Goal to help students understand:
-- The importance of understanding camera techniques
--The types and examples of camera techniques: Camera shots, angles, movements
Goal to help students understand:
-- The importance of understanding camera techniques
--The types and examples of camera techniques: Camera shots, angles, movements
COMMUNITY INVESTMENT IN MYANMAR - Discussing MPRL E&P’s CI journey in Mann F...Ethical Sector
Presentation by MPRL E&P at a “Multi-Stakeholder Workshop on Community Engagement in the Extractive Industries” in Yangon on 27/28 January 2015, convened by the Myanmar Centre for Responsible Business (MCRB) to discuss international best practice in strategic community investment and engagement, including how to handle grievances.
Film language basic terminology of filmmakingANJU A
HIGH ANGLE SHOT:As mentioned in the high angle shot definition, high angle shots in film are used to make a character feel vulnerable or minuscule compared to the world around them.
•You can show someone who has no power in this situation and conveys insignificance.
•Lighting and cinematography drastically affect the mood presented by the high angleDobby in the Harry Potter series.
•We almost always frame Dobby with a high angle shot in dim light. Not only are we trying to show the size of the house elf, but we’re also trying to define how the world looks at and treats the house elf.
This task features some notes that were made whilst me and my group were discussing the initial ideas for our short film and its general contests, how it will be shot and how we will light it.
Acetabularia Information For Class 9 .docxvaibhavrinwa19
Acetabularia acetabulum is a single-celled green alga that in its vegetative state is morphologically differentiated into a basal rhizoid and an axially elongated stalk, which bears whorls of branching hairs. The single diploid nucleus resides in the rhizoid.
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How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Unit 8 - Information and Communication Technology (Paper I).pdfThiyagu K
This slides describes the basic concepts of ICT, basics of Email, Emerging Technology and Digital Initiatives in Education. This presentations aligns with the UGC Paper I syllabus.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
Biological screening of herbal drugs: Introduction and Need for
Phyto-Pharmacological Screening, New Strategies for evaluating
Natural Products, In vitro evaluation techniques for Antioxidants, Antimicrobial and Anticancer drugs. In vivo evaluation techniques
for Anti-inflammatory, Antiulcer, Anticancer, Wound healing, Antidiabetic, Hepatoprotective, Cardio protective, Diuretics and
Antifertility, Toxicity studies as per OECD guidelines
2024.06.01 Introducing a competency framework for languag learning materials ...Sandy Millin
http://sandymillin.wordpress.com/iateflwebinar2024
Published classroom materials form the basis of syllabuses, drive teacher professional development, and have a potentially huge influence on learners, teachers and education systems. All teachers also create their own materials, whether a few sentences on a blackboard, a highly-structured fully-realised online course, or anything in between. Despite this, the knowledge and skills needed to create effective language learning materials are rarely part of teacher training, and are mostly learnt by trial and error.
Knowledge and skills frameworks, generally called competency frameworks, for ELT teachers, trainers and managers have existed for a few years now. However, until I created one for my MA dissertation, there wasn’t one drawing together what we need to know and do to be able to effectively produce language learning materials.
This webinar will introduce you to my framework, highlighting the key competencies I identified from my research. It will also show how anybody involved in language teaching (any language, not just English!), teacher training, managing schools or developing language learning materials can benefit from using the framework.
2. THE AERIAL SHOT
• This is an exterior shot filmed the air. Often it
is used to establish a location.
3. THE ARC SHOT
• This is a shot in which the subject is circled
by the camera. This shot is often used by
Michael Bay and Brian De Palma.
4. THE BRIDGING SHOT
• This is a shot that demonstrates a shift in time
or place e.g. a line moving across an animated
map.
5. THE CLOSE-UP SHOT
• This is a shot that keeps only the face of the
subject in frame. This is seen as the most
important building block for a cinematic
storytelling.
6. THE MEDIUM SHOT
• This is a shot that utilises the most common
framing in movies, it shows less that a long
shot but more that a close-up.
7. THE LONG SHOT
• This is a shot that depicts an entire character
or object from a head to toe. It is not as long
as an establishing shot (wide shot).
8. THE COWBOY SHOT
• This is a shot that is framed from a mid thigh
up, so called due to its reoccurring used in
Western movies.
9. THE DEEP FOCUS SHOT
• A shot that keeps the foreground, mid ground and the
background all in sharp focus. Often used by Orson Welles.
This is disliked by many production designers as they have to
put detail in the whole of the set.
10. THE DOLLY ZOOM
• This is a shot that sees the camera track forward towards the
subject while simultaneously zooming out to create a woozy,
vertiginous effect. This shot was first used in Hitchcock’s
Vertigo (1959).
11. THE DUTCH TILT
• This is a shot where the camera is tilted on its side to create an
interesting angle. Often used to suggest disorientation. It is often
used by Tim Burton and Sam Raimi.
12. THE ESTABLISHING SHOT
• This is a shot at the head of the scene, that clearly shows
the location that the action is set in. It often comes after the
aerial shot.
13. THE HANDHELD SHOT
• This is a shot in which the camera operator
hold the camera during motion
14. THE LOW ANGLE SHOT• This is a shot looking up at a character or
subject often making them look bigger in the
frame. It can make everyone look heroic or
dominant. Also used to make cities look
empty
15. LOW ANGLE SHOT
• This is a shot looking down on the character
or subject often it isolates them in the frame.
16. THE LOCKED DOWN SHOT
• This is a shot where the camera is fixed in one
position while the action continues of screen. It
portrays how messy life is and that it can not be
contained on camera.
17. THE LIBARY SHOT
• This a pre-existing shot of a location.
Typically a wild animal that is taken from a
library. mThis tells the viewer that the film is
older.
18. THE MATTE SHOT
• This a shot that
incorporates
foreground action with
the background,
traditional painted onto
glass, now it can be
created using a
computer.
19. OVER THE SHOULDER
SHOT• This is a shot where the camera is positioned
behind one subject’s shoulder, usually during a
conversation. It implies a connection between
the speaker as opposed to a single shot that
can suggest distance.
20. THE PAN SHOT
• This is a shot in which the camera moves
continuously from one side to the other. It is an
abbreviation of panning. The shot is often used i
car chases.
21. THE POV SHOT
• This is a shot that depicts the point of view of a
character so that we can see exactly what they are
seeing. It is often used in horror movies to see
through the killers eyes.
22. THE SEQUENCE SHOT
• A long shot that cover an entire scene in one
continuous sweep without the use of editing.
23. THE STEADICAM SHOT
• This is a shot from a hydraulically balanced
camera that allows a smooth and fluid
motion. This was invented in the late 70’s by
Garrett Brown.
24. THE TILT SHOT
• This is a shot where the camera continuously moves
from up to down or down to up. This is a vertical
equivalent to the panning shot. Tilting to the sky is
traditionally the last shot of the movie.
25. THE TOP SHOT
• This a shot looking directly down on a scene
rather that at an angle. This is also known as
the Birds Eye View shot.
26. THE TRACKING SHOT
• This a shot that follows a subject be it from
behind or alongside the subject. This is seen
as a more elegant shot for a more civilised
age.
27. THE TWO SHOT
• This is a shot that depicts two people in the
frame. It is used primarily when you want to
establish a link between characters who are
not facing each other.
28. THE WHIP PAN
• This is a shot that is the same as the pan
shot but is so fast that the picture blurs
beyond recognition. Usually companied by a
whoosh sound.
29. THE ZOOM SHOT
• This is a shot deploying a lens with a variable
focal length that allows the cinematographer
to change the distance without the subject or
the camera moving physically.
30. THE CRANE SHOT
• This is a shot where the
camera is placed on a
crane and moved up or
down. This shot is often
used in musicals. Used
to highlight a characters
loneliness or at the end
of a movie.