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Arts and Crafts from the
Highlands of Luzon
Wood Carving
• Bulul- wooden carved figures of ancestors, deities, and spirits.
• Protect the crops from infestation
• Provide bountiful harvest.
• Bulul have oversized heads and short limbs
• Bulul usually comes in pair except for the people of Kiangan,
Ifugao.
• Male- pestle, g-string cover: bahag
• Female- mortar, g-string cover: tapis
• Tat-tagu are single figure bululs used for healng ceremonies.
• Kadangyan- male member of a tribe who usually belongs to
affluent status.
• Mumbaki or native priest- delivers a religious ceremony to ensure
that an effective and powerful bulul shall be created.
• Tunod-sacrificial offering ritual done during the rice planting
season as a way of seeking guidance and protection.
• Hagabi- a special bench placed beneath the houses of the wealthy
families in the community. It symbolizes the status and wealth of
the families who own it.
Basket Weaving
• Is a profitable source of income that supplies the everyday
needs of the family.
• Ifugao people create different kinds of baskets for different
purposes.
• Labba- basket used for storing fruits, vegetables, and other dry goods.
• Ulbong- single-rod coiled bamboo basket used for storing milled rice.
• Kayabang- carrier basket type which is used for carrying and
transporting fruits and vegetables.
• Pasiking- backpack type used for carrying items outdoors.
Textile Weaving
• Process of making cloth by interlacing two parallel threads at
right angles.
• Warp- longitudinal thread woven over and under the weft.
• Weft- transverse thread
• Abaca, cotton, pineapple fibers
• Women – textile weaving; Man – making loom
• Loom- weaving device upon which fabrics are woven.
Staged of cloth production
• Cultivation of the plant
• Extracting fibers from the leaves of plants
(through spinning, twisting, and winding)
• Dyeing
• Weaving on the loom
• Bahag or g-string, Tapis or wrap-around skirt, blanket, and table
runner.
• Motifs and symbols in Ifugao clothing are mostly adorned with
geometric representations of humans, animals, divinities, and
nature.
Ornamental Making
• Ornaments
• Enhance the part of the wearer’s body
• Signify high status and wealth
• Represent inner life of the people
• Colorful crystals, precious gems, and ornamental beads.
• Pangalapang- special necklace made from mother pearl
• Bongeh- accessory for the torso
• Dinampulay- highly-stylized butterfly-shaped mother of pearl shell earrings
• Tinali- set of individual strings of seed beads tied around the armof Kalinga wome
from wrist up to close to the elbow
• Ling ling-o is a special ornament that is used either as earrings or as necklace
pendant.
Architecture: Ifugao Native House
• Ifugao native house were strong and durable and can withstand
inclement weather.
• Made from light forest wood and cogon and are of the same
architectural design.
• Strategically located along contours of the rice terraces. Structure
consist of four posts with slanting walls and ceilings. Roof is crafted in
a pyramidal shape.
• Three functional levels:
• Ground floor- serves as the basement
• Second level- living quarters of the Ifugao people
• Third level- serves as granary or the storeroom for grains and other dry goods.
Ifugao Native House
• Wooden posts in the ground level of the house are carved with
circular rat guards to prevent rodents from entering the house.
• Has a detachable ladder (second level)
• Patie- shelf; storage and structural support for the roof as well as
for the entire house.
• Has different kinds of skulls and bones of the animals which serves
as offering during ceremonies and also as a source of pride for
male members of the families.
Banaue Rice Terraces
• Banaue Rice Terraces-
• most evident confirmation of the ingenious architectural expertise of
Ifugao people.
• Are a structure which were carved on the side of the mountains and
transformed into rice fields.
• Five Main Sites
• Batad Rice Terraces- Banaue
• Bangaan Rice Terraces- Banaue
• Mayoyao Rice Terraces – town of Mayoyao
• Hungduan Rice Terraces – town of Hungduan
• Nagacadan Rice Terraces – town of Kiangan
Arts and Crafts of the
Lowlands of Luzon
Wood Carving: Laguna
• Paete in Laguna is well-known for its wood carving industry which
serves as its primary economic source for the region.
• Started during Spanish colonization where Spanish officials
commissioned the people of Paete to carve figures of saints, and
to construct highly-stylized doors and pillars for the churches.
• “Carving Capital of the Philippines”- Laguna
Wood Carving: Bulacan
• Singkaban- beautiful entrance arch of Bulacan made from bamboo
and other decorative materials which are exhibited during the
annual festival of the region.
Textile Weaving: Nueva Vizcaya
• Gaddangs take pride in their production of beautifully crafted arts
and crafts.
• Among their local arts and crafts are the following:
• Bakwat/ belt
• Aken/ skirt
• Abag/ g-strings
• Which are decorated and laced with beautiful beads and precious
stones.
Embroidery
• Taal in the province of Batangas is renowned for its intricate
embroidery which the people pertain to as “burdang Taal”.
• Burdang Taal- uses pineapple and banana fibers to produce
beautifully decorated clothing.
• Started during Spanish colonial period
• Women designed beautifully embroidered vestments and robes for
the priests, as well as exquisite linens and veils for the churches.
Paper Cutting
• Pabalat- famous folk art icon in San Miguel, Bulacan.
-One of the province’s signature work of art
• Luz Ocampo- one of the pioneers in the craft of paper cutting; a
Bulacan native well-known for her signature pastillas wrapper art.
• Pastillas wrapping art consists of intricate paper cutting using
papel de hapon and a small pair of specialized scissors.

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Arts and crafts from the highlands of luzon

  • 1. Arts and Crafts from the Highlands of Luzon
  • 2. Wood Carving • Bulul- wooden carved figures of ancestors, deities, and spirits. • Protect the crops from infestation • Provide bountiful harvest. • Bulul have oversized heads and short limbs • Bulul usually comes in pair except for the people of Kiangan, Ifugao. • Male- pestle, g-string cover: bahag • Female- mortar, g-string cover: tapis • Tat-tagu are single figure bululs used for healng ceremonies.
  • 3. • Kadangyan- male member of a tribe who usually belongs to affluent status. • Mumbaki or native priest- delivers a religious ceremony to ensure that an effective and powerful bulul shall be created. • Tunod-sacrificial offering ritual done during the rice planting season as a way of seeking guidance and protection. • Hagabi- a special bench placed beneath the houses of the wealthy families in the community. It symbolizes the status and wealth of the families who own it.
  • 4. Basket Weaving • Is a profitable source of income that supplies the everyday needs of the family. • Ifugao people create different kinds of baskets for different purposes. • Labba- basket used for storing fruits, vegetables, and other dry goods. • Ulbong- single-rod coiled bamboo basket used for storing milled rice. • Kayabang- carrier basket type which is used for carrying and transporting fruits and vegetables. • Pasiking- backpack type used for carrying items outdoors.
  • 5. Textile Weaving • Process of making cloth by interlacing two parallel threads at right angles. • Warp- longitudinal thread woven over and under the weft. • Weft- transverse thread • Abaca, cotton, pineapple fibers • Women – textile weaving; Man – making loom • Loom- weaving device upon which fabrics are woven.
  • 6. Staged of cloth production • Cultivation of the plant • Extracting fibers from the leaves of plants (through spinning, twisting, and winding) • Dyeing • Weaving on the loom
  • 7. • Bahag or g-string, Tapis or wrap-around skirt, blanket, and table runner. • Motifs and symbols in Ifugao clothing are mostly adorned with geometric representations of humans, animals, divinities, and nature.
  • 8.
  • 9. Ornamental Making • Ornaments • Enhance the part of the wearer’s body • Signify high status and wealth • Represent inner life of the people • Colorful crystals, precious gems, and ornamental beads. • Pangalapang- special necklace made from mother pearl • Bongeh- accessory for the torso • Dinampulay- highly-stylized butterfly-shaped mother of pearl shell earrings • Tinali- set of individual strings of seed beads tied around the armof Kalinga wome from wrist up to close to the elbow • Ling ling-o is a special ornament that is used either as earrings or as necklace pendant.
  • 10. Architecture: Ifugao Native House • Ifugao native house were strong and durable and can withstand inclement weather. • Made from light forest wood and cogon and are of the same architectural design. • Strategically located along contours of the rice terraces. Structure consist of four posts with slanting walls and ceilings. Roof is crafted in a pyramidal shape. • Three functional levels: • Ground floor- serves as the basement • Second level- living quarters of the Ifugao people • Third level- serves as granary or the storeroom for grains and other dry goods.
  • 11.
  • 12. Ifugao Native House • Wooden posts in the ground level of the house are carved with circular rat guards to prevent rodents from entering the house. • Has a detachable ladder (second level) • Patie- shelf; storage and structural support for the roof as well as for the entire house. • Has different kinds of skulls and bones of the animals which serves as offering during ceremonies and also as a source of pride for male members of the families.
  • 13.
  • 14. Banaue Rice Terraces • Banaue Rice Terraces- • most evident confirmation of the ingenious architectural expertise of Ifugao people. • Are a structure which were carved on the side of the mountains and transformed into rice fields. • Five Main Sites • Batad Rice Terraces- Banaue • Bangaan Rice Terraces- Banaue • Mayoyao Rice Terraces – town of Mayoyao • Hungduan Rice Terraces – town of Hungduan • Nagacadan Rice Terraces – town of Kiangan
  • 15. Arts and Crafts of the Lowlands of Luzon
  • 16. Wood Carving: Laguna • Paete in Laguna is well-known for its wood carving industry which serves as its primary economic source for the region. • Started during Spanish colonization where Spanish officials commissioned the people of Paete to carve figures of saints, and to construct highly-stylized doors and pillars for the churches. • “Carving Capital of the Philippines”- Laguna
  • 17. Wood Carving: Bulacan • Singkaban- beautiful entrance arch of Bulacan made from bamboo and other decorative materials which are exhibited during the annual festival of the region.
  • 18. Textile Weaving: Nueva Vizcaya • Gaddangs take pride in their production of beautifully crafted arts and crafts. • Among their local arts and crafts are the following: • Bakwat/ belt • Aken/ skirt • Abag/ g-strings • Which are decorated and laced with beautiful beads and precious stones.
  • 19. Embroidery • Taal in the province of Batangas is renowned for its intricate embroidery which the people pertain to as “burdang Taal”. • Burdang Taal- uses pineapple and banana fibers to produce beautifully decorated clothing. • Started during Spanish colonial period • Women designed beautifully embroidered vestments and robes for the priests, as well as exquisite linens and veils for the churches.
  • 20. Paper Cutting • Pabalat- famous folk art icon in San Miguel, Bulacan. -One of the province’s signature work of art • Luz Ocampo- one of the pioneers in the craft of paper cutting; a Bulacan native well-known for her signature pastillas wrapper art. • Pastillas wrapping art consists of intricate paper cutting using papel de hapon and a small pair of specialized scissors.

Editor's Notes

  1. APAYAO, KALINGA, ABRA, MOUNTAIN PROVINCE, IFUGAO, BENGUET
  2. Which the huntsman caught in the forests.
  3. Ilocos norte, ilocos sur, La Union, Pangasinan (northwestern region) Central region- Aurora, Bataan, Bulacan, Nueva Ecija, Nueva Vizcaya, Pampanga, Tarlac and Zambales Southern region- Cavite, Laguna, Batangas, Rizal, and Quezon Outlying islands in the southernmost part of Luzon- Mindoro, Marinduque, Romblon, Palawan
  4. Gaddang is a tribe in Nueva Vizcaya