what kind of media institution might distribute your media product and why?
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Revolver Entertainment would be a good media institution to distribute the film because they have experience producing similar films about urban youth culture, they are willing to take risks on smaller films and newer actors, and many of their past films focusing on these areas have been successful. Revolver remains innovative in both physical and digital distribution and would help get the film in front of audiences.
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Evaluation question 3 - Adam Harrison
This document discusses potential institutions that could distribute a film. It analyzes different movie theaters and TV channels. It determines that a young filmmakers' film festival would be the best option to showcase the film. Film festivals are designed for new and unknown films, and a young filmmakers' festival in particular would allow the film to stand out among others made by similar aged filmmakers.
Film distribution
Film distribution is the process of making movies available to audiences by delivering films to cinemas. Distribution companies play a huge role in the film economy by bringing finished movies to life and connecting them with audiences. They spend about £300 million annually on advertising and distributing new releases in the UK. The path a film takes to reach cinemas involves the studio buying rights and producing the film, then making a deal with a distribution company who screens the film for cinema buyers and negotiates showings. Distributors must consider the target audience and season when deciding when is best to release a film.
Amina
The document outlines plans for a low-budget horror film called "The Second Me". It will target teenagers aged 13-19 and use drama students as actors. Promotion will be done through social media, posters, leaflets, and uploading the film to YouTube. Advertising will be in local newspapers and online through posters, leaflets, and social media. Funding may come from crowd-funding while equipment and music will be provided by media students and independent musicians, respectively. The film will be shown on YouTube and submitted to film festivals.
Multiplex and independant
This document discusses the types of facilities, films, audiences, locations, and issues faced by multiplex independent cinemas. They would aim to show popular, big budget films to attract the largest audiences possible, though budget constraints may limit choices. Locations are usually out of town for parking space. Issues include pressure to profit from high-budget films, competition from other cinemas, and potential piracy problems due to limited film options.
Evaluation question 3
Our film could realistically be distributed at independent cinemas and film festivals since they allow small film companies and independent films to screen. Another good option is sharing it for free on social media platforms like YouTube, Facebook, and Twitter to gain exposure and viewership through sharing among friends and viewers. Major cinema chains and "on demand" streaming services would be less likely given that they prioritize bigger studio films that are more commercially viable.
Question 3
The document discusses potential media institutions to distribute an independent psychological thriller film. It analyzes that an independent cinema like Dorking Halls would be more suitable than a large chain cinema as it has a smaller size and might be more interested in showcasing different genres. Of film festivals considered, the BFI London Film Festival would be the best fit as it regularly features thriller films and appeals to audiences interested in that genre. Overall, an independent cinema is deemed the best outlet as the film's niche audience and genre would not find success through mainstream distribution channels.
Evaluation 3
Our thriller film "Eve Crawford" would be best distributed by an independent cinema like Cinema City rather than a multiplex. Cinema City appeals to a niche audience and shows older art house films and thrillers from past decades, which our 1950s British thriller would fit in with. Independent cinemas tend to show low budget, small cast films shot on location like ours. A film distribution company like Film Four would also be suitable as they focus on British audience films rather than large mainstream releases.
Question 3
This document discusses choosing the appropriate media institutions to distribute a film based on its genre. It explains that audiences associate certain institutions with specific genres and will have expectations based on the institution distributing the film. The document then discusses choosing small, independent production (C&I Productions) and distribution (Revolver Entertainment) companies for a youth drama film, as these types of films are typically produced and distributed by smaller companies rather than major studios. Choosing these companies would be consistent with other similar films and help audiences recognize the film's genre.
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Evaluation question 3 - Adam Harrison
This document discusses potential institutions that could distribute a film. It analyzes different movie theaters and TV channels. It determines that a young filmmakers' film festival would be the best option to showcase the film. Film festivals are designed for new and unknown films, and a young filmmakers' festival in particular would allow the film to stand out among others made by similar aged filmmakers.
Film distribution
Film distribution is the process of making movies available to audiences by delivering films to cinemas. Distribution companies play a huge role in the film economy by bringing finished movies to life and connecting them with audiences. They spend about £300 million annually on advertising and distributing new releases in the UK. The path a film takes to reach cinemas involves the studio buying rights and producing the film, then making a deal with a distribution company who screens the film for cinema buyers and negotiates showings. Distributors must consider the target audience and season when deciding when is best to release a film.
Amina
The document outlines plans for a low-budget horror film called "The Second Me". It will target teenagers aged 13-19 and use drama students as actors. Promotion will be done through social media, posters, leaflets, and uploading the film to YouTube. Advertising will be in local newspapers and online through posters, leaflets, and social media. Funding may come from crowd-funding while equipment and music will be provided by media students and independent musicians, respectively. The film will be shown on YouTube and submitted to film festivals.
Multiplex and independant
This document discusses the types of facilities, films, audiences, locations, and issues faced by multiplex independent cinemas. They would aim to show popular, big budget films to attract the largest audiences possible, though budget constraints may limit choices. Locations are usually out of town for parking space. Issues include pressure to profit from high-budget films, competition from other cinemas, and potential piracy problems due to limited film options.
Evaluation question 3
Our film could realistically be distributed at independent cinemas and film festivals since they allow small film companies and independent films to screen. Another good option is sharing it for free on social media platforms like YouTube, Facebook, and Twitter to gain exposure and viewership through sharing among friends and viewers. Major cinema chains and "on demand" streaming services would be less likely given that they prioritize bigger studio films that are more commercially viable.
Question 3
The document discusses potential media institutions to distribute an independent psychological thriller film. It analyzes that an independent cinema like Dorking Halls would be more suitable than a large chain cinema as it has a smaller size and might be more interested in showcasing different genres. Of film festivals considered, the BFI London Film Festival would be the best fit as it regularly features thriller films and appeals to audiences interested in that genre. Overall, an independent cinema is deemed the best outlet as the film's niche audience and genre would not find success through mainstream distribution channels.
Evaluation 3
Our thriller film "Eve Crawford" would be best distributed by an independent cinema like Cinema City rather than a multiplex. Cinema City appeals to a niche audience and shows older art house films and thrillers from past decades, which our 1950s British thriller would fit in with. Independent cinemas tend to show low budget, small cast films shot on location like ours. A film distribution company like Film Four would also be suitable as they focus on British audience films rather than large mainstream releases.
Question 3
This document discusses choosing the appropriate media institutions to distribute a film based on its genre. It explains that audiences associate certain institutions with specific genres and will have expectations based on the institution distributing the film. The document then discusses choosing small, independent production (C&I Productions) and distribution (Revolver Entertainment) companies for a youth drama film, as these types of films are typically produced and distributed by smaller companies rather than major studios. Choosing these companies would be consistent with other similar films and help audiences recognize the film's genre.
Question 4
This document discusses the potential audience for a low-budget action film with a female-dominated cast set in South London. The primary audience would be 16-25 year old females in the UK who enjoy horror, action, thriller and comedy films. They typically decide what films to watch based on trailers and synopses, watch films with friends or alone, and use streaming services like Netflix. Due to the low budget, marketing would focus on social media to build buzz among young UK audiences.
Evaluation question 3
The document discusses potential media institutions that could distribute a horror/thriller film. Mainstream cinemas like Odeon, Ambassador, and Vue are unlikely options as they primarily show popular fantasy/sci-fi films. The Commodore cinema may be more receptive given its isolated location and fewer options. The Electric cinema has limited offerings and could potentially show the film. Film festivals like BFI and Sundance that have histories of selecting horror/thriller genres would provide good exposure and distribution opportunities for an independent film.
Evaluation 3
Cinemas, film festivals, and TV are potential institutions to distribute an independent psycho thriller film. Cinemas appeal to wide audiences but most cinemas are currently showing more mainstream genres. Film festivals could help bring popularity back to less common genres and expose the film to industry professionals. TV is also a good option as most people own one, but the film may fit better on niche channels that show similar genres. In conclusion, film festivals or young filmmaker competitions are recommended to get exposure and feedback that could lead to broader distribution.
EQ3 - Media product distribution
The document discusses potential film distribution companies for an independent thriller film. It states that distribution is important for connecting the film with consumers and generating revenue. The document suggests Lionsgate as a potential distributor since they distribute independent and niche films. It identifies other independent distributors like Film 4, Working Title, and Lionsgate that have experience with similar films. While larger conglomerates like the Big 6 may be considered due to the thriller genre requiring a reasonably sized budget, they are less likely to distribute an independent film that appeals to a niche local market instead of a large tentpole market.
Independent vs mainstream films
This document discusses the differences between independent and mainstream films in the film industry. It provides details about two specific films as examples - Paranormal Activity as a low budget, independent film, and Titanic as a high budget, mainstream film. Some key points made are:
- Cinemas make most of their money from food/drink sales with mainstream films that attract larger audiences.
- It's harder for independent films to get cinema screenings as cinemas prioritize films that will bring in crowds.
- Paranormal Activity had an extremely low budget of $15,000 but made $193.4 million, while Titanic had a $200 million budget and made $2.187 billion.
Evaluation- Question 3
Lions Gate Productions would be a suitable distributor for the film. Lions Gate is a major independent film and television distribution company in North America that has distributed several similar films and TV shows to the filmmaker's target audience. These include The Hunger Games, Cabin in the Woods, and Friends with Kids. The standard process for film distribution would involve Lions Gate making a licensing deal with theaters, distributing copies of the film, and the theaters showing it for a set engagement period.
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The document discusses the differences between high concept and low concept films. The author believes their thriller film is a low concept film due to limited shots, angles and locations. Low concept films have smaller distributors like individual institutions pooling money, while high concept films have large recognizable distributors like Warner Bros. Choosing a smaller distributor for a low concept film allows targeting a specific audience and managing risks if the film does not perform as well, but it may be harder to earn back the production costs and the distributor is less known.
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The document discusses using demographics and psychographics to target film audiences. Demographics like age and gender can help identify who a film might appeal to. Psychographics examine personality, values, and lifestyle to find the right audience. For example, a romantic film targets women age 14 and up, while an independent gangster film's psychographics would be social classes C2 and DE. The cinema audience has also become more diverse in recent decades as more types of films are shown in various cinema locations.
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Claudia foley distribution
This document discusses distribution options for a student film project. It analyzes potential film distribution companies, ultimately selecting Icon based on their success distributing similar horror genre films like Paranormal Activity. The document argues Icon would be interested in the film due to its similarities to Paranormal Activity. It also discusses marketing strategies like magazine ads, billboards, television and social media ads. The document considers pursuing self-distribution but acknowledges the significant time commitment and lack of widespread marketing it would allow.
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What institution to use for film?
Annapurna Pictures would be a good fit to produce the filmmaker's low-budget thriller because they specialize in low-budget productions and providing expertise for films that might be considered risky. Annapurna has produced similar thriller films on low budgets like Zero Dark Thirty. They also produce "sophisticated, high-quality films" and "mature, adult dramas", which would match the ethos and target audience of the filmmaker's project. Annapurna could effectively market the film through digital platforms to reach its younger target audience.
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Question 4
This document discusses the potential audience for a low-budget action film with a female-dominated cast set in South London. The primary audience would be 16-25 year old females in the UK who enjoy horror, action, thriller and comedy films. They typically decide what films to watch based on trailers and synopses, watch films with friends or alone, and use streaming services like Netflix. Due to the low budget, marketing would focus on social media to build buzz among young UK audiences.
Evaluation question 3
The document discusses potential media institutions that could distribute a horror/thriller film. Mainstream cinemas like Odeon, Ambassador, and Vue are unlikely options as they primarily show popular fantasy/sci-fi films. The Commodore cinema may be more receptive given its isolated location and fewer options. The Electric cinema has limited offerings and could potentially show the film. Film festivals like BFI and Sundance that have histories of selecting horror/thriller genres would provide good exposure and distribution opportunities for an independent film.
Evaluation 3
Cinemas, film festivals, and TV are potential institutions to distribute an independent psycho thriller film. Cinemas appeal to wide audiences but most cinemas are currently showing more mainstream genres. Film festivals could help bring popularity back to less common genres and expose the film to industry professionals. TV is also a good option as most people own one, but the film may fit better on niche channels that show similar genres. In conclusion, film festivals or young filmmaker competitions are recommended to get exposure and feedback that could lead to broader distribution.
EQ3 - Media product distribution
The document discusses potential film distribution companies for an independent thriller film. It states that distribution is important for connecting the film with consumers and generating revenue. The document suggests Lionsgate as a potential distributor since they distribute independent and niche films. It identifies other independent distributors like Film 4, Working Title, and Lionsgate that have experience with similar films. While larger conglomerates like the Big 6 may be considered due to the thriller genre requiring a reasonably sized budget, they are less likely to distribute an independent film that appeals to a niche local market instead of a large tentpole market.
Independent vs mainstream films
This document discusses the differences between independent and mainstream films in the film industry. It provides details about two specific films as examples - Paranormal Activity as a low budget, independent film, and Titanic as a high budget, mainstream film. Some key points made are:
- Cinemas make most of their money from food/drink sales with mainstream films that attract larger audiences.
- It's harder for independent films to get cinema screenings as cinemas prioritize films that will bring in crowds.
- Paranormal Activity had an extremely low budget of $15,000 but made $193.4 million, while Titanic had a $200 million budget and made $2.187 billion.
Evaluation- Question 3
Lions Gate Productions would be a suitable distributor for the film. Lions Gate is a major independent film and television distribution company in North America that has distributed several similar films and TV shows to the filmmaker's target audience. These include The Hunger Games, Cabin in the Woods, and Friends with Kids. The standard process for film distribution would involve Lions Gate making a licensing deal with theaters, distributing copies of the film, and the theaters showing it for a set engagement period.
Media institutions and concept
The document discusses the differences between high concept and low concept films. The author believes their thriller film is a low concept film due to limited shots, angles and locations. Low concept films have smaller distributors like individual institutions pooling money, while high concept films have large recognizable distributors like Warner Bros. Choosing a smaller distributor for a low concept film allows targeting a specific audience and managing risks if the film does not perform as well, but it may be harder to earn back the production costs and the distributor is less known.
Presentation2
This document discusses criteria for evaluating films and new technologies, including quality, cost, piracy, exhibition, marketing, access, and audience involvement. For each criterion, pros and cons are provided. For example, while high quality films may attract more home viewers, this could negatively impact cinema business. Lower costs could increase new technology adoption but reduce value over time.
Audience
The document discusses using demographics and psychographics to target film audiences. Demographics like age and gender can help identify who a film might appeal to. Psychographics examine personality, values, and lifestyle to find the right audience. For example, a romantic film targets women age 14 and up, while an independent gangster film's psychographics would be social classes C2 and DE. The cinema audience has also become more diverse in recent decades as more types of films are shown in various cinema locations.
I, Daniel Blake Marketing
This document discusses the distribution and promotion of the film "I, Daniel Blake" by Ken Loach. It was distributed in the UK by eOne Films and targeted working class audiences through partnerships with newspapers like the Daily Mirror and events coinciding with political conferences. The film's promotion generated discussion of its social themes and political messages. It was promoted as a film addressing issues of importance to many citizens and was very successful commercially and critically, winning several awards in the UK and internationally.
Claudia foley distribution
This document discusses distribution options for a student film project. It analyzes potential film distribution companies, ultimately selecting Icon based on their success distributing similar horror genre films like Paranormal Activity. The document argues Icon would be interested in the film due to its similarities to Paranormal Activity. It also discusses marketing strategies like magazine ads, billboards, television and social media ads. The document considers pursuing self-distribution but acknowledges the significant time commitment and lack of widespread marketing it would allow.
Scarecrow Video Presentation
Scarecrow Video is an independent video rental store in Seattle, Washington that was founded in 1985 when the owner started renting movies out of a record store. It has one of the largest collections of films in the world with over 125,000 titles. While many other video stores have closed, Scarecrow Video has remained open due to its immense catalog of films that sets it apart from other stores.
What institution to use for film?
Annapurna Pictures would be a good fit to produce the filmmaker's low-budget thriller because they specialize in low-budget productions and providing expertise for films that might be considered risky. Annapurna has produced similar thriller films on low budgets like Zero Dark Thirty. They also produce "sophisticated, high-quality films" and "mature, adult dramas", which would match the ethos and target audience of the filmmaker's project. Annapurna could effectively market the film through digital platforms to reach its younger target audience.
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Question 3
Showtime Networks would be a good potential distributor for the film because they have experience distributing similar thriller genres that deal with bullying and crime stories. Showtime Networks distributes films and TV shows like Scream and Bang Bang You're Dead, which the film is based on. They understand how to market and distribute this type of film. While self-distribution could allow keeping all profits, it would be very time consuming without the industry connections that distributors have.
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Question 3
This document discusses a group's choice to have Lionsgate distribute their film. Lionsgate is known for distributing major franchises like The Hunger Games and Twilight. The group feels Lionsgate could effectively distribute their mainstream action thriller film. The film may appeal to young adults aged 16-25 and have a big budget to film scenes in London. Investors could fund the film due to its creative story. Lionsgate's experience distributing films appealing to young adults makes it a good fit to distribute this group's film.
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Evaluation Q 3,4,6
Hammer Films would be a suitable distribution company for the media product because it distributes smaller, UK-based horror films with budgets similar to the production. Hammer Films is also well-known for distributing horror films, which matches the genre of the media product. Distributing with Hammer Films could help attract audiences familiar with its previous successful horror films like Women in Black.
Evaluation question 3
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Question 3
ODEON Cinema would be the most suitable cinema to distribute the filmmakers' thriller "The Unseeable" for several reasons:
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2) ODEON's lower ticket prices relative to independent cinemas like Cinema City make it more appealing to the film's target demographic of students.
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This document discusses which cinema would be most likely to distribute a 1950s British thriller film called "Eve Crawford". It analyzes that the film would not appeal to a mainstream multiplex audience. It would be better suited to an independent cinema like Cinema City, which shows art-house and niche films appealing to smaller audiences, including older thrillers like "Psycho". Cinema City's audience prefers these kinds of films over newer mainstream violent thrillers.
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The document discusses choosing an appropriate media institution to distribute a thriller film. The author decides that Lionsgate would be the best choice because of their success distributing similar thriller films like the Saw franchise. Lionsgate is known for thriller genres that portray young females with alternative sides, like themes of fear, obsession, and vulnerability, which are also portrayed in the author's film. Their established audience and experience with thrillers makes Lionsgate a beneficial partner to help produce and distribute the film successfully.
Gw 3.what kind of media institution might....
The film "Displaced" tells the story of a teenage girl who becomes homeless and follows her life in and out of college as she deals with homelessness. As the film addresses an issue affecting many teenagers, the group chose to make it an independent film. This means it would be distributed by a small media institution so they could focus on their target audience without constraints of mainstream films. They formed their own production company and chose Anchor Bay Entertainment as their distributor. Anchor Bay is a leading independent home entertainment company that has successfully distributed other independent films.
Question 3
The document discusses which media institutions would be suitable to distribute the author's low-budget thriller film. It argues that television channels like Film4 would be the best option, as they often show similar low-budget and independent films, especially late at night when the film's darker content would be more appropriate. Film festivals could also provide an early screening and valuable feedback. Online streaming services like Netflix may also work well due to their willingness to show independent films at low cost. Cinemas and primetime television slots would not be viable given the film's low budget.
Harriett audience
The document discusses targeting and attracting audiences for a horror film media product. It aims to target teenagers ages 15-25 of all races and both genders. It analyzes horror film audiences and applies audience theory from Richard Dyer, Abraham Maslow, and Blumier and Katz to attract the target demographic. Specifically, it creates tension and fear to satisfy audiences' psychological needs for thrill. It also includes relatable young male characters for audiences to identify with. The film receives a 15 age rating to appeal to younger audiences within legal viewing limits.
Audience marketing campaign
The document outlines a marketing campaign for a mainstream horror film targeting 15-35 year olds of both genders. The objectives are to raise awareness through media marketing, focus on social networking due to the target age group, and obtain magazine and newspaper reviews. A viral marketing campaign will include online games and an app to engage audiences and promote word-of-mouth buzz.
Evaluation - Question 3
Blue Sky Media would be the best distributor for the thriller film "Don't Look Back" for several reasons:
1) Blue Sky Media is a smaller production company that distributes thriller films, like the ones being produced, and would be more likely than larger companies to fund and distribute a small, independent film.
2) As a UK-based company distributing to a UK audience, Blue Sky Media would allow the film to appeal most to its intended, local audience without needing to account for international distribution costs and changes.
3) Their past distribution of both large studio and independent films demonstrates they can effectively promote films on a smaller scale suited for the independent production of "Don't Look Back."
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2. It also analyzes the use of a black background for the titles, noting it keeps the viewer focused on the opening scene and establishes a dark, serious tone that fits with the depiction of violence.
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what kind of media institution might distribute your media product and why?
- 1. What kind of media institution might distribute your media product and why?
- 2. Revolver entertainment • “While a theatrical focus is key to Revolver's business they are also experts in youth entertainment and exploiting both physical and digital home entertainment distribution channels. In a time of industry change Revolver remain at the forefront of possibility as pioneers in digital distribution, embracing new technology and always staying one step ahead of the game”
- 3. • We’ve chosen revolver entertainment because in the past they’ve produced other films that are quite similar to ours; urban youth culture, this means that the chances of them backing us financially is quite high. • Known for taking risk’s with smaller films and not as well known actors/actresses, this applies to our film which means that the chances of us appealing to them isn’t effected negatively by the status of our actors. • So once they see our film and find out about it we would appeal to them because we’re very similar in terms of how well known we are and the financial backing we have to other films they’ve produced in the past. • We didn’t just base our choice on the fact that they go for similar films to ours, but also the vast majority of films they have produced have been very successful such as shank and anuvahood