2. Resources
Pre-production is important for the smooth running of a project. It
is for you to go through final development and organisation for
your project before you start production.
The pre-production tasks you do will depend on your project. You
need to undertake appropriate tasks in order to make your project
work.
A production schedule should be in everyone’s project.
The blue slides are here to give advice. This advice can also be
found in the main lecture. Delete when you don’t need it. Don’t
submit your work with this in.
3. PRE-PRODUCTION
Pre-production paperwork for a print production could include:
Risk assessment
Flat plans
Style Sheets
Equipment/Resource list
Contingency plan
Copy (the written part of your work)
Thorough production schedule/ Action Plan
Location Recce for photographs
Budget
Model call sheet
4. PRE-PRODUCTION
Pre-production paperwork for moving image could include:
Risk assessment
Storyboard
Shotlist
Equipment list and bookings
Contingency plan
Script
Thorough production schedule/ Action Plan
Call sheet
Location Recce
Budget
5. PRE-PRODUCTION
Pre-production paperwork for a video game production could
include:
Risk assessment
Sound effect list
Music list
Style sheet or other visual planning
Contingency plan
Scene plan
Thorough production schedule/ Action Plan
Budget
6. PRE-PRODUCTION
Pre-production paperwork for an audio production could include:
Risk assessment
Sound effect list
Music list
Equipment/Resource list
Script/Questions
Contingency plan
Location plan
Contributor information (interviewees/guests/actors)
Thorough production schedule/ Action Plan
Budget
7. PRE-PRODUCTION
• Style sheet
– Collection of potential choice you could make for your products visuals
(colours, image styles and fonts). Provide some indication of which ones you
will use, where you will use them and reasons why
– This should explore alternatives to everything- don’t just include one
option. Look at several potential aspects to include and reference the ones
you plan to use and why
• Layout Plans
– Potential designs you could do for your product using images, fonts and
colours from style sheet
8. PRE-PRODUCTION Colour schemes:
This is important for
any visual product.
Talk about the options
you have, the
decisions you are
making and relate
your ideas back to
exiting products and
your target audience.
11. Pre-production
• What are you making? (explain what you have been asked to
do)
• Why? (What is the purpose of making your Film)
• Who is it for? (Audience)
• Where will it appear/on what? (How will audience see it)
Reflection:
12. Throughout my project I want to use
vintage/ VHS filters. This example shows
the common style of vhs filters with the
play text etc.
I will use black and white filters lots too to
reiterate the oldschool atmosphere.
For text I will use bold colours, red and
yellow, and fairly simple fonts.
I want to use various animations, one
being cash falling like this
Another is an explosion
Lightning
Video on video
Text behind something
Doodle animations
13. Shot list:
• Section 1 – Intro
Shot 1: City time-lapse – pan/ sped up shots of york (trainlines, minster, train station, train yard, river, river foss industrial area, skatepark) black
and white filter (always return to b&W for york time-lapse transition shots jungle soundtrack used here
Shot 2: Concluding intro shot – low angled shot of group of lads pans in towards them
Audio: Opening soundtrack, leads into narration – intro speech found in script.
• Section 2 – Music
Shot 1: Black and white york time-lapse to jungle music
Shot 2: Intro to music section – compilation footage of my previous events
Shot 3: me in bedroom writing and setting up mic etc. Audio here is me narrating – explaining when/why I started music
Shot 4: On the mic freestyling Audio here is audio of the freestyle
Shot 5: Another quick york landmark time-lapse Audio here is a jungle soundtrack and edited very boisterously (quick cuts, black flahses, black
and white filters)
Shot 6: Pan shot zooming into Aarons face Audio here is me explaining who AAron is and what music he makes
Shot 7: Aarons previous music video Narration continues briefly then audio of music video
Shot 8: Aaron out and about then briefly explaining something he likes about making music video audio
Section 3 – Fashion/ modelling
Shot 1: York timelapse shot in black and white to jungle music
Shot 2: Compilation of shots of dan getting ready for shoots (getting clothes from boot of car, checking hair in car window) Audio here is fashion
section intro speech found in script
Shot 3: Compilation of dans previous work ie. (bugzy malone video, london fashion week, vouge) Audio here is still me narrating describing whats
on screen and bigging dan up
Shot 4: Dan getting photos taken of him by someone to present the process and some comedic value with the dialogue Audio here is the video
clips audio
Shot 5: Dan explains his faveorate part of doing modelling and what he wants to do in the future at car boot while swapping clothes
• Section 4 – graffiti
Shot 1: black and white york timelapse to jungle music
Shot 2: Timelapse of graffiti around York Graffiti intro narration here found in script
Shot 3: Man in balaklava in low light indoor interview setting explaining how graffiti is a lifestyle
Shot 4: full blown graffiti edit (people doing graffiti, train yard, ducking hiding and running, jumping fences, POV painting, sorting cans out) Old
school dubstep soundtack
Shot 5: back to man in balaklava explaining how what you’ve just seen is proper
• Section 5 – outro
Shot 1: York timeplapse again this time extended to hold the outro narration
Outro speech
14. Location list:
• Minster
• Shambles
• River
• Train station
• Train yard
• River foss
• Industrial areas
• Groves flats
• Walmgate flats
• White brick tunnel
• Train bridges
• Motorway
• General city centre
• Corner shops
• Skatepark
• Multistory car parks
• Sainsburys car park stair
well
• Uni tunnel
• Layerthorpe gas works
• Terraced back alleys
• Cycle tracks near doddy
• Bridge near doddy
15.
16.
17. Resources
Equipment/ Props/
Costume needed
Locations needed
Camera Trainline
Spray paint Train station
Balaclavas Motorways
Push bikes Underpasses
Lighting – led bar light, torches Council flats
Duffle bag Abandoned buildings
Ladder Industrial areas
18. Contingency Planning
Potential Issue Solution
Rain – my camera is not waterproof, also lots of my shots are
people doing graffiti which you can't really do in the rain, some
costume is grey tracksuits which don’t look good when wet
Camera – I will bring my phone as a back up as its more
waterproof and smaller making it easier to avoid rain. I'll also
bring a carrier bag to cover it with. Graffiti – I will have to
postpone graffiti shots if its raining or find legal walls with cover
e.g under a bridge. The costume issue will be overcome by
bringing backup clothes or standing under cover till the rain
stops.
Public interference – some activities I want to film might look
dodgy to members of the public. Some shots are us doing
graffiti which often people are angry about. Also, I want some
shots of a large number of boys running with hoods on which
might be scary for some people.
I will make sure all graffiti takes place at legal walls, so even if
people interfere, we aren't doing anything wrong and can
explain to people its legal here. For the shots of boys running, I
will make sure its quiet and nobody's around that could feel
threatened by it.
Annoying the public – For my section covering music I will
have people in the street rapping and loud music playing
on a speaker. This could really annoy people living/
working around the shot location.
I will make sure to keep volumes relatively quiet and tell
rappers not to project too loud. Also, I will choose my location
effectively so that it's not too near residential areas or where
people are working. Also, I will try not take too long at these
locations, I'll try get everything in only a few takes to minimize
the time we are there possibly annoying people.
Resource limitations - I only have 2 cameras available and
one is just my phone. This means I will struggle with
multiple angles and even more so as my phone can't be
connected to a tripod. Also, I don’t have a microphone and
the built in one on my camera isnt very good.
I will ask my friend if I can borrow another camera and also try
find somewhere selling an attachment for my phone that allows
it to be screwed onto a tripod. For my mic issue I will either buy
one or record audio on my phone and sync up in edit.
Time schedule – I need to meet 4 people to make my film
on and it could be challenging to get everyone available at
once.
I will ask everyone's work schedule and find a day everybody is
free, if this isn't possible ill have to film on multiple days.
Lighting – lots of my shots are at night and this could result
in poorly viewable shots if not lit correctly.
I'll make sure to film near streetlights to keep the dark gritty
vibe I want from the night shots but still be able to see what's
going on. I also have LED bar lights that could come in handy. If
visibility is poor with these shots I'll just use as few as I can.
19. Health and Safety
Potential Issue How will the issue be avoided?
Injury – Some of my shots include people climbing
buildings and jumping off walls and over fences etc. This
could result in injury. I also want shots of people running
through the street, this could be dangerous as of car or
pedestrian collisions.
Ill make sure to heavily choreograph these shots, fully
rehearsing the jump/ climb. Also, I will make sure to do these
shots in relatively safe environments e.g not near rivers or from
height. To make sure nobody is hit by a car I will only do shots in
the road when there is literally no cars. I'll also plan a route so
its not just people running randomly as that could be
dangerous.
Spray paint fumes – for my shots doing graffiti it is possible I
could inhale paint fumes which is bad for your health
I will make sure to ware a mask designed to stop paint fumes,
also I'll ensure I'm always painting in a ventalated area
Rain – Lots of my shots include people running and
climbing and wet weather could make this very dangerous
I'll make sure shots of people running only take place in nice
weather and if possible I'll shoot them under cover still in the
rain
Trainlines – various shots take place track side and by the
station, this could be dangerous as you could get hit by a
train or get electrocuted by wires etc.
I'll make sure I don’t go near the actual tracks or touch anything
around these areas. Also if a trains coming I'll move away.
Shooting in the dark – Lots of my shots are in the dark and
often the camera man will be running. This already is a
hazard as your focussing on the camera not where youre
stepping. This could result in falling over and shooting in
the dark makes this even more of a risk.
I will make sure when filming while running and in the dark
especially, that I don’t look through the viewfinder and keep
checking the ground ahead. Also, I will check the area
thoroughly before filming, removing for example any large
rocks that could be a trip hazard.
Falling equipment – Some shots I will hang up LED lights,
this could be dangerous if they arent secured properly.
I'll make sure to throroughly attach any lights and also ensure
there in positions where nobody will be around them in off the
chance they do fall.
20. Production Schedule
Day/Lesson Tasks
Thursday 22nd april – 26th april : filming Film all shots
Monday 27th : editing First day editing so will organise footage and
compile into logical orders, removing any shots
I feel I don’t need. I will also possibly begin
editing my transition shot that I will use
throughout the film.
Tuesday 28th : editing I will finish my transition shot I began the
day before and begin building up a timeline
structure.
Wednesday 29th : editing I should now have a basic structure of the
whole film and I will begin adding effects, text
and audio.
Thursday 30th : editing from home I will record my narration at home on my
microphone ready for monday at college where
I will begin adding it over my film
Monday : editing I will now hopefully have a somewhat complete
film that just lacks narration audio, so it should
be quite simple to add that in
Editor's Notes
Use this space to document whatever pre-production work you did for your project. It will vary from person to person and project to project.
Use this space to document whatever pre-production work you did for your project. It will vary from person to person and project to project.
Use this space to document whatever pre-production work you did for your project. It will vary from person to person and project to project.