This includes general information, the artists/bands they work with, their typical target audience and pros and cons to working with the VEVO record label.
Parlophone Record Label is a good choice for the artist's band as it has represented legendary artists like the Beatles and Kylie Minogue. While Parlophone is a major label that could restrict the band's creativity, it also has expertise in rock and pop music and promotes its artists well. The document concludes that Parlophone is a suitable label since it represents modern pop-rock artists like Coldplay that are similar in style to the band.
The document describes the history and career of the British pop rock band Scouting for Girls. It details how the band members met in school in London and built an early fanbase on Myspace before being signed to Epic UK in 2007. Their debut album sold over 900,000 copies in the UK and they toured internationally through 2008. The band continues to release new singles and albums while promoting their music through various online and traditional media platforms.
Sony BMG, Universal Music Group, Warner Music Group, and EMI are some of the major music labels discussed. They own many popular subsidiary labels and work with well-known artists. Independent labels like XL Recordings, Lab Records, Dualtone Records, and Rough Trade were also mentioned. These labels tend to release fewer albums annually but work with talented artists. Marketing campaigns help promote new music videos. Ellie Goulding released the video for "On My Mind" alongside her new album and tour dates. She used social media, websites, radio stations, and interviews to build excitement leading up to the release.
Sony began as a record label called American Record Corporation in 1929 and changed its name to Sony in 1991. It is now one of the largest music and entertainment companies, housing many record labels and having signed numerous global superstar artists. Sony operates music websites like VEVO to promote artists and has partnerships with other labels and companies that account for most of its profits. It markets artists through official websites linking to their social media where the artists also help promote their music and provide purchase links.
WMG is one of the major record labels focused on rock and indie music. They have a vast roster of artists and experience in distributing music videos for those genres. Their marketing techniques like MySpace, YouTube, and festivals would help promote a new music video.
EMI was also one of the major labels before being acquired. They had huge commercial success with artists like Coldplay and Radiohead, so would be well suited to distribute a music video. Their resources and experience in the genre would exceed many other companies.
Roc-A-Fella Records began as an independent label to release Jay-Z's debut album. Though the album was not initially commercially successful, it spawned several hits and built Jay-
This document discusses major music labels and independent labels. It provides information on four major labels - Sony BMG, Universal Music Group, EMI, and Warner Music Group. It notes some of the top artists signed to each label. The document also profiles four independent labels - XL Recordings, Lab Records, Dualtone Records, and Rough Trade Records, and some of their signed artists. Finally, it analyzes the marketing campaign for Ellie Goulding's 2015 music video for "On My Mind," highlighting her use of social media, reviews on music websites, radio play, and interviews to promote the new release.
The document discusses how advances in media technology have impacted various aspects of the music industry, including ownership, production, marketing, distribution, and exchange, using Warner Music Group as a case study. It describes how technology has allowed larger labels to buy smaller ones and given artists new ways to release and promote music. While new sites have more widely spread music, illegal file sharing has negatively impacted label profits from physical sales.
Hungry Audio is an independent record label based in Norwich and London founded in 2004. They promote artists such as Sennen, Mia Vigar, and The Telescopes. While not well known mainstream, some of the artists have built strong global fan bases and received airplay and reviews. The label embraces new media like Twitter, digital downloads, and streaming to promote and distribute their artists' music. However, streaming services and illegal downloading have negatively impacted the label's sales.
Parlophone Record Label is a good choice for the artist's band as it has represented legendary artists like the Beatles and Kylie Minogue. While Parlophone is a major label that could restrict the band's creativity, it also has expertise in rock and pop music and promotes its artists well. The document concludes that Parlophone is a suitable label since it represents modern pop-rock artists like Coldplay that are similar in style to the band.
The document describes the history and career of the British pop rock band Scouting for Girls. It details how the band members met in school in London and built an early fanbase on Myspace before being signed to Epic UK in 2007. Their debut album sold over 900,000 copies in the UK and they toured internationally through 2008. The band continues to release new singles and albums while promoting their music through various online and traditional media platforms.
Sony BMG, Universal Music Group, Warner Music Group, and EMI are some of the major music labels discussed. They own many popular subsidiary labels and work with well-known artists. Independent labels like XL Recordings, Lab Records, Dualtone Records, and Rough Trade were also mentioned. These labels tend to release fewer albums annually but work with talented artists. Marketing campaigns help promote new music videos. Ellie Goulding released the video for "On My Mind" alongside her new album and tour dates. She used social media, websites, radio stations, and interviews to build excitement leading up to the release.
Sony began as a record label called American Record Corporation in 1929 and changed its name to Sony in 1991. It is now one of the largest music and entertainment companies, housing many record labels and having signed numerous global superstar artists. Sony operates music websites like VEVO to promote artists and has partnerships with other labels and companies that account for most of its profits. It markets artists through official websites linking to their social media where the artists also help promote their music and provide purchase links.
WMG is one of the major record labels focused on rock and indie music. They have a vast roster of artists and experience in distributing music videos for those genres. Their marketing techniques like MySpace, YouTube, and festivals would help promote a new music video.
EMI was also one of the major labels before being acquired. They had huge commercial success with artists like Coldplay and Radiohead, so would be well suited to distribute a music video. Their resources and experience in the genre would exceed many other companies.
Roc-A-Fella Records began as an independent label to release Jay-Z's debut album. Though the album was not initially commercially successful, it spawned several hits and built Jay-
This document discusses major music labels and independent labels. It provides information on four major labels - Sony BMG, Universal Music Group, EMI, and Warner Music Group. It notes some of the top artists signed to each label. The document also profiles four independent labels - XL Recordings, Lab Records, Dualtone Records, and Rough Trade Records, and some of their signed artists. Finally, it analyzes the marketing campaign for Ellie Goulding's 2015 music video for "On My Mind," highlighting her use of social media, reviews on music websites, radio play, and interviews to promote the new release.
The document discusses how advances in media technology have impacted various aspects of the music industry, including ownership, production, marketing, distribution, and exchange, using Warner Music Group as a case study. It describes how technology has allowed larger labels to buy smaller ones and given artists new ways to release and promote music. While new sites have more widely spread music, illegal file sharing has negatively impacted label profits from physical sales.
Hungry Audio is an independent record label based in Norwich and London founded in 2004. They promote artists such as Sennen, Mia Vigar, and The Telescopes. While not well known mainstream, some of the artists have built strong global fan bases and received airplay and reviews. The label embraces new media like Twitter, digital downloads, and streaming to promote and distribute their artists' music. However, streaming services and illegal downloading have negatively impacted the label's sales.
Music listening preferences can provide insight into a person's interests and personality. Record labels come in different sizes, from major international corporations to smaller independent labels. Major labels promote and distribute music on a large scale, while independent labels have less financial resources but similar goals of producing and promoting music.
Major record labels control over 80% of the music industry, with Universal Music Group, Sony Music, and Warner Music making up the big three labels and collectively owning 90% of the market. Universal Music Group controls 37% through its many subsidiary labels like Def Jam and Republic Records. Warner Music Group controls 19% via subsidiaries like Bad Boy Records. Sony Music controls 34% through subsidiaries like Columbia Records and Epic Records.
Major record label vs Independent record label09foxemm
Columbia Records is a major record label owned by Sony Music Entertainment that represents many top artists across multiple genres. It has a large roster of over 85 artists and earns revenue from album and song sales as well as merchandise. In contrast, Sub Pop is an independent label founded in 1988 that launched the careers of grunge bands like Nirvana and helped define the Seattle music scene in the 1990s. As an independent label, Sub Pop relies more on word-of-mouth and social media to promote its artists due to a smaller budget, while major labels like Columbia can spend heavily on music videos, advertising, and promotion.
The document discusses three record labels: Syco Music, Virgin EMI Records, and Fueled By Ramen. Syco Music, owned by Simon Cowell, has found success with artists from shows like The X Factor and Britain's Got Talent. Virgin EMI Records is a large label focused mainly on pop artists. Fueled By Ramen specializes in punk-inspired rock/pop bands and could provide experience promoting an indie rock group, but has many existing artists signed.
WMG is one of the major record labels, focusing on rock and indie music. They have a variety of marketing techniques to promote artists, including websites, social media, videos on YouTube and Hulu. They also organize concerts and festivals. EMI is another major label that would be suitable for the document author's music video due to their commercial success with artists like Coldplay and Radiohead, and their experience in the relevant genre.
Spotify is a music streaming service launched in 2008 that offers streaming of music from major and independent record labels. By September 2010, Spotify had approximately 10 million users, including 1 million paying customers. The service is available in several European and North American countries. Music can be browsed and searched by artist, album, genre, or playlist. While initially losing money, Spotify received an investment in 2010 that helped it become profitable.
Sony Music Entertainment is a global recorded music company that owns premier record labels representing artists across all genres. It boasts a vast catalog of historically important recordings. As a wholly owned subsidiary of Sony Corporation of America, Sony Music Entertainment has signed deals with YouTube and has licensing agreements with Apple.
There are four main music institutions that help produce and fund music videos for artists signed to their labels. These four institutions are EMI Music, Sony Music, Universal Music Group, and Warner Music Group. Each institution is home to many famous record labels and artists. They help develop and sustain artists' careers through access to commercial services, worldwide distribution networks, and cross-promotion opportunities, which increases music sales and brings profit to the institutions.
The document outlines the four major record labels - Universal Music Group, Sony BMG Music Entertainment, EMI Group, and Warner Music Group - and provides details on their market share in 2005, label imprints, and key artists. Universal Music Group had the largest market share at 25.5% while Warner Music Group had the smallest at 11.3%. The major label imprints and some of their iconic artists are also noted for each company.
Sony Music Entertainment was established in 1991 through a joint venture with Bertelsmann. In 2004, Sony and Bertelsmann entered a joint venture to form Sony BMG Music Entertainment. In 2008, Sony acquired Bertelsmann's 50% stake in Sony BMG. In 2010, Sony partnered with The Michael Jackson Company on a $250 million deal, the largest in history. Sony Music Entertainment owns several record labels and distributes music from major artists across many genres.
Universal Records has had success signing and promoting numerous artists across various music genres. In the 1990s and 2000s, the label achieved commercial success with acts like Erykah Badu, 3 Doors Down, Nelly, and Lil Wayne. In 1999, Universal Records merged with Motown Records and Republic Records to form Universal Motown Republic Group. Universal Music Group co-developed the music video streaming site Vevo with YouTube to allow free, ad-supported streaming of higher quality music videos. One of Universal's successful artists is the Scottish rock band Biffy Clyro, who were originally on an independent label but are now signed to Universal and have achieved greater mainstream popularity while retaining their niche audience.
Universal Music Group is one of the largest record labels in the world founded in 1934. It is based in the United States and has signed artists globally, generating $6 billion in revenue. UMG owns several major record labels and has a 30% share of the global music market. While it has faced controversies like allegedly bribing radio stations, UMG continues to sign popular artists and partner with companies to promote music.
Sony Music Entertainment would be the best record label for our artist. Sony is well-known with similar artists to ours and is based in New York, the same area where our artist is from. Signing with Sony would allow our music to be distributed on Spotify, reaching a wider audience. However, Sony mainly signs already established artists and is an American company, which may not be the best representation for a UK-based artist. Technology can help distribute our music through various online platforms like YouTube and Spotify, but TV advertising may be better to directly promote our artist and songs.
Universal Music Group owns various record labels and media companies involved in the production, marketing, distribution, and sale of music. It represents many popular artists that appear on radio playlists like AFI, Blink-182, Lady Gaga, and Rise Against. UMG uses various online and social media platforms to promote its artists, find new talent, and distribute music in both physical and digital formats through various retailers and online stores. Media convergence across different channels has been important for increasing music sales and exposure for UMG's artists.
Music video institutions help produce and fund music videos for their signed artists. This document provides case studies of four major music video institutions: EMI Music, Sony Music, Universal Music Group, and Warner Music Group. It describes their record labels, featured artists, global distribution networks, and roles in discovering, marketing and promoting artists worldwide.
Music videos are produced by major record labels like Universal Music Group, Sony Music Entertainment, and Warner Music Group. These labels have large budgets ranging from $30-40 million annually to produce music videos for their artists across different genres. While some labels are known for certain genres like pop, most labels own various subsidiary labels that produce a variety of genres. Music videos are promoted widely through various media like TV, radio, internet and print to reach large audiences and maximize revenue.
Spotify was launched in 2008 as a Swedish startup and grew to over 10 million users by 2010. It allows free streaming of music with ads or premium subscriptions without ads. Some artists do not allow their music on Spotify.
Kobalt Music Group is an independent music publisher founded in 2000 that represents over 40% of top songs and albums in the US and UK, ensuring fair payment in the digital world.
Sentric Music specializes in emerging songwriters and artists, signing bands like Catfish and the Bottleman and Bastille. It publishes works in the UK and has a sub-publishing deal in the US and Canada.
Downtown Music Publishing represents successful artists like The Beatles and Ellie
Warner Music Group, Sony Music Entertainment, EMI, and Universal Music Group are four major music video institutions that help produce and fund music videos. Warner Music Group represents artists like James Blunt and Bruno Mars. Sony Music Entertainment features artists such as Beyoncé, Britney Spears, and Foo Fighters. EMI works with Coldplay, Kylie Minogue, and Pink Floyd. Universal Music Group has a diverse roster including Justin Bieber, Mariah Carey, and Adele.
Sony Music Entertainment is the second largest record company behind Universal Music Group. It is a subsidiary of Sony Corporation founded in 1929. Some of its labels include Columbia, Epic, and Sony Classical. It operates in 43 countries and partners with VEVO and Syco. Century Media was founded in 1988 in Germany and is now based in the US. It is recognized as a dominating force in metal, hard rock, and hardcore. It had pulled acts from Spotify in 2011 but returned in 2012. It maintains an organic, family feel while giving bands major opportunities. It advertises on YouTube by playing music from bands like Motionless in White and Nightwish on similar genre videos to effectively target its niche audience.
This document discusses design ideas for a digipak including a front and back cover as well as the inside of the digipak. It also mentions using the same image from the front cover in a magazine advertisement to create a link between the two.
Music listening preferences can provide insight into a person's interests and personality. Record labels come in different sizes, from major international corporations to smaller independent labels. Major labels promote and distribute music on a large scale, while independent labels have less financial resources but similar goals of producing and promoting music.
Major record labels control over 80% of the music industry, with Universal Music Group, Sony Music, and Warner Music making up the big three labels and collectively owning 90% of the market. Universal Music Group controls 37% through its many subsidiary labels like Def Jam and Republic Records. Warner Music Group controls 19% via subsidiaries like Bad Boy Records. Sony Music controls 34% through subsidiaries like Columbia Records and Epic Records.
Major record label vs Independent record label09foxemm
Columbia Records is a major record label owned by Sony Music Entertainment that represents many top artists across multiple genres. It has a large roster of over 85 artists and earns revenue from album and song sales as well as merchandise. In contrast, Sub Pop is an independent label founded in 1988 that launched the careers of grunge bands like Nirvana and helped define the Seattle music scene in the 1990s. As an independent label, Sub Pop relies more on word-of-mouth and social media to promote its artists due to a smaller budget, while major labels like Columbia can spend heavily on music videos, advertising, and promotion.
The document discusses three record labels: Syco Music, Virgin EMI Records, and Fueled By Ramen. Syco Music, owned by Simon Cowell, has found success with artists from shows like The X Factor and Britain's Got Talent. Virgin EMI Records is a large label focused mainly on pop artists. Fueled By Ramen specializes in punk-inspired rock/pop bands and could provide experience promoting an indie rock group, but has many existing artists signed.
WMG is one of the major record labels, focusing on rock and indie music. They have a variety of marketing techniques to promote artists, including websites, social media, videos on YouTube and Hulu. They also organize concerts and festivals. EMI is another major label that would be suitable for the document author's music video due to their commercial success with artists like Coldplay and Radiohead, and their experience in the relevant genre.
Spotify is a music streaming service launched in 2008 that offers streaming of music from major and independent record labels. By September 2010, Spotify had approximately 10 million users, including 1 million paying customers. The service is available in several European and North American countries. Music can be browsed and searched by artist, album, genre, or playlist. While initially losing money, Spotify received an investment in 2010 that helped it become profitable.
Sony Music Entertainment is a global recorded music company that owns premier record labels representing artists across all genres. It boasts a vast catalog of historically important recordings. As a wholly owned subsidiary of Sony Corporation of America, Sony Music Entertainment has signed deals with YouTube and has licensing agreements with Apple.
There are four main music institutions that help produce and fund music videos for artists signed to their labels. These four institutions are EMI Music, Sony Music, Universal Music Group, and Warner Music Group. Each institution is home to many famous record labels and artists. They help develop and sustain artists' careers through access to commercial services, worldwide distribution networks, and cross-promotion opportunities, which increases music sales and brings profit to the institutions.
The document outlines the four major record labels - Universal Music Group, Sony BMG Music Entertainment, EMI Group, and Warner Music Group - and provides details on their market share in 2005, label imprints, and key artists. Universal Music Group had the largest market share at 25.5% while Warner Music Group had the smallest at 11.3%. The major label imprints and some of their iconic artists are also noted for each company.
Sony Music Entertainment was established in 1991 through a joint venture with Bertelsmann. In 2004, Sony and Bertelsmann entered a joint venture to form Sony BMG Music Entertainment. In 2008, Sony acquired Bertelsmann's 50% stake in Sony BMG. In 2010, Sony partnered with The Michael Jackson Company on a $250 million deal, the largest in history. Sony Music Entertainment owns several record labels and distributes music from major artists across many genres.
Universal Records has had success signing and promoting numerous artists across various music genres. In the 1990s and 2000s, the label achieved commercial success with acts like Erykah Badu, 3 Doors Down, Nelly, and Lil Wayne. In 1999, Universal Records merged with Motown Records and Republic Records to form Universal Motown Republic Group. Universal Music Group co-developed the music video streaming site Vevo with YouTube to allow free, ad-supported streaming of higher quality music videos. One of Universal's successful artists is the Scottish rock band Biffy Clyro, who were originally on an independent label but are now signed to Universal and have achieved greater mainstream popularity while retaining their niche audience.
Universal Music Group is one of the largest record labels in the world founded in 1934. It is based in the United States and has signed artists globally, generating $6 billion in revenue. UMG owns several major record labels and has a 30% share of the global music market. While it has faced controversies like allegedly bribing radio stations, UMG continues to sign popular artists and partner with companies to promote music.
Sony Music Entertainment would be the best record label for our artist. Sony is well-known with similar artists to ours and is based in New York, the same area where our artist is from. Signing with Sony would allow our music to be distributed on Spotify, reaching a wider audience. However, Sony mainly signs already established artists and is an American company, which may not be the best representation for a UK-based artist. Technology can help distribute our music through various online platforms like YouTube and Spotify, but TV advertising may be better to directly promote our artist and songs.
Universal Music Group owns various record labels and media companies involved in the production, marketing, distribution, and sale of music. It represents many popular artists that appear on radio playlists like AFI, Blink-182, Lady Gaga, and Rise Against. UMG uses various online and social media platforms to promote its artists, find new talent, and distribute music in both physical and digital formats through various retailers and online stores. Media convergence across different channels has been important for increasing music sales and exposure for UMG's artists.
Music video institutions help produce and fund music videos for their signed artists. This document provides case studies of four major music video institutions: EMI Music, Sony Music, Universal Music Group, and Warner Music Group. It describes their record labels, featured artists, global distribution networks, and roles in discovering, marketing and promoting artists worldwide.
Music videos are produced by major record labels like Universal Music Group, Sony Music Entertainment, and Warner Music Group. These labels have large budgets ranging from $30-40 million annually to produce music videos for their artists across different genres. While some labels are known for certain genres like pop, most labels own various subsidiary labels that produce a variety of genres. Music videos are promoted widely through various media like TV, radio, internet and print to reach large audiences and maximize revenue.
Spotify was launched in 2008 as a Swedish startup and grew to over 10 million users by 2010. It allows free streaming of music with ads or premium subscriptions without ads. Some artists do not allow their music on Spotify.
Kobalt Music Group is an independent music publisher founded in 2000 that represents over 40% of top songs and albums in the US and UK, ensuring fair payment in the digital world.
Sentric Music specializes in emerging songwriters and artists, signing bands like Catfish and the Bottleman and Bastille. It publishes works in the UK and has a sub-publishing deal in the US and Canada.
Downtown Music Publishing represents successful artists like The Beatles and Ellie
Warner Music Group, Sony Music Entertainment, EMI, and Universal Music Group are four major music video institutions that help produce and fund music videos. Warner Music Group represents artists like James Blunt and Bruno Mars. Sony Music Entertainment features artists such as Beyoncé, Britney Spears, and Foo Fighters. EMI works with Coldplay, Kylie Minogue, and Pink Floyd. Universal Music Group has a diverse roster including Justin Bieber, Mariah Carey, and Adele.
Sony Music Entertainment is the second largest record company behind Universal Music Group. It is a subsidiary of Sony Corporation founded in 1929. Some of its labels include Columbia, Epic, and Sony Classical. It operates in 43 countries and partners with VEVO and Syco. Century Media was founded in 1988 in Germany and is now based in the US. It is recognized as a dominating force in metal, hard rock, and hardcore. It had pulled acts from Spotify in 2011 but returned in 2012. It maintains an organic, family feel while giving bands major opportunities. It advertises on YouTube by playing music from bands like Motionless in White and Nightwish on similar genre videos to effectively target its niche audience.
This document discusses design ideas for a digipak including a front and back cover as well as the inside of the digipak. It also mentions using the same image from the front cover in a magazine advertisement to create a link between the two.
The document compares the conventions of pop, rock, and pop rock music genres. It notes that pop conventions include fashionable revealing clothing, partying themes, bright colors, and emphasis on makeup. Rock conventions feature dark clothing, low lighting, passionate facial expressions, and focus on instruments. Pop rock combines elements of both, with denim, vintage clothing, natural lighting, and inclusion of guitars and drums.
The document provides casting details for the music video "Paradise". It introduces the main characters Sonam, an 18-year-old Asian female model and actress, and Arnas, an 18-year-old male singer in a mixed-race band. Sonam struggles with objectification and inequality as a young woman, while Arnas tries to escape stereotypes of young people. The video will show their journey breaking conventions and finding identity. Supporting band members, aged 18-21 of various races, will play dual roles as the band and portraying negative stereotypes through masked scenes trying to deal drugs to Arnas or stealing. A victim, Goncalo, a mid-20s Latin manager, will be
The document provides a narrative analysis of several music videos using different narrative theories. For Coldplay's "Paradise" music video, the elephant represents the victim trapped in the zoo, which serves as the villain. The airplane acts as the donor by helping the elephant escape to paradise. The other elephants who rescue him are the heroes. For Taylor Swift's "You Belong with Me," there is initially an equilibrium that is disrupted when the popular boy does not notice Taylor's sign, but realization and restored order occur when they get together at the prom.
This document discusses initial ideas for packaging and advertising a product. It includes sketches of the front and back covers of a digipak packaging as well as the inside of the digipak. A magazine advertisement is also mentioned which would feature the same image as the front cover to create branding consistency.
The document compares conventions across different music genres including rap, rock, pop, and indie. For rap, conventions that often occur include heavy jewelry, flashy displays of money, expensive cars, and casual baggy clothing. Rock conventions frequently involve live instrumentation and performances, as well as dark clothing and lighting. Pop music commonly uses colorful costumes, makeup, technology, and portrays a sexual or club-going lifestyle. Indie music tends to have a casual style and focus on live performances and low-budget settings that explore emotional themes.
Snapchat and Instagram are popular social media platforms used by teens and adults to communicate with friends and celebrities. Social media has become integrated into everyday life, especially for teens and young adults. Many people feel connected to famous individuals through following them on social media. The video references current topics like Ramadan in Islam, transgender identity, Kylie Jenner's lip challenge, and contouring eyebrows through visual representations and words floating on the screen.
The document provides costume notes for a music video shoot. It specifies that most costumes will be casual clothing like t-shirts, jeans, and sneakers to relate to the target audience. Sonam will wear nude clothing to suggest having her identity stripped. Band members can express themselves through black and white clothing representing the themes of "Polar". A businessman character will wear a suit to depict career success. Band members will also dress as "thug youths" in hoodies and loose pants to represent different portrayals of young people.
The document lists various editing techniques that could be used in a video including fade ins and outs, lens flares, slow motion transitions, cut transitions that match the beat, adding black and white effects, split screens, overlays, slow motion for both audio and visuals, and adding text.
- The target audience for the music video is young people ages 16-25, predominantly female, living in urban areas. They are still in school or have part-time jobs and rely somewhat on parents.
- The protagonist will be an Indian female to represent diversity, while the band will mostly be white males. Scenes will be filmed in diverse areas of London.
- The audience identifies as independent and individualistic. They enjoy socializing and music events for diversion and escapism.
The document discusses the process of developing a logo for a band. It began by researching logos of similar bands Coldplay and Arctic Monkeys, taking inspiration from their circular logos and fonts. Initial ideas incorporated a non-binary symbol to represent gender subversion. Further research led to replacing the symbol with one combining female and male symbols to represent inclusion of both genders. The final logo brings the symbols together in a circle using a font similar to those bands, conveying equality between genders.
The song is about a girl who searches for an ideal paradise but gets trapped in her own thoughts and unrealistic expectations, likely formed from fairy tales. She withdraws into her mind, dreaming of a different life without problems. The dream is of a paradise where nothing can hurt her or go wrong, but it is only a dream. Symbols like the butterfly and stormy skies represent her struggles. However, she maintains optimism that when the sun rises again, she will achieve her dreams and paradise. The repetition of verses suggests her mindset is changing and she can accomplish turning her life into paradise through positive outcomes.
The document discusses the locations that will be used for a pop/rock music video. It will use minimal locations but show simultaneous shots to depict different places. The main location will be an empty studio room to focus on the protagonist. Additional locations like Ladbroke Grove, Portobello Road Market, and Piccadilly Circus will be used nearer the chorus and climax as the song's energy increases. These locations were chosen because they symbolize themes in pop/rock music videos like self-reflection, journeying, London's liveliness, and depicting the target audience.
Music videos can be used for artist promotion, income generation from sites like YouTube, and entertainment. Record labels often influence artists to create music videos to advertise the artist and label. Videos are also made for entertainment purposes and can become hugely popular like "Gangnam Style" which gained over 2 billion views. Artist availability may determine if they appear in videos or if dancers are used instead to still promote while the artist is away. Music channels are declining due to the massive viewership of sites like VEVO on YouTube where videos can be watched for free.
The document discusses different types of institutions that fund and produce music videos. Large labels like Universal Music Group have significant funding to produce high production value videos for mainstream artists across multiple platforms. In contrast, independent companies like VideoInk have limited budgets and focus on genres like rock and indie, keeping videos lower cost through illustrative rather than amplified styles. Another independent label, REDCAPE, has even less funding and can only share videos on their website and YouTube.
Institutions like major record labels fund and distribute music videos to promote artists and their music. They provide resources to allow high production quality videos and distribute across various platforms. Larger labels like Universal Music Group, which owns many mainstream pop and R&B labels, can fund more elaborate videos due to greater resources. Independent labels have less funding so videos are often lower budget and illustrate the music rather than being elaborate. Exposure is also limited for independent labels who rely more on YouTube and websites versus advertising.
This document provides information about Coldplay and Kasabian. For Coldplay, it discusses their record labels, target audience, budgets for music videos, and how fans consume their music. It notes they are a big-budget mainstream band. For Kasabian, it discusses their record labels, performances, target audience of young females, how fans consume their music on platforms like Spotify and YouTube, and positives and negatives of being an indie artist.
The document discusses the purpose and importance of music videos for artists' careers. It provides examples of how music videos can help with artists' availability, promotion, creating a brand image, and extending their income. Music videos allow artists to reach audiences through various outlets and platforms. Major record labels and independent labels have different strategies for using music videos, such as partnering with platforms like YouTube and VEVO to gain profits from advertising. Self-produced artists may use YouTube to help launch their careers if a video goes viral.
The document discusses the purpose and importance of music videos for artists' careers. It provides examples of how music videos can help with artists' availability, promotion, creating a brand image, and extending their income. Music videos allow artists to reach audiences through various outlets and platforms. Major record labels and independent labels have different strategies for using music videos, such as partnering with platforms like YouTube and VEVO to gain profits from advertising. Self-produced artists may use YouTube to help launch their careers if their videos go viral.
The document discusses various platforms for exhibiting music videos, including MTV, YouTube, Vevo, record label websites, artist websites, iTunes, and independent sites. It argues that independent sites are the most influential for small, unknown artists seeking recognition, as they specifically aim to promote new talent, though they are less effective for bigger artists. The document concludes that an independent site would be the best option to exhibit an unknown music video and help a small artist get recognized.
Sony Music operates in 44 countries and territories worldwide. It has introduced new technologies into music production such as the internet, games consoles, mobile phones, and iPods. Sony Music can now distribute music through these new technologies by allowing people to listen on the internet, mobile phones, TV, and other programs. Artists are also marketed through various channels like TV, radio, magazines, and social media. Fans can consume and purchase music through downloads on iTunes or by listening on streaming services. Merchandising helps advertise artists and promote Sony through products unrelated to music.
The document provides an overview of the history and development of music videos. It discusses how music videos started in the 1980s with the rise of MTV and have since evolved to include various techniques like animation, documentaries, and abstract film. Music videos serve several purposes like promoting artists and songs to generate more sales and publicity. They can also expand the income from songs through DVD/CD sales and partnerships with other companies. The styles of music videos vary widely depending on the genre of music and the vision of the artist and producer. Techniques discussed include narratives, live footage, animation, and parodies. Censorship also plays a key role in determining what content is appropriate for music channels.
The document provides an overview of music videos, including their history, purposes, and various styles. It discusses how music videos started in the 1980s with the rise of MTV and how they are used to promote artists and make money. The document also examines different types of music video styles such as narratives, live footage, animation, and parodies/pastiches. Censorship and the roles of producers, major labels, and independent labels are also covered.
Major music distribution companies like Warner, Sony, and Universal are responsible for marketing and distributing music videos and audio from major artists. They set release dates and make music available on platforms like iTunes, Spotify, and YouTube. However, independent artists cannot access these major distribution channels and must promote their own music videos through social media like Facebook and YouTube to gain exposure. Distributing independent music videos is a lower budget process than videos from major labels that are promoted through channels like Vevo.
Q2 How effective is the combination of your main product and ancillary texts?tashshadat
The combination of the main product (music video) and ancillary texts (digipak and magazine advert) is effective due to synergistic links that allow each product to promote the others, reaching a wider audience. The music video will be exhibited on 4Music TV channel, which attracts a young demographic. The digipak and magazine advert in Q Magazine and NME complement the music video by extending promotion. While traditional media allows mass reach, new media like social media offers more audience interaction and choice.
The music industry in the digital worldSelinaAhmed96
The music industry has changed dramatically from physical media like records and cassettes to digital platforms online. MTV launched in 1981 and was initially successful playing music videos but saw declining viewership by 2011 as audiences shifted online. In response, Vevo launched a YouTube channel in 2009 and has been highly successful in reaching young audiences viewing music videos digitally on phones, tablets and laptops. Now the music industry primarily promotes new music videos through social media platforms that young audiences engage with like Facebook and Twitter, driving traffic online for views on YouTube.
The music industry in the digital worldSelinaAhmed96
The music industry has changed dramatically from physical media like records and cassettes to digital platforms online. MTV launched in 1981 and was initially successful playing music videos but saw declining viewership by 2011 as audiences shifted online. In response, Vevo launched a YouTube channel in 2009 and has been highly successful in recognizing that young audiences prefer viewing music videos digitally on platforms like smartphones and tablets rather than television. Now the music industry primarily promotes new music videos through social media sites that target young adults and relies on digital word-of-mouth to drive traffic to video platforms like Vevo's YouTube channel. To remain relevant, music companies have adapted to audiences' preference for accessing entertainment via the internet rather than television.
C:\fakepath\independent music label research projectPieter Jollans
Hungry Audio is an independent record label based in Norwich, UK that represents 10 artists. The label helps produce records for and promote its artists, though none are hugely famous. Some artists had followings before joining the label. The label signs both local and international artists. It utilizes online marketing through its website and artists' MySpace pages. The label also has a radio show and works with PR agencies to further promote its artists. Hungry Audio produces CDs and some vinyl releases, and makes its music available for digital download and streaming. It focuses on online distribution through sites like iTunes to reduce costs.
Hungry Audio is an independent record label based in Norwich, UK that represents 10 artists. The label helps produce records for and promote its artists, though none are hugely famous. It signs both local and international artists. Hungry Audio uses online marketing, a radio show, PR agencies, and product placements to promote its artists. It produces CDs and occasional vinyl releases. The label distributes its music digitally and through its website, with some physical copies sold in stores.
MTV has promoted music videos since the 1980s by playing videos on dedicated channels targeting specific music genres. While other institutions now also promote music videos, MTV has adapted by expanding its genre-specific channels and shows. Social media is also increasingly used to promote music videos through sharing of video clips and promoting artists' accounts. YouTube and VEVO further enable widespread access to full music videos, helping artists promote their songs.
The document discusses the various purposes of music videos, including promotion, image, reinvention of artists, and generating income. It provides examples of how music videos can promote artists through increased awareness, understanding of songs, and memorable content. Music videos also allow artists to change their image to influence success. Producers may encourage certain styles to appeal to fans and sell singles. The document also examines how music videos can be used by major labels, independent labels, and self-produced artists to different ends based on budgets and goals. Production techniques, controversy, remaking videos, and the role of platforms like YouTube are additionally covered.
This document defines and discusses what a music video is and its purposes. It states that a music video is a short moving image that accompanies and promotes a song. Music videos serve several purposes: promotion to increase song sales; creating and extending an artist's brand; extending outlets where fans can access music videos; extending artist income through additional revenue streams; and creating synergy between music, films, TV and other industries. The document also discusses strategies used by major record labels, independent labels, and self-produced artists in creating and distributing music videos.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
Executive Directors Chat Leveraging AI for Diversity, Equity, and InclusionTechSoup
Let’s explore the intersection of technology and equity in the final session of our DEI series. Discover how AI tools, like ChatGPT, can be used to support and enhance your nonprofit's DEI initiatives. Participants will gain insights into practical AI applications and get tips for leveraging technology to advance their DEI goals.
How to Add Chatter in the odoo 17 ERP ModuleCeline George
In Odoo, the chatter is like a chat tool that helps you work together on records. You can leave notes and track things, making it easier to talk with your team and partners. Inside chatter, all communication history, activity, and changes will be displayed.
2. ABOUT VEVO
• Vevo is a video hosting service owned and operated by a joint venture of Universal
Music Group (UMG), Google, Sony Music Entertainment (SME) and Abu Dhabi
Media.
• It was launched on December 8 2009.
• Although not completely worldwide, VEVO can be accessed by anyone in Australia,
Brazil, Canada, France, Germany, Italy, The Netherlands, New Zealand, Poland,
Spain and the United Kingdom through VEVO.com through their mobile web, Mobile
and Tablet Apps (iPhone, iPad, Android, Windows Phone, Windows 8, Kindle),
Connection Television (Apple TV, XBOX), and user embeddable video players.
• VEVO powers music videos on artist pages across Facebook, as well as syndicates to
dozens of online sites and applications, including AOL, BET, Yahoo! Music, Disney
Interactive and more.
• Through a special partnership with YouTube, VEVO is accessible in over 200
countries, expanding the platform’s reach around the globe. In June 2012, VEVO
launched its Certified awards, with honours artists with at least 100 million views on
VEVO
4. WHICH ARTISTS WORK WITH VEVO
It is evident that VEVO works with
some of the most well-known,
successful household names. More
so, the majority of musicians that
VEVO work with are solo artists,
rather than groups or bands. Having
said that, the bands that they do
appear to work with i.e. The Vamps
and One Direction are extremely
successful and receive huge
popularity and publicity as a result
of the syndicate between VEVO
and YouTube.
In terms of the genre, VEVO tends to
work with pop, rock and R’n’B
which may perhaps be ideal for our
group who fall into the pop-rock
subgenre.
5. TARGET AUDIENCE
• I believe that the psychographic profiling of VEVO’s target audience would be mainstreamers. This is because
VEVO tends to work with some of the biggest and most popular names within the music industry, and it is for this
reason, that VEVO audiences like to listen to music that is very popular within society at the time – they like to
follow musical trends. VEVO music videos can also receive millions of views at a time particularly with their
partnership with YouTube.
• Perhaps a small handful of the audience will also be individualists, or simply people who are interested in finding
out in new upcoming artists, for example, Troye Sivan a YouTuber/singer.
• The audience will be a mixture of male and female – possibly predominantly female, given that VEVO signs a
large number of female artists which will therefore be representative of their target audience.
• They will also be relatively internet savvy – given that VEVO is accessible in over 200 countries via iPhones, Anroid,
Windows 8, Xbox, Kindle, etc. VEVO is therefore for people who are flexible with the technology they use and
those who are continuously wanting to find alternative and innovative ways of accessing music videos.
• It is for the above reason that VEVO audiences may be perhaps working, lower-middle and middle class, as they
will probably have some disposable money to buy such technologies to access their music.
• They will also have the tendency to socialise with friends; attend parties; attend gigs and concerts and perhaps
more mainstream festivals such as Glastonbury, the Apple festival, etc, rather than Reading or Citadel as VEVO
tend to promote more mainstream pop and R’n’B music rather than Indie.
6. PROS AND CONS
PROS
- VEVO is a highly successful label which can be
accessed by a large number of world’s populations,
especially in western nations such as the UK and the
US, as well as within South America and Europe.
Through developing technology, VEVO material can
be reached by even more people around the world,
continuously increasing their scope.
- They have also enabled more upcoming artists to
promote their music to gain more publicity,
particularly with their partnership with YouTube.
Given that my band is going to be a relatively new
group, it will be highly beneficial for them to be
signed with VEVO so as to gain the publicity that
they need.
- A lot of British musicians have been signed with
VEVO, gaining more publicity worldwide, which
would be highly ideal for my own band, given that
they are going to be orientated mainly for a British
audience, so these values are something that can
be reflected within my own music video.
CONS
- Although VEVO has been promoting more upcoming
artists, I believe that VEVO prioritises the more
mainstream music acts, especially favouring pop
musicians such as Katy Perry and Taylor Swift. This
would be a disadvantage for my group because we
aim to embrace their unique and individual values,
rather than focusing on a more mainstream values.
- As aforementioned, VEVO tends to work with mostly
solo artists, as opposed to bands and groups. This will
mean that VEVO may not necessarily be able to fulfil
the needs for a band, especially a new upcoming
band.
- The record label is also still relatively new, having just
started up in 2009, which means that they may not
be as experienced as other record labels,
particularly if they are going to nurture and reflect
the values of a more individual and upcoming band,
and increase their popularity.