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Factual project treatment form 2021 (1)
1. L3 Creative MediaProduction&Technology
Factual ProductionTreatmentForm
Name of product
UK underground
Summary of topic Fanzine onundergroundsubculturesandmusic
scenesinthe UK
Whythis topic/subject I am veryinterestedinthe UK’smusic,and
myself amintegratedwithinafairlyactive music
scene.Therefore,I thinkthistopicisideal asI
can make the contentof the fanzine actually
real (simplydocumentwhatsgoingoninthe
scene atm) , and geta feel forhow itreallyisto
reporton a musicscene.
What is the purpose ofthis project, or what is
the pointof it?[youcan phrase thisas a pointto
getacross, a central argument,etc]
To informandupdate people oncurrenturban
talentinthe UK. It will be mostlyinformative,
yetdone ina waythat ashouldstill aimto
inspire those reading.Iwouldalsohoweverlike
it to be quite trendyandhave effective artistic
elements ,inthe aimthat itcouldgather a cult
followingandbe the inthingto have.
Intendedaudience and how are you designing
your project to appeal to that audience –
reference stylisticchoicesand intentionshere
My mainaudicne isthose alreadywithinthe
musicscene I will cover,asitwill act as like a
hubfor all recenteventsinthe scne,whichis
somethingthatisyetto exist.Despitethis,Istill
wantit to be understandable andinspiringfor
those lessfirmilar.ThisiswhyIwill trymake the
designstandoutand be veryartisticin orderto
appeal tothem.
Intendedcontributors [whowill youinterview,
talkto, etc]
I’ll use variousmusicpeople Iknow for
interviews,fromDJ’storappersandalso
promotors.Idalsolike a readerinputsection,so
for thisI mightaska friend.
Sources for visual materials [thisisphotos,
footage,images,etcyouintendtouse onthe
project– rememberALLWORK SHOULD BE
ORIGINALor fromappropriate archive sources
thismeansphotos/footage youdon’townmust
be modifiedtoyourownstyle andoutputi.e.
rotoscopingphotos,etc]
All visualswillbe gatheredfromeithermyself,
or the promotional material of the musicIcover.
I will alsogetartistsI interview tosendme any
picturesthe6ywantto accompanythere
section.ANythingIgetonline willbe onlyfor
graphical elementsandwill be heavilymodified.
2. L3 Creative MediaProduction&Technology
Factual ProductionTreatmentForm
Outline structure for project [forvideothis
couldbe a sectionedbreakdownwithgeneral
timingsuchas intro,interview,montage,etcfor
Fanzine thiscouldbe page breakdownsfrom
pg1 to pg 12]
1)frontcov
2)introto the scene(oneveryedition)
3)artistspecial (full page spreadonone artist)
4)recentreleases
5)rave review
6)interviewsandreaderinputsections
Repeat
How does your chosenmedium/format linkto
your specialism?
As the fanzine coversatopicim verypassionate
inand participate in, whichinvolvessomany
aspectsof mediaprodcution like photogrophy
and graphicdesign.Iam activelycreating
anywayso now I can justuse lots of it inhere.
![L3 Creative MediaProduction&Technology
Factual ProductionTreatmentForm
Name of product
UK underground
Summary of topic Fanzine onundergroundsubculturesandmusic
scenesinthe UK
Whythis topic/subject I am veryinterestedinthe UK’smusic,and
myself amintegratedwithinafairlyactive music
scene.Therefore,I thinkthistopicisideal asI
can make the contentof the fanzine actually
real (simplydocumentwhatsgoingoninthe
scene atm) , and geta feel forhow itreallyisto
reporton a musicscene.
What is the purpose ofthis project, or what is
the pointof it?[youcan phrase thisas a pointto
getacross, a central argument,etc]
To informandupdate people oncurrenturban
talentinthe UK. It will be mostlyinformative,
yetdone ina waythat ashouldstill aimto
inspire those reading.Iwouldalsohoweverlike
it to be quite trendyandhave effective artistic
elements ,inthe aimthat itcouldgather a cult
followingandbe the inthingto have.
Intendedaudience and how are you designing
your project to appeal to that audience –
reference stylisticchoicesand intentionshere
My mainaudicne isthose alreadywithinthe
musicscene I will cover,asitwill act as like a
hubfor all recenteventsinthe scne,whichis
somethingthatisyetto exist.Despitethis,Istill
wantit to be understandable andinspiringfor
those lessfirmilar.ThisiswhyIwill trymake the
designstandoutand be veryartisticin orderto
appeal tothem.
Intendedcontributors [whowill youinterview,
talkto, etc]
I’ll use variousmusicpeople Iknow for
interviews,fromDJ’storappersandalso
promotors.Idalsolike a readerinputsection,so
for thisI mightaska friend.
Sources for visual materials [thisisphotos,
footage,images,etcyouintendtouse onthe
project– rememberALLWORK SHOULD BE
ORIGINALor fromappropriate archive sources
thismeansphotos/footage youdon’townmust
be modifiedtoyourownstyle andoutputi.e.
rotoscopingphotos,etc]
All visualswillbe gatheredfromeithermyself,
or the promotional material of the musicIcover.
I will alsogetartistsI interview tosendme any
picturesthe6ywantto accompanythere
section.ANythingIgetonline willbe onlyfor
graphical elementsandwill be heavilymodified.](https://image.slidesharecdn.com/factualprojecttreatmentform20211-210929070229/85/Factual-project-treatment-form-2021-1-1-320.jpg)
![L3 Creative MediaProduction&Technology
Factual ProductionTreatmentForm
Outline structure for project [forvideothis
couldbe a sectionedbreakdownwithgeneral
timingsuchas intro,interview,montage,etcfor
Fanzine thiscouldbe page breakdownsfrom
pg1 to pg 12]
1)frontcov
2)introto the scene(oneveryedition)
3)artistspecial (full page spreadonone artist)
4)recentreleases
5)rave review
6)interviewsandreaderinputsections
Repeat
How does your chosenmedium/format linkto
your specialism?
As the fanzine coversatopicim verypassionate
inand participate in, whichinvolvessomany
aspectsof mediaprodcution like photogrophy
and graphicdesign.Iam activelycreating
anywayso now I can justuse lots of it inhere.](data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7)