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A review of Casino Royale
       (intro only)
      By Laura Burgess
I don’t think my action film beginning is like others
   because it has other elements from other genres
   like drama (dramatic, emotional scenes) but I
   have used many action film conventions in
   creating my product. (Many listed below.)

The establishing shot is of a car quietly pulling up
  to a building at night. Text comes up in the
  corner telling the viewer where this scene is set.
  This is a typical convention of an action movie
  when the characters are in many locations
  throughout the film. The main light is coming
  from a single source and this could represent
  that there is only one ‘good guy’.
The next shot is a close up of a characters face. He looks tense. The
  camera is at a very low angle, making the character seem very
                             important.
The man gets into lift and looks up at the digital numbers
which are increasing as the lift climbs floors. The counter
 looks like that of a bomb and this is used to add to the
                         tension.
Next the man walks into a room but the camera
  looks as if it is hidden behind something. As the
 scene continues the audience realises that the man
is being watched. It is as if the audience is watching
     him from in the room, where the camera is.
The man looks around when he hears the voice of James Bond, who is
  casually and calmly sitting in a chair on the other side of the room.
  The audience knows James Bond is in control of the situation even
  though he is physically lower than the other man because he is at
  ease. Up to this point there has been no soundtrack but now a tense
  theme is being played on string instruments.
The man walks across to the desk and sits down. This
shift the control back to the man because it makes it
 look like his office and his is behind a desk which is
blocking him from any attack whereas James Bond is
                     out in the open.
The man sighs and leisurely takes off his gloves. As he sat down he
opened a draw beside him, containing a gun. He calmly says “If your
 theatrics are supposed to scare me you have the wrong man, Bond.”
   Both characters are sitting in relaxed postures but the other man
                still has a lower camera angle the Bond.
The other man asks James Bond how many kills he needs to have
                double o status and Bond replies “two.”
Then the scene changes with a bang and a new scene unfold with quick
   camera shots and a different sound track with brass instruments.
    The change in instruments helps convey the different scene and
                                setting.
The characters use lots of fast, jerky movements as the fight.
  Suddenly the audience are back with the man and he has
   sharply pulled out a gun, concealed within his desk. The
camera the shows as mid shot of James Bond and he still looks
              calm; He doesn’t seem surprised.
The man says “Shame. We barely got to know each other.”
  He says this as if he means it but is clearly mocking the
  other character because he has a small smile on his face
    as he pulls the trigger. The gun clicks and no bullet
                comes out. The man frowns.
James bond has outsmarted him and
has already disarmed the gun. In most
 spy movies, the lead character is very
intellectual and I have used this in my
movie beginning too, although I am not
 making a spy movie. I am making an
   action movie beginning but I just
    happens to have an intellectual
         character as the lead.
Another flash back comes up after a little bit of dialogue. It
    depicts more of the struggle which was shown in the
  earlier flash back. James bond tries to strangle the other
  man and eventually drowns him in a sink of water. Bond
            looks horrified with what he has done.
Back in the office, the other man is talking threateningly to
James Bond when Bond quickly pulls out his own gun and
shoots the man. The whole chair is thrown to the ground as
          he falls and then the room is in silence.
The lack of special effects and sound effects makes this
  scene seem very realistic. The flashback flashes back on
  scene and James Bond picks up a gun lying on the floor.
The man who he thought he just killed picks up a gun by his
 side and aims at Bond. James Bond spins around quickly
and shoots him. The beginning titles then appear. The first
colour that appears on screen is blood which rolls down the
     camera lens and this foreshadows what is to come.
Laura Burgess AS LEVEL Media 2011/ 2012

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A review of Casino Royale

  • 1. A review of Casino Royale (intro only) By Laura Burgess
  • 2. I don’t think my action film beginning is like others because it has other elements from other genres like drama (dramatic, emotional scenes) but I have used many action film conventions in creating my product. (Many listed below.) The establishing shot is of a car quietly pulling up to a building at night. Text comes up in the corner telling the viewer where this scene is set. This is a typical convention of an action movie when the characters are in many locations throughout the film. The main light is coming from a single source and this could represent that there is only one ‘good guy’.
  • 3.
  • 4. The next shot is a close up of a characters face. He looks tense. The camera is at a very low angle, making the character seem very important.
  • 5. The man gets into lift and looks up at the digital numbers which are increasing as the lift climbs floors. The counter looks like that of a bomb and this is used to add to the tension.
  • 6. Next the man walks into a room but the camera looks as if it is hidden behind something. As the scene continues the audience realises that the man is being watched. It is as if the audience is watching him from in the room, where the camera is.
  • 7. The man looks around when he hears the voice of James Bond, who is casually and calmly sitting in a chair on the other side of the room. The audience knows James Bond is in control of the situation even though he is physically lower than the other man because he is at ease. Up to this point there has been no soundtrack but now a tense theme is being played on string instruments.
  • 8. The man walks across to the desk and sits down. This shift the control back to the man because it makes it look like his office and his is behind a desk which is blocking him from any attack whereas James Bond is out in the open.
  • 9. The man sighs and leisurely takes off his gloves. As he sat down he opened a draw beside him, containing a gun. He calmly says “If your theatrics are supposed to scare me you have the wrong man, Bond.” Both characters are sitting in relaxed postures but the other man still has a lower camera angle the Bond.
  • 10. The other man asks James Bond how many kills he needs to have double o status and Bond replies “two.” Then the scene changes with a bang and a new scene unfold with quick camera shots and a different sound track with brass instruments. The change in instruments helps convey the different scene and setting.
  • 11. The characters use lots of fast, jerky movements as the fight. Suddenly the audience are back with the man and he has sharply pulled out a gun, concealed within his desk. The camera the shows as mid shot of James Bond and he still looks calm; He doesn’t seem surprised.
  • 12. The man says “Shame. We barely got to know each other.” He says this as if he means it but is clearly mocking the other character because he has a small smile on his face as he pulls the trigger. The gun clicks and no bullet comes out. The man frowns.
  • 13. James bond has outsmarted him and has already disarmed the gun. In most spy movies, the lead character is very intellectual and I have used this in my movie beginning too, although I am not making a spy movie. I am making an action movie beginning but I just happens to have an intellectual character as the lead.
  • 14. Another flash back comes up after a little bit of dialogue. It depicts more of the struggle which was shown in the earlier flash back. James bond tries to strangle the other man and eventually drowns him in a sink of water. Bond looks horrified with what he has done.
  • 15. Back in the office, the other man is talking threateningly to James Bond when Bond quickly pulls out his own gun and shoots the man. The whole chair is thrown to the ground as he falls and then the room is in silence.
  • 16. The lack of special effects and sound effects makes this scene seem very realistic. The flashback flashes back on scene and James Bond picks up a gun lying on the floor. The man who he thought he just killed picks up a gun by his side and aims at Bond. James Bond spins around quickly and shoots him. The beginning titles then appear. The first colour that appears on screen is blood which rolls down the camera lens and this foreshadows what is to come.
  • 17. Laura Burgess AS LEVEL Media 2011/ 2012