Sandra Cisneros' Impact on Latino Literature

Essay on Sandra Ciseneros
Sandra Ciseneros It was a cold and windy day, a perfect day to uncover secrets and truths about writers I had heard of, but new little about. I
entered the library to escape the weather and lose myself in books about Sandra Ciseneros and the characters she creates in her poems and stories. I
began my search at a computer resource station, and then absorbed myself in the materials it provided, which were biographies, criticisms, and the
works of Cisneros. Initially, the computer resource station provided me only with Cisnero's texts or simple the books she had written. They were all
listed in the card catalogue, and I was reassured that if the library had her books, than they had to have biographies and criticisms on her as well....
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I decided I would start with her work and then see what the critics had to say.
Her book's The House on Mango Street and Loose Woman: Poems enthralled me the most, and gave me a sense of her genre and style. They portrayed
her concentration on culture or ethninticity and gender issues. A Stanza from her poem "Loose Woman" really tickled my fancy and is an excellent
representation of these two themes: "They say I'm macha, hell on wheels, viva–la–vulva, fire and brimstone, man–hating, devastating, boogey–woman
lesbian. Not necessarily, but I like the compliment." ( 112)
In this poem Cisneros displays a common stereotype of women in a satirical way that is easy to identify with, and in a sense empowers women rather
than degrading them. In doing this, she keeps her cultural heritage by using both English, and her own native language, Spanish to define her views.
She maintains this sort of style throughout her poems and pursues gender issues and cultural identity with ferocious vitality and purpose.
Although she does not use written Spanish in The house on Mango Street, her characters are Mexican and represent the culture in their lifestyles, views,
and upbringing. The story depicts the coming of age of a girl named Esperanza, who is searching for stability and a place for herself in the world.
Cisneros explores the life of a Mexican girl and the things that shaped her morality and sense of
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Sandra Cisneros Analysis
Sandra Cisneros is an influential, activist poet who is engaged in teaching the Chicano community and is a strong voice for the Latino community
through her writing. Cisneros has a Mexican father and a Chicana mother which made her part of the two different communities. Cisneros's work is
often influenced by her observations of the people in her community and her writings include many different types of communities. In "His Story" and
"Woman Hollering Creek" communities of women influence Sandra Cisneros' characters. Some of the communities help and others hinder. Overall,
the communities impact each narrator's sense of identity. Cleofilas in "Woman Hollering Creek" and Sandra in "His Story" are influenced by the
women they meet or hear about in their communities. Sandra describes from her father's perspective the status of women in their family. It is clear
her father is upset that his only daughter is unmarried and is the only child of his six children to leave home. The father predicts the consequences of
her behavior by recalling the female relatives whose lives ended badly because they went against the norms. "For instance,/ my father explains,/ in the
Mexican papers/ a girl with both my names/ was arrested for audacious crimes that began by disobeying fathers" (Cisneros, "His Story"). The women
in the stories are those who disgraced the family in one way or another. Sandra does not let the stories stifle her ambitions, even though they were meant
to warn her. Just

Sandra Cisneros Only Daughter
In Sandra Cisneros' story "Only Daughter," Sandra Cisneros wanted many things in her life and that was to gain her father's acceptance of her. She
wanted him to understand that it was difficult not only growing up the only daughter but also coming from a Mexican family that was expecting her
to find a husband. So she does it by writing stories for her father hoping one day he'll read them and be proud of her. But knowing that her father does
not understand English words, she still tries. One day one of her stories is published in Spanish. She shows it to her father she finally got the reaction
she's always wanted from him. I too went through a similar situation wanting my father's acceptance. I've always wondered why my father left and
never came back. My mother... Show more content on Helpwriting.net ...
"You're nothing I should have never had you... that's why your father left!" She always told me every chance she got. As I was only five years old,
I truly believed her. Her never ending yelling and abusive rants towards me I soon went into depression and thinking I wasn't anything. It always
crossed my mind I just wanted my father back and for him to like me. As I grew older, I soon realized it had nothing to do with me. My mother just
wanted someone to blame and I guess that was me. I played tennis in high school; any time was a good time away from my mother, which helped
the most. I made friends Kayla and Jason that helped me out by letting me stay over to avoid my mother whenever she got drunk and verbally
abusive to me. This one time I was already leaving out the door as my friends Kayla and Jason were waiting outside for me. My mom yelled out "Where

Sandra Cisneros Metaphors
Sandra Cisneros is a Hispanic American, Cisneros was born on December 20, 1954, in Chicago. Some of Cisneros' awards include her two National
Endowments for the Arts fellowships, the American Book Award from the Before Columbus Foundation, for The House on Mango Street, the
Paisano Dobie Fellowship, first and second prizes in Segundo Concurso Nacional del Cuento Chicano, which was sponsored by the University of
Arizona, the Lannan Foundation Literary Award, a doctorate from the State University of New York at Purchase, and finally a MacArthur fellowship.
(Sandra Cisneros, About Sandra Cisneros) Although Cisneros had grown up mainly in Chicago, her family often visited her relatives in Mexico. This
constant travel later made Cisneros feel she was displaced during childhood, and that she had never had a strong sense of connection with her home
town of Chicago. Cisneros's early life provided many experiences that she... Show more content on Helpwriting.net ...
For example "a skim of blue wool" is nothing really on its own but it could turn into something important with the proper use. "A tea saucer
wrapped in newspaper" shows that the subject was really fragile on the inside but put off a rough look and was tough on the outside but sort of
had a heart of gold (Cisneros, 72). As one reads on they realize that the subject got put in prison for his actions and began to realize who he wanted
to be. He began to imagine his life differently as a cloud. And his imagination began to take control of him and all "those condemned to death and
those condemned to life watched how smooth and sweet a white cloud glides." (Cisneros, 72). This last sentence is powerful because it shows that he
figured out who he really is and what he wanted his life to be. Although he is already in prison he was able to become a strong individual and everyone
around him saw the real person hiding underneath that tough

Character Analysis Of Sandra Bullock
Margaret Tate played by Sandra bullock is a very well organized, obsessive anal boss that everyone in the office fears. She is average height with a slim
built and clearly works out. Long brown hair that is neatly done. Margaret is in her early to mid–30s. She is very pretty with flawless tan skin. She is
very well dressed and has a very powerful presence and demands the attention of the room when she walks in. she is very high maintenance and
stuck up. She has a very strong confident walk that lets you now that she is in charge and she is not afraid to use her power. No one under her is
comfortable being themselves around her. She has multiple nick names in the office such as "it" or "the witch". The office IM's each other letting
the each other know that she is coming through so that they can have time to pretend like they were working before she enters the floor of the
office. She is cold, mean and has a do not care what you think of me kind of attitude. She enjoys the fear that she brings among her employees. She is
very well spoken and speaks with authority and confidence. She is fearless and thinks quickly on her feet without hesitation. Her dialogue is highly
effective because it give the character its identity and it shows from the very beginning what role she will be playing throughout the movie. She has a
very self–assured rude attitude then is quickly somewhat humbled when she realizes that she is going to be deported due to her visa application being
denied

The House On Mango Street By Sandra Cisneros
In The House on Mango Street, Sandra Cisneros uses her writing of houses to emphasize the fact that your house does play a part in the way you're
viewed, treated, and expected to act. This is seen on various occasions throughout the story. As the main character Esperanza mentions them often.
The first example is when Esperanza explains when she one of the nuns from her school see her playing outside so the nun ask where she lives.
Esperanza points to her house and the nun responds "You live there?" (Cisneros 5). Cisneros writes this in italics to emphasize the judgement in her
voice. To emphasize the fact she lives in a house that is to be judged with a 'there' shows the change of view of Esperanza. The nun is shocked at the
fact of where she

Analysis Of Only Daughter By Sandra Cisneros
"N.O" is a song that's been written, preformed, and sung by BTS. Their video was released on September 10, 2013: just a few months after their debut.
It shows the struggles students face in society and that they try to fit in, and yet they discover that there's more that they can achieve. Another story that
shows a similar content is titled, "Only Daughter" by Sandra Cisneros. It is a story about a girl with six brothers yet tells herself that the is an only
daughter. Cisneros has had hardships of her own when she was growing up with her family because she thought the wasn't being recognized by her
father as much.
Cisneros has three major themes in her story: such as relationships with parents, terms of approval, and the perspectives people have of a woman's role.
The relationship with her father is that it was non–existent, she tried to get her father to acknowledge her, yet he wouldn't. All her father did was
encourage her to go to college and find a husband. She is there to please her new–found husband; however this leads her to introduce herself that she is
"the only daughter and only a daughter" (Pg. 401). Whether she meant it sarcastically or ironically.
Despite being shown any attention for her writing, Cineros shows a great deal of determination without encouragement from her father. She tells us
that we may not receive support from those that we care about, yet we can still reach our goal. She reaches out to those who have been or feel
neglected by society. Or

Sandra Day O'Conner
Sandra Day O'Connor
Sandra Day O'Connor had a very unpredictable political opinion. In many of her decisions, it was difficult to decide which side she was on; for or
against. Mrs. O'Connor was influential in many monumental rulings on freedom. Mrs. O'Connor was also very influential in cases concerning
harassment and discrimination. Even though Mrs. O'Connor did not always vote how women felt she should have, they still considered her to be a
great role model.
Sandra Day O'Connor's influence was strong in the Supreme Court on the decision of many cases. Sandra Day O'Connor was one of four justices to
rule on the case of Bush v. Gore. This is a case concerning the miscalculations of votes in four counties in the State of Florida. ... Show more content on
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There were a number of votes given for each Presidential candidate and Florida should have stood by it.
Sandra Day O'Connor also took a stance on women's rights and abortion. Mrs. O'Connor's position on abortion was the most controversial for her.
Mrs. O'Connor sided with the majority in 1988 to allow the states to narrow a woman's right to have an abortion by imposing legal restrictions. This
decision came only five years after Mrs. O'Connor disagreed with the Court concerning legalized abortion. Mrs. O'Connor has strived to stay in
balance with the Constitution, and her interpretation of it. Mrs. O'Connor voted to uphold the decision of Roe v. Wade: woman's right to choose.
Mrs. O'Connor and four other justices upheld the determination of Roe v. Wade saying it's the woman's right to abort prior to viability and restricting
abortions after viability unless the woman's health is in danger. I agree with the opinion that it should be left up to the woman whether or not she is
going to abort. However, I do strongly believe that only under extreme circumstances or severe health issues to the fetus or mother, should an abortion
even be considered. If a mother does not want the child, there are plenty of people in the United States that would love to adopt it. In Oklahoma a
fetus is viable at twenty–three weeks pregnant. In my opinion, the definition of viable begins at conception. A heart beat can be heard beginning at nine

Eleven By Sandra Cisneros Analysis
In "Eleven," Sandra Cisneros focuses the narrative on an embarrassing moment in the life of the main character. This moment occurs on her
eleventh birthday when she is being blamed for a "ugly red sweater" and is stunned by her lack of confidence and social skills so she can't (won't)
say the sweater is not hers. Through Rachel's description of the incident, we can confirm more information about her that we wouldn't have otherwise
known. We can confirm is is very opinionated, she is more mature in her head then when really speaking by her acting, and we can confirm that she
has a theory about being all ages. This is hinted and stated throughout the story, that being"... that stupid Sylvia Saldivar says,.." which sounds like
Rachel doesn't like Sylvia and expressed it, " all itchy and full of germs that aren't even mine." which is stating her opinion of the sweater and she
certainly does not like it, " What they don't understand about birthdays and what they never tell you about being eleven, you're also ten, nine,
eight,seven,six,five,four,three,two,and one." It states that she has a theory about being all ages you've past been your whole life, or at least when
you're eleven.... Show more content on Helpwriting.net ...
She gives Rachel's thoughts instead of just details so we can view and relate, she gives examples of her feelings so she not just an unemotional
robot, and she gives examples to how Rachel is feeling. An example of all of these (in order) is; "I wish I was invisible but i'm not..." showing she
wants to become invisible which readers can relate to, "Because the way you grow old is kind of like an onion or the rings on a tree trunk or like my
little wooden dolls that fit inside the other, on year after the next one." This implies that she thinks you become all the ages you've

Sandra Cisneros Only Daughter
Sandra Cisneros writes in "Only Daughter" about being the only daughter in a very big family.
One mother, one father, six sons and one daughter is what made up her family. She remembers her life as a young girl as always feeling like she was
only meant to be married. Even going to college was only acceptable because she had a greater chance of meeting a man who could eventually be her
husband.
Although she became an English professor after graduation and was a published author, she always felt as if her father felt ashamed of her for not
being someone's wife after all of that time. Sandra was constantly trying to impress her father and have him feel proud of her. He only spoke and read in
Spanish, so until one of her writings were published ... Show more content on Helpwriting.net ...
Once he was able to understand her work, he showed pride in his daughters' life choices for the first time, and that was very significant for Sandra.
Sandra's way of telling her story was very intriguing and relatable. She spoke in a very fluid manner, allowing the reader to easily understand her
point of view. Her life experiences are a very good source for information and inspiration. She makes the argument that in a Mexican family, the girl is
only meant for certain things. "..for the reader's sake I should have written: "I am the only daughter in a
Mexican family of six son's.""(1) As a girl from a similar family, I understood this meaning right away.
However, I do not think that she examined this particular portion of her writing enough to help a reader who has no experience with the type of person
she is explaining understand what she means.
In some families, being a girl has a very specific meaning. Watching your family uphold traditions that work, such as a common marriage, can make
life choices for yourself very simple. However, sometimes that kind of life might not be what makes you happy. I believe Sandra's father only wanted
for his little girl to be taken care of by a man because he believes that only someone like him can

Symbolism In Carmelo By Sandra Cisneros
The caramel rebozo is referred to a "Mexican shawl." () Throughout the story, the one item that Soledad and Celaya admire so much is this
Carmelo rebozo. This rebozo is one that Soledad's mother was working on before she died. Her mother never got a chance to finish the shawl, but
it was given to Soledad. Celaya always wanted the rebozo for herself, and when her father tries to buy her a silk shawl, the evil grandmother says
that there is no way a girl like Celaya will ever appreciate such a beautiful shawl. But, when the grandmother passes away, the rebozo is passed down
to Celaya, and she treasures this item just as her grandmother did. In the novel Caramelo, by Sandra Cisneros, Cisneros utilizes the symbols of the
caramelo rebozo in order to signify destiny, truth and lies, and fights to show the family and its members' relationships and traditions. Cisneros uses
each of these significances in order to show multiple people and events describe a theme. The caramelo rebozo is one of the most important symbols of
the novel. It not only ties itself to the theme of security, safety, and leadership, but also to the other symbols presented. The most importantsymbol in
this novel is the caramelo rebozo because it is something that ties together relationships and traditions of family. This rebozo has been passed down for
a few generations, this demonstrates how an object, so simple, can be very influential to a family or to anyone. "The administrating of the rebozo,
especially

Sandra Cisneros's вЂњNever Marry a MexicanвЂќ
Sandra Cisneros's short story "Never Marry a Mexican" deals heavily with the concept of myth in literature, more specifically the myth La Malinche,
which focuses on women, and how their lives are spun in the shadows on men (Fitts). Myths help power some of the beliefs of entire cultures or
civilizations. She gives the reader the mind of a Mexican–American woman who seems traitorous to her friends, family and people she is close to. This
causes destruction in her path in the form of love, power, heartbreak, hatred, and an intent to do harm to another, which are themes of myth in literature.
The unreliable narrator of this story was created in this story with the purpose to show her confusion and what coming from two completely different...
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This did not appeal to Cisneros, and these ideas helped her become a very influential writer. To begin, the protagonist Clemencia is like a
chameleon, who can blend into any social event and with any class of wealth when she says ""I'm amphibious. I'm a person who doesn't belong to
any class. The rich like to have me around because they envy my creativity; they know they can't buy that. The poor don't mind if I live in their
neighborhood because they know I'm poor like they are, even if my education and the way I dress keeps us worlds apart"(Cisneros 71,72).
Clemencia is a woman who knows how to talk and have a good time. By nature she is a very creative being who loves to impress by wearing the
best clothes, and show off to anyone to make herself seem better than others. (Cisneros 71). Clemencia is poor and does not have much being that
she works for the school system as a translator, and other various positions. But acts rich and very wealthy to all of her friends (Cisneros 72). This
connects with the myth of La Malinche, of how the character is a bad woman who sleeps with lots of men. Furthermore, the ability to blend in is a
power the author gives the protagonist to be a temptress to men to get them to have an affair with her, or something that is not serious, because of her
fear of commitment. Early on in Clemencia's life, her mother told her

In the novel The House on Mango Street, Sandra Cisneros tells the story of Esperanza, a young girl who lives in poverty. Esperanza experiences
connections with others to help her become more accepting to living on Mango Street, regardless of her initial thoughts of the house. Throughout the
novel, Esperanza accepts her life on Mango Street due to new friends and good experiences. Esperanza is a young girl who moved to a small, red,
beat–up house on Mango Street. Although everyone has to share a bedroom and it's not the home she had in mind, it is a home. Esperanza tells
the story of the house she wishes to live in. She says "They always told us that one day we would move into a house, a real house that would be
ours for always so we wouldn't have to move each year" (Sandra Cisneros 4). Esperanza isn't completely okay with where she lives, but she is happy
to be with her family, even if the house she is in for the time isn't the best.... Show more content on Helpwriting.net ...
The two girls were offering to be someone's friend for just five dollars. Esperanza didn't have but only one friend, so she got three dollars that she
had saved and took two of Nenny's. With the five dollars, the girls bought a bike and took turns using it. The narrator says, "This bike is three ways
ours, says Rachel who is thinking ahead already. Mine today, Lucy's tomorrow and yours day after"(Sandra Cisneros 15). Esperanza now has two
more friends than she did before. Having friends helps Esperanza to be more comfortable with living on Mango

The Storyteller By Sandra Cisneros Essay
In the essay, "The Storyteller," Sandra Cisneros discusses how she didn't let her family's' traditions interfere with her passion to become a writer.
Despite the fact that her father loathed the idea of her moving out without being married, her desire for independance lead her to leave. She finally
got her silent home to "listen to the voices inside herself" while becoming inspired by all of her trinkets. Every decision she makes revolves around
her writing; it influences every aspect of her life. Cisneros emphasizes the role that family has on your dreams and her ambition to pursue them no
matter what. When returning home from college, Cisneros describes her father's disapproval of her understanding of what it takes to be a writer.
According

The Street That Changed a Life The House on Mango Street, by Sandra Cisneros, displays a great emphasis on culture and people helping form a
young girl into a young lady. The main character, Esperanza, has to navigate a mentally and physically challenging life growing up in a poor,
Hispanic neighborhood while still learning how to mature and rise above the poverty that surrounds her. Thus, the question arises: in what way and to
what extent does close human interaction change Esperanza's life and set her on the path to being accomplished? Being around people such as her
friends, family and neighbors cause Esperanza to realize what she wants in life and how to gain the maturity needed to escape the troubles of Mango
Street. Mango... Show more content on Helpwriting.net ...
Mango Street affects her at first in a bad way. Her disapproval is proven by her thought, "I knew then I had to have a house... But this isn't it. The
house on Mango Street isn't it. For the time being, Mama says. Temporary, says Papa" (Cisneros 5). Even though Esperanza does not like the
house, it is a very special thing to her family, "The house on Mango Street is ours, and we don't have to pay rent to anybody, or share the yard with
the people downstairs, or be careful not to make too much noise, and there isn't a landlord banging on the ceiling with a broom" (Cisneros 3). This
is the first sign of Esperanza's transformation to a new and better life which will be guided by the wisdom and ignorance of people neighboring
her family. Esperanza 's family has a heavy impression on her. Being the eldest out of four children made her have to mature fast if she wanted to
care for her younger siblings properly. An instance in which she proves to overlook sadness for the sake of her family is when their grandfather
died. She had to accept the responsibility of being a leader to her young brothers and sister, "Your abuelito is dead...Because I am the oldest, my
father had told me first and now it is my turn to tell the others" (Cisneros 56). Her mother also pushed her to be mature and responsible by
encouraging her to try in school and not give up, "Shame is a bad thing, you know. It keeps you down. You want to know why I quit school? Because I

Analysis Of The Movie ' Caramelo ' By Sandra Cisneros
Caramelo, written by Sandra Cisneros, revolves around the main character Ceyala 's life and her family. The story unfolds with Ceyala's family
traveling to Mexico for their annual trip. It then later begins with the family's history exhibiting that the search for work and money causes Ceyala's
family to move to the US, in order to find financial stability. Throughout the time, Ceyala's family moves through Texas, Chicago, and Mexico,
Cisneros exhibits the theme of identity through the family's history, relationships, and other interactions the characters have with one another.
Everybody's role and identity within a latino family are explored throughout the text. Sandra Cisneros uses smaller main ideas and symbols of home,
love, roots, and womanhood in order to further elucidate the greater theme of identity.
One of the symbols and smaller main ideas that the characters explore is the meaning of home. Ceyala's family struggles to find their place, and
identity. They question what or where is home, whether it is family, the US, or Mexico. Cisneros uses the idea of home through many characters. In
the last part of this book, Cisneros uses Inocencio, Ceyala's father, and the conflict of when the border patrol come and talk to him. After they
converse, the border patrol commands that he moves back down south to Mexico. His family later received the bad news of returning back to Mexico,
this sparks questions in Ceyala 's understanding of what is home. Ceyala's family had

Sandra Cisneros Biography
Sandra Cisneros is a Latina novelist who was born on December 20, 1954, in Chicago, Illinois. She is one of seven children and she is the only
female child. Cisneros' father left Mexico and came to America to make a new life. Her mother was Chicana and worked in factories, while her father
upholstered furniture to make ends meet (Charters P.183). Her Parents did not make a lot of money and with seven mouths to feed money was very
tight, she grew up very poor. The Cisneros family also moved around often, going from the ghetto of Chicago to Mexico City to visit her father's
family. Cisneros often felt dislocated, and never felt she belonged to either her Mexican roots or her American upbringing. Sandra felt very confused
growing up and described ... Show more content on Helpwriting.net ...
Barbie is the standard that society holds women to. Females must be thin and wear the best clothes have a great boyfriend and have lots of friends.
Little girls are bombarded with these images and they start to hold themselves to this standard. But I think the little girls in this story defy society
by wanting the damaged Barbie's. They say So what if we didn't get our new Bendable Legs Barbie and Midge and Ken and Skipper and Tutti and
Todd and Scooter and Ricky and Alan and Francie in nice clean boxes and had to buy them on Maxwell Street, all water–soaked and sooty. So what if
our Barbie's smell like smoke when you hold them up to your nose even after you wash and wash and wash them. And if the prettiest doll, Barbie's
Mod'ern cousin Francie with real eyelashes, eyelash brush included, has a left foot that's melted a little so? If you dress her in her new "Prom Pinks"
outfit, satin splendor with matching coat, gold belt, clutch, and hair bow included, so long as you don't lift her dress, right? Who's to know (Charters
P.184). I think Cisneros use to try and hide her heritage by wearing "Caucasian" clothing and by not speaking Spanish outside of her

Storyteller By Sandra Cisneros
In the essay, "The Storyteller," Sandra Cisneros describes different aspects that happened throughout her life. For example, she talks about family
traditions, her independence, how her father didn't agree with her decision to become a writer. Cisneros also describes about how passionate she
is about her writing and how she was a teacher. Her father wanted her to be a weather girl on television or get married and have babies. Even with
all the criticism of her father Cisneros still managed to live her life as she wanted. Cisneros also emphasizes how important it was for her to have her
own space and privacy. Cisneros didn't let anyone make choices you don't want to do, always do what you want to make yourself happy and not
anyone else. As

Sandra Cisneros Eleven
Eleven Rachel is miserable because she is shy, regretful, and embarrassed. The story, "Eleven" by Sandra Cisneros is categorized as realistic
fiction, after all the story could happen in real life. In the short story it is Rachel's eleventh birthday! The only thing is no one treats her like a new
eleven year old. During class Mrs. Price asked the class if they recognized or knew who the sweater belonged to. Rachel described the sweater as
"an ugly sweater with red plastic buttons and a collar and sleeves all stretched out like you could use it for a jump rope." Although she says the
sweater is not hers, Sylvia Saldivar says "I think it belongs to Rachel." Mrs Price also thinks it is Rachel's and instructs her to put it on. Rachel, not
wanting to put on the sweater, starts to cry.... Show more content on Helpwriting.net ...
In the story rachel says, "That's not, I don't, you're not... Not mine," This shows that she doesn't feel comfortable talking in front of a crowd,
therefore she may be a little shy, which obviously isn't helping her statement, as to the sweater not being hers. Another reason as to why Rachel is
shy is when Rachel continuously says she wanted to be anything but eleven. This shows that Rachel was shy or even scared to face conflicts
because all she wanted was for it to be over, or never to have happened. Lastly Rachel was shy when Sandra Cisnero told the readers, "I finally say in a
little voice". When the author added "in a little voice" it showed that Rachel was scared and nervous to talk in front of her

Structure Of Eleven By Sandra Cisneros
Structure of Essay Eleven Sandra Cisneros story Eleven is an influential piece about the struggle of Rachael on her eleventh birthday. Rachael is a
young girl who is harassed with understanding how to feel about her birthday, a day which is delightful for most but not for her. She fights
through her age and maturity to be understood, but fails. Told from an insightful first person Eleven contains simplistic diction and a good use of
similes to characterize Rachael as a neglected and sad girl with an advanced outlook on birthdays Rachael starts by talking about how people carry
every year with them. She says "some days you might say something stupid and that's the part of you that's still ten, or one day you may need to sit
on your mama's lap because you're scared and that's the part of you that's five". What she's trying to say about aging is that people are made up of
their years like "the rings of an onion" or the "inside of the dolls you fit within one another". Rachael is saying that people don't lose the years before,
they continue... Show more content on Helpwriting.net ...
She wishes that she was "one hundred and two" in order to tell the teacher that the "ugly sweater with red plastic buttons" was not hers. Rachael's
assertion that she wished to be 102 years old is an odd age for a little girl to want to be. The reader takes this as Rachel's way as hoping she could stick
up for herself to the teacher when telling her it is not her shirt but she is held back from this parameter of age. As she goes back to her child form,
Rachael describes what seems to be a simple sweater, as hideous and disgusting. She says as she opens her eyes the red sweater is still sitting there
"like a big red mountain". It is clear Rachael does not want to be associated with such a disgraceful item. Cisneros Characterizes Rachael as a girl
with different views than most eleven year old girls through a well use of diction and

Sandra Cisneros Research Paper
Looking Into Sandra Cisneros Some people let the past make them bitter and grow to hate those with success. While others learn to use it as a
driving force to make their own success. Sandra Cisneros is a prime example: she used her past to drive her creative writing and influence the
Chicano community for the better. Sandra Cisneros had a rather tough time finding her place in life, especially with other people. She was often
moving back and forth between the U.S and Mexico due to her father's close relationship with his side of the family. Because of this constant
movement while growing up making friends was very difficult for her. So, she would turn to other sources of happiness which was primarily found in
her poetry and her vigorous readings of Alice in Wonderland. (Brackett 2005) In fact, her mother found a great happiness in watching her daughter
being independent in her thoughts and actions. She would make sure that her daughter accumulated enough time to better herself with school work and
reading. This was accomplished by telling her six younger brothers to leave her be as she studied. For the most part, this was successful.... Show more
content on Helpwriting.net ...
(Brackett 2005) Hoping to get away from the isolation her peers and father gave her. Unfortunately she was at a loss, seeing as most of her
classmates came from white privileged backgrounds. Something she knew nothing about. Things were not all bad, this isolation gave her time to
focus on schooling as well as find her own creative voice in her writings. (Brackett 2005) After six years of schooling she finally graduated in 1978
with a master's degree in fine arts and creative writing. (Brackett 2005) Managing to make her mother proud as well as herself she has a newfound
confidence and is ready to focus on her new

What Is The Theme Of Bread By Sandra Cisneros
"BREAD" SANDRA CISNEROS I question whether these two people in the story are having an affair, back together after a divorce, or whatever?
Something as simple as bread can lead to that answer. The bread is much like their relationship, actually exactly like it. "We were hungry. We went
into a Bakery on Grand Avenue and bought bread. Filled the backseat. The whole car smelled of bread. Big sourdough loaves shaped like a fat
ass"(Cisneros 84). It was an affair. They were lusting each other and finally have to give in and it is Grand, like the Avenue, it fills the backseat, and
the whole car smells of it. Comparing the bread to an ass also takes on a sexual tone. "We ripped big chunks with our hands and ate"(Cisneros 84).
They gorged... Show more content on Helpwriting.net ...
I mean seriously. This girl is pretty pathetic. It is even kind of funny. This guy has killed and raped eleven other girls. He is probably going to look
like a psycho. He brings this young girl a cup of freaking Kool–Aid and she knows she loves him. It does not get much worse than that. Even the title,
One Holy Night, hardly holy I would think, gives off a mocking tone. "Barbie – Q" Sandra Cisneros This story seems to contain the theme that to those
who wait good things will come. And maybe even, be grateful of what you have, for many others are much less fortunate than you. The story is
being told to the reader, as if the reader were a character. That character either being a friend or sister of the narrator in a similar financial situation.
They make the most of what they have and can afford. That being one Barbie doll and one extra outfit apiece. But on this Sunday they go to the flea
market on Maxwell Street [http://www.youtube.com/watch?v=ZHMHFO5n6Cc] and there they were. "Lying on the street next to some tool bits, and
platform shoes with the heels all squashed, and a fluorescent green wicker wastebasket, and aluminum foil, and hubcaps, and a pink shag rug, and
windshield wiper blades, and dusty mason jars, and a coffee can full of rusty nails. There! Where? Two Mattel boxes...How much? Please, please,
please, please, please, please, please, until they say okay"(Cisneros 15). This young girl is beyond excited. She's spitting out all these things stammering

Woman Hollering Creek By Sandra Cisneros
The book Woman Hollering Creek, by Sandra Cisneros highlights many examples of "everyday verbal mythology" in the Hispanic culture, literacy and
language as sites of conflict build up. The violence in lack of translation, interpretation by translators, culture betrayal and existence of encoded
language only familiar to insiders are some of the issues that seems not to appeal to the translators.
The sufferings and subordination of both the culture and language by the leading culture is accompanied by other elements that erupt from
"unconscious" of the book's author to make things work for its conscious signification. The author says that "[The poem is] Pretty in Spanish. But you
'll have to take my word for it. In English it just sounds goofy." (161). this clearly highlights the issue of untranslatability of the discourse subordinated
culture to the dominant languages. The untranslatability of the Spanish language, the unpronounceability of Spanish and Amerindian name and the
invisibility of silencing of Chicanos are all figured out by Sandra. Spanish operates in the text as a sign of insider status, specifically the bilingual
Spanglish which, according to Castillo 's poet–narrator, is spoken "with an outrag accent splattered with Chicanismos, one could only assume was done
with some intention" (54). The character, Cleofilas, calls the mixture "Spanish pocked with English," the metaphor, perhaps inadvertently, evoking
disfigurement and disease (55).
Woman Hollering Creek,

Sandra Cisneros
Sandra Cisneros, an author who is deeply inspired by her Mexican American heritage. This inspiration is clearly shown throughout every one of her
writing pieces such as "Salvador Late or Early" and "Eleven". Both short–stories focus on adolescents with a mature mindset and adult precision, and
each story does a marvelous job portraying Cisneros constant writing style. "Salvador Late or Early" is focusing on a young boy, Salvador, with
heavy burdens to carry on his shoulders, which is unfortunate because he is such a young boy with an old soul. The responsibilities he has are
unimaginable due to the fact they don't pertain to his age. The short–story "Eleven" is about an eleven–year–old girl named Rachel, a forthright
character who explains... Show more content on Helpwriting.net ...
"Salvador Late or Early" includes figurative language all throughout the short–story. For example, "Salvador with eyes the color of caterpillar,"
(Paragraph 1, Line 1) is a metaphor suggesting metamorphosis and even though he is a caterpillar stuck inside its cocoon, he will soon become a
beautiful, graceful butterfly. This metaphor gives rise to the artistic voice and thematic meaning because the message this short–story is trying to send
is that no matter how worthless one may feel and if they think that they'll never have enough power to hatch out of their cocoon, in the end, they
will always become the beautiful, graceful butterfly they were all along. Another example of figurative language in "Salvador Late or Early" is a
metaphor in paragraph 2: "Arturito has dropped the cigar box of crayons, has let go the hundred little fingers of red, green, yellow, blue, and nub
of black sticks that tumble and spill over and beyond the asphalt puddles..." This symbolizes a rainbow after a storm, and the deeper meaning
behind this symbolism is that although Salvador is caught in the middle of a brutal storm, the sun will soon come out and he will find a rainbow.
One example of figurative language in "Eleven" is when Rachel uses similes such as "Because the way you grow old is kind of like an onion or like
the rings inside a tree trunk or like my little

Sandra Cisneros My Name
"My Name" by Sandra Cisneros is a short excerpt from her book The House on Mango Street (1984). In this excerpt, Cisneros narrator is a girl named
Esperanza, who is telling us that her name reminds her of a lot of negatives things, including who she inherited it from. Esperanza is trying to convince
us that her name is a terrible name, which is built up of negativity and bad history. She state that she was named after her great–grandmother, who was
born in the Chinese year of the horse, which they have in common, and is well known for her wild customs which lead to her feeling sad and lonely
all her life. Esperanza specifies that her name sound beautiful among Spanish speakers, but to non–Spanish speakers her name is pronoun funny "as if
the syllables were made out of tin and hurt the roof of your mouth" she says. She indicated that she would like to baptize herself under a new... Show
more content on Helpwriting.net ...
The main idea of "My Name" was to specify that the narrator name was a huge burden on her, which she does not seem to like or want to be
defined by. The text tells us that the effect of words can be a burden on individual, which leaves the lasting effect of negativity and drought. Sandra
Cisneros purpose on writing "My Name" was to indicate how big of an impact a person's name can have on their reflection of the who they are and
who they are bound to be, in others words a name is more than a word given to you the people who named you. This brings up issues mainly identity
and sense of reassurance. The background of this excerpt is from the book The House on Mango Street (1984) by Sandra Cisneros. The story is
organized in short paragraphs, which made the story much more effective by keeping it simple, but providing as much as information regarding
identity, culture, and doubt. The tone of this story in very negative, because the narrator Esperanza is

Sandra Cisneros Research Paper
Sandra Cisneros being born on December 20, 1954 lived in Chicago, Illinois. She was born the only girl in a family of seven children. Her parents
were sadly very poor. Sandra had problems making friends and had trouble feeling like she belonged because she would constantly be changing
schools a lot. When she began high school at Josephinum Academy, an all–girls Catholic school near her house, Cisneros found another place where
she felt she belonged. During her college years, first at Loyola University in Chicago and then in the Master's Program at the University of lowa,
Cisneros found her unique writing voice. In 1982, Cisneros got her first big break: the National Endwoment for the Arts awarded her a grant, which
allowed her to quit her job

Analysis Of Only Daughter By Sandra Cisneros
"Being only a daughter for my father meant my destiny would lead me to become someone's wife", like Sandra Cisneros illustrates in her essay "Only
Daughter", many women in the Mexican–American culture used to not have other choice in life, but to eventually become someone's wife. Cisneros
focuses on the lives of first and second generation Mexican American females. In her essay, she brings the reader her own life story to support the
struggle that many Mexican–American women had to experience at the time the essay was written, and that can still be seen in modern society. In her
essay, Cisneros effectively convinces her reader of the difficulties of growing as a female, more specifically, as an only daughter in a
Mexican–American family of nine.
The autobiographical essay "Only Daughter", published in Glamour in 1990, by the author Sandra Cisneros, illustrates the struggles that she had to go
through to get her father's approval. Being the only daughter in a Mexican–American family, composed of six brothers leads her to feel lonely but it
also gives her time to prepare and become the person she wanted to be. Cisneros claims that her father believed that her only destiny was to become
someone's wife. Following her dreams, she decided to go to college in which she spent four years and two more in graduate school. Majored in
English, but she had not yet found a husband, leading her father to think that all those years were just a waste of education. According to Cisneros,

Sandra Cisneros' Writing Essay
Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author,
Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican–Americans, could
show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of
Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of
Mexican and American into a hybrid breed. This novel, should have been a view–point for the future to show that there is more to life than just gender
and race. ... Show more content on Helpwriting.net ...
This goes on to show that the narrator (who expresses herself as young, poor girl) does not have any women in her family and Lucy is someone she
can run to and be her female barrier through life, as a sister which she says, "And we look at each other, our arms gummy from Popsicle we split,
we could be sisters right?(5)".Relating to she wants so much to be close to this girl, and she imagines them as sisters. In addition to, there are no male
presence around except for her brothers which makes her feel like she can not relate to "their"world. Another reference of identity is in the story
"Barbie–Q", the little girl is playing with Barbie dolls with her friend, and the barbie dolls are very basic with not much clothing. Moreover, there
is no "Ken" Barbie dolls around either. This compares that there is no masculinity as well as how poor these two girls are since the dolls only have
few clothing. As a result, these girls have to share . Before long, they have an opportunity to buy some barbie dolls when there is a sale on burnt dolls
due to warehouse that caught on fire. "And if the prettiest doll, Barbie's MOD'ern cousin Francie with real eyelashes, eyelash brush included, has a left
foot melted a little–so?"(16). The girls do not care or take notice to the damage, they are grateful for what they have.

Summary Of Barbie-Q By Sandra Cisneros
The story "Barbie–Q" was written by Sandra Cisneros who grew up with a strong male influence in her family, being the only female in a family of
six male kids. She began writing at a young age and became an accredited author in 1978 with a Masters degree in Fine Arts at an Iowa Writers
Workshop (Cisneros 339). The story "Barbie–Q" is is a work with a strong emphasis on underprivileged females being overruled by society. Cisneros'
point of the story is to identify that the pressures of females to be in pristine condition and anything less is considered invaluable or worthless.
The work of Cisneros exposes the societal pressures of females in everyday life and the inequitable treatment of those that have a better wealth
situation than others. The story starts off with two young girls discussing the dolls they see in the store but knowing not to ask for one. The reason
the girls know to not ask for one is because their family can't afford a brand new doll. Specifically one of the girls says, "We have to make do" with
the barbies they have now (Cisneros 339). Due to the money issues, the girls feel like they have fewer opportunities in the cultural time period. When
they finally can't afford the dolls they arrive at a farmers market where they see a set of dolls for cheap. The dolls were discovered to be damaged
physically with a burning down of a warehouse where they were stored. This connects to the constant maltreatment of females in the society in that the
ones that are

Mango Street By Sandra Cisneros
In the vignette "My Name" in the book Mango Street the author, Sandra Cisneros, uses imagery in a very influential way. Sandra Cisneros doesn't use
imagery in just this vignette; it ties into many of the other vignettes, but in the vignette "My Name" she uses it to emphasize her sorrow toward what
happened to her great grandmother. The vignette begins with Esperanza explaining what her name means in English and in Spanish. Also, she
clarifies how she was born in the Chinese year of the horse. Sandra Cisneros also talks about how Esperanza's great grandmother was born in the year
of the horse, same as Esperanza. Esperanza then goes on to explain what happened to her grandmother. Esperanza's has never met her grandmother in
person but she still

Biography of Sandra Cisneros
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros'
stories about Mexican–American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros's stories
highlight the struggle of women who identify with Mexican–American heritage and the struggle in terms of living up to Mexican culture – as a
separate ethnic body. The women in Sandra Cisneros' stories are struggling with living up to identities assigned to them, while trying to create their
own as women without an ethnic landscape. In Sandra Cisneros' stories "Woman Hollering Creek: and "Never Marry a Mexican" the role of female
identities that ... Show more content on Helpwriting.net ...
Cleofila was brought into the United States from Mexico not speaking English and living only as a house wife and a dedicated fan of her novelas –
soap operas. She is mistreated by her husband, and Cisneros writes the following about her:
"CleГіп¬Ѓlas thought her life would have to be like that, like a telenovela, only now the episodes got sadder and sadder. And there were no
commercials in between for comic relief. And no happy ending in sight. Everything happened to women with names like jewels. But what happened to
a CleГіп¬Ѓlas? Nothing. But a crack in the face" (Cisneros, 396).
This story centers on two characters, Cleofilas and Felice, a Mexican–American – a strong woman who drives her own truck and isn't married. This is
duly noted because it means that she is independent of a man. This is the key difference between Cleofilas and Felice: Felice embraces her freedom
as a woman, and can go freely from Mexican and Anglo/American culture. Cleofilas is stuck under the abusive thumb of her husband and struggles to
be free behind the fantasies of her novellas. "'Woman Hollering Creek' thus opens up gender definitions on all sides to the fluidity of border existence"
(Wyatt, 244). The story explores both the strained role on Mexican and Chicano women, as well as the freedom that she can experience as a woman –
as a woman in any place. Woman is newly defined between Felice and Cleofilas, because Cleofilas learns that there is life beyond her abuse and her
fantasies. She

Language is a powerful thing. It's what allows you to communicate with the people around you. Throughout The House on Mango Street by Sandra
Cisneros, the people who can't speak English don't have the ability to do what they want with their life. Simply because they can't speak the same
language as the people around them.
During his first couple months in the U.S., Esperanza's father wasn't even able to choose what he wanted to eat. "He ate hamandeggs for three
months. Breakfast, lunch and dinner. Hamandeggs. That was the only word he knew" (77). Ordering a meal may seem like a simple task, but it isn't
to someone who can't read or speak the language the menu is in. One of the neighbor's ... Show more content on Helpwriting.net ...
She feels alone and scared because she's in a new country full of people speaking a language she can't understand. "somebody said because she's
too fat, some because of the three flights of stairs, but I think she doesn't come out because she is afraid to speak English, and maybe this is so
since she only knows eight words" (77). Not knowing how to speak English is what keeps her inside all day. She's homesick and wants to go back to
the place where she actually understands what people are saying and isn't afraid to speak. The woman, who they call Mamasita, wants to be able to go
outside and enjoy her life. In one of the vignettes Esperanza's aunt Lupe tells her "remember to keep writing, Esperanza. You must keep writing. It will
keep you free" (61). Esperanza says yes even though she

In My Name Sandra Cisneros Analysis
In My Name by Sandra Cisneros, the author herself explains the meaning of her name, Esperanza, in both the English and Spanish language and how it
is not the name she wants to inherit from her great–grandmother because of her life occurrence. Cisneros explains the meaning of her name Esperanza
by stating it that "In English my name means hope. In Spanish it means too many letters." (109). She also explains that her great–grandmother was
born in the Chinese year of the horse which is supposed to mean bad luck for females born that year. She does not believe that it is true because she
explains " this is a Chinese lie because the Chinese, like the Mexicans, don't like their women strong." (110) assuming that every Chinese/Mexican
males don't

Who Is Sandra Cisnero's Eleven?
Everybody wants to feel important on their birthday; whether it be their seventh birthday or their seventeenth birthday, growing a year older is still
important. Sandra Cisnero's "Eleven" depicts the day of a young girl's eleventh birthday. Through the use of imagery, narration, and similes, Sandra
Cisneros characterizes Rachel to explain her day as turning eleven wasn't as good as everyone would hope it to be.
Sandra Cisnero characterizes Rachel as a girl who over analyzes every action and who has high expectations for herself and others. Rachel focuses
heavily on the little things, whether it is that Sylvia Saldivar giving her a hard time or over who owns the ugly red sweater. Rachel creates small
problems into even larger problems, by shoving the red sweater to the tippy–tip corner of her desk. Rachel uses imagery to show how impactful and
insecure these events on her birthday are to herself. She ... Show more content on Helpwriting.net ...
The waterfall is constant and non–stop, just like the agonizing pain she's feeling at that very moment. Rachel mentions "But the sick feeling goes away
and I open my eyes, the red sweater's still sitting there like a big red mountain." The imagery within that quote makes that having that minor
inconvenience is causing something much more larger and terrible in the eyes or Rachel. She comes to the conclusion that whatever she does, she will
never act the age she is. Rachel explains that if she does something, it brings out a different age, meaning if she cries she's three; if she's scared she's
five. This characterizes Rachel in a way to show that she is immensely insecure about her age and emotions. Rachel narrates scenes from her birthday
like no other eleven–year–old. She goes into sophisticated depth about what she's feeling and how it's just plain agonizing to herself. "...and it's just
my body shaking like when you have the hiccups, and my whole head hurts like when you drink milk too fast." Rachel uses similes to show how

Themes Of Sandra Cisneros
Readers of Sandra Cisneros are able to identify major themes throughout her work. She makes these themes evident because growing up she
experienced some of the feelings and emotions that her characters do, which is why she is able to write with such passion. Displacement and
isolation are two themes that Cisneros makes evident in her work. Readers will see these themes in Woman Hollering Creek, 'Mericans, and
Eleven. In Woman Hollering Creek isolation and displacement play a big part in the main character, Cleofilas', life. She marries a man whom she
believes she is going to be with forever, however that is not the case when her husband decides to do things to her no husband should ever do.
Cleofilas tries to pretend that everything that happens to her is normal by faking everything she does and feels. At the ice house where many
people come to have a beer Cleofilas goes to accompany her husband because if she does not she will be seen as a bad wife. "[...] she is invited and
accompanies her husband, sits mute beside their conversation, waits and sips a beer until it grows warm, twists a napkin into a knot, then another
into a fan, one into a rose, nods her head, smiles, yawns, politely grins, laughs at the appropriate moments [...] (Cisneros 223). She feels so out of
place that instead of trying to make conversation she would rather stay off to the side and pretend like everything is fine. Cleofilas first longs to
experience the American Dream, if there is such a thing,

Eleven By Sandra Cinsneros Summary
In the text, Eleven, by Sandra Cinsneros, the story explains how a young girl, Rachel turns eleven, but doesn't feel or act as if she is eleven. Rachel
counts down from eleven, which are her past ages instead of counting forward, which are her future ages to come. She counts down because she has
experienced these ages before and tells the readers that when you turn eleven you still act these younger ages and are still inside of us. She can't or
doesn't count forward like twelve, thirteen, fourteen, etc. because those are her future ages to come and doesn't know what it's like to be older just
yet. Rachel compares aging to her wooden dolls that fit inside each other. This means that every year as we get older, all our younger previous ages all

Meaning Of Eleven By Sandra Cisneros
Sandra Cisneros, an American novelist, poet, and short story writer, born in December 20, 1954, and is best known for her first novel of "the house
on mango street", she is also a winner of a couple of prizes including a National Endowment for the Arts Fellowship, and is regarded as a key figure in
Chicana literature (is literature written by Mexican Americans in the united states.) Sandra has also written books such as: "Have you seen Marie?",
"Loose woman and woman hollering creek", and "Eleven." Eleven was published August 2010.
Eleven is a short story about a young girl named Rachel who explains to the readers that "[what we] don't understand about birthdays and what they will
never tell [us] is that when your eleven your also ten, and ... Show more content on Helpwriting.net ...
Although Rachel does have her moments when she can't hold in her anger towards the sweater and trying to keep herself from crying by telling her
self that "Mama is making a cake for [her] ... tonight, and when [her] Papa comes home everybody will sing Happy birthday, happy birthday to you."
Which the only person to have blame for this would be the teacher for not believing Rachel when she was saying the truth.
Rachel also shows us a side of her six year old stubbornness when she starts making up ideas "[and wondering] how long till lunchtime, [and] how
long till [she] can take the red sweater and throw it over the schoolyard fence, or leave it hanging on a parking meter, or bunch it up into a little ball
and toss it in the alley." Rachel also shows us her two year old side when she starts crying and "put ['s] [her] head down on the desk and bury ['s] [her]
face in [her] stupid clown–sweater

Tepeyac By Sandra Cisneros
In Sandra Cisneros' "Tepeyac" she uses long descriptive sentences with complex words to reflect on her past, while in Langston Hughes' "Marion
Anderson" he uses short sentences and simple, down–to–earth language to inform the reader about Marion Anderson's singing career. In "Tepeyac",
Sandra Cisneros uses high or formal diction to elevate the images from her memories. She also uses concrete, descriptive language such as
"arabesque" and "lacework" to contribute to the imagery of her past. Describing her memory she states, "Green iron gates that arabesque and scroll
like the initials of my name, familiar whine and clang, familiar lacework of ivy growing over and between"(Cisneros 105). Her long sentences are
made easy to read by her use of natural order. She is able to express her thought with complex word while not having the reader get lost in complex
sentence types. The images conveyed in her memories are comforting and nostalgic, while describing where she resided as a child. "Shoeshine men
sheltered... Show more content on Helpwriting.net ...
He uses words like "old" and "croon" to keep his writing simple easy to comprehend. "The most dramatic incident of prejudice in all Marion
Anderson's career occurred in 1939 when the daughters of the American Revolution, who own Constitution Hall in Washington, refused to allow her to
sing there"(Hughes 102). Hughes uses natural order to keep his sentences short. In "Marion Anderson" Hughes portrays an optimistic tone while
explaining Anderson's career. He is unbiased towards her because this is an informational passage, and the statements within are facts. What is stated in
his writing is dependable, and accurately portrays Anderson's career. Sandra Cisneros uses her complex and illustrative language to reflect on her past,
while Langston Hughes uses his down–to–earth writing style to express

Sandra Cisneros' Impact on Latino Literature

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