The document discusses media literacy and fair use guidelines for educators. It explains that negotiated agreements between media companies and educational groups have created confusing guidelines for educators around copyright and fair use. However, these guidelines are not actual law. The document advocates that educators understand and exercise their rights to fair use under the US Copyright Act and promotes a Code of Best Practices in Fair Use to provide clarity on how educators can appropriately use copyrighted materials.
Copyright And Fair Use, Media Literacy, Educon Jan 2009Renee Hobbs
Educators can clear away copyright confusion by learning about fair use. Students and teachers have rights under the law to use copyrighted materials without payment or permission under some circumstances. Learn about the Code of Best Practices for Fair Use in Media Literacy Education
Copyright protects creative works fixed in a tangible medium. It is important for both legal and ethical reasons, including respecting the intellectual rights of creators and rewarding their creativity. The ALA Standards also emphasize practicing ethics when using copyrighted materials for information literacy.
Renee's presentation at ISTE-NECC in Washington, DC on June 28, 2009. Part of a 3-hour program featurinh Kristin Hokanson, Joyce Valenza, and Michael RobbGrieco.
The document discusses copyright law and fair use guidelines for educational use of copyrighted materials. It provides an overview of key concepts around copyright including limitations and exemptions like fair use. It also describes how educational organizations have developed codes of best practices and case studies to support fair use and flexibility for teaching and learning.
The document discusses copyright and fair use for students. It outlines the 6 exclusive rights of copyright owners and common misconceptions about using copyrighted works in schools. Fair use allows some educational use of copyrighted materials if it meets a balancing test of factors such as being non-commercial and educational in purpose. Students should always cite their sources to avoid copyright infringement. Alternatives to using copyrighted works include creating original content, using public domain works, or content shared freely through Creative Commons licenses.
The document discusses media literacy and fair use guidelines for educators. It explains that negotiated agreements between media companies and educational groups have created confusing guidelines for educators around copyright and fair use. However, these guidelines are not actual law. The document advocates that educators understand and exercise their rights to fair use under the US Copyright Act and promotes a Code of Best Practices in Fair Use to provide clarity on how educators can appropriately use copyrighted materials.
Copyright And Fair Use, Media Literacy, Educon Jan 2009Renee Hobbs
Educators can clear away copyright confusion by learning about fair use. Students and teachers have rights under the law to use copyrighted materials without payment or permission under some circumstances. Learn about the Code of Best Practices for Fair Use in Media Literacy Education
Copyright protects creative works fixed in a tangible medium. It is important for both legal and ethical reasons, including respecting the intellectual rights of creators and rewarding their creativity. The ALA Standards also emphasize practicing ethics when using copyrighted materials for information literacy.
Renee's presentation at ISTE-NECC in Washington, DC on June 28, 2009. Part of a 3-hour program featurinh Kristin Hokanson, Joyce Valenza, and Michael RobbGrieco.
The document discusses copyright law and fair use guidelines for educational use of copyrighted materials. It provides an overview of key concepts around copyright including limitations and exemptions like fair use. It also describes how educational organizations have developed codes of best practices and case studies to support fair use and flexibility for teaching and learning.
The document discusses copyright and fair use for students. It outlines the 6 exclusive rights of copyright owners and common misconceptions about using copyrighted works in schools. Fair use allows some educational use of copyrighted materials if it meets a balancing test of factors such as being non-commercial and educational in purpose. Students should always cite their sources to avoid copyright infringement. Alternatives to using copyrighted works include creating original content, using public domain works, or content shared freely through Creative Commons licenses.
University of Kent Copyright Literacy Strategy - Creating knowledge 2021Chris Morrison
Presentation on the University of Kent Copyright Literacy Strategy at Creating Knowledge (Tromso) by Chris Morrison - Copyright, Licensing & Policy Manager at the University of Kent.
This document provides an agenda and list of resources for teaching students about the Bill of Rights. The agenda includes lessons to help students understand why and how the Bill of Rights was created. It lists activities that incorporate texts, interactives, movie clips and primary sources. All materials are available on the Stavros Center website. The document also provides several links to external websites that contain additional educational materials about the Bill of Rights, including lessons, explanations of individual rights, histories of the amendments and movie clips related to the amendments.
The document summarizes key aspects of U.S. copyright law as it pertains to educators, including the TEACH Act and fair use provisions. It outlines that the TEACH Act provides educators greater rights for use of digital media in distance education settings. It also describes the four factor fair use test that examines the purpose and amount of a work used, whether it affects the market, and if the work is published or unpublished. Educators must employ protections to prevent unauthorized distribution of copyrighted materials.
Digitised collections offer a wealth of resources for improving a wide variety of literacies that promote critical thinking skills, instruction and curriculum enhancements.
OpenEd15: Farb, Blum, Kovacs: The Perils of-policy final-draftSharon E. Farb
This document discusses the potential perils of copyright policies and open access legislation related to open educational resources (OER) through a fictional podcast featuring conversations between UCLA librarians and administrators. It notes challenges implementing OER at UCLA including high textbook costs for students, instructors changing frequently, and scaling OER initiatives. It also summarizes copyright law and policies, challenges around academic freedom and ownership, and the need to identify goals and avoid unintended consequences when pursuing OER legislation and policies.
13274 70171 - natiera graham - jul 21, 2017 207 pm - the teach actmmunkatchy
The TEACH Act allows for the performance and display of copyrighted materials for distance education by accredited, non-profit educational institutions. It balances the perspectives of copyright owners and content users and provides guidance for academic institutions. The institution must be accredited and non-profit, and can only share materials with enrolled students as part of a specific course. Educators can use copyrighted works in print, broadcasts, films, audio and virtual resources like Blackboard for distance learning courses. The goal of the TEACH Act is to enable the use of copyrighted content for educational purposes.
Higher education needs to embrace open educational resources to help reduce costs for students and increase access to knowledge. This will require a shift in culture from proprietary to shared resources. Washington state legislation aims to promote open content sharing between community and technical colleges. Students have advocated for more affordable textbooks and online course options. Colleges are working to redesign high-enrollment courses using open resources to improve completion rates and save students over $42 million annually in textbook costs. Trustees can support these efforts by having discussions about open resources and setting goals to lower student costs.
Tec 516 online environmental issue presentation aubrey hall AubreyHall5
This document presents an online presentation about environmental issues in digital technology and online learning. It discusses the importance of digital citizenship and modeling ethical online behavior. It also addresses ensuring equitable access to technology for all students, including researching students' needs, promoting digital literacy, and advocating for resources. Finally, the presentation explores how digital tools can promote diversity, cultural understanding, and global awareness through collaborative online projects.
The document discusses the Fair Use Act and the TEACH Act, which protect educators from copyright infringement when utilizing materials for educational purposes. The TEACH Act of 2002 allows for digital copies and performances of copyrighted works for distance learning. It also permits greater flexibility for storing, copying, and digitizing copyrighted content. The Fair Use Act of 2007 protects the use of copyrighted works to introduce new ideas and promote learning through culture. Both acts aim to make information more accessible for educators and students while following copyright guidelines.
Kent copyright community of practice 20210127Chris Morrison
Introductory slides from the first of the rebooted University of Kent Copyright Community of Practice sessions. This session focused on copyright and online learning and featured a guest appearance from the fabulous Dr Jane Secker, Senior Lecturer in Educational Development at City, University of London
Title: Having “Open” Discussions with your System and Legislature
http://openedconference.org/
Dr. Cable Green will discuss how a mix of system strategic technology planning, legislation and legislative work sessions, student advocacy, creative budgeting, and partnering with foundations and international consortia can create positive disruptive spaces to engage open educational resources. Come learn what Washington’s Community and Technical Colleges are doing with open textbooks, course redesign, open licensing and what the WA legislature is encouraging through recently passed legislation.
The 6th Open Education Policy Forum 15-16 September 2021
Moderated a session on New concepts & perspectives for the study on copyright for education
Workshop Leaders: Prof. Dr Ebba Ossiannilsson & Kamil Śliwowski
This document provides information about copyright and fair use for educational purposes. It outlines that works are protected by copyright unless they are freely available online or fall under fair use guidelines like the Teach Act. It encourages checking whether your campus has licensing for certain works and provides checklists and resources on fair use and getting permission to use copyrighted materials for teaching. Links are included to sites with further information on mass digitization projects and copyright resources for teachers.
Kent Copyright literacy strategy workshop 31 july 2019 Chris Morrison
Slides from second workshop of University of Kent copyright literacy strategy project. The group considered outputs from the previous workshop (see https://www.slideshare.net/ChrisMorrison5/copyright-literacy-strategy-workshop-23-may-2019) discussed amendments to teh copyright policy and commented on an outline of a strategy document
This document provides an overview of 21st century literacy skills and information literacy. It discusses how new technologies are transforming society and the skills students need, such as problem solving, collaboration and digital literacy. These new literacies involve online reading comprehension, learning skills for the internet and evaluating information from various sources like videos, blogs and social media. Information literacy is defined as the ability to access, evaluate and apply information effectively. The document also discusses guided inquiry, which involves carefully planned lessons led by teachers and librarians to guide students through research projects and develop deep knowledge on a topic.
The document discusses several Supreme Court cases related to student expression rights, including Tinker v. Des Moines which established that students have a right to political expression, and Morse v. Frederick which found that schools can restrict speech they see as promoting illegal drug use. It also outlines requirements imposed by laws like the Children's Internet Protection Act and the Children's Online Privacy Protection Act regarding internet safety policies, filtering, and privacy protections for students. Finally, it discusses when schools can intervene in student expression, such as for substantial disruption of school activities or harassment, and recommends schools adopt clear policies on these issues.
COVID-19 and Copyright: Challenges for Higher Education, CITE Forum November ...Chris Morrison
Chris Morrison, Copyright, Licensing and Policy Manager at the University of Kent, presents the challenges for higher education associated with copyright at a time of pandemic. He discusses management of third party copyright, ownership of copyright content created in HE and proposes that community building is the key activity to creating a better learning and research environment.
The document provides an overview of 21st century literacy skills needed for students to be successful in today's digital world. These include the ability to critically evaluate online information from a variety of sources, understand multimedia formats, and collaborate online. The document discusses the importance of teaching skills like problem solving, digital literacy, and analyzing information from different perspectives to prepare students. It also introduces various frameworks that can be used to guide students' research process and development of literacy skills, such as Guided Inquiry, Kuhlthau's Information Search Process, and the Big 6 model.
Copyright, Education and Librarians: understanding privileges and rights Jane Secker
The document discusses copyright issues related to libraries and librarians. It notes that copyright underpins many library services like inter-library loans and digitization projects. Librarians have special privileges under copyright law to support these services. However, technology and digital copying have complicated copyright, sometimes creating fear among librarians. Research on copyright literacy among UK librarians found varying levels of understanding and a need for improved education. The document proposes rethinking copyright education for librarians to better address their needs and roles.
Media, Technology And 21st Century LearnersRenee Hobbs
Renee Hobbs' presentation at the 3rd Annual Media Literacy Conference, sponsored by Drug Free Pennsylvania. Dr. Hobbs is a Professor at Temple University School of Communications and Theater.
University of Kent Copyright Literacy Strategy - Creating knowledge 2021Chris Morrison
Presentation on the University of Kent Copyright Literacy Strategy at Creating Knowledge (Tromso) by Chris Morrison - Copyright, Licensing & Policy Manager at the University of Kent.
This document provides an agenda and list of resources for teaching students about the Bill of Rights. The agenda includes lessons to help students understand why and how the Bill of Rights was created. It lists activities that incorporate texts, interactives, movie clips and primary sources. All materials are available on the Stavros Center website. The document also provides several links to external websites that contain additional educational materials about the Bill of Rights, including lessons, explanations of individual rights, histories of the amendments and movie clips related to the amendments.
The document summarizes key aspects of U.S. copyright law as it pertains to educators, including the TEACH Act and fair use provisions. It outlines that the TEACH Act provides educators greater rights for use of digital media in distance education settings. It also describes the four factor fair use test that examines the purpose and amount of a work used, whether it affects the market, and if the work is published or unpublished. Educators must employ protections to prevent unauthorized distribution of copyrighted materials.
Digitised collections offer a wealth of resources for improving a wide variety of literacies that promote critical thinking skills, instruction and curriculum enhancements.
OpenEd15: Farb, Blum, Kovacs: The Perils of-policy final-draftSharon E. Farb
This document discusses the potential perils of copyright policies and open access legislation related to open educational resources (OER) through a fictional podcast featuring conversations between UCLA librarians and administrators. It notes challenges implementing OER at UCLA including high textbook costs for students, instructors changing frequently, and scaling OER initiatives. It also summarizes copyright law and policies, challenges around academic freedom and ownership, and the need to identify goals and avoid unintended consequences when pursuing OER legislation and policies.
13274 70171 - natiera graham - jul 21, 2017 207 pm - the teach actmmunkatchy
The TEACH Act allows for the performance and display of copyrighted materials for distance education by accredited, non-profit educational institutions. It balances the perspectives of copyright owners and content users and provides guidance for academic institutions. The institution must be accredited and non-profit, and can only share materials with enrolled students as part of a specific course. Educators can use copyrighted works in print, broadcasts, films, audio and virtual resources like Blackboard for distance learning courses. The goal of the TEACH Act is to enable the use of copyrighted content for educational purposes.
Higher education needs to embrace open educational resources to help reduce costs for students and increase access to knowledge. This will require a shift in culture from proprietary to shared resources. Washington state legislation aims to promote open content sharing between community and technical colleges. Students have advocated for more affordable textbooks and online course options. Colleges are working to redesign high-enrollment courses using open resources to improve completion rates and save students over $42 million annually in textbook costs. Trustees can support these efforts by having discussions about open resources and setting goals to lower student costs.
Tec 516 online environmental issue presentation aubrey hall AubreyHall5
This document presents an online presentation about environmental issues in digital technology and online learning. It discusses the importance of digital citizenship and modeling ethical online behavior. It also addresses ensuring equitable access to technology for all students, including researching students' needs, promoting digital literacy, and advocating for resources. Finally, the presentation explores how digital tools can promote diversity, cultural understanding, and global awareness through collaborative online projects.
The document discusses the Fair Use Act and the TEACH Act, which protect educators from copyright infringement when utilizing materials for educational purposes. The TEACH Act of 2002 allows for digital copies and performances of copyrighted works for distance learning. It also permits greater flexibility for storing, copying, and digitizing copyrighted content. The Fair Use Act of 2007 protects the use of copyrighted works to introduce new ideas and promote learning through culture. Both acts aim to make information more accessible for educators and students while following copyright guidelines.
Kent copyright community of practice 20210127Chris Morrison
Introductory slides from the first of the rebooted University of Kent Copyright Community of Practice sessions. This session focused on copyright and online learning and featured a guest appearance from the fabulous Dr Jane Secker, Senior Lecturer in Educational Development at City, University of London
Title: Having “Open” Discussions with your System and Legislature
http://openedconference.org/
Dr. Cable Green will discuss how a mix of system strategic technology planning, legislation and legislative work sessions, student advocacy, creative budgeting, and partnering with foundations and international consortia can create positive disruptive spaces to engage open educational resources. Come learn what Washington’s Community and Technical Colleges are doing with open textbooks, course redesign, open licensing and what the WA legislature is encouraging through recently passed legislation.
The 6th Open Education Policy Forum 15-16 September 2021
Moderated a session on New concepts & perspectives for the study on copyright for education
Workshop Leaders: Prof. Dr Ebba Ossiannilsson & Kamil Śliwowski
This document provides information about copyright and fair use for educational purposes. It outlines that works are protected by copyright unless they are freely available online or fall under fair use guidelines like the Teach Act. It encourages checking whether your campus has licensing for certain works and provides checklists and resources on fair use and getting permission to use copyrighted materials for teaching. Links are included to sites with further information on mass digitization projects and copyright resources for teachers.
Kent Copyright literacy strategy workshop 31 july 2019 Chris Morrison
Slides from second workshop of University of Kent copyright literacy strategy project. The group considered outputs from the previous workshop (see https://www.slideshare.net/ChrisMorrison5/copyright-literacy-strategy-workshop-23-may-2019) discussed amendments to teh copyright policy and commented on an outline of a strategy document
This document provides an overview of 21st century literacy skills and information literacy. It discusses how new technologies are transforming society and the skills students need, such as problem solving, collaboration and digital literacy. These new literacies involve online reading comprehension, learning skills for the internet and evaluating information from various sources like videos, blogs and social media. Information literacy is defined as the ability to access, evaluate and apply information effectively. The document also discusses guided inquiry, which involves carefully planned lessons led by teachers and librarians to guide students through research projects and develop deep knowledge on a topic.
The document discusses several Supreme Court cases related to student expression rights, including Tinker v. Des Moines which established that students have a right to political expression, and Morse v. Frederick which found that schools can restrict speech they see as promoting illegal drug use. It also outlines requirements imposed by laws like the Children's Internet Protection Act and the Children's Online Privacy Protection Act regarding internet safety policies, filtering, and privacy protections for students. Finally, it discusses when schools can intervene in student expression, such as for substantial disruption of school activities or harassment, and recommends schools adopt clear policies on these issues.
COVID-19 and Copyright: Challenges for Higher Education, CITE Forum November ...Chris Morrison
Chris Morrison, Copyright, Licensing and Policy Manager at the University of Kent, presents the challenges for higher education associated with copyright at a time of pandemic. He discusses management of third party copyright, ownership of copyright content created in HE and proposes that community building is the key activity to creating a better learning and research environment.
The document provides an overview of 21st century literacy skills needed for students to be successful in today's digital world. These include the ability to critically evaluate online information from a variety of sources, understand multimedia formats, and collaborate online. The document discusses the importance of teaching skills like problem solving, digital literacy, and analyzing information from different perspectives to prepare students. It also introduces various frameworks that can be used to guide students' research process and development of literacy skills, such as Guided Inquiry, Kuhlthau's Information Search Process, and the Big 6 model.
Copyright, Education and Librarians: understanding privileges and rights Jane Secker
The document discusses copyright issues related to libraries and librarians. It notes that copyright underpins many library services like inter-library loans and digitization projects. Librarians have special privileges under copyright law to support these services. However, technology and digital copying have complicated copyright, sometimes creating fear among librarians. Research on copyright literacy among UK librarians found varying levels of understanding and a need for improved education. The document proposes rethinking copyright education for librarians to better address their needs and roles.
Media, Technology And 21st Century LearnersRenee Hobbs
Renee Hobbs' presentation at the 3rd Annual Media Literacy Conference, sponsored by Drug Free Pennsylvania. Dr. Hobbs is a Professor at Temple University School of Communications and Theater.
This document outlines Renee Hobbs' presentation on digital and media literacy. It discusses expanding the concept of literacy to include new forms of media like visual, digital, and news literacy. The key concepts of media literacy are that people interpret messages differently, messages use different codes and conventions, messages are representations that can influence attitudes, and have economic and political power. The learning process of media literacy involves accessing information from multiple sources, analyzing it by asking critical questions, composing new media, reflecting on issues of power and responsibility, and taking action. The document provides case studies of how media literacy has been applied in classrooms and concludes by asking how we can help students develop global citizenship skills.
Copyright Clarity: How Fair Use Supports Digital LearningRenee Hobbs
Use these slides along with Renee Hobbs' new book, Copyright Clarity: How Fair Use Supports Digital Learning (Corwin Press, 2010) to offer a professional development workshop for educators in your community.
Learn how copyright supports the rights of both owners and users and strengthen your understanding of how the doctrine of fair use applies to the practice of teaching and learning with digital media, technology, mass media and popular culture.
Can Students Use Images in their Writing? Renee Hobbs
Students use copyrighted materials in their own creative and academic for: for illustration, digital storytelling, and critical analysis. Learn about how copyright and fair use supports these practices.
Copyright Clarity: Using Copyrighted Materials for Digital LearningRenee Hobbs
This document discusses copyright law and fair use guidelines for educators using copyrighted materials in teaching. It explains that fair use allows some educational uses of copyrighted works without permission, including for purposes of criticism, comment, teaching, and scholarship. It provides examples of how fair use has been applied and outlines best practices for educators to confidently exercise fair use. The document promotes understanding that copyright law adapts to changes in technology and society.
Session designed to develop knowledge of the distinctions between fair use, creative commons, and other types of licenses so attendees will understand how to evaluate the use of a copyrighted work to determine whether it is appropriate for teachers and students to claim fair use, use Creative Commons licenses, ask
permission, or purchase a license.
Participants will also learn some specific
activities that can be used to teach K-12
students about their social responsibility
and ethical use of information.
Copyright Clarity: Remix and Fair USe in EducationRenee Hobbs
Banish your copyright confusion. When our students want to use bits of popular culture in their own creative work, you'll discover when you can say, "Yes, you Can"" by helping students understand the scape of their rights and responsibilities under the law.
Hobbs, Media Literacy, Artistic Expression And Copyright AlaRenee Hobbs
Renee Hobbs presented a talk to the American Library Association describing her work on media literacy education, copyright and fair use, conducted with colleagues Peter Jaszi and Pat Aufderheide.
While copyright & fair use can be confusing to navigate you CAN use copyrighted material in your creative work! This introduction to the Code of Best Practices in Fair Use for Media Literacy Education will explain fair use, reduce copyright confusion and share helpful ideas regarding how to teach your students and staff about copyright & fair use.
<a>http://sigms.iste.wikispaces.net/Copyright+Clarity</a>
Code of Best Practices in Fair Use for Media Literacy EducationMichelle Cates
This is the best practices document I use as my copyright bible. Visit the Center for Media and Social Impact for tons of copyright support.
Here is the link to the media education page: http://www.cmsimpact.org/fair-use/best-practices/code-best-practices-fair-use-media-literacy-education
I highly recommend watching the video "Fair Use and Media Literacy, an Overview"
https://www.youtube.com/watch?v=RcVMVDjOA_M
Standing on the Shoulders of Giants: Copyright and Fair UseEdTechTeacher.org
This document discusses copyright, fair use, citation, and plagiarism in an educational context. It begins with definitions of key concepts like copyright and fair use. It then addresses scenarios where students use copyrighted works in their own creative works and papers. The document emphasizes that fair use and transformation allow limited use of copyrighted content for educational purposes. It provides guidance on helping students properly cite sources to avoid plagiarism. Throughout, it stresses applying critical thinking to determine what constitutes fair use and stands on the shoulders of others through citation.
13275 85793 - chandra jackson - oct 12, 2018 1123 pm - ed615 3.1-ft_cdjmmunkatchy
The document discusses fair use and the TEACH Act, which aim to balance copyright protections with the educational needs of distance learners and educators. It provides examples of how fair use allows educators and students to incorporate copyrighted works for purposes of commentary, criticism, and illustration. Specifically, it outlines three principles for educators: 1) employing copyrighted material in media literacy lessons, 2) incorporating material into curriculum development, and 3) enabling students to incorporate excerpts for their own academic work, with the goal of fostering media literacy skills. The limitations note that only portions germane to educational goals can be used, proper attribution is important, and student work should transform rather than substitute for the original.
Copyright and Fair Use for Digital Learning; Teaching Strategies that WorkRenee Hobbs
This document summarizes a presentation about copyright, fair use, and digital learning. It discusses how copyright applies to student work, examples of fair use like illustration and remixing, and challenges with educational fair use guidelines. It also addresses attribution versus plagiarism, how to determine fair use, licensing schemes, the legal process around copyright infringement, and challenges with the Digital Millennium Copyright Act. The presentation argues that copyright law and fair use are important for promoting creativity and innovation while allowing certain educational exemptions.
This document discusses copyright law and the concept of fair use. It provides information on copyright violations and exceptions, including fair use, which allows limited use of copyrighted work without permission for purposes such as criticism, comment, news reporting, teaching, and research. The document notes that fair use applies when the benefits to society outweigh costs to the copyright holder. It discusses the doctrine of fair use and how transformative use that adds new insights or meanings is more likely to be considered fair use. The document also references educational fair use guidelines and organizations that support fair use.
Copyright and Fair Use for Digital Learning in the USARenee Hobbs
An examination of copyright and fair use as it applies to digital learning in the United States. Presentation to the European League of Middle Level Educators, Warsaw, Poland, January 30, 2015
This is a presentation created for IT 648 at The University of Southern Mississippi in partial completion of course requirements. The topic is copyright and the internet, and is intended as an overview only. The owner is not a lawyer, has never been one, and has absolutely no expertise in delivering legal advice.
This document provides a code of best practices for educators using fair use of copyrighted materials for media literacy education. It was created by a coalition of educational organizations through a collaborative process. The code identifies five principles to help educators interpret fair use rights in common educational situations involving media literacy. It aims to address confusion about copyright among educators by clarifying acceptable fair use practices for teaching and learning.
Copyright Clarity at NESA in Amman, Part IIIRenee Hobbs
This document provides an overview of copyright and fair use pedagogy. It discusses key concepts around copyright including what copyright is, exercising fair use reasoning, and sharing creative works online. It also examines copyright curriculum and how fair use is described. Additional sections cover copyright cases, the legal process for infringement claims, librarians and copyright, supporting fair use through codes of best practices, and how copyright law has adapted over time.
While copyright & fair use can be confusing to navigate you CAN use copyrighted material in your creative work! This introduction to the Code of Best Practices in Fair Use for Media Literacy Education will explain fair use, reduce copyright confusion and share helpful ideas regarding how to teach your students and staff about copyright & fair use.
Additional Resources
http://ning.peteandc.org/page/copyright-clarity-fair-use
Yes! You Can Use Copyrighted Material for Digital LiteracyRenee Hobbs
In this session, Renee Hobbs, Sandy Hayes and Kristin Hokanson explore the importance of copyright and fair use for digital literacy. Participants gain knowledge about U.S. copyright law as it relates to the most common instructional practices in digital literacy and appreciate the concept of transformative use. They gain confidence in making a fair use determination and learn how to integrate fair use reasoning into student media production activities. Finally, participants increase their ability to advocate for the fair use of copyrighted materials in digital literacy
Similar to Yes, You Can! Use Copyrighted Materials for Media Literacy (20)
Workshop: Media Literacy Instructional Practices for Every TeacherRenee Hobbs
How can media literacy education help address important community needs? Review 16 media literacy instructional practices that are foundational to students in primary and secondary education and learn about research on the specific characteristics of quality MIL education. Then work in a small group under deadline pressure to plan how you could implement one or more instructional practices to address a timely and relevant community issue, using a creative design process to imagine educational futures.
Courageous RI: A Whole-of-Society Approach to Violence PreventionRenee Hobbs
The document discusses a whole-of-society approach to violence prevention through media literacy, active listening, compassion, and community engagement. It argues that media and technology amplify hate while dialogue programs increase intellectual humility and reduce defensiveness. Training in active listening helps apply media literacy knowledge to understand different perspectives. Courageous conversations that find common ground also help prevent violence. Research shows dialogue programs improve skills like active listening, media literacy, and intellectual humility.
Media Literacy, Artificial Intelligence and American ValuesRenee Hobbs
Delivered at the Holland Symposium at Angelo State University, February 15, 2024.
Digital tools are used to create a tsunami of entertainment, information, and persuasion that floods into our daily lives because media messages influence knowledge, attitudes, beliefs and behaviors. Some people are overwhelmed and others are exhilarated by the rise of generative AI, which is quickly becoming normative for both creators and consumers alike. At the same time, mistrust and distrust are rising because it’s so easy to use digital media tools to activate strong emotions, simplify information, and attack opponents. Thanks to algorithmic personalization, new forms of propaganda are being created and shared on social media. Tailored to our deepest hopes, fears, and dreams, these messages can, at times, seem irresistible.
But the practice of media literacy education offers a humanistic response to the changing nature of knowledge caused by the rise of big data and its reshaping of the arts, business, the sciences, education, and the humanities. Learn how educators can help learners to ask critical questions that enable people to recognize the subtle forms of manipulation embedded in all forms of symbolic expression. Gain an understanding of the business models and technological affordances of AI, machine learning, and big data in order to distinguish between harmful and beneficial AI tools, texts, and technologies. Learn why creative and critical thinking, when it is combined with intellectual humility and empathy, help people develop the identity of a lifelong learner. When media literacy is embedded in education at all levels, people can find common ground, restore trust, and deepen respect for the shared human values of care and compassion.
BIOGRAPHY
Renee Hobbs is one of the world’s leading experts on media literacy education. She is Founder of the Media Education Lab, a global online community. Hobbs’s book, Mind Over Media: Propaganda Education for a Digital Age won the 2021 Prose Award for Excellence in Social Sciences from the American Association of Publishers. She began her career by offering the first teacher education program in media literacy education at Harvard Graduate School of Education. She has since inspired a generation of students, teachers, and citizens on four continents who have helped develop a global media literacy movement. As a full professor at the University of Rhode Island, Hobbs has published 12 books and more than 200 scholarly and professional articles. Her engaging talks clearly demonstrate how media literacy can be implemented in home, school, workplace, and community settings. Audiences enjoy Hobbs’ passion and energy and the skillful way she engages people from all walks of life in ways that activate critical thinking about contemporary popular culture and media messages, especially the new types of persuasive genres on social media that may escape people’s scrutiny.
Media Education in the Era of Algorithmic Personalization: Facing Polarizati...Renee Hobbs
Keynote address at the INTERNATIONAL CONFERENCE AND TRAINNING
ON DIGITAL AND MEDIA EDUCATION
PRELIMINARY PROGRAM
Cluj-Napoca, Romania, October 25-28, 2023
This document discusses digital media literacy pedagogies. It notes that educators incorporate these approaches for various reasons such as engaging and motivating learners, activating critical thinking, and building students' confidence as authors. The create to learn process involves 5 steps: access, analyze, create, reflect, and take action. Instructors support learning through offering a mix of creative freedom and control. When students shift from passive learning to creating media, they increase engagement and motivation. The document asks questions to prompt reflection on incorporating these approaches in one's own teaching.
Media Literacy Education in a Global SocietyRenee Hobbs
What We’re Learning and What We Still Need to Know
By Renee Hobbs
Media literacy education has greatly increased in visibility as increasing political polarization continues to threaten democratic societies. Around the world, tech companies invest in media literacy education, hoping that it will stave off regulation of their digital platforms. Journalists and politicians hope media literacy education will increase the public’s appetite for quality journalism to improve civic education. Parents expect that media literacy will help protect their children against the harms and risks of growing up with social media. And educators at all levels are beginning to recognize that the 4 C’s of media literacy (critical thinking, creativity, collaboration, and communication skills) are increasingly central to an emerging conceptualization of a “new liberal arts” education. Which of these themes and areas of emphasis are privileged as media literacy education is implemented around the world? What are the most urgent needs still to be addressed? How can the many stakeholders for media literacy better coordinate their efforts to accelerate implementation?
Learn more: www.mediaeducationlab.com
Improving Reading Comprehension by Using Media Literacy Activities
By Renee Hobbs
Some literacy educators still hold to the idea that audiovisual media and digital technologies are the enemies of print culture, but a growing number of educators are exploring the synergistic relationship between different forms of reading that occur when the concept of text is expanded to include images, graphic design, multimodality, moving image media, and online content. At home, parents cultivate children's understanding of story structure by engaging in activities that involve children's re-telling of books, cartoons, games, and short films. They pause children's videos to ask questions, comment on action and predict what will happen next. Such practices cultivate viewing as a cognitively active process, a concept that was first articulated in the 1970s but continues to be more deeply appreciated with the rise of YouTube culture, where the distinction between authors and audiences is diminished. During the elementary grades, teachers use media literacy competencies when reading children's picturebooks, calling attention to when the words of a story and the image of the story conflict or deliver different messages. Active "reading" of picture books is a practice that foregrounds the meaning-making process and elevates reading comprehension beyond mere decoding. When educators reframe their work with youth as less about passing high-stakes tests and more about learning to navigate the multiple literacy contexts in which they live, learn, and work, students' motivation for reading increases. For this reason, literacy specialists are exploring links between disciplinary literacy, inquiry, and media literacy. Media literacy instructional practices honor students' popular culture and lived experience, and offer opportunities for students to bring their affect, emotion, imagination, and social interaction into reading practices that examine and challenge cultural conventions like materialism and consumerism that are reproduced in media culture on a daily basis.
Educators are themselves citizens who express and share political views as part of their personal identity. They may care deeply about issues including climate change, immigration/migration, growing economic inequality, health and wellness, racism, sexism and other forms of discrimination, or other topics of concern. But in the classroom, some educators do not feel confident or comfortable exploring controversial issues with students, while others make clear their particular positions on political issues without necessarily reflecting on the inequality in power relationships that may silence their
students. The practice of critical media analysis and reflection help teachers navigate both the opportunities and the challenges of exploring contemporary controversies in the
classroom. Teachers benefit greatly from safe and structured opportunities to talk about the ethical and moral implications of their decisions to address or ignore controversial issues in the classroom.
Media Lteracy in Action Chapter 4 finalRenee Hobbs
The chapter discusses how competition in the news industry has impacted American society in unexpected ways. It introduces the concept of "news avoiders" who get information from social media rather than news sources. It also covers news values like human interest, conflict and timeliness that influence which stories are covered. The chapter examines techniques like framing that journalists use to make stories more appealing and how this can influence audience beliefs. It analyzes different forms and sources of news today from legacy media to born digital publications to citizen journalism.
1) The document defines media literacy as the set of knowledge, skills, and habits required to fully participate in contemporary media-saturated society.
2) It discusses media literacy as a lifelong learning process that involves inquiry, viewing/listening skills, credibility analysis, collaboration, and other competencies.
3) The importance of media literacy is explained as an expanded form of literacy, a way to protect from harmful media, to advance citizenship, and critique institutional power.
Digital Authorship and the Practice of Media Literacy Renee Hobbs
This document discusses digital authorship and media literacy education. It notes that digital authorship is a form of social power and involves creative collaboration, experimentation, and risk-taking. Critical thinking about message form, content and context helps people become better creators and consumers of digital media messages. The key ideas are summarized as digital authorship being a creative, collaborative process that involves taking risks, and thinking critically about messages makes for better understanding and creation of digital content.
Create to Learn: Advancing Collaboration and CreativityRenee Hobbs
Academic librarians, technologists, and higher education faculty have been actively experimenting with new forms of digital learning during the global pandemic. In the process, they have discovered some valuable strategies and practices that will continue to fuel innovation in teaching, learning, and scholarship for years to come. In this session, we’ll discuss why it’s more important than ever before to have complicated conversations about all the literacies - information, media, news, digital, critical, and those that are yet to be named. How do these competencies get integrated into all programs and courses across the liberal arts and sciences? In this session, we’ll take time to experiment, working in small groups, using create-to-learn pedagogies that can provoke intellectual curiosity by combining play and learning. Then, we’ll reflect on how creative collaboration can offer a liberating way to open up spaces of possibility and adaptation for the stakeholders in our own institutions and communities.
Renee Hobbs is an expert in digital and media literacy education and she is the author of Mind Over Media: Propaganda Education for a Digital Age, which was awarded the 2021 PROSE Award for Excellence in Social Sciences from the Association of American Publishers. As professor of communication studies and director of the Media Education Lab, she co-directs the Graduate Certificate in Digital Literacy at the University of Rhode Island. She has published 12 books and over 150 scholarly and professional articles and developed multimedia learning resources for elementary, secondary and college teachers.
Webinar digitale geletterdheid, de lerarenopleiding en de leraar van de toekomstRenee Hobbs
Digitale geletterdheid in het curriculum: Hoe digitaal geletterd moet de #leraar van de toekomst zijn? En wat vraagt dat van de #lerarenopleidingen? In dit #webinar gaat hoogleraar communicatiewetenschappen @reneehobbs hierop in. Bent u erbij? https://lnkd.in/dANk6Cy
Propaganda vs. Democracy in a Digital AgeRenee Hobbs
Renee Hobbs shows how digital learning that addresses the needs of educators can have transformative impact in addressing the needs of learners growing up in a world full of propaganda and disinformation.
Renee Hobbs gave a presentation on digital authorship and media literacy. She discussed how librarians can support students' creative media production skills and critical analysis abilities. Hobbs covered different digital authorship tools and explained key concepts around copyright and fair use. She emphasized how digital authorship can empower learners and promote skills like creativity, collaboration, and civic participation.
Create to Learn: Digital Media Literacy in Bulgaria 2020Renee Hobbs
Digital and media literacy requires technical, cognitive, social, emotional and civic competencies. Educators and students become co-learners through creating digital media, which involves balancing creative freedom with control. Digital authorship is a process involving choice, courage, risk-taking and vulnerability that activates intellectual curiosity and supports lifelong learning.
Is Ripping for Fair Use Still Important? Considering DMCA 1201 in 2020 and B...Renee Hobbs
This document discusses a presentation about ripping media for fair use and the Digital Millennium Copyright Act (DMCA). The presentation covers:
1. The principles of the DMCA and its Section 1201 that makes circumventing copyright protections illegal.
2. How the DMCA exemption process has allowed some ripping/circumventing for purposes like criticism, commentary, and education over its 22 years.
3. Whether legal ripping is still necessary given streaming services, and if screen capturing should be celebrated or feared in supporting fair use.
The document outlines the presentation goals and sections on the DMCA, exemption results since 2006, and challenges around screen capturing. It also includes discussion questions and
Council of Europe Digital Citizenship Days, November 3, 2020Renee Hobbs
Renee Hobbs explains why the coronavirus crisis created an opportunity for teacher empowerment, as they discovered the importance of feeling safe online, empathic listening, guided and open inquiry, and enhanced care and responsibility towards others. Learn more: www.mediaeducationlab.com
Crisis Creates Opportunity: How the Covid Pandemic Advanced Digital Media Lit...Renee Hobbs
The document discusses how the COVID-19 pandemic created opportunities to advance digital media literacy in schools. It describes a program that provided daily online sessions for teachers over 5 months. The program helped teachers build skills in areas like developing trust online, promoting productive dialogue, modeling media literacy practices, and feeling interconnected while caring for one another. An evaluation found teachers were more likely to adopt strategies modeled in the program and students experienced benefits like improved online skills and well-being.
How to Manage Your Lost Opportunities in Odoo 17 CRMCeline George
Odoo 17 CRM allows us to track why we lose sales opportunities with "Lost Reasons." This helps analyze our sales process and identify areas for improvement. Here's how to configure lost reasons in Odoo 17 CRM
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
This presentation was provided by Steph Pollock of The American Psychological Association’s Journals Program, and Damita Snow, of The American Society of Civil Engineers (ASCE), for the initial session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session One: 'Setting Expectations: a DEIA Primer,' was held June 6, 2024.
Reimagining Your Library Space: How to Increase the Vibes in Your Library No ...Diana Rendina
Librarians are leading the way in creating future-ready citizens – now we need to update our spaces to match. In this session, attendees will get inspiration for transforming their library spaces. You’ll learn how to survey students and patrons, create a focus group, and use design thinking to brainstorm ideas for your space. We’ll discuss budget friendly ways to change your space as well as how to find funding. No matter where you’re at, you’ll find ideas for reimagining your space in this session.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
10. NEGOTIATED AGREEMENTS BETWEEN MEDIA COMPANIES AND EDUCATIONAL GROUPS Agreement on Guidelines for Classroom Copying in Not-for-Profit Educational Institutions Fair Use Guidelines for Educational Multimedia Guidelines for the Educational Use of Music Educational Use Guidelines are Confusing!
11.
12. The documents created by these negotiated agreements give them “the appearance of positive law. These qualities are merely illusory, and consequently the guidelines have had a seriously detrimental effect. They interfere with an actual understanding of the law and erode confidence in the law as created by Congress and the courts” --Kenneth Crews, 2001
17. Organizations Supporting the Code of Best Practices Action Coalition for Media Education (ACME) National Association for Media Literacy Education (NAMLE) National Council of Teachers Of English (NCTE) Visual Studies Division International Communication Association (ICA) Association for College and Research Libraries (ACRL)
18. On November 11, 2008, NCTE adopted the Code of Best Practices in Fair Use for Media Literacy Education as the official policy on fair use: http://www.ncte.org/positions/statements/fairusemedialiteracy
19.
20. Transformative Use is Fair Use When a user of copyrighted materials adds value to, or repurposes materials for a use different from that for which it was originally intended, it will likely be considered transformative use; it will also likely be considered fair use. Fair use embraces the modifying of existing media content, placing it in new context. --Joyce Valenza, School Library Journal
24. Elementary School Case Study: P.S. 124, Brooklyn, NY High School Case Study: Upper Merion Area High School King of Prussia, PA College Case Study: Project Look Sharp at Ithaca College Ithaca, NY
32. Continue Your Learning Media Education Lab http://mediaeducationlab.com Online community for sharing: http://copyrightconfusion.wikispaces.com/ Contact: Renee Hobbs Temple University Media Education Lab Philadelphia, PA Email: [email_address] Phone: 215 204-4291
Editor's Notes
In order to become media literate…we must USE MEDIA…what does that mean? Have to have an understanding of fair use… How do these skills relate to our rights under fair use?
Technologies make it easy to: Share Use Copy Excerpt/Quote from Modify Repurpose Distribute
Why do most people think that it is all about the owners? Where do these misconceptions come from From Wikipedia, the free encyclopedia: only clause the explains explicit purpose Article I, Section 8, Clause 8 of the United States Constitution, known as the Copyright Clause, the Copyright and Patent Clause (or Patent and Copyright Clause), the Intellectual Property Clause and the Progressive Clause, empowers the United States Congress: “ To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.
It’st time for educators to get smarter about their rights under the law About c & fair use and how it relates to our work
Describe each one If these are fair..what is NOT fair..what are instances where you would need to ask permission or get a license… TO COVER MYTH : FAIR USE IS TOO UNCLEAR AND COMPLICATED FOR ME; IT’S BETTER LEFT TO LAWYERS AND ADMINISTRATORS. TRUTH: The fair use provision of the Copyright Act is written broadly—not narrowly—because it is designed to apply to a wide range of creative works and the people who use them. Fair use is a part of the law that belongs to everyone—especially to working educators. Educators know best what they need to use of existing copyrighted culture to construct their own lessons and materials. Only members of the actual community can decide what’s really needed. Once they know, they can tell their lawyers and administrators.
Screen shot video hand 4 factors…questions over The law refers to four considerations: the nature of the use, the nature of the work used, the extent of the use, and its economic effect (the so-called “four factors”). This still leaves much room for interpretation, especially since the law is clear that these are not the only permissible considerations. In assessing fair use, courts ask: (1) Did the unlicensed use “transform” the material taken from the copyrighted work by using it for a different purpose than that of the original, or did it just repeat the work for the same intent and value as the original? (2) Was the material taken appropriate in kind and amount, considering the nature of the copyrighted work and of the use?