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Jack O'Connell stars as a British soldier who gets separated from his unit during a riot in Belfast and must decide who to trust as he tries to make his way back. The film has a low budget, using lesser known actors like O'Connell. It was directed by Yann Demange and received positive reviews for its realistic and intense portrayal from film festivals in Berlin and London. The target audience is meant to be an adult, especially male, art-house audience interested in stories about IRA terrorism in Britain.
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Case Study: Bad Boy
Bullet Boy is a 2004 British drama film directed by Saul Dibb, starring UK rapper Ashley Walters. It tells the story of Ricky, a young man recently released from prison who struggles to leave behind a life of gang violence in London. The film realistically depicts the effects of Ricky's lifestyle on his family, particularly his younger brother. Though initially passed with a 12A rating due to its depiction of serious social issues, Bullet Boy was ultimately rated 15 for its strong language, violence and depiction of a brief but graphic sex scene. It went on to gross over £450,000 at the UK box office.
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A British crime/thriller film set during an economic downturn where a revolution overthrows the corrupt government. The film stars Max Irons as the leader of the revolution and Idris Elba as the prime minister. Thandie Newton plays the prime minister's advisor. The film has a budget of £15 million and is estimated to make £80 million at the box office. British director Guy Ritchie will direct, and the film will be distributed by Warner Bros.
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Oliver vasquez public_speaking_ted_talks
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The Peaky Blinders were a real 19th century criminal gang based in Birmingham, England. They wore distinctive clothing like peaked caps and sew razor blades into the peaks as weapons. There is now a popular BBC TV series called Peaky Blinders set in 1919 Birmingham that centers around the fictional gang and their boss Tommy Shelby. The show is filmed on location in Birmingham and surrounding areas and has received praise for its high production value. While some critics say it lacks complexity, most audience response has been positive for breaking stereotypes about regional accents and identities. A former student visited a school and discussed her role assisting the director on the set of the show.
Genre Analysis (Romantic Thriller)
A romantic thriller is a hybrid genre that blends elements of romance and thriller stories. It features stereotypical characters like possessive male leads and dependent female characters. The genre appeals to a wide audience by combining the romance that appeals to women with the thrills that appeal to men. Example films provided are The Bodyguard, Prom Night, The Tourist, and The Adjustment Bureau, which were commercially successful romantic thrillers from the 1990s-2010s with budgets between $20-100 million.
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Case Study: Bad Boy
Bullet Boy is a 2004 British drama film directed by Saul Dibb, starring UK rapper Ashley Walters. It tells the story of Ricky, a young man recently released from prison who struggles to leave behind a life of gang violence in London. The film realistically depicts the effects of Ricky's lifestyle on his family, particularly his younger brother. Though initially passed with a 12A rating due to its depiction of serious social issues, Bullet Boy was ultimately rated 15 for its strong language, violence and depiction of a brief but graphic sex scene. It went on to gross over £450,000 at the UK box office.
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The document summarizes John Hardress Wilfred Lloyd's presentation on things that are invisible like consciousness and gravity. Lloyd uses a carnival theme and animated cartoon visuals to explain his theory and keep the audience engaged. He employs humor and examples to explore what really matters and how to make people wonder about invisible concepts. The presentation is rated as highly dynamic for its stimulating visuals, though more elaboration could make it perfect.
Breaking the Fourth Wall
A term used to describe the disruption of disbelief between audience and the cinema screen. The actors communicate directly with the viewers, including them briefly in the action or emotion, to create new meaning. It's highly entertaining, possibly a guilty pleasure, but can also lead to philosophic approaches to life on screen. This was my pitch presentation for my mixed media dissertation at university.
Peaky blinders – case study
The Peaky Blinders were a real 19th century criminal gang based in Birmingham, England. They wore distinctive clothing like peaked caps and sew razor blades into the peaks as weapons. There is now a popular BBC TV series called Peaky Blinders set in 1919 Birmingham that centers around the fictional gang and their boss Tommy Shelby. The show is filmed on location in Birmingham and surrounding areas and has received praise for its high production value. While some critics say it lacks complexity, most audience response has been positive for breaking stereotypes about regional accents and identities. A former student visited a school and discussed her role assisting the director on the set of the show.
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For Tinker Tailor Soldier Spy, its all-star British cast intrigues audiences skeptical about remakes. Being produced by a smaller distributor appeals to audiences wanting credibility. It gratifies British audiences' sense of national pride and those seeking escapism through gritty realism about cold war espionage. The two films gratify audiences in different ways.
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Emily and mani johnny depp real #no. 1
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The document provides details about a proposed horror film called "The Night Before The End" produced by Graveyard Productions. It discusses why the group chose the horror genre, the film's concept about a boy kidnapped by a satanic cult in a graveyard, inspiration taken from films like Night of the Living Dead and Carrie, dream cast ideas including David Dorfman and Tobin Bell, the chosen graveyard location, needed technology and equipment, and plans for an unsettling musical score and sounds.
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The document discusses different types of documentaries including fly on the wall, fully narrated, mixed, self-reflexive, docudrama, and docusoap. Fly on the wall documentaries use cinema verite to capture natural settings but editing affects what is shown. Fully narrated documentaries use voiceovers to provide context. Mixed documentaries combine interviews, observation, and narration to advance an argument. Self-reflexive documentaries have the filmmaker discuss the process. Docudramas reenact real events but can only deliver fiction. Docusoaps follow groups of people like reality shows.
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# De lista 4
El documento explica que un tabú es una conducta prohibida por razones culturales, sociales o religiosas. Da el ejemplo de Nueva Guinea Holandesa donde las personas que se van a casar no pueden mencionar sus nombres. Si alguien menciona uno de esos nombres prohibidos, se arroja al suelo y dice una frase para poder seguir comiendo. También explica que aunque los mexicanos parecen no temerle a la muerte, en realidad usan eufemismos como "la flaca" para referirse a ella, demostrando que sí
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Φύλλο Εργασίας Πειράματος: ΚΑΤΑ ΣΕΙΡΑ ΣΥΝΔΕΣΗ ΑΝΤΙΣΤΑΤΩΝ
Φύλλο Εργασίας Πειράματος: ΚΑΤΑ ΣΕΙΡΑ ΣΥΝΔΕΣΗ ΑΝΤΙΣΤΑΤΩΝ
Λάμπρος Αδάμ
www.lam-lab.com
adamlscp@gmail.com
Career_Planning
This workshop provides resources and activities to help students in Teachers College's TESOL Certificate Program with their job search and application process for ESL teaching jobs. Alumni will share their career experiences and discuss opportunities. Students will learn about online job resources and begin creating an electronic portfolio to establish their professional online presence. The goal is for students to leave with knowledge of finding and applying for ESL positions, a basic portfolio, and a career plan.
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Uses and gratification theory film trailors
The document discusses two films, The Rum Diary and Tinker Tailor Soldier Spy, in terms of uses and gratification theory.
For The Rum Diary, it satisfies audiences' desires to see major stars Johnny Depp and Amber Heard. The themes of romance and intrigue on a beautiful island gratify audiences seeking an escape from their everyday lives.
For Tinker Tailor Soldier Spy, its all-star British cast intrigues audiences skeptical about remakes. Being produced by a smaller distributor appeals to audiences wanting credibility. It gratifies British audiences' sense of national pride and those seeking escapism through gritty realism about cold war espionage. The two films gratify audiences in different ways.
Royal Blood Case Study // Narrative theory
The document summarizes key elements of the music video for the song "Figure it Out" by the band Royal Blood. It discusses how the video uses techniques like flashbacks, changes in color tone, and match cuts to portray two sides of the story and challenge the audience's perspective. The flashback shows the woman's capture from her point of view, and changing between red and blue tones represents open and closed textual interpretations. Through these techniques, the video enhances the song's lyrics about trying to understand what is happening.
Emily and mani johnny depp real #no. 1
Johnny Depp is an American actor born in 1963 who is known for starring in major film franchises like Pirates of the Caribbean and Alice in Wonderland. Some of his most notable roles include Captain Jack Sparrow in the Pirates trilogy, Willy Wonka in Charlie and the Chocolate Factory, and the Mad Hatter in Alice in Wonderland. According to the document, Depp has been acting in films since 1984 and has two children with his former partners.
Media Case Study - The Girl with the Dragon Tattoo
The Girl with the Dragon Tattoo is a 2011 thriller film adaptation of the Swedish novel of the same name. It follows disgraced journalist Mikael Blomkvist as he investigates the decades-old disappearance of Harriet Vanger with the help of punk computer hacker Lisbeth Salander. The film was produced by Sony Pictures and MGM and directed by David Fincher. It starred Daniel Craig as Blomkvist and Rooney Mara in her breakthrough role as Salander. The film was a financial success, grossing over $100 million worldwide.
Group Film Pitch
The group's documentary film will focus on a case where a man was kidnapped at age 13 and found 12 years later living in a cabin. The film aims to show how people can be kept in terrible conditions without others knowing. Inspired by real cases and documentaries about poor living situations and kidnappings, the film will have a dark atmosphere and examine the man's 15 years imprisoned in the cabin. It will include interviews, scenes of the cabin investigation and conditions the man endured. The target audience is ages 15 and older due to disturbing content.
Question3 fahima
Relativity Media Alliance Films would be a suitable distributor for the film "Like It Was Yesterday" because it is a thriller genre similar to films they have successfully distributed previously with large budgets. Relativity Media Alliance Films has experience distributing both big budget films like "The House at the End of the Street" for $6.9 million as well as lower budget thriller/horror films. Starting distribution in only 3 cinemas per city and showing snippets at young adult festivals would be low cost strategies to test audience reception and distribution feasibility.
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The document discusses how the horror genre has changed over time from the 1930s to present day. It provides a timeline of key developments in each decade, from literary adaptations in the 1930s to psychological thrillers and predictions of world chaos in the 2000s. The document also analyzes how specific films have influenced and changed the genre, such as Psycho introducing new conventions in 1960 and Scream parodying horror tropes in the late 1990s. Additionally, it notes that audiences have become desensitized over time, leading to lower age ratings for films with similar graphic content.
Lesson four
This document provides an overview of key concepts related to media language and narrative structure, including:
- Narrative is the basis of human communication and storytelling, from short sentences to long-running TV series. There are proposed archetypal story structures like the "Hero's Journey".
- Suspense and conflict are important drivers of narrative. Point of view and positioning influence how the audience interprets stories and characters.
- Ideology and belief systems can shape narratives by defining what is presented as "good" or "bad".
- Students are assigned a task to rewrite a story from the villain's perspective, with the goal of having them explore how narrative perspective and ideology affect storytelling.
Task 1
This document defines documentary films and provides examples of documentary filmmakers and their styles. It notes that documentaries aim to document reality for instruction or historical records. Early documentaries were only a minute long but grew longer to include more information. It profiles several acclaimed documentary filmmakers like Robert Drew, Lucy Walker, Asif Kapadia, and their styles, which generally include interviews, voiceovers, and profiling real stories and issues. The document also gives examples of documentary films and topics covered in films by the different directors.
The night before the end (pitch)
The document provides details about a short horror film called "The Night Before The End" being produced by Graveyard Productions. It will tell the story of a popular boy who takes a shortcut through a graveyard late at night and is kidnapped by a satanic cult who plan to start the apocalypse. The filmmakers chose the horror genre because they enjoy thrill and suspense. They drew inspiration from films like Night of the Living Dead and Carrie. They propose casting actors like David Dorfman and Tobin Bell and filming at Mare Street Graveyard.
The night before the end (pitch)
The document provides details about a proposed horror film called "The Night Before The End" produced by Graveyard Productions. It discusses why the group chose the horror genre, the film's concept about a boy kidnapped by a satanic cult in a graveyard, inspiration taken from films like Night of the Living Dead and Carrie, dream cast ideas including David Dorfman and Tobin Bell, the chosen graveyard location, needed technology and equipment, and plans for an unsettling musical score and sounds.
Media Proposal
This document outlines a media pitch for a modern horror film based on urban legends. The film would target teenage audiences aged 17-21 and focus on connecting three classic urban legends - the babysitter and the man, the masked murderer, and the college girl massacre - through the idea of students being victims of a masked villain. Filming locations would include abandoned buildings, parks, and homes. The narrative would be told from a female point of view. On a small budget of £30, filming and production would be done using amateur actors and equipment like iMovie to keep it feeling realistic.
Peaky Blinders: A Case Study
This PowerPoint uses the case study of Peaky Blinders. It includes details of when Gemma Nunn and Jo Watkinson, who both worked on Peaky Blinders, visited our school and shared information and advice with us.
Genre analysis
The document discusses different types of documentaries including fly on the wall, fully narrated, mixed, self-reflexive, docudrama, and docusoap. Fly on the wall documentaries use cinema verite to capture natural settings but editing affects what is shown. Fully narrated documentaries use voiceovers to provide context. Mixed documentaries combine interviews, observation, and narration to advance an argument. Self-reflexive documentaries have the filmmaker discuss the process. Docudramas reenact real events but can only deliver fiction. Docusoaps follow groups of people like reality shows.
Genre analysis
````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````````
Hannahkelly
This document provides a summary of the plot of the film "Blockbuster" and discusses some key aspects of blockbuster films and film theory. The plot involves a cursed teddy monkey toy that murders the girlfriend of the boy who bought it for Valentine's Day. It then repeats this cycle annually. The document also outlines characteristics of blockbuster films, such as large budgets and wide release, and discusses several narrative and audience theories that are relevant to the film's marketing strategy, including the two-step flow theory.
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Media Case Study - The Girl with the Dragon Tattoo
Media Case Study - The Girl with the Dragon Tattoo
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Film language
The document defines several key terms related to film language, including opening sequences, diegesis, synchronous and asynchronous sound, parallel and contrapuntal sound, shot types, camera movements, and mise-en-scene. An opening sequence should introduce characters, location, genre, and a hook. Diegesis refers to everything visible within the film. Synchronous sound fits the on-screen action while asynchronous does not. Parallel sound matches mood and contrapuntal contrasts it. Shot types convey distance and camera movements create dynamics. Mise-en-scene encompasses visual elements that enhance storytelling.
# De lista 4
El documento explica que un tabú es una conducta prohibida por razones culturales, sociales o religiosas. Da el ejemplo de Nueva Guinea Holandesa donde las personas que se van a casar no pueden mencionar sus nombres. Si alguien menciona uno de esos nombres prohibidos, se arroja al suelo y dice una frase para poder seguir comiendo. También explica que aunque los mexicanos parecen no temerle a la muerte, en realidad usan eufemismos como "la flaca" para referirse a ella, demostrando que sí
COMO ESCAPAR DEL VALLE DE LA MUERTE DE LA EDUCACION
Este documento analiza la conferencia de Ken Robinson sobre la educación y cómo escapar del "valle de la muerte de la educación". Robinson argumenta que los sistemas educativos actuales matan la creatividad de los estudiantes al enseñar de manera rígida y estandarizada. En lugar de eso, propone que la enseñanza debe ser más creativa y adaptada a los intereses individuales de cada estudiante. El documento concluye que mejorando el proceso de aprendizaje para hacerlo más inclusivo y centrado en el estudiante, se puede ayud
Equipo 2
Este documento define software educativo y software utilizado en ciencias sociales, y proporciona ejemplos como Jum Start y Google Earth. También discute las ventajas del software educativo como la multimodalidad del lenguaje, la interactividad y su capacidad para favorecer el aprendizaje grupal cuando se combina con una buena orientación. El documento concluye que el uso adecuado de la tecnología junto con la intuición y creatividad de los profesores puede mejorar el proceso de enseñanza-aprendizaje y fomentar la participación
Φύλλο Εργασίας Πειράματος: ΚΑΤΑ ΣΕΙΡΑ ΣΥΝΔΕΣΗ ΑΝΤΙΣΤΑΤΩΝ
Φύλλο Εργασίας Πειράματος: ΚΑΤΑ ΣΕΙΡΑ ΣΥΝΔΕΣΗ ΑΝΤΙΣΤΑΤΩΝ
Λάμπρος Αδάμ
www.lam-lab.com
adamlscp@gmail.com
Career_Planning
This workshop provides resources and activities to help students in Teachers College's TESOL Certificate Program with their job search and application process for ESL teaching jobs. Alumni will share their career experiences and discuss opportunities. Students will learn about online job resources and begin creating an electronic portfolio to establish their professional online presence. The goal is for students to leave with knowledge of finding and applying for ESL positions, a basic portfolio, and a career plan.
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Short film and mockumentary genre codes and conventions
The Office is a mockumentary sitcom that was first broadcast in the UK in 2001. It follows the lives of employees at the Slough branch of the Wernham Hogg Paper Company. Starring Ricky Gervais as the clueless boss David Brent, the show uses documentary-style filming and conventions to explore themes of social awkwardness and office drudgery. Though initially receiving low ratings, it has since become hugely popular internationally and critically acclaimed as one of the greatest British comedies.
Evaluation question 3
The document discusses potential outlets for distributing an independent film. An independent cinema or film festival like Cannes would be suitable options as they often showcase smaller, non-Hollywood films. Broadcasters like Film4 also show independent movies. While larger cinema chains may not be viable due to their focus on bigger budget films and broad audiences, YouTube offers a platform to gain exposure. Realistically, competitions and self-distribution online are the most practical options for a low-budget, independent student film.
Evaluation question 3 Marco
This document evaluates potential media institutions that could distribute a psychological thriller film. It is suggested that independent cinemas, film festivals like the British Film Institute Festival, and online streaming services on platforms like Netflix, Amazon Prime, and YouTube would be good fits. The document analyzes current films showing at local cinemas and determines they do not typically feature psychological thrillers. It is concluded independent cinemas and online streaming would provide the broadest reach and be best suited to showcase the film.
Case study fish tank
FishTank is a 2009 British drama film directed by Andrea Arnold. It follows 15-year-old Mia, who lives in an Essex housing estate with her mother and younger sister. The film explores themes of dysfunctional families and alcoholism through a social realist lens. While FishTank received critical acclaim and over 20 awards, it struggled to find a wide audience domestically or internationally due to its small budget, unknown cast, and focus on a gritty portrayal of life in East London housing estates, which limited its relatability.
Film Pitch
Idris Elba stars as John Fishburne in the crime thriller "Suspect: No Second Chances." The film follows John, a veteran suffering from PTSD, who receives a mysterious phone containing classified information. Martin Freeman co-stars as John's friend Harrold, who is tasked with tracking down John. The film is a British production starring major UK talents like Elba, Freeman, Keira Knightley, and Liam Neeson. It has a budget of over $19 million and production is scheduled to begin shooting in the UK in 2015.
Evaluation q3
The document discusses potential film distribution companies for the student's low-budget British horror film project. The student analyzes Studio Canal and Universal Studios as options. Studio Canal previously distributed the similar low-budget British film "The Kill List", while Universal distributed the 2004 remake of "Dawn of the Dead", which also had female leads and a similar target audience. The student concludes that Studio Canal would be the better choice as it focuses on the UK market, limiting financial risk, and they could do their own social media marketing as a low-budget film.
WarpFilms
'71 is a 2014 British historical action film set during the Troubles in 1971 Northern Ireland. It tells the story of a British soldier separated from his unit during a riot in Belfast. The film was funded by several organizations and had its premiere at the Berlin Film Festival in 2014. It had a budget of £8.1 million. The filmmakers worked to distribute the film in the US by leveraging the star power of actor Jack O'Connell, who had a role in the film Unbroken, to bring attention to '71 and the actor in the US market.
Question 3
This document discusses potential distribution options for the film "Eye For an Eye". It argues that Hollywood studios would be the best option as the film has elements typical of classic noir films produced by Hollywood like dramatic storylines and talented actors. Releasing through a major studio would provide a bigger budget and help build a larger fanbase and potential franchise. Television would also be a good option as it reaches a wide audience, though some channels would not be suitable due to the film's mature content. Universal Pictures is proposed as the distributor as it is a large, trusted company. The film also offers opportunities for popular merchandise like t-shirts and items featuring the main character to help build the franchise.
powerpoint
The target audience for the film is men and women ages 16-40. Younger audiences may find the psychological thriller confusing while older audiences will appreciate having to think about what is happening. Famous British director Alfred Hitchcock will direct because of his success with the genre. Actors include Idris Elba, Angelina Jolie, Johnny Depp, Russell Brand, and Laurence R. Harvey. The film will be shot at Pinewood Studios in London, England with locations including sewers, bars, woods, police stations, and houses.
Powerpoint of inconspicuous
The target audience for the film is men and women ages 16-40. Younger audiences may find the psychological thriller confusing while older audiences will appreciate having to think about what is happening. Famous British director Alfred Hitchcock will direct because of his success with the genre. Actors include Idris Elba, Angelina Jolie, Johnny Depp, Russell Brand, and Laurence R. Harvey. The film will be shot at Pinewood Studios in London, England with locations including sewers, bars, woods, police stations, and houses.
What kind of media institution might distribute your media product
The document discusses potential media institutions that could distribute a psychological thriller film produced by media students. It analyzes that independent cinemas and film festivals like Sundance and BFI would be most suitable since they showcase new and aspiring filmmakers. Local cinemas and television channels like BBC and Film4 would not likely distribute the film due to it being a small student production without publicity or popular actors. The document concludes that film festivals are the most probable distribution avenue to gain support, publicity and recognition for the new filmmakers.
Evaluation question 3
The document discusses potential options for distributing a mystery thriller film, including cinemas, TV, film festivals, and online platforms. It analyzes the typical audiences and genres of films shown at different venues like Odeon cinemas, independent cinemas, BFI, and film festivals. Odeon and most cinemas attract younger families and audiences, while independent cinemas, BFI, and film festivals tend to focus more on drama and appeal to older audiences. Streaming platforms like Netflix are suggested as they attract the target age group for the mystery thriller.
Media AS Evaluation for Trailer
The document evaluates the media product by discussing how it uses and challenges conventions of real mystery drama trailers. It examines the use of suspense, surprising discoveries, changing music, and short action clips. While most conventions are followed, it challenges the short clips convention with two longer scenes showing key story elements. The trailer aims to attract young adult and female audiences through its portrayal of an independent teenage girl seeking answers in London. Distribution to streaming and television companies is discussed to reach this target audience.
Media evaulation .#
The document evaluates the media product by discussing how it uses and challenges conventions of real mystery drama trailers. It summarizes that the trailer uses conventions like creating suspense through an unexpected discovery and questions at the start and end, as well as intense music. However, it challenges short clips conventions with two longer scenes setting the story. The trailer also develops the convention of a headstrong teenager and represents Londoners as busy.
Task 8!
The document summarizes research into a new film about the 2011 London riots. The film will have two main characters from contrasting backgrounds to show how the riots affected both poor and rich areas. Similar, popular British films that were referenced by the film's target audience include Attack the Block, Ill Manors, Kidulthood, and Adulthood. The film will feature stereotypical representations and be set across four main London locations: the characters' homes, their school, and a local park. The genre will be a comedy-drama to appeal to the audience's preference for comedy while also including dramatic elements.
Evaluation question
This document analyzes different potential media institutions for distributing a psychological thriller film, including cinemas, film festivals, and TV. It examines the typical audiences and genres presented at a large cinema (Odeon), independent cinemas, the Cannes film festival, and TV channel Film4. It determines that an independent cinema or film festival focused on thrillers would best suit the film's genre and ability to attract an audience as an unknown production, rather than the mainstream audiences at the Odeon or broad genres at Cannes.
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Evaluation 1
The document analyzes the opening title sequence of the film "Locked In" and how it uses conventions of real media products. It discusses how the sequence uses aspects like location, costumes, camerawork, character introductions and more to set up tension and mystery like real thriller film openings. While it only includes one special effect, the sequence leaves viewers with questions to engage them like successful real openings. Overall, the analysis determines the opening develops forms and conventions from real films to captivate audiences the way title sequences of thriller genre films typically do.
Postmodern tv
This summary provides an overview of the British sitcom The Inbetweeners:
- The Inbetweeners aired from 2008 to 2010 on E4, following four British sixth form students as they navigate school life.
- It uses dark humor and exaggerated realistic situations to appeal to both teenage and adult audiences who can relate to awkward school experiences.
- The show relies on realism through references to other media, locations, and stereotypical teenage representations to seem authentic while blurring reality.
Question 3
The document discusses potential media institutions to distribute an independent psychological thriller film. It analyzes that an independent cinema like Dorking Halls would be more suitable than a large chain cinema as it has a smaller size and might be more interested in showcasing different genres. Of film festivals considered, the BFI London Film Festival would be the best fit as it regularly features thriller films and appeals to audiences interested in that genre. Overall, an independent cinema is deemed the best outlet as the film's niche audience and genre would not find success through mainstream distribution channels.
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What have you learnt about audience feedback
The document discusses how the author learned about the importance of audience feedback during the production of their short film. They conducted research to identify their target audience of 19-25 year olds of mixed gender, as this group most commonly watches short films and psychological thrillers. The author gathered feedback through questionnaires, interviews, test screenings, and peer reviews to improve elements of the film like characters, narrative, poster, and magazine review. This feedback revealed needed changes to make the film more appealing and understandable to the target audience. Collecting both qualitative and quantitative data allowed the author to improve the film and ensure it effectively represented the intended genre and characters.
What have you learnt about audience feedback
The document discusses how the filmmaker collected audience feedback during the production of their short film. They conducted research to identify their target audience of 19-25 year olds of mixed gender, as this group most commonly watches short films. They created questionnaires and interviews to gather both quantitative and qualitative feedback from this audience. This feedback helped them identify strengths and weaknesses in the film, characters, and marketing materials. They made changes and improvements based on this feedback to better appeal to their target audience, such as modifying character traits and the film's color grading. Overall, the audience feedback process helped ensure the film effectively represented and appealed to its intended viewers.
Evaluation question 2
1) The document discusses the effectiveness of combining a film's main product (poster, short film) with ancillary tasks (magazine review).
2) Key elements like mise-en-scene, semiology, paradigm/syntagm, color scheme, shot types were considered to effectively represent the psychological thriller genre and story across products.
3) Feedback was that the poster and tasks portrayed the film's mood, characters, and narrative well while avoiding spoilers, through choices like Eve's vulnerable expression and white dress, Richard's worried look, and subtle narrative hints in still images.
Evaluation question 1
This document discusses how the filmmaker used, developed, and challenged conventions of short films in their media product. They began by researching conventions around narrative, genre, characters, and structure. Their 13 minute film followed some conventions like a slow pace and small cast to keep the audience engaged. They also challenged some conventions, like not fully resolving the narrative to fit the psychological thriller genre. Overall, the filmmaker aimed to create a professional product by following many short film conventions but also took some risks that challenged norms to serve their original story.
Evaluation question 1
The document discusses the codes and conventions used in Lucy Clarke's short film. It addresses several key aspects of short films including narrative structure, duration, budget, characters, and promotional materials like posters and reviews. The short film uses many typical conventions of the genre, such as a simple plot understandable in 10-15 minutes, low budget constraints, few main characters, and a narrative with an initial equilibrium followed by conflict and resolution. Clarke also researched conventions for elements like character representation, locations, and visual symbols on the movie poster. Overall, the document shows how Clarke's film aligns with standard codes and conventions for a short psychological thriller.
Evaluation question 1
The document discusses the codes and conventions used in Lucy Clarke's short film. It addresses several key aspects of short films including narrative structure, duration, budget, characters, and promotional materials like posters and reviews. The short film uses many typical conventions of the genre, such as a simple plot understandable in 10-15 minutes, low budget constraints, few main characters, and a narrative with an initial equilibrium followed by conflict and resolution. Clarke also researched conventions for elements like character representation, locations, and poster design to effectively engage audiences.
Evaluation question 1
The document discusses the codes and conventions used in Lucy Clarke's short film. It addresses several key aspects:
1) The film uses conventions of short films like a clear narrative structure, small number of characters, and duration between 10-15 minutes.
2) Characters were developed based on research into character archetypes and stereotypes to make them easily understood.
3) Narrative theory was applied to structure the story with an initial equilibrium, disequilibrium/problem, and climax/resolution.
4) Film poster and magazine review conventions like imagery, layout, and stills from the film were employed to effectively promote the psychological thriller genre.
Film poster audience feedback analysis
The document summarizes the results of a survey conducted with their target audience of 19-25 year olds about a film poster for a short psychological thriller film. Some key findings include:
- 22 out of 25 people liked the layout of the poster.
- 20 out of 25 people thought the poster fit the genre of a psychological thriller.
- Common films people said the poster reminded them of included "Gone Girl" and "If I Stay".
- 14 people said they were drawn to the poster because of the image on it.
- The average rating for how professional the poster looked was 8.5 out of 10.
- 23 out of 25 people thought the main character
Film poster questionnairecopy
The document is a 9 question film poster questionnaire that asks respondents about their opinions on various aspects of a psychological drama film poster, including whether they like the layout and if the poster fits the genre, any other posters it may remind them of, what attracts them to the poster such as the title, image, or color theme, how professionally made it appears on a scale of 0 to 10, whether the female protagonist looks vulnerable and innocent, if it leaves the narrative in suspense, to describe the poster in three words, and if it makes them want to watch the film.
Opening sequence
The opening sequence is crucial for introducing the audience to the film. It should establish key locations, introduce main characters like the protagonist, and set the theme and genre. The document discusses how the opening sequence for this short film will do this. It will show the protagonist Richard singing happily in his campervan on the moors at night. It will then cut to Eve sitting on a rock looking cold, scared and vulnerable in a white dress. Richard will notice her and pull over. This will introduce both characters and the isolated moorland location, hinting at the psychological thriller genre.
Screening Feedback
This document summarizes the responses from an audience survey after a screening of a short film. Some key findings include:
- The audience was mixed gender with 19 males and 21 females. Both genders reacted positively.
- The ages of the audience ranged from 19-25 as intended.
- Audience impressions of the film changed as it progressed and became more emotional. The characters developed over time.
- Most of the audience enjoyed the film and would pay £3-8 to watch it. They felt it fit the psychological thriller genre.
- The ending was surprising to most but predictable to some. They correctly identified the target audience as 18-25 year olds.
Screening Questionnaire
This document appears to be an audience feedback questionnaire for a film called "Lost in the Eve". The questionnaire asks for the respondent's gender and age. It then asks about their first and last impressions of the film, if they enjoyed it, and if it fit the genre of a psychological drama. Further questions ask how much they would pay to watch it, about character traits of the main characters, if the ending was predictable, the target age group for the audience, and the recommended age rating. The final question asks when the film was set.
Plan for screening
The filmmakers will screen their short film 'Lost in the Eve' for friends and family aged 19-25 to get feedback before final release. They will hold the screening in their school's media classroom, which has adequate viewing equipment. They have permission from their teacher to use the room from 3:30-4:30pm after school. They will provide snacks and drinks, and ask viewers to complete an anonymous questionnaire afterwards for honest feedback to improve the film. Safety procedures like a sign-in sheet and fire exit instructions will also be followed.
Making the film poster
The document discusses the making of a film poster. It will be created in Adobe Photoshop due to the group's experience with the software and its tools for editing images. The film's messages of forgiveness, love, and loss/death will be conveyed through the portrayal of the protagonist as a ghostly or spiritual character using techniques like costume, makeup, and transparency. Conventions for film posters like following the rule of thirds for image placement and including the title will be followed. The protagonist will be depicted in a pale, windswept manner to suggest her ghostly nature without revealing too much of the plot.
Codes and Conventions of a Film Poster
The document discusses the codes and conventions of film posters. It explains that film posters are meant to attract the target audience and establish the genre and narrative. Posters typically feature the main image showing the narrative or protagonist, the central title at the top, and information about directors, producers and actors at the bottom. Posters also commonly include mottos or quotes from the film and ratings. The document proposes ideas for a film poster including featuring the protagonist in a character shot to introduce her, using lighting and composition techniques, and designing the title with a gradient and the words "lost in the" inside each letter of the protagonist's name.
Poster semiology
This document discusses types of signs and how they are used in film posters to convey meaning and messages to audiences. It defines signifier, signified, iconic, symbolic, and indexical signs. It then analyzes several film posters, discussing how elements like costumes, lighting, framing, colors and imagery are used semiotically to provide clues about the genre and plot. Specific techniques like faded faces, establishing shots, and placement of text and images are examined for their connotative effects in representing themes of death, loss, and the supernatural.
Creation of the film review magazine
The document discusses why InDesign was chosen over Photoshop for creating a film review magazine. InDesign allowed for easier multi-layer layout of the magazine with clearly defined layers and columns. It also automatically sets documents to CMYK color mode which is better for print. InDesign also gives more control over typography than Photoshop. While some images were edited in Photoshop, InDesign provided a simpler interface and more presets suited for a print layout with multiple pages.
Problems That Occur During Post Production
This document discusses potential issues that may arise during the post-production of a short film and ways to address them. It notes that problems with lighting, sound balance, and the film not flowing smoothly can occur. To fix lighting, the brightness and contrast can be edited using an "S" curve on the YUV color wheel. Sound issues like varying volumes can be resolved by balancing clip levels during editing. Color can be corrected to give the film a blue tinge to appear as evening, using the color wheel and brightness curve on the editing software Edius 7.
Aspects of post production
Post-production involves several steps to refine a film or video after principal photography. It includes colour correction to enhance visuals, sound balancing to mix audio levels naturally, and adding titles and effects. For their short film, the document discusses using Edius Pro 7 for colour correction and sound balancing during post-production to give the film a cinematic look and balanced audio mixing while keeping the editing process unified within one software. Effects for short films typically focus on diegetic sounds from within the scene versus non-diegetic elements added later.
Film review research
The document provides guidance on writing an effective film review. It explains that a review should inform readers about the film's details, describe the story and characters, analyze whether the film is good and why, and advise readers whether to see it. It also offers tips on structuring a review with an introduction, plot description, analysis, and conclusion. Font formatting and appropriate images are also discussed. The target audience for most film reviews is generally people aged 25 and older.
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71
- 2. Outline • About a British soldier who gets stuck in Belfast after a deadly riot due to a civil arrest. • Jack O’Connell (the main actor) was divided from his unit and was left to fend for himself. • This film is about trust as along the way he meets people who both want to help him and kill him and he had to decide who to trust.
- 3. Picture Ville • I went to Bradford Media museum with my media class to Picture Ville(a small independent cinema within the media museum) • We went to compare low budget films and high budget films. As said, this was a low budget films. • It has some unknown actors and actors known from small shows such as the lead actor, Jack O'Connell, who played James Cook in Channel 4 TV drama ‘skins’. This shows the film production couldn’t afford higher up actors. However, hiring an actor with a smaller acting career is more effective due to the fact that the audience may not know him for other acting roles, meaning he fits into his role in 71 and makes it more believable to the audience as they don’t expect anything from him. • This ran for 99 minutes which could be shorter than some higher budget films.
- 4. Yann Demange • Directed 71 born in Paris and raised in London studied at the prestigious London college of printing his first set of films explored a range of social and cultural groups. By this he caught the eye of for narrative detail. • Yann attended the National Film and Television school to take an MA in fiction directing where he was the recipient of a full scholarship from Disney this is when he became interested in film directing
- 5. Reviews The film received 4/5 stars from Berlin film festival The film also received 4/5 stars form London film festival on October 5th 2014 Both reviews explained that the film was thrilling and intense both reviews said how surprised they where bout how realistic the film was.
- 6. Target Audience • The target audience doesn’t require highly paid and well known actors as it is a low budget film and is only shown in a small cinema and will appeal to an art-house audience • Id say that the target audience is definitely adults mostly men. I said adults because some elderly people may have experienced the IRA terrorism. This would appeal to a British audience.
- 7. cast