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TYPOGRAPHY
USABILITY &
READABILITY
Obj. 1.01
What’s the personality?
Font choice should convey the meaning or
personality that matches the purpose of the
design
• Examples:
• Sympathy Card – Script
• Flyer Heading – Decorative
Which typeface is
more effective?
Where do I start?
Font choice should give visual clues about the order
text should be read
• Visual Hierarchy - an arrangement of text in a graduated series to help
readers scan and know where to enter and exit the text
• Create hierarchy through
• Repetition
• Contrast
• Changes in weight, scale, positioning, color, tone, spacing, or font
• Examples:
• Headline larger than subheadings
• Using bold, italics, and color for emphasis
Example of Visual Heirarchy
YOU WILL READ THIS FIRST
YOU WILL READ THIS WHEN SKIMMING
You will probably not read this on a skim.
You will probably not read this unless a phrase is bolded.
Your eye will be drawn to this
before leaving the page because
of contrast in font category and
color.
Example of Visual Hierarchy
Example of Visual Hierarchy
Headings
formatted
differently than
body text
Too many fonts spoil the design
Font choice should be limited to 2 or 3 fonts
• Too many font choices can be distracting
• Do not mix 2 fonts from the same category
• Example: Times New Roman for a heading and Palatino for a
subheading; 2 serif fonts
Too many fonts used in
this example
Good use of font pairing
Attitude
is
everything! Sans Serif paired with a
Script typeface
Who is my reader?
Font choice should consider the target audience
• Young readers need fonts that accurately display letters
• Example: The lowercase “a” in Arial is not displayed the way
young readers learn to write the letter “a” making the font difficult
to read
• Teen readers enjoy fonts with a modern or edgy feel
Readability
• Consider the target audience
Clearview typeface for highway signs
Is the font for digital or print display?
• Consider the medium –
• Test the font to see if it is legible on the intended output
• Test the Size – the vertical height of a character
• Test the Style – bold, italic, fill color, stroke color, shadow, small caps
• Test the Spacing
• Leading – vertical spacing between of lines of text
• Kerning – horizontal spacing between pairs of letters
• Tracking – horizontal spacing between all the characters in a
large block of text.
Leading
• Vertical spacing between lines of text.
• Pronounced “led-ding.”
• Referred to as line spacing
• Single Space
• Double Space
• Used to:
• Slightly increase or decrease the length of a column so
that it is even with an adjacent column
• To force a block of text to fit in a space that is larger or
smaller than the text block
Leading
Look in the nook to find
the book that you
borrowed to read.
Leading (vertical spacing between lines of text)
Leading (vertical spacing between lines of text)
Kerning
• Horizontal spacing between pairs of letters
• Used create a more visually appealing and
readable text.
• BOOK – before kerning.
– after kerning the O’s.
Tracking
• Horizontal spacing between all characters in a
large block of text.
• Makes a block of text more open and airy or more
dense.
• Used to expand or contract a block of text for the
purpose of aligning two columns.
Examples of Tracking
Kerning, Leading, Tracking
LOOK in the nook to find
the book that you
borrowed to read .
Kerning (horizontal spacing between pairs of letters)
Leading (vertical spacing between lines of text)
Tracking (horizontal spacing between all
characters in a large block of text.

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1.01 Typography Usability and Readability

  • 2. What’s the personality? Font choice should convey the meaning or personality that matches the purpose of the design • Examples: • Sympathy Card – Script • Flyer Heading – Decorative Which typeface is more effective?
  • 3. Where do I start? Font choice should give visual clues about the order text should be read • Visual Hierarchy - an arrangement of text in a graduated series to help readers scan and know where to enter and exit the text • Create hierarchy through • Repetition • Contrast • Changes in weight, scale, positioning, color, tone, spacing, or font • Examples: • Headline larger than subheadings • Using bold, italics, and color for emphasis
  • 4. Example of Visual Heirarchy YOU WILL READ THIS FIRST YOU WILL READ THIS WHEN SKIMMING You will probably not read this on a skim. You will probably not read this unless a phrase is bolded. Your eye will be drawn to this before leaving the page because of contrast in font category and color.
  • 5. Example of Visual Hierarchy
  • 6. Example of Visual Hierarchy Headings formatted differently than body text
  • 7. Too many fonts spoil the design Font choice should be limited to 2 or 3 fonts • Too many font choices can be distracting • Do not mix 2 fonts from the same category • Example: Times New Roman for a heading and Palatino for a subheading; 2 serif fonts Too many fonts used in this example
  • 8. Good use of font pairing Attitude is everything! Sans Serif paired with a Script typeface
  • 9. Who is my reader? Font choice should consider the target audience • Young readers need fonts that accurately display letters • Example: The lowercase “a” in Arial is not displayed the way young readers learn to write the letter “a” making the font difficult to read • Teen readers enjoy fonts with a modern or edgy feel
  • 10. Readability • Consider the target audience Clearview typeface for highway signs
  • 11. Is the font for digital or print display? • Consider the medium – • Test the font to see if it is legible on the intended output • Test the Size – the vertical height of a character • Test the Style – bold, italic, fill color, stroke color, shadow, small caps • Test the Spacing • Leading – vertical spacing between of lines of text • Kerning – horizontal spacing between pairs of letters • Tracking – horizontal spacing between all the characters in a large block of text.
  • 12. Leading • Vertical spacing between lines of text. • Pronounced “led-ding.” • Referred to as line spacing • Single Space • Double Space • Used to: • Slightly increase or decrease the length of a column so that it is even with an adjacent column • To force a block of text to fit in a space that is larger or smaller than the text block
  • 13. Leading Look in the nook to find the book that you borrowed to read. Leading (vertical spacing between lines of text) Leading (vertical spacing between lines of text)
  • 14. Kerning • Horizontal spacing between pairs of letters • Used create a more visually appealing and readable text. • BOOK – before kerning. – after kerning the O’s.
  • 15. Tracking • Horizontal spacing between all characters in a large block of text. • Makes a block of text more open and airy or more dense. • Used to expand or contract a block of text for the purpose of aligning two columns.
  • 17. Kerning, Leading, Tracking LOOK in the nook to find the book that you borrowed to read . Kerning (horizontal spacing between pairs of letters) Leading (vertical spacing between lines of text) Tracking (horizontal spacing between all characters in a large block of text.

Editor's Notes

  1. The top typeface is more effective because it conveys a more serious personality that matches the purpose of the design.
  2. Just because you fall in love with a font does not mean it is the best choice. Always test readability.
  3. Kerning is most often used with text which has been enlarged since this tends to create too much space between individual letters.