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Presented by: 
Ma. Jessabeth Aluba 
Pop Canata 
Aleile Dela Rosa 
Krystel Mae Lariosa 
Kristine Oracoy
.Ancient Egyptian literature was written in the 
Egyptian language from Ancient Egypt's 
pharaonic period until the end of Roman 
domination. 
along with Sumerian literature, it is considered 
the world's earliest literature. 
The earliest remains are those carved on the 
durable stone of monuments. Had it not been 
for the importance attached by the Egyptians 
to a life after death, the most ancient 
literature would never have been studied.
• The great tombs were the libraries in which 
the numerous writings were preserved, either 
as inscriptions on the walls or written on 
papyrus. 
-this substance from which our word 
“paper” is derived was made from a certain 
kind of seed growing in the Nile. It is a curious 
fact that long after the living plant became 
extinct in the Nile Valley, the dried pressed 
leaves bore silent witness to the ancient 
civilization.
-Many of these papyri are now 
scattered in libraries and museums throughout 
the world, some of the most important being 
in London, Berlin, and Leningrad.
• Limited in scope and in style. It is limited in 
type, largely epitaphs, hymns in praise of 
monarchs and gods, religious and moral 
teachings, records, ledgers and letters. 
• The most extensive work is The Book of the 
Dead. 
-consisting of religious formulas for the 
conduct of the soul after death.
• Laments, discourses, dialogues, 
and prophecies 
• Poems, songs, hymns, and 
afterlife texts 
• Private letters, model letters, and 
epistles 
• instructions and teachings
There are 31 dynasties of kings that reigned in 
Egypt up to the conquest by Alexander the 
Great in 332 B.C may be divided into 3 main 
groups: 
1) The Old Kingdom (to 3000 B.C.) 
i) Which left stone inscriptions 
ii) One of the most interesting is a letter 
of thanks written by a boy Pharaoh to a 
general who had sent him a captive 
Ethiopian dwarf dancer. 
2) The Middle Kingdom (3000-1600 B.C.) 
i) Introduced the use of papyrus and 
has left many documents.
ii) One of the finest poems is the “Hymn 
to Usertesen III. 
Hymn to Usertesen III 
This hymn is the most remarkable example of 
Egyptian poetry known to 
us. It was found by Mr. Flinders Petrie near the 
pyramid and temple of Usertesen II., 
in the town which was founded there for the 
accommodation of the workmen 
employed upon these buildings, and for the 
priestly staff who performed the 
servnces for the dead Pharaoh in his chapel. 
The hymn is addressed to the son and 
successor of that king — to Usertesen III., —
an active and warlike prince, who, as the poet 
also testifies, used his power for the benefit of 
his country and the pious support of its 
institutions. It is a marvel that the delicate 
papyrus on which the hymn is written should 
have been preserved for nearly 5,000 years. It 
has not, however, resisted the attacks of time 
without suffering injury; and the lacunae, 
together with the peculiar language em-ployed 
by the scribe, are baffling to the 
decipherer. Four stanzas only can be read with 
comparative completeness and certainty.
• Major narrative works from the 
Middle Kingdom include the Tale 
of the Court of King Cheops, 
King Neferkare and General 
Sasenet, The Eloquent Peasant, 
Story of Sinuhe, and Tale of the 
shipwrecked sailor.
3) The New Kingdom (1600-332 B.C.) 
i) Which included the time of the 
Exodus of the Israelites under Moses, 
about 1300 B.C. up to the death-struggles 
with the eastern conquering 
nations, Assyria, Persia, and Greece. 
ii) This period produced the greatest 
body of literature. 
iii) After Alexander the Great, Egypt 
became just a Greek province. Her glory 
had become merely a tradition of the 
past.
The New Kingdom corpus of tales 
includes the Quarrel of Apepi and 
Seqenenre, Taking of Joppa, Tale 
of the doomed prince, Tale of Two 
Brothers, and the Report of 
Wenamun.
While the Egyptian Kingdom dominated the 
valley of the Nile, there was gradually 
developing another civilization in the fertile 
valley of the Tigris and Euphrates rivers. 
• Assyro-Babylonian literature (also 
Akkadian literature) is the ancient 
literature written in the Akkadian 
language (Assyrian and Babylonian 
languages) written in Mesopotamia 
(Assyria and Babylonia) during the 
period spanning the Middle Bronze Age 
to the Iron Age (roughly the 23rd to 6th 
centuries BC).
• Drawing on the traditions of Sumerian 
literature, the Babylonians compiled a 
substantial textual tradition of 
mythological narrative, legal texts, 
scientific works, letters and other 
literary forms. 
The Great Babylonian and Assyrian empires 
that left a voluminous literature behind 
them. 
1. The Ancient Sumerians 
-the earliest race, conquered about 
2900 B.C. by Senitic tribes, and united 
under Sargon I. This great Babylonian 
empire reached the height of its power 
under the Dynasty of Hammurapi.
- the laws issued by him are among the 
the most important remains of the time 
comparing favourably with the Mosaic 
law in high moral standard. 
-had an aboriginal language with 
written symbols composed of wedge-shaped 
characters. 
-the reason of the wedge shape was 
that clay tablets pressed by the sharp 
edge of a stylus were used for written 
records. 
2. The Assyrians 
-swept down the Babylonians and made 
them tributary.
3. The Assurbanipal 
-an Assyrian monarch of the7th century 
B.C. assembled at Nineveh a 
tremendous library of about 22,000 clay 
tablets. 
• Great epics record lives of the gods. The 
great “Creation Epic of Babylon” centers 
around the sun-god Marduk who battled with 
Trainat, the salt-water ocean, from whose slain 
body he created heaven and earth. Later 
Marduk created man from the blood of 
another rebellious god. The other dieties built 
a sanctuary to Marduk and hailed him lord 
with a list of fifty honorary titles. The recital of
of the epic was part of the annual New Year’s 
festival of the Babylonians. 
• Isthar, goddess of love, identified with the 
planet Venus, figures in manyof the epics. 
-one of her story is “descent into Hades” 
resembles the greek myth Persephone, in 
symbolizing the death of vegetation during 
winter and its revival with the return of the 
goddess in the spring.
Epic of Gilgamesh 
- the most important of all the Babylonian 
epics. 
- Gilgamesh is a two-thirds god and one third 
human. 
The first half of the story discusses Gilgamesh, 
king of Uruk, and Enkidu, a wild man created 
by the gods to stop him oppressing the people 
of Uruk. After an initial fight, Gilgamesh and 
Enkidu become close friends. Together, they 
journey to the Cedar Mountain and defeat 
Humbaba, its monstrous guardian. Later they 
kill the bull of heaven, which the goddess
Ishtar sends to punish Gilgamesh for spurning 
her advances. As a punishment for these 
actions, the gods sentence Enkidu to death. 
In the second half of the epic, Gilgamesh's 
distress at Enkidu's death causes him to 
undertake a long and perilous journey to 
discover the secret of eternal life. He 
eventually learns that "Life, which you look for, 
you will never find. For when the gods created 
man, they let death be his share, and life 
withheld in their own hands". However, 
because of his great building projects, his
account of Siduri's advice, and what the 
immortal man Utnapishtim told him about the 
Great Flood, Gilgamesh's fame survived his 
death. His story has been translated into many 
languages, and in recent years has featured in 
works of popular fiction. 
-The epic ends on a tragic note. 
Utnapishthism, the ancestor he consulted, was 
the Babylonian Noah, and in telling his 
experiences he gave us a version of the 
DELUGE which resembles in many of its details 
that of the Bible.
The story of the deluge 
-based from tablet XI of the epic. 
-this story actually a narration of Utnapishtim 
to Gilgamesh of how he became immortal. 
-He tells first that after the gods have decided 
to send a flood to the earth, Ea, one of the 
leaders of the gods, mysteriously conveys to 
the mind of the mortal the coming event and 
instructs him to save himself and all life in a 
ship which he is to build according to the god’s 
instructions.
• Enlil or Ashur - god of the wind 
and divine ruler of the Earth and 
its human inhabitants, head of 
the Assyrian pantheon 
• Adad or Ishkur - god of storms, 
venerated as a supreme power 
especially in Syria and Lebanon
• Inanna or Ishtar - goddess of fertility, love, and 
war 
• Ereshkigal - goddess of Irkalla, the Underworld 
• Enki or Ea - god of the Abzu, crafts, water, 
intelligence, mischief and creation 
• Anu or An - god of heaven and the sky, lord of 
constellations, and father of the gods 
• Nabu - god of wisdom and writing 
• Marduk - patron deity of Babylon who 
eventually became regarded as the head of the 
Babylonian pantheon
Tammuz or Dumuzi - god of food and 
vegetation 
• Sin or Nanna - god of the moon 
• Shamash or Utu - god of the sun, arbiter 
of justice and patron of travellers 
• Ninurta - champion of the gods, the 
epitome of youthful vigour, and god of 
agriculture 
• Ninlil - goddess of the air; consort of Enlil
• Ninhursag or Mami, Belet-Ili, Ki, 
Ninmah, Nintu, or Aruru - earth 
and mother goddess 
• Nergal - god of plague, war, and 
the sun in its destructive 
capacity; later husband of 
Ereshkigal 
• Nanshe - goddess of social 
justice, prophecy, fertility and 
fishing
Thank 
You!!

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World lit(1)

  • 1. Presented by: Ma. Jessabeth Aluba Pop Canata Aleile Dela Rosa Krystel Mae Lariosa Kristine Oracoy
  • 2. .Ancient Egyptian literature was written in the Egyptian language from Ancient Egypt's pharaonic period until the end of Roman domination. along with Sumerian literature, it is considered the world's earliest literature. The earliest remains are those carved on the durable stone of monuments. Had it not been for the importance attached by the Egyptians to a life after death, the most ancient literature would never have been studied.
  • 3. • The great tombs were the libraries in which the numerous writings were preserved, either as inscriptions on the walls or written on papyrus. -this substance from which our word “paper” is derived was made from a certain kind of seed growing in the Nile. It is a curious fact that long after the living plant became extinct in the Nile Valley, the dried pressed leaves bore silent witness to the ancient civilization.
  • 4. -Many of these papyri are now scattered in libraries and museums throughout the world, some of the most important being in London, Berlin, and Leningrad.
  • 5. • Limited in scope and in style. It is limited in type, largely epitaphs, hymns in praise of monarchs and gods, religious and moral teachings, records, ledgers and letters. • The most extensive work is The Book of the Dead. -consisting of religious formulas for the conduct of the soul after death.
  • 6. • Laments, discourses, dialogues, and prophecies • Poems, songs, hymns, and afterlife texts • Private letters, model letters, and epistles • instructions and teachings
  • 7. There are 31 dynasties of kings that reigned in Egypt up to the conquest by Alexander the Great in 332 B.C may be divided into 3 main groups: 1) The Old Kingdom (to 3000 B.C.) i) Which left stone inscriptions ii) One of the most interesting is a letter of thanks written by a boy Pharaoh to a general who had sent him a captive Ethiopian dwarf dancer. 2) The Middle Kingdom (3000-1600 B.C.) i) Introduced the use of papyrus and has left many documents.
  • 8. ii) One of the finest poems is the “Hymn to Usertesen III. Hymn to Usertesen III This hymn is the most remarkable example of Egyptian poetry known to us. It was found by Mr. Flinders Petrie near the pyramid and temple of Usertesen II., in the town which was founded there for the accommodation of the workmen employed upon these buildings, and for the priestly staff who performed the servnces for the dead Pharaoh in his chapel. The hymn is addressed to the son and successor of that king — to Usertesen III., —
  • 9. an active and warlike prince, who, as the poet also testifies, used his power for the benefit of his country and the pious support of its institutions. It is a marvel that the delicate papyrus on which the hymn is written should have been preserved for nearly 5,000 years. It has not, however, resisted the attacks of time without suffering injury; and the lacunae, together with the peculiar language em-ployed by the scribe, are baffling to the decipherer. Four stanzas only can be read with comparative completeness and certainty.
  • 10. • Major narrative works from the Middle Kingdom include the Tale of the Court of King Cheops, King Neferkare and General Sasenet, The Eloquent Peasant, Story of Sinuhe, and Tale of the shipwrecked sailor.
  • 11. 3) The New Kingdom (1600-332 B.C.) i) Which included the time of the Exodus of the Israelites under Moses, about 1300 B.C. up to the death-struggles with the eastern conquering nations, Assyria, Persia, and Greece. ii) This period produced the greatest body of literature. iii) After Alexander the Great, Egypt became just a Greek province. Her glory had become merely a tradition of the past.
  • 12. The New Kingdom corpus of tales includes the Quarrel of Apepi and Seqenenre, Taking of Joppa, Tale of the doomed prince, Tale of Two Brothers, and the Report of Wenamun.
  • 13.
  • 14. While the Egyptian Kingdom dominated the valley of the Nile, there was gradually developing another civilization in the fertile valley of the Tigris and Euphrates rivers. • Assyro-Babylonian literature (also Akkadian literature) is the ancient literature written in the Akkadian language (Assyrian and Babylonian languages) written in Mesopotamia (Assyria and Babylonia) during the period spanning the Middle Bronze Age to the Iron Age (roughly the 23rd to 6th centuries BC).
  • 15. • Drawing on the traditions of Sumerian literature, the Babylonians compiled a substantial textual tradition of mythological narrative, legal texts, scientific works, letters and other literary forms. The Great Babylonian and Assyrian empires that left a voluminous literature behind them. 1. The Ancient Sumerians -the earliest race, conquered about 2900 B.C. by Senitic tribes, and united under Sargon I. This great Babylonian empire reached the height of its power under the Dynasty of Hammurapi.
  • 16. - the laws issued by him are among the the most important remains of the time comparing favourably with the Mosaic law in high moral standard. -had an aboriginal language with written symbols composed of wedge-shaped characters. -the reason of the wedge shape was that clay tablets pressed by the sharp edge of a stylus were used for written records. 2. The Assyrians -swept down the Babylonians and made them tributary.
  • 17. 3. The Assurbanipal -an Assyrian monarch of the7th century B.C. assembled at Nineveh a tremendous library of about 22,000 clay tablets. • Great epics record lives of the gods. The great “Creation Epic of Babylon” centers around the sun-god Marduk who battled with Trainat, the salt-water ocean, from whose slain body he created heaven and earth. Later Marduk created man from the blood of another rebellious god. The other dieties built a sanctuary to Marduk and hailed him lord with a list of fifty honorary titles. The recital of
  • 18. of the epic was part of the annual New Year’s festival of the Babylonians. • Isthar, goddess of love, identified with the planet Venus, figures in manyof the epics. -one of her story is “descent into Hades” resembles the greek myth Persephone, in symbolizing the death of vegetation during winter and its revival with the return of the goddess in the spring.
  • 19. Epic of Gilgamesh - the most important of all the Babylonian epics. - Gilgamesh is a two-thirds god and one third human. The first half of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop him oppressing the people of Uruk. After an initial fight, Gilgamesh and Enkidu become close friends. Together, they journey to the Cedar Mountain and defeat Humbaba, its monstrous guardian. Later they kill the bull of heaven, which the goddess
  • 20. Ishtar sends to punish Gilgamesh for spurning her advances. As a punishment for these actions, the gods sentence Enkidu to death. In the second half of the epic, Gilgamesh's distress at Enkidu's death causes him to undertake a long and perilous journey to discover the secret of eternal life. He eventually learns that "Life, which you look for, you will never find. For when the gods created man, they let death be his share, and life withheld in their own hands". However, because of his great building projects, his
  • 21. account of Siduri's advice, and what the immortal man Utnapishtim told him about the Great Flood, Gilgamesh's fame survived his death. His story has been translated into many languages, and in recent years has featured in works of popular fiction. -The epic ends on a tragic note. Utnapishthism, the ancestor he consulted, was the Babylonian Noah, and in telling his experiences he gave us a version of the DELUGE which resembles in many of its details that of the Bible.
  • 22. The story of the deluge -based from tablet XI of the epic. -this story actually a narration of Utnapishtim to Gilgamesh of how he became immortal. -He tells first that after the gods have decided to send a flood to the earth, Ea, one of the leaders of the gods, mysteriously conveys to the mind of the mortal the coming event and instructs him to save himself and all life in a ship which he is to build according to the god’s instructions.
  • 23.
  • 24. • Enlil or Ashur - god of the wind and divine ruler of the Earth and its human inhabitants, head of the Assyrian pantheon • Adad or Ishkur - god of storms, venerated as a supreme power especially in Syria and Lebanon
  • 25. • Inanna or Ishtar - goddess of fertility, love, and war • Ereshkigal - goddess of Irkalla, the Underworld • Enki or Ea - god of the Abzu, crafts, water, intelligence, mischief and creation • Anu or An - god of heaven and the sky, lord of constellations, and father of the gods • Nabu - god of wisdom and writing • Marduk - patron deity of Babylon who eventually became regarded as the head of the Babylonian pantheon
  • 26. Tammuz or Dumuzi - god of food and vegetation • Sin or Nanna - god of the moon • Shamash or Utu - god of the sun, arbiter of justice and patron of travellers • Ninurta - champion of the gods, the epitome of youthful vigour, and god of agriculture • Ninlil - goddess of the air; consort of Enlil
  • 27. • Ninhursag or Mami, Belet-Ili, Ki, Ninmah, Nintu, or Aruru - earth and mother goddess • Nergal - god of plague, war, and the sun in its destructive capacity; later husband of Ereshkigal • Nanshe - goddess of social justice, prophecy, fertility and fishing