its mummy caves, which contain
naturally mummified bodies, and for its hanging coffins.
KABAYAN MUMMY
Close examination of the mummies
reveal that they have body tattoos,
which is a form of art practiced in
most cultural communities.
The body tattoos that adorn the
Kabayan mummies are similar to
patterns found in their textiles as
shown in the picture.
TEXTILE
1. Kadangyan – burial cloth, woven by female
elder.
2. Wanes – men’s traditional attire.
3. Lufid – a short and narrow wrap-around skirt
used by women.
4. Ginaspalawanes – a type of belt that uses by
married women of Bontok and Kankanay in the
northern cordillera.
5. Ikat – a dyeing technique used to pattern textile
that employs resist dyeing on the yarn prior to
dyeing and weaving the fabrics.
Kadangyan Lufid
Ginaspalawa
nes
Ikat
Just like a tattoo
20XX presentation title 30
Design an example of a traditional and modern tattoo. Create a design
for a hand tattoo. Also use elements and principles of the art and other
symbol in your surrounding as inspiration for your tattoo design.
Materials:
pencil
pen or marker
oslo paper
20XX presentation title 31
Procedure:
1. Trace your hand and arm onto a piece of paper.
2. Cut the traced line of your hand and arm using a pair of scissor.
3. Draw your own design on the arm. Leave the hands and fingers blank. You
can use primary and secondary colors.
thank you

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ARTS AND CRAFTS.pptx

  • 1. ARTS AND CRAFTS OF THE ILOCOS REGION AND THE CORDILLERA ADMINISTRATIVE REGION (CAR)
  • 2. Matching Type: Elements and Priciples of Design Matching Column I Column II __1. A large difference between the two things, for a. Rhythm example rough, and smooth or white and black. b. Contrast __2. A way of combining visual elements to produce a c. Movement __3. A visual tempo or beat-often described as alternating, d. Value regular, following, progressive, or jazzy e. Line __4. An element of art that refers to the lightnessor darkness of a color. __5. A mark with length and direction, created by a point that moves across a surface. 20XX presentation title 2
  • 3. Matching Type: Elements and Priciples of Design Matching Column I Column II __6.The empty or open area between, around, above, below, a. Balance and within objects. b. Form __7. A feeling that all the parts are working together as a team c. Unity the quality wholeness. __8. Area in a work of art that holds the viewers’ a ttention d. Empitness __9. Principle or design referring to the way the element e. Space are arranged to create a feeling of stability in a work-parts of equal visual weight. __10. Any three-dimensional object that can be measured by height, width, and depth. 20XX presentation title 3
  • 5. Architecture Vigan is considered the “Intramuros of the North”. It is one of the best-preserved examples of a planned Spanish colonial town in Asia. It retains the Spanish colonial architecture along its narrow and cobble- stoned streets known as Calle Crisologo. ILOCOS NORTE
  • 6. Calle Crisologo Calle Crisologo, also known as Mena Crisologo street, is a notable tourist attraction in the heritage city of Vigan. These old Spanish-type houses have huge, high-pitched roofs, large and rectangular living rooms that are made of adobe, bricks, lime terracotta, hardwood floors, and windows of Capiz shells framed in wooden window panels. 2022 presentation title 6
  • 7. TEXTILE Inabel is a hand-weaving technique of the Ilocanos that was produced using traditional wooden looms. The different designs represent different meanings: the dizzying “binakol” weave represents the waves of the sea. They believed that this design protects them from bad spirits. 2022 presentation title 7
  • 8. TEXTILE The inabel designs are inspired by natural elements: patterns that depict different landforms, the colors of flowers and vegetation, plaid, zigzags, animal patterns, and the ocean waves. 2022 presentation title 8
  • 9. BURNAY Burnay is an ungiazed earthen jar with small opening. The burnay industry (pottery making industry) in Vigan is also a popular cottage industry. It is believed that time natives already practiced pottery even before the Spanish colonizers arrived in the Philippines. It is used for the storage of water and rice grains and as container for salts, brown sugar, basi (local wine), and bagoong. 2022 presentation title 9
  • 10. PANGASINAN The name Pangasinan means “land of salt” or “place of salt-making”. It is derived from asin, the word for “salt” in the Pangasinan language. An ancient kingdom called Luyag na Kaboloan once existed in Pangasinan. Princess Urduja, a legendary woman warrior, is believed to have ruled in Pangasinan around the 4th century. Pangasinan was probably connected to the maritime trade network that once flourished in ancient Southeast Asia.
  • 11. Weaving is one of the arts and crafts of Pangasinan including the smoothly woven Bolinao mats made from buri or Raffa leaves and the bamboo crafts (baskets, furniture) of San Carlos. WEAVING
  • 12. DO YOU STILL REMEMBER THE ELEMENTS AND PRINCIPLES OF ART? Elements of Art 1. Line - mark made by a moving point 2. Form - object with three- dimensions 3. Space - distance or area 4. Color - use of hue in artwork 5. Shape - defined with edges 6. Texture - surface quality of an object Principles of Art 1. Movement - shows action 2. Unity - quality of wholeness 3. Harmony - using similar elements throughout the work 4. Variety - quality or state of having different forms or type 5. Balance - placement of all the elements of the composition 6. Contrast - showing opposites 7. Proportion - proper relation between two objects 8. Pattern/rhythm - regular repetition of elements of art
  • 14. KALINGA The native of Kalinga is skilled weavers. One of their finest products is their textiles, which is characterized by red stripes and white, yellow, and black geometrical pattern. 20XX presentation title 14
  • 15. KALINGA Kain is a wrapped-around skirt or tapis that southern Kalinga women wear. It is a worm below the abdomen, and when they walk, one of the thighs is exposed. 20XX presentation title 15
  • 16. KAIN Kain is a wrapped-around skirt or tapis that southern Kalinga women wear. It is a worm below the abdomen, and when they walk, one of the thighs is exposed. Native Kalinga also wear saya, an ordinary woman’s skirt covering the body from waist to feet. 20XX presentation title 16
  • 17. KAIN The colors they used in their textiles have cultural woman’s meaning: red signifies bravery, black is for the soil or land; white is for the flowers of the coffee trees; yellow for the sand; and green for the mountains. 20XX presentation title 17
  • 18. BASKETRY The basketry of Kalinga shows its fine craftsmanship. The labba is a bowl-shaped basket made from rattan, with sizes that vary from 20 to 150 cm in diameter. 20XX presentation title 18
  • 19. TATTOOING Tattooing is another form of art of Kalinga. Because it usually covers the chest and the arm, it may be considered as clothing and decoration. 20XX presentation title 19
  • 20. WANG-OD Whang-Od is the lasr “mambabatok” or traditional Kalinga tattoo artist. She uses a mixture of charcoal and water that is tapped onto the skin through a torn end. The painful tattoo technique is said to be a thousand years old and can only be passed through lineage. It is believed that if someone outside of the bloodline does the tattoo, it will get infected. In order to preserve the art form; she is now training some of her relatives to follow her work. 20XX presentation title 20
  • 21. IFUGAO Ifugaos who live in the mountainous part of the Central Cordillera in Northern Luzon is excellent weaver, potters, and skillful craftsmen. They are well-known for carving the mountain slopes of the world-famous Banaue rice terraces. The term Ifugao means “native of the Cordillera”. Banaue shows dynamic lines which signify movements, cheerfulness, and continuity.
  • 22. BAL’UL The Bul’ul is a wooden that represent the rice granary spirits. This Bul’ul is important to them because of their belief that they can have an abundant harvest. Bul’ul usually made of narra, which signifies wealth, happiness, and well- being to the Ifugao
  • 23. HAGIBI Another important woodcarving is the Hagibi. This is a piece of wood which unique because it is carved to become a bench. This Hagibi is a sign of riches.
  • 24. HAGIBI Another important woodcarving is the Hagibi. This is a piece of wood which unique because it is carved to become a bench. This Hagibi is a sign of riches.
  • 25. MOUNTAIN PROVINCE Mountain Province was formerly referred to as Mountain in some foreign references. The name usually shortened by locals by Mt. Province. The province is known for its mummy caves, which contain naturally mummified bodies, and for its hanging coffins.
  • 26. KABAYAN MUMMY Close examination of the mummies reveal that they have body tattoos, which is a form of art practiced in most cultural communities. The body tattoos that adorn the Kabayan mummies are similar to patterns found in their textiles as shown in the picture.
  • 27. TEXTILE 1. Kadangyan – burial cloth, woven by female elder. 2. Wanes – men’s traditional attire. 3. Lufid – a short and narrow wrap-around skirt used by women. 4. Ginaspalawanes – a type of belt that uses by married women of Bontok and Kankanay in the northern cordillera. 5. Ikat – a dyeing technique used to pattern textile that employs resist dyeing on the yarn prior to dyeing and weaving the fabrics.
  • 30. Just like a tattoo 20XX presentation title 30 Design an example of a traditional and modern tattoo. Create a design for a hand tattoo. Also use elements and principles of the art and other symbol in your surrounding as inspiration for your tattoo design. Materials: pencil pen or marker oslo paper
  • 31. 20XX presentation title 31 Procedure: 1. Trace your hand and arm onto a piece of paper. 2. Cut the traced line of your hand and arm using a pair of scissor. 3. Draw your own design on the arm. Leave the hands and fingers blank. You can use primary and secondary colors.