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Avant-Garde Film Practices 
PER007-1 Applied Choreography: Dance and Innovation 
Dr Louise Douse
Film Pioneers 
• 1872-1878 
• British photographer Eadweard Muybridge 
• Took the first successful photographs of motion, producing multiple 
image sequences analyzing human and animal locomotion. 
University of Bedfordshire 2
Film Pioneers 
• 1891 Thomas Edison developed or invented the Kinetoscope, a 
single-viewer peep-show device in which film was moved past a light 
• The first public demonstration of motion pictures using the 
Kinetoscope occurred at the Edison Laboratories 
• The very short film’s subject in the test footage, titled Dickson 
Greeting, was William K.L. Dickson bowing, smiling and 
ceremoniously taking off his hat 
University of Bedfordshire 3
Film Pioneers 
• The earliest colour hand-tinted films ever publicly-released were 
Annabelle Butterfly Dance (1894), Annabelle Sun Dance (1894), and 
Annabelle Serpentine Dance (1899) featuring the dancing of 
vaudeville-music hall performer Annabelle Whitford 
University of Bedfordshire 4
Early Dance Film 
• Ruth St Denis 1879-1968 
• American Modern Dance practitioner 
• 1915 Formed Denishawn School with Ted Shawn 
• Choreographed movement sequence in D.W. Griffith’s ‘Intolerance’ 
(1916) 
University of Bedfordshire 5
Early Dance Film 
• Doris Humphrey 1895-1958 
• American Modern Dance practitioner 
• Trained at Denishawn School 
• Developed her own technique and choreographic approach 
• Choreographed ‘Air for the G String’ (1935) 
University of Bedfordshire 6
Early Dance Film 
• Ted Shawn 1891-1972 
• American Modern Dance practitioner 
• 1915 Formed Denishawn School with Ruth St Denis 
• Created the first all-male works 
• Choreographed ‘Kinetic Molpai’ (1935) 
University of Bedfordshire 7
Film Pioneers 
• Film provided artists with the first opportunity to visually represent 
time 
• All of these early examples are silent films – therefore visual 
communication is dominant 
• Movement was of central importance as the key method for 
representing or communicating meaning 
University of Bedfordshire 8
Avant-Garde Pioneers 
• The Avant-Garde deals with the marginal arts practices that 
provided: 
• The cultural cutting edge at any given historical moment 
• The radical critique of the mainstream culture of the time 
• A rejection of the relationship of consumerism to culture 
• The Avant-Garde has located much of this experimentation in the 
technological revolution at the centre of the 20th Century 
• The Avant-Garde art practices that have emerged from the 
interrelationship with technology in the 20th Century have a common 
emphasis on the role of time in art. 
University of Bedfordshire 9
Avant-Garde Pioneers 
• Key Avant-Garde cultural movements 
• Abstraction 
• Distortion of reality – non-referential 
• Surrealism 
• Emphasis on sub-conscious – state of dreaming 
• Constructivism/ Futurism 
• Emphasis on mechanisation – repetition/montage 
• Conceptualism 
• Emphasis on idea as opposed to function 
University of Bedfordshire 10
Avant-Garde Pioneers 
• Len Lye 1901-1980 
• New Zealand born avant-garde film-maker 
• Used a range of dyes and stencils, scratching the celloid. 
• Directed ‘Rainbow Dance’ in 1936 
University of Bedfordshire 11
Avant-Garde Pioneers 
• Norman McLaren 1914-1987 
• Scottish-born Canadian animator and filmmaker 
• Pioneer of animation including drawn-on-film animation, pixilation 
• Directed ‘Pas de Deux’ in 1968 
University of Bedfordshire 12
Avant-Garde Pioneers 
• Maya Deren 1917-1961 
• American avant-garde film-maker and choreographer 
• Through Deren, American dance became central to the history of 
American avant-garde film 
• Directed and Choreographed ‘A Study in Choreography for Camera’ 
(1945) 
University of Bedfordshire 13
Avant-Garde Pioneers 
• Hilary Harris 1929-1999 
• American documentary filmmaker 
• Pioneers of time-lapse photography 
• Directed ‘Nine variations on a dance theme’ in 1966/67 
University of Bedfordshire 14
Avant-Garde Pioneers 
• Yvonne Rainer b.1934 
• American dancer, choreographer and film-maker 
• Minimalist and post-modern work looking at pedestrian movement 
• No Manifesto 
• Directed ‘Hand’ in 1966 
University of Bedfordshire 15
Next Lecture 
Teaching week 4 
Calendar week 44 
Week beginning 
Monday 27th October 
Lecture 4: 
Contemporary 
Screendance 
Watch the video’s from 
Dance Camera West’s 
website. (Link available on 
BREO). 
University of Bedfordshire 16

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Week 3 Lecture - Avant-Garde Film Practices

  • 1. Avant-Garde Film Practices PER007-1 Applied Choreography: Dance and Innovation Dr Louise Douse
  • 2. Film Pioneers • 1872-1878 • British photographer Eadweard Muybridge • Took the first successful photographs of motion, producing multiple image sequences analyzing human and animal locomotion. University of Bedfordshire 2
  • 3. Film Pioneers • 1891 Thomas Edison developed or invented the Kinetoscope, a single-viewer peep-show device in which film was moved past a light • The first public demonstration of motion pictures using the Kinetoscope occurred at the Edison Laboratories • The very short film’s subject in the test footage, titled Dickson Greeting, was William K.L. Dickson bowing, smiling and ceremoniously taking off his hat University of Bedfordshire 3
  • 4. Film Pioneers • The earliest colour hand-tinted films ever publicly-released were Annabelle Butterfly Dance (1894), Annabelle Sun Dance (1894), and Annabelle Serpentine Dance (1899) featuring the dancing of vaudeville-music hall performer Annabelle Whitford University of Bedfordshire 4
  • 5. Early Dance Film • Ruth St Denis 1879-1968 • American Modern Dance practitioner • 1915 Formed Denishawn School with Ted Shawn • Choreographed movement sequence in D.W. Griffith’s ‘Intolerance’ (1916) University of Bedfordshire 5
  • 6. Early Dance Film • Doris Humphrey 1895-1958 • American Modern Dance practitioner • Trained at Denishawn School • Developed her own technique and choreographic approach • Choreographed ‘Air for the G String’ (1935) University of Bedfordshire 6
  • 7. Early Dance Film • Ted Shawn 1891-1972 • American Modern Dance practitioner • 1915 Formed Denishawn School with Ruth St Denis • Created the first all-male works • Choreographed ‘Kinetic Molpai’ (1935) University of Bedfordshire 7
  • 8. Film Pioneers • Film provided artists with the first opportunity to visually represent time • All of these early examples are silent films – therefore visual communication is dominant • Movement was of central importance as the key method for representing or communicating meaning University of Bedfordshire 8
  • 9. Avant-Garde Pioneers • The Avant-Garde deals with the marginal arts practices that provided: • The cultural cutting edge at any given historical moment • The radical critique of the mainstream culture of the time • A rejection of the relationship of consumerism to culture • The Avant-Garde has located much of this experimentation in the technological revolution at the centre of the 20th Century • The Avant-Garde art practices that have emerged from the interrelationship with technology in the 20th Century have a common emphasis on the role of time in art. University of Bedfordshire 9
  • 10. Avant-Garde Pioneers • Key Avant-Garde cultural movements • Abstraction • Distortion of reality – non-referential • Surrealism • Emphasis on sub-conscious – state of dreaming • Constructivism/ Futurism • Emphasis on mechanisation – repetition/montage • Conceptualism • Emphasis on idea as opposed to function University of Bedfordshire 10
  • 11. Avant-Garde Pioneers • Len Lye 1901-1980 • New Zealand born avant-garde film-maker • Used a range of dyes and stencils, scratching the celloid. • Directed ‘Rainbow Dance’ in 1936 University of Bedfordshire 11
  • 12. Avant-Garde Pioneers • Norman McLaren 1914-1987 • Scottish-born Canadian animator and filmmaker • Pioneer of animation including drawn-on-film animation, pixilation • Directed ‘Pas de Deux’ in 1968 University of Bedfordshire 12
  • 13. Avant-Garde Pioneers • Maya Deren 1917-1961 • American avant-garde film-maker and choreographer • Through Deren, American dance became central to the history of American avant-garde film • Directed and Choreographed ‘A Study in Choreography for Camera’ (1945) University of Bedfordshire 13
  • 14. Avant-Garde Pioneers • Hilary Harris 1929-1999 • American documentary filmmaker • Pioneers of time-lapse photography • Directed ‘Nine variations on a dance theme’ in 1966/67 University of Bedfordshire 14
  • 15. Avant-Garde Pioneers • Yvonne Rainer b.1934 • American dancer, choreographer and film-maker • Minimalist and post-modern work looking at pedestrian movement • No Manifesto • Directed ‘Hand’ in 1966 University of Bedfordshire 15
  • 16. Next Lecture Teaching week 4 Calendar week 44 Week beginning Monday 27th October Lecture 4: Contemporary Screendance Watch the video’s from Dance Camera West’s website. (Link available on BREO). University of Bedfordshire 16