Ancillary task movie poster analysis - Star Trek Into Darkness
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The poster uses color schemes and positioning of images to provide visual cues to the viewer. Black is used for the unknown character at the bottom to signify he is the "bad guy", while orange and white are used for the three iconic characters at the top who are the "good guys". Text at the bottom provides institutional details about the film's release date, studio logo, cast, and crew. The iconic characters are placed at the top so that viewers recognize them and know what the film is about, while an unknown character below entices viewers to learn more about him. The title design fits the sci-fi genre and takes up similar visual space as the subtitle. Iconography includes the use of the three main characters and recognition of
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Film poster review
This poster analysis discusses the design elements of the movie poster for "Assault on Precinct 13". The poster uses a color scheme of black, white, yellow and red to depict fire and flames, indicating it is an action movie. It shows the main characters holding guns at the top and a group of people at the bottom, suggesting the heroes fighting villains. Small text provides the tagline "Against the streets, they'll fight to the death" and asks "Who will survive?" to pique interest without giving away the plot. Overall, the poster utilizes visual cues like firearms and a sinister color scheme to clearly communicate that the film involves action and danger.
Codes and Conventions of Film Posters
Taglines, actors' names, central images of characters, color palettes, and title placement are common conventions of film posters. These elements set the tone for the film and attract audiences by highlighting popular celebrities, conveying the atmosphere and genre, and establishing brand recognition across marketing materials like posters and trailers.
Textual research 2
The document summarizes elements from the trailer and poster for the movie "Seven". The trailer introduces the two main characters, played by Brad Pitt and Morgan Freeman, who are dressed as detectives investigating a crime. The poster engages audiences through the names of the famous actors and uses dark colors common in thriller posters to convey the genre without revealing the plot. Both the trailer and poster rely on conventions like using big stars and cryptic messages to intrigue viewers about an impending mystery.
Annotations of horror posters
The document summarizes three horror movie posters:
1) The Conjuring poster uses green, white, and black colors. It features a large ominous tree to attract attention to the key image.
2) The Insidious poster shows the face of a vulnerable woman trapped above a rusty house. It uses a minimal black and white color scheme.
3) The third poster features a suited man standing in a beam of light in front of a large gated house, leaving his identity as protagonist or antagonist ambiguous.
Guardians of the galaxy vol.2 title sequence analysis
The title sequence of Guardians of the Galaxy Vol. 2 establishes the production company in neon blue letters against a fighting backdrop as Groot dances to the song "Mr. Blue Sky". As the directors are introduced, the song plays to contrast the lighthearted music with the serious fighting scene. The title takes up most of the screen in a golden futuristic font. The main cast is shown as their characters move around to the beat of the music. Additional casting credits include the characters played by voice actors Bradley Cooper and Vin Diesel. The sequence ends as the music is destroyed and transitions into the film.
Enders game poster 1 analysis
This movie poster analysis summarizes the key elements of the Ender's Game movie poster that reveal it is advertising a futuristic sci-fi film. Specifically, the poster shows a character in a futuristic space suit with a huge space ship and Earth in the background, indicating the film is set in space. Bright lens flares and floating objects around the character further suggest the lack of gravity in space. The tagline uses spacing and one word per line to convey urgency. The main character appears central and powerful, implying the film focuses on him. The bottom includes the movie title, credits, and release date to properly advertise the film.
Short film posters editible 2
This document analyzes several movie posters and discusses common design elements. Most posters feature prominent main characters and title, with the title often in the lower third to draw attention. Many posters do not emphasize directors or producers. Posters also try to convey genre through imagery, colors, and taglines. Overall the goal is to intrigue audiences with minimal information.
Key conventions of an opening sequence
The document discusses common conventions found in film opening sequences, focusing on examples from thriller movies. It identifies several elements that frequently appear, such as establishing shots that set the scene, titles/credits, main characters, and events that intrigue viewers and make them want to watch more. Conducting this research helped the author understand what to include in their own opening sequence for a thriller film trailer project.
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Film poster review
This poster analysis discusses the design elements of the movie poster for "Assault on Precinct 13". The poster uses a color scheme of black, white, yellow and red to depict fire and flames, indicating it is an action movie. It shows the main characters holding guns at the top and a group of people at the bottom, suggesting the heroes fighting villains. Small text provides the tagline "Against the streets, they'll fight to the death" and asks "Who will survive?" to pique interest without giving away the plot. Overall, the poster utilizes visual cues like firearms and a sinister color scheme to clearly communicate that the film involves action and danger.
Codes and Conventions of Film Posters
Taglines, actors' names, central images of characters, color palettes, and title placement are common conventions of film posters. These elements set the tone for the film and attract audiences by highlighting popular celebrities, conveying the atmosphere and genre, and establishing brand recognition across marketing materials like posters and trailers.
Textual research 2
The document summarizes elements from the trailer and poster for the movie "Seven". The trailer introduces the two main characters, played by Brad Pitt and Morgan Freeman, who are dressed as detectives investigating a crime. The poster engages audiences through the names of the famous actors and uses dark colors common in thriller posters to convey the genre without revealing the plot. Both the trailer and poster rely on conventions like using big stars and cryptic messages to intrigue viewers about an impending mystery.
Annotations of horror posters
The document summarizes three horror movie posters:
1) The Conjuring poster uses green, white, and black colors. It features a large ominous tree to attract attention to the key image.
2) The Insidious poster shows the face of a vulnerable woman trapped above a rusty house. It uses a minimal black and white color scheme.
3) The third poster features a suited man standing in a beam of light in front of a large gated house, leaving his identity as protagonist or antagonist ambiguous.
Guardians of the galaxy vol.2 title sequence analysis
The title sequence of Guardians of the Galaxy Vol. 2 establishes the production company in neon blue letters against a fighting backdrop as Groot dances to the song "Mr. Blue Sky". As the directors are introduced, the song plays to contrast the lighthearted music with the serious fighting scene. The title takes up most of the screen in a golden futuristic font. The main cast is shown as their characters move around to the beat of the music. Additional casting credits include the characters played by voice actors Bradley Cooper and Vin Diesel. The sequence ends as the music is destroyed and transitions into the film.
Enders game poster 1 analysis
This movie poster analysis summarizes the key elements of the Ender's Game movie poster that reveal it is advertising a futuristic sci-fi film. Specifically, the poster shows a character in a futuristic space suit with a huge space ship and Earth in the background, indicating the film is set in space. Bright lens flares and floating objects around the character further suggest the lack of gravity in space. The tagline uses spacing and one word per line to convey urgency. The main character appears central and powerful, implying the film focuses on him. The bottom includes the movie title, credits, and release date to properly advertise the film.
Short film posters editible 2
This document analyzes several movie posters and discusses common design elements. Most posters feature prominent main characters and title, with the title often in the lower third to draw attention. Many posters do not emphasize directors or producers. Posters also try to convey genre through imagery, colors, and taglines. Overall the goal is to intrigue audiences with minimal information.
Key conventions of an opening sequence
The document discusses common conventions found in film opening sequences, focusing on examples from thriller movies. It identifies several elements that frequently appear, such as establishing shots that set the scene, titles/credits, main characters, and events that intrigue viewers and make them want to watch more. Conducting this research helped the author understand what to include in their own opening sequence for a thriller film trailer project.
Ancillary product research
This document analyzes advertising posters for several documentary and fictional films. It discusses design elements like fonts, colors, images, and text placement used to convey each film's tone and target audience. For the Iraq documentary poster, a grim war photo with soldiers in clown makeup evokes emotion. Blackfish uses a threatening orca image and quotes to portray its dangerous subject. Borat mimics Eastern European propaganda to fit its comedic protagonist. Man Bites Dog hints at dark comedy through a silly blood-splattered dummy in an otherwise serious graphic design. Overall, the document examines how poster design effectively markets different films.
Seven poster analysis
This poster analysis discusses two movie posters for the film Seven (1995). The first poster has a dark color scheme of copper and black, with the shadowy faces of Morgan Freeman and Brad Pitt side by side, representing the old character training the new. It lists the seven deadly sins in the center and below the title explains the sins are the ways people will be killed. The second poster has a more abstract layout using orange, white, black and brown. The colors on the faces may represent the characters as the light in the darkness solving the murders. The red title and different fonts/colors of the sins emphasize the evil concept while the rusted background has connotations of abandoned places as the murder scenes.
Movie poster case study
This document analyzes and summarizes key elements of movie posters for Superbad, American Pie 2, and Project X. It discusses how the posters emphasize important information like the movie title, characters, and release date through techniques like font size, color, and image placement. Elements like frames, text blending, and relating the movies' themes to the viewer's interests are also examined. The document suggests how understanding these poster designs could help promote a short film about teenagers attempting to throw a party.
Textual analysis of posters
The document provides descriptions of various movie posters, highlighting key design elements and techniques used:
- Posters establish eye contact with the audience through direct gaze of central characters. Placement above or to the side of the camera implies wanting to draw the audience in or make them curious.
- Minimal or muted color palettes focus attention on central characters, while strategic use of brighter colors (e.g. for logos or objects) helps elements stand out.
- Common techniques include placing the most important character(s) or information in the foreground center, following the rule of thirds, and using consistent fonts and sizing for title/credits.
- Additional details or backgrounds can hint at the narrative or
Film Poster Analysis
Comparing Auteur and Hollywood Film posters from 3 genres; Horror, Romantic Comedy and Animation Adventure.
Evaluation Question 1 (Ancillary Tasks)
The document discusses the design elements of promotional materials created for a film project. It summarizes how the magazine cover and poster were designed to echo similar elements and clearly represent the roles of characters. While some conventions were followed, unconventional design choices were made as well. For the magazine cover, the antagonist was featured more prominently than protagonists. The poster layout positioned characters in a triangle formation but featured a dominant antagonist staring at the camera. Small images of drugs were also included to further indicate the theme of illegality. Overall, the materials were meant to be attention-grabbing while challenging some crime genre conventions.
Enders game poster 2 analysis
This poster for the movie Ender's Game is similar to the first poster but shows Ender looking away from the camera down at Earth through glass. Some key differences are the camera is more zoomed out, showing the glass frame, and Ender's face is smaller. The floating pyramids and Earth/fleet background set the space scene and calm tone, though the movie is not calm. An orange lens flare over the horizon emphasizes the prominent blue and orange colors of space sci-fi films. Information like the bestselling source material and release date are also included.
Film poster case studies
This document provides case studies and analyses of three film posters:
1) The Hangover Part III poster shows the three main characters in suits with serious expressions, setting the scene in Las Vegas. Artificial lighting is used with a sunset in the background.
2) Project X's poster features a passed out teenager surrounded by cups, signaling a wild party. A medium shot looks down on the subject, using unnatural bright lighting.
3) Superbad's poster depicts the three leads with different body languages, suggesting varying personalities. A frame outlines the characters, while bold comic-style text and common information elements are used at the bottom.
Izzy media work
The document analyzes and compares the company idents used in the teaser trailers for Suicide Squad, Taken, and The House at the End of the Street. For Suicide Squad, the Warner Brothers logo was modified to fit the dark tone of the film by changing the background and colors. In Taken, the main production company ident appears for 1.5 seconds within the first 3 seconds to emphasize its importance. The House at the End of the Street features two company idents that each display for 1 second near the beginning of the trailer.
Film poster research
A film poster advertises a movie. It usually contains an image and text to promote the film's title, actors, director, release date and other details. Film posters are displayed inside and outside theaters as well as in other public places to generate interest. Posters have evolved over time from simple text listings to highly visual designs. They are produced in various sizes for different advertising purposes. An example poster for the movie "Jaws" features the shark in the center to grab attention, with hints of the plot and use of red, blue and black colors that relate to the film's theme.
Analysis of a girl like her teaser trailer
This document provides an analysis of the teaser trailer for the film "A Girl like Her" in 6 paragraphs. It summarizes key elements that are intended to intrigue the audience and set the tone of the film. These include establishing the setting and characters, use of handheld camera work and music to convey realism and changing moods, as well as stylistic choices like color grading and close-ups that provide clues about the plot and themes involved.
Research Into Film Posters
The document analyzes several film posters and discusses conventions used in film posters based on focus group feedback. Key conventions highlighted include having the film title in the largest font at the top, credits and release information in smaller font at the bottom, and featuring the main actors. Focus groups found crime/thriller posters most appealing when they included money, weapons and intimidating characters posed in action shots on a dark background.
Guttenburg principal
The document discusses different areas of a movie poster, including the primary optical area containing the star actor, movie title, and slogan to attract attention. The strong and weak fallow areas further convey that the film is an action thriller through imagery like a gun. The terminal area provides additional details like release date and critic reviews.
Film poster Analysis
This movie poster depicts an intense main character holding a mysterious object against a gritty backdrop of city skyscrapers, implying an action thriller genre. Additional details include the sharp white movie title and logo standing out against the otherwise dark tones. Surrounding the main character are various pictures in blue representing past events that don't make sense at first, hinting there is more to the character and his story than initially meets the eye. Overall the poster uses imagery and text styling to intrigue viewers about the film's plot and main protagonist.
Illicit Obsession: New Theatrical Poster - The Process
1. The document describes the process of redesigning a theatrical movie poster.
2. The new poster layout features the antagonist dominating one side and the four protagonists overlapped on the other side to establish their roles.
3. Additional elements were added, including smoke, text effects, pills and cocaine imagery behind the title to imply themes of addiction and intrigue audiences.
Film poster analysis 1
The poster summarizes the plot of the film Frozen. It shows the main characters Elsa, Anna, Olaf, Kristoff, and Sven against a wintry backdrop. Elsa is using her powers to conjure a blizzard that the other characters must brave. The poster lacks an explicit tagline but conveys an exciting, wintry adventure. It also promotes the film's 3D options and website to provide additional engagement for audiences, especially children.
Conventions of a film poster
The document outlines several conventions of film posters, including: displaying an eye-catching focal image that draws the audience in; featuring the title in a large, attention-grabbing font; clearly defining the genre; attracting the largest possible audience; indicating the release date; and including information about directors and production companies.
Horror poster analysis
This document analyzes and summarizes key elements of horror movie posters, including Friday the 13th, The Collection, and The Conjuring. For Friday the 13th, the title stands out in bold capital letters and the tagline relates to the film's setting of Crystal Lake. The main image creates mystery by only illuminating part of the villain. For The Collection, the main image focuses on a masked figure and creates tension, while the tagline and release date are incorporated into sentences. For The Conjuring, the title is centered in scary font, the main image looks deserted and hints at a hanging, and the billing board is placed to not cover the shadowy image.
Audience Feedback 1
The document summarizes feedback received from various sources on a film trailer. Feedback indicated that the dialogue and sound effects were effective elements, but the soundtrack, particularly in the montage sequence, needed improvement as it did not generate enough tension. While most interpreted the genre correctly as crime, some mistook props for an action film. The trailer was generally well-received and thought suitable for ages 15 or older, though one respondent felt 12 was too young due to themes. Overall, the feedback highlighted issues with the soundtrack that need addressing before finalizing the trailer.
Q2 - how effective is the combination of your main product and ancillary texts?
The document discusses how different elements were carried across a film's magazine cover, poster, and trailer to make the marketing materials cohesive. Key elements like the main protagonist, a symbolic torch prop, the masked killer, matching fonts/taglines, darkness as a backdrop, and the production company logo were consistently featured to clearly link the different pieces together and follow standard horror film conventions. Audience feedback confirmed the marketing materials worked well together and shared obvious connections due to these repeating visual and thematic elements.
Zodiac Film Poster Analysis
The poster analyzes the film poster for Zodiac. It summarizes that the poster effectively uses space and layout while providing enough information about the film's atmosphere and genre in a mysterious but not overdone way. The fonts and colors correlate to create an eerie feel that matches the thriller genre. The poster's unique selling point is said to be the renowned actors starring in it, who have experience in different entertainment areas, helping attract a wide audience. One suggested change is placing the star names above their corresponding character images to increase uniformity.
Film poster analysis
This film poster features a close-up image of a young woman's face, suggesting she is a key character. Her plain facial expression conveys a sense of mystery to the audience. The poster also includes a butterfly symbol, which represents transformation and growth, leaving its meaning open to interpretation. Overall, the simple black and white design, use of color and imagery are intended to intrigue audiences and make them want to learn more about the film's plot.
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Ancillary product research
This document analyzes advertising posters for several documentary and fictional films. It discusses design elements like fonts, colors, images, and text placement used to convey each film's tone and target audience. For the Iraq documentary poster, a grim war photo with soldiers in clown makeup evokes emotion. Blackfish uses a threatening orca image and quotes to portray its dangerous subject. Borat mimics Eastern European propaganda to fit its comedic protagonist. Man Bites Dog hints at dark comedy through a silly blood-splattered dummy in an otherwise serious graphic design. Overall, the document examines how poster design effectively markets different films.
Seven poster analysis
This poster analysis discusses two movie posters for the film Seven (1995). The first poster has a dark color scheme of copper and black, with the shadowy faces of Morgan Freeman and Brad Pitt side by side, representing the old character training the new. It lists the seven deadly sins in the center and below the title explains the sins are the ways people will be killed. The second poster has a more abstract layout using orange, white, black and brown. The colors on the faces may represent the characters as the light in the darkness solving the murders. The red title and different fonts/colors of the sins emphasize the evil concept while the rusted background has connotations of abandoned places as the murder scenes.
Movie poster case study
This document analyzes and summarizes key elements of movie posters for Superbad, American Pie 2, and Project X. It discusses how the posters emphasize important information like the movie title, characters, and release date through techniques like font size, color, and image placement. Elements like frames, text blending, and relating the movies' themes to the viewer's interests are also examined. The document suggests how understanding these poster designs could help promote a short film about teenagers attempting to throw a party.
Textual analysis of posters
The document provides descriptions of various movie posters, highlighting key design elements and techniques used:
- Posters establish eye contact with the audience through direct gaze of central characters. Placement above or to the side of the camera implies wanting to draw the audience in or make them curious.
- Minimal or muted color palettes focus attention on central characters, while strategic use of brighter colors (e.g. for logos or objects) helps elements stand out.
- Common techniques include placing the most important character(s) or information in the foreground center, following the rule of thirds, and using consistent fonts and sizing for title/credits.
- Additional details or backgrounds can hint at the narrative or
Film Poster Analysis
Comparing Auteur and Hollywood Film posters from 3 genres; Horror, Romantic Comedy and Animation Adventure.
Evaluation Question 1 (Ancillary Tasks)
The document discusses the design elements of promotional materials created for a film project. It summarizes how the magazine cover and poster were designed to echo similar elements and clearly represent the roles of characters. While some conventions were followed, unconventional design choices were made as well. For the magazine cover, the antagonist was featured more prominently than protagonists. The poster layout positioned characters in a triangle formation but featured a dominant antagonist staring at the camera. Small images of drugs were also included to further indicate the theme of illegality. Overall, the materials were meant to be attention-grabbing while challenging some crime genre conventions.
Enders game poster 2 analysis
This poster for the movie Ender's Game is similar to the first poster but shows Ender looking away from the camera down at Earth through glass. Some key differences are the camera is more zoomed out, showing the glass frame, and Ender's face is smaller. The floating pyramids and Earth/fleet background set the space scene and calm tone, though the movie is not calm. An orange lens flare over the horizon emphasizes the prominent blue and orange colors of space sci-fi films. Information like the bestselling source material and release date are also included.
Film poster case studies
This document provides case studies and analyses of three film posters:
1) The Hangover Part III poster shows the three main characters in suits with serious expressions, setting the scene in Las Vegas. Artificial lighting is used with a sunset in the background.
2) Project X's poster features a passed out teenager surrounded by cups, signaling a wild party. A medium shot looks down on the subject, using unnatural bright lighting.
3) Superbad's poster depicts the three leads with different body languages, suggesting varying personalities. A frame outlines the characters, while bold comic-style text and common information elements are used at the bottom.
Izzy media work
The document analyzes and compares the company idents used in the teaser trailers for Suicide Squad, Taken, and The House at the End of the Street. For Suicide Squad, the Warner Brothers logo was modified to fit the dark tone of the film by changing the background and colors. In Taken, the main production company ident appears for 1.5 seconds within the first 3 seconds to emphasize its importance. The House at the End of the Street features two company idents that each display for 1 second near the beginning of the trailer.
Film poster research
A film poster advertises a movie. It usually contains an image and text to promote the film's title, actors, director, release date and other details. Film posters are displayed inside and outside theaters as well as in other public places to generate interest. Posters have evolved over time from simple text listings to highly visual designs. They are produced in various sizes for different advertising purposes. An example poster for the movie "Jaws" features the shark in the center to grab attention, with hints of the plot and use of red, blue and black colors that relate to the film's theme.
Analysis of a girl like her teaser trailer
This document provides an analysis of the teaser trailer for the film "A Girl like Her" in 6 paragraphs. It summarizes key elements that are intended to intrigue the audience and set the tone of the film. These include establishing the setting and characters, use of handheld camera work and music to convey realism and changing moods, as well as stylistic choices like color grading and close-ups that provide clues about the plot and themes involved.
Research Into Film Posters
The document analyzes several film posters and discusses conventions used in film posters based on focus group feedback. Key conventions highlighted include having the film title in the largest font at the top, credits and release information in smaller font at the bottom, and featuring the main actors. Focus groups found crime/thriller posters most appealing when they included money, weapons and intimidating characters posed in action shots on a dark background.
Guttenburg principal
The document discusses different areas of a movie poster, including the primary optical area containing the star actor, movie title, and slogan to attract attention. The strong and weak fallow areas further convey that the film is an action thriller through imagery like a gun. The terminal area provides additional details like release date and critic reviews.
Film poster Analysis
This movie poster depicts an intense main character holding a mysterious object against a gritty backdrop of city skyscrapers, implying an action thriller genre. Additional details include the sharp white movie title and logo standing out against the otherwise dark tones. Surrounding the main character are various pictures in blue representing past events that don't make sense at first, hinting there is more to the character and his story than initially meets the eye. Overall the poster uses imagery and text styling to intrigue viewers about the film's plot and main protagonist.
Illicit Obsession: New Theatrical Poster - The Process
1. The document describes the process of redesigning a theatrical movie poster.
2. The new poster layout features the antagonist dominating one side and the four protagonists overlapped on the other side to establish their roles.
3. Additional elements were added, including smoke, text effects, pills and cocaine imagery behind the title to imply themes of addiction and intrigue audiences.
Film poster analysis 1
The poster summarizes the plot of the film Frozen. It shows the main characters Elsa, Anna, Olaf, Kristoff, and Sven against a wintry backdrop. Elsa is using her powers to conjure a blizzard that the other characters must brave. The poster lacks an explicit tagline but conveys an exciting, wintry adventure. It also promotes the film's 3D options and website to provide additional engagement for audiences, especially children.
Conventions of a film poster
The document outlines several conventions of film posters, including: displaying an eye-catching focal image that draws the audience in; featuring the title in a large, attention-grabbing font; clearly defining the genre; attracting the largest possible audience; indicating the release date; and including information about directors and production companies.
Horror poster analysis
This document analyzes and summarizes key elements of horror movie posters, including Friday the 13th, The Collection, and The Conjuring. For Friday the 13th, the title stands out in bold capital letters and the tagline relates to the film's setting of Crystal Lake. The main image creates mystery by only illuminating part of the villain. For The Collection, the main image focuses on a masked figure and creates tension, while the tagline and release date are incorporated into sentences. For The Conjuring, the title is centered in scary font, the main image looks deserted and hints at a hanging, and the billing board is placed to not cover the shadowy image.
Audience Feedback 1
The document summarizes feedback received from various sources on a film trailer. Feedback indicated that the dialogue and sound effects were effective elements, but the soundtrack, particularly in the montage sequence, needed improvement as it did not generate enough tension. While most interpreted the genre correctly as crime, some mistook props for an action film. The trailer was generally well-received and thought suitable for ages 15 or older, though one respondent felt 12 was too young due to themes. Overall, the feedback highlighted issues with the soundtrack that need addressing before finalizing the trailer.
Q2 - how effective is the combination of your main product and ancillary texts?
The document discusses how different elements were carried across a film's magazine cover, poster, and trailer to make the marketing materials cohesive. Key elements like the main protagonist, a symbolic torch prop, the masked killer, matching fonts/taglines, darkness as a backdrop, and the production company logo were consistently featured to clearly link the different pieces together and follow standard horror film conventions. Audience feedback confirmed the marketing materials worked well together and shared obvious connections due to these repeating visual and thematic elements.
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Illicit Obsession: New Theatrical Poster - The Process
Illicit Obsession: New Theatrical Poster - The Process
Q2 - how effective is the combination of your main product and ancillary texts?
Q2 - how effective is the combination of your main product and ancillary texts?
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Zodiac Film Poster Analysis
The poster analyzes the film poster for Zodiac. It summarizes that the poster effectively uses space and layout while providing enough information about the film's atmosphere and genre in a mysterious but not overdone way. The fonts and colors correlate to create an eerie feel that matches the thriller genre. The poster's unique selling point is said to be the renowned actors starring in it, who have experience in different entertainment areas, helping attract a wide audience. One suggested change is placing the star names above their corresponding character images to increase uniformity.
Film poster analysis
This film poster features a close-up image of a young woman's face, suggesting she is a key character. Her plain facial expression conveys a sense of mystery to the audience. The poster also includes a butterfly symbol, which represents transformation and growth, leaving its meaning open to interpretation. Overall, the simple black and white design, use of color and imagery are intended to intrigue audiences and make them want to learn more about the film's plot.
POSTER ANNOTATION
This poster annotation discusses various elements of the movie poster and what they connote about the film. Key elements discussed include the title "Massive Destruction" connoting danger, the soldier connoting fighting, and information about the actors denoting the important people in the film. Additional elements analyzed are an alien standing and connoting aliens in the film, a serif font on a car logo connoting class, and a name that makes one wonder what the mission is and who the characters are. Overall, the annotation examines how visual elements and text on the movie poster provide clues to and spark questions about the plot and themes of the upcoming film.
Annotations process for film poster
The poster depicts two characters holding guns against a golden backdrop, signaling an action-packed thriller about violence. The female lead is prominently featured at the front to subvert expectations and raise questions about her dangerous nature. Additional details like the date and description of the city location work to draw in the target audience interested in these genres.
Film poster analysis
Paige Watson analyzed two successful film posters to inform the design of a poster for their own film. The Juno poster uses images and text to advertise the genre and actors. It employs persuasive language and release date to encourage viewership. Color scheme and emphasis on title/images make it attention-grabbing. The second poster analyzed relies more on imagery than text to intrigue viewers about the plot. Use of family-oriented banner and Christmas theme targets that demographic. Key lessons are keeping a consistent theme, balancing images and text, using contrasting colors, and persuasive language to attract audiences.
Film poster annotations (2)
This poster summarizes the film Hot Fuzz through several elements:
- A two-shot image of the main actors Simon Pegg and Nick Frost dominates the poster to attract audiences' eyes and signal Pegg as the leading role.
- Black is the main color, adding mystery and suggesting a story. Ambient lighting on the actors' serious expressions hints at their roles as police officers in an exaggerated comedy.
- The slogan "Big Cops, Small Town, Moderate Violence" promises action, adventure, and humor that would appeal especially to British audiences.
- Names of the recognizable actors are placed above the title, using their star power to draw audiences, according to Dyer
Thriller poster analysis
The document provides an analysis of a movie poster in three paragraphs:
1) It describes a mysterious tall man in the background of the poster who cannot be clearly seen, suggesting he is a secretive spy.
2) It notes the use of black and white/gray colors give a sinister feel and represent a dark film with possible death, while orange text makes the film title and actor's name stand out.
3) It analyzes elements like a pistol merging with the foreground, words written in blood, a bitter-sweet smile drawn in blood, and misty glass that make the poster and character cryptic, foreshadowing violence and a twisted character in the film.
Film Poster Analysis
This poster draws the audience's attention to Abraham Lincoln sitting in the center, implying he is the main character. The phrase "President by day, hunter by night" grabs attention by revealing Lincoln leads a secret life as a vampire hunter, enticing viewers to learn more. Dark colors and references to blood and violence through the axe suggest the film will involve action and horror elements. Focusing on Lincoln as a vampire hunter is a unique premise that catches attention as something never done before.
Film Poster Analysis
The poster analyzes the movie poster for Sin City, describing its purpose to advertise the film, key images like the woman holding a gun, colors like red and black, and realistic versus stylized elements. It also notes the target audience is those who like violence and passion. The poster provides a thorough breakdown and analysis of the visual elements and intended messaging.
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Similar to Ancillary task movie poster analysis - Star Trek Into Darkness
Scream 4 poster Analysis
The Scream 4 movie poster uses standard horror conventions like dark colors and a masked villain to hint at the plot. The title font shows normal letters turning jagged and sharp to suggest something terrible happens. The tagline "New Decade. New Rules" tells viewers that previous events will reoccur but be worse, with a new villain and new rules. An image shows three protagonists being watched over by the iconic Scream mask in smoke, further hinting at the storyline. Standard information like the studio names, director, actors, and release date are also included.
Startrek promtion essay
The document discusses the 2009 Star Trek movie and how its marketing campaign aimed to rebrand the franchise to appeal to a broader audience. It summarizes the plot and characters of the film and analyzes how the poster and trailer were designed to minimize Star Trek's legacy and focus on action to attract new, younger viewers by highlighting the new cast, visual effects, and J.J. Abrams' direction. Both the poster and trailer were effective at introducing the rebooted concept and characters, and the film was a commercial success, grossing over $385 million against a $140 million budget.
Horror movie poster research
The document analyzes and summarizes horror movie posters for the films Wrong Turn 3: Left for Dead, Texas Chainsaw 3D, and A Nightmare on Elm Street. For each poster, it describes the main visual elements including antagonist characters, weapons, settings, colors, text style and size. It also summarizes any additional text on the posters that provides context about the films' plots or their place in their respective franchises.
Finished poster analysis copy
The movie poster summarizes the plot of the film "Baby Driver" through visual elements - it depicts a police chase of a red car in New York with the title and a quote implying the main character relies on music, and includes headshots of the main actors like Ansel Elgort wearing sunglasses and headphones. Credits for the companies, directors, and producers involved in making the film are listed at the bottom in a small, plain font.
Beth riddle question 2
The document discusses the brand identity of a film called "Depth" across three marketing products: a magazine cover, poster, and teaser trailer.
It establishes that brand identity is important to clearly show that the products are marketing the same film. For "Depth", the brand identity focuses on the film title displayed in a unique 3D font of red, blue, and white colors.
All three products prominently feature the main character Charlotte through her long blonde hair and being tied up in a dark room. The teaser trailer and poster depict this scene similarly to represent the thriller genre.
The approach to starring the main actor across all products mirrors the successful campaign for "Gone Girl". While the magazine cover
Film poster analysis
The film poster for "Sleepy Hollow" features close-up shots of the two main protagonists at the top to signal a romantic element. Below is the cryptic tagline "Heads will Roll" to generate mystery about the murders that will take place. The background depicts a silhouette of the antagonist, the Headless Horseman holding an axe in front of a full moon. These visuals and the tagline establish the horror genre and Victorian era setting. Director Tim Burton and stars Johnny Depp and Christina Ricci are prominently featured to attract fans. The production companies and website are listed at the bottom to provide more information to interested viewers.
Media A2 Ancillary Tasks
The document analyzes conventions used in film magazine covers and posters. It discusses design elements like layout, typography, color schemes, images, and other visual components. Specific magazines and posters are broken down, noting how elements like tags, mastheads, characters, and settings are positioned and designed to represent genre and provide key information to the audience. The analysis provides guidance on effective techniques for creating a magazine cover and poster for a thriller film genre project.
Movie posters
The document analyzes and summarizes several movie posters, including posters for The Taking of Pelham, Adulthood, The Town, and The Purge. For each poster, the document discusses elements like the typography, main images, credits, release dates, and how these elements are used to advertise the films. Overall, the posters are examined for their visual design choices and how these choices aim to attract audiences.
Film poster
The movie poster is for the film "Pitch Perfect" which is about singing. The simple but effective masthead prominently displays the title in a bold font atop a group of girls, indicating it is about singing and targeted towards a female audience. The poster uses vibrant colors to make each girl stand out individually without imperfections. The cover line "get pitch slapped" presents the film in a humorous way to engage the audience. The blue and black background helps the characters, title, and lines stand out through contrast. The main image of a group of diverse girls will intrigue teenage girls as the target audience since they often pose like in the photo, showing there is something for different personality types.
Film posters and magazines
Film posters follow common conventions in their design and layout. The title is typically located at the bottom to initially draw the viewer's eyes elsewhere, such as to the names of prominent actors at the top if star power is being emphasized. Actors' names are usually lined up horizontally in similarly sized text. The billing block at the bottom provides credits and release details, with the date in the largest text. Color schemes match the genre, like bright colors for comedies and darker tones for horrors. The main image dominates the poster and features recognizable characters, often with facial expressions or stances that reveal clues to the genre.
Types of ots
The document discusses four types of opening title sequences (OTS): linear, non-linear, symbolic, and linear (part 2) and non-linear (part 2). A linear OTS presents information in chronological order to unfold the story, exemplified by Forrest Gump. A non-linear OTS uses montage editing out of chronological order, like in Seven. A symbolic OTS rarely includes actual film footage and uses visuals to represent themes, for example the ink in The Girl with the Dragon Tattoo.
Types of ots
The document discusses four types of opening title sequences (OTS): linear, non-linear, symbolic, and linear (part 2) and non-linear (part 2). Linear OTS present information in chronological order to introduce the story and main characters, such as in Forrest Gump and Anchorman. Non-linear OTS use montage editing and do not directly introduce characters, shown in Seven and The Walking Dead. Symbolic OTS rarely include film footage and instead use visuals to represent themes, like the ink in The Girl with the Dragon Tattoo and the imagery in Skyfall.
Presentation1
This document provides analysis of various title sequences and images from movies. Key details highlighted include symbolism related to characters, settings, genres and potential plot points. Colours, fonts, camera angles and other design elements are examined for their intended meaning and how they aim to convey information to set expectations and intrigue for the audience. Analyses suggest title sequences aim to subtly provide context clues while also leaving questions to encourage viewers to watch the full movie.
Question 2
Will Eyre designed promotional materials for his film that maintained consistency across mediums. For the poster and magazine, he used the same bold red title font with a smudge on "Dirty" to brand the project. He selected red and black colors throughout to connote the film's themes of death and trouble. The magazine featured the three main characters to identify them, while the poster took a more dramatic approach by depicting a threatening gun pointing down with the phrase "get down" to tie it to the film's trailer. The dark color schemes and masculine themes throughout the products were meant to appeal to the target 16+ male audience.
Movie poster research
The document discusses film poster conventions and provides examples of posters for the films Lord of the Rings, Harry Brown, and the student's own short film. It explains how posters typically feature main characters, convey meaning through character size and placement, identify the villain, display the title and production details. The Lord of the Rings poster depicts characters to represent their roles while the Harry Brown poster uses imagery and text to inform viewers of the genre and plot. The student's poster follows conventions by prominently featuring the title and main character to hint at the story.
Textual analysis film posters
The film poster features the main characters in a graffiti style that suggests violence and fighting. The bold red color references blood and anger, reflecting the film's focus on football hooliganism. The tagline "What else you gonna do on a Saturday?" hints that the characters choose violence and fighting on game days. Overall the poster effectively conveys the film's themes of football, violence, and gang culture to its intended male audience.
Trailer Analysis - Death Note
This document provides an analysis of 9 frames from the teaser trailer for the 2017 film "Death Note." The frames are analyzed in terms of their mise-en-scene, cinematography, and how they advance the narrative and provide clues about the film's genre and themes. Key details that emerge are the mysterious falling of the Death Note book from the sky, the introduction of the potential protagonist and other characters, glimpses of the book's power to control life and death, and scenes depicting death, horror, and the dark supernatural elements of the story. Through these frames, the trailer establishes intrigue around the book and its abilities while hinting at thriller, horror and supernatural themes in the film.
Star trek essay
The document analyzes the effectiveness of the poster and trailer for the 2009 Star Trek movie in promoting the franchise reboot. It finds that the poster emphasizes action over sci-fi to attract a wider audience, depicting the main character and his allies against a pure white background. The trailer is also praised for being fast-paced and only revealing the title late, downplaying the Star Trek legacy and highlighting romance scenes to draw in female viewers. Overall, the trailer best advertised the reboot's goal of leaving behind the old Star Trek stereotypes through its selling points and diminished focus on the prior franchise.
Star trek essay
The document analyzes the effectiveness of the poster and trailer for the 2009 Star Trek movie in promoting the franchise reboot. It finds that the poster emphasizes action over sci-fi to attract a wider audience, depicting the main character and his allies against a pure white background. The trailer is also praised for being fast-paced and only revealing the title late, downplaying the Star Trek legacy and highlighting romance scenes to draw in female viewers. Overall, the trailer best advertised the reboot's goal of leaving behind the old Star Trek stereotypes through its selling points and diminished focus on the prior franchise.
Ancillary task movie poster analysis - The Dark Knight Rises
The colour scheme of the poster is dark, using mainly black with orange highlights. The text stands out as it is white and bold against the black background. The image of Batman is positioned slightly off-centre to catch the viewer's eye, with his arms and eyes aligned on thirds lines per the Guttenberg principle of composition. The film title is bold white text placed in front of the iconic bat symbol.
Similar to Ancillary task movie poster analysis - Star Trek Into Darkness (20)
Ancillary task movie poster analysis - The Dark Knight Rises
Ancillary task movie poster analysis - The Dark Knight Rises
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A2 advanced portfolio production diary template 2013 to 2014
This document outlines the planned progress and tasks over 14 weeks for a student creating an advanced media studies portfolio. It includes creating ancillary tasks like a film poster and reviews, conducting research, writing a script, filming, and constructing a short film. The student films practice shots, finds locations, and plans shoots but faces issues with participants that require pick-up shots. The goal is to continue constructing the short film through editing and adding additional shots.
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The document discusses audience feedback received on a film featurette. The feedback indicated that the contrast of black and white separating the film from behind-the-scenes worked well, and the different shot types represented those in a featurette. However, the ending was too abrupt and there was 40 seconds of nothing at the end, so improvements are needed to the ending. Suggestions included leaving it on a cliffhanger or adding rolling credits. The overall conclusion from the feedback was that the initial ideas came across but the ending needed work.
What have you learned from your audience feedback
The document discusses audience feedback received on a film featurette. The feedback indicated that the contrast of black and white separating the film from behind-the-scenes worked well, as did the use of different shot types. However, the ending was too abrupt and there was 40 seconds of nothing at the end, which needed fixing. Suggestions included leaving the featurette on a cliffhanger to entice viewers to watch the full film or adding rolling credits. The overall conclusion from the feedback was that the initial ideas came across but the ending needed improvement.
Question 4
The document discusses the use of various media technologies throughout the stages of a media studies project, including research, planning, filming, and evaluation. During the research stage, Google Images and YouTube were used to find film posters, reviews, and featurettes to analyze. Planning involved using MindGenius for mind mapping and Celtx for writing the script. Filming was done using a Canon and Nikon DSLR. Adobe Premier Pro was used to edit the film. Evaluation answers were created in Word and Prezi and shared on Blogger. The document emphasizes how internet and digital technologies now facilitate all stages of media production and distribution.
Market research analysis
The document summarizes market research conducted to determine the target audience for a short film/featurette. The research found that the target audience is primarily students aged 14-21, with 68% of respondents in that age range. Additionally, 95% of respondents were female, and the research showed interest in action/adventure, science fiction, and fantasy genres. Most respondents said they would be interested in watching a featurette about a movie. This research will help the filmmakers create a product that appeals to this identified target audience.
"The Masterpiece" Script
The document summarizes interview scenes from the film production of "The Masterpiece". It introduces the flamboyant director Paul Watson and the struggling producer Harrison Holloway. It also features interviews with the eccentric cast members who describe their complex characters in grandiose terms or admit to lack of preparation. Holloway comments that Paul was the biggest problem and the amateur production had many issues. In the end, most of the cast and crew claim the film as their own masterpiece.
Written Summary of Ideas Generation
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film part will have exaggerated comedy and mystery elements. The featurette will include interviews and behind-the-scenes footage that show comedic production blunders. Various film techniques like nonlinear narrative, camera shots, lighting, editing style and character archetypes from both genres will be used and combined to entertain the audience.
Ancillary task film review analysis - lord of the rings the two towers
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Ancillary task film review analysis - Serenity
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Ancillary task movie poster analysis - Star Trek Into Darkness
- 1. Colour Scheme Institutional Information Black is used at the bottom of the page, this signifies that the man on the bottom is the ‘bad guy’ also because he is dressed in black this acknowledges that. Orange and white are used at the top of the page to show that the three people at the top are the ‘good guys’. The institutional information at the bottom of the poster shows the date of release in a bolder text. It also has the Paramount Pictures logo, showing that it is a Paramount film. In a finer text it also gives information such as the main cast and the production crew. It also tells you when it will be released and that it will be out in both 2 and 3D. Position Of Text And Images Application Of Guttenberg Principle The images of the three main characters that everyone knows are at the top because people will recognize them and know what the film is. Underneath there is a character they will not have seen before, making them want to find out who he is. The text is positioned at the bottom so that it catches your eye. The way the images are positioned on the page are neat and conformed. The way the coat flows outwards forms a leading line, this means that due to the leading lines and the fact he is in the middle he catches your eye before the three people at the top even though they are bigger. Film Title Design Use Of Iconography The film tile design is bold and it looks like the title of a sci-fi film because that’s the genre of the film. A space has been left between the words ‘Star’ and ‘Trek’ so that it takes up the same amount of space as ‘Into Darkness’ does. The letters of ‘Star Trek’ are thinner than the letters in ‘Into Darkness’. Iconography can be seen in this image by the use of the three main iconic characters at the top and through seeing that this film is a remake of the original ‘Wrath Of Khan’ and recognizing that that’s who the fourth person is.