The document discusses the process of working to a client's brief in the creative media industries. It defines what a brief is and outlines the common structures of briefs, including contractual, negotiable, formal, informal, commission, tender, cooperative, and competition briefs. It emphasizes the importance of carefully reading the brief to understand requirements, timelines, and specifications. While contractual briefs cannot be negotiated, the document explains that it is generally good practice to negotiate other types of briefs to ensure feasibility and clarify expectations. Finally, it notes that working from a brief provides opportunities for skills development, industry experience, and networking in addition to financial compensation.
Unit 5 : Working To A Brief - Task 1 ReportJames Corbin
This document discusses different types of briefs and how to work from a brief. It explores contractual, negotiated, cooperative, tender, and competition briefs. When reading a brief, it is important to identify the type of brief and key details like deadlines, requirements, and target audience. Features of the brief like budget, deadlines, and content may be negotiable. Working from briefs provides opportunities to develop new skills, industry contacts, portfolio work, and experience in areas like multi-skilling, communication, and meeting clients.
The document discusses different types of briefs that can be used for projects, including contractual, formal, informal, negotiated, commissioned, tender, competition, and co-operative briefs. It provides definitions and discusses the advantages and disadvantages of each type of brief. The key information is that different brief structures suit different needs, and it's important to thoroughly read the brief and discuss it with the client to fully understand what is being asked for before beginning production.
The document discusses different types of briefs including contractual, formal, informal, cooperative, negotiated, commission, tender, competition, and defines each along with their advantages and disadvantages. It also provides examples of how to read, discuss, and negotiate a brief to ensure the goals and expectations of both client and employer are clearly outlined to produce the desired outcome.
Working to a brief (task 2 recipe cards)AlanSmith96
Here are some potential legal/ethical/regulatory issues to consider with the Vegetarian Society brief's proposed product:
- Copyright/Intellectual Property - The recipes and design of the cards need to be original creations. Copying recipes or designs from other sources could violate copyright.
- Ingredients/Allergens - The recipes must be fully vegetarian as specified. Using animal products could mislead consumers and raise health/safety issues for those with allergies.
- Nutritional Claims - Any nutritional claims or health benefits mentioned need to be truthful and backed by facts to avoid legal issues around false advertising.
- Fair Trade/Sustainability - Using sustainably and ethically sourced ingredients
Understand the requirements of working to a briefWilliam Sargent
There are several different ways a client can communicate a brief to a media firm, including through a contractual agreement, negotiated discussion, formal briefing, informal discussion, commission, tender, cooperative effort between multiple firms, or competition between firms. The brief should clearly outline the objective, information about the client, existing research, desired results, target audience, budget, timeline, and structure of the brief (whether formal, informal, etc.). This particular brief has a tender structure, clearly outlining the required end products - three films of varying lengths capturing the history of Bexley College and prominently featuring the college's branding. Resources from the college's media department are available, but the brief cannot be negotiated due to its clear requirements and inclusion
This document provides an overview of different types of briefs including contractual, formal, negotiated, commission, informal, tender, co-operative, and competition briefs. It explains what each brief type entails, including examples. The key aspects are that briefs provide concise details and requirements for a project or task. Contractual briefs establish agreements and payments, while negotiated briefs find compromises. Commission briefs involve one company hiring another to create a product. The document also shares tips for understanding briefs such as thoroughly reading them and asking questions.
The document discusses different types of briefs, including contractual, commission, negotiated, formal, informal, tender, competition, and cooperative briefs. Contractual briefs involve both a client and company and make the process easy for the client. Commission briefs provide production companies with details on the target audience, purpose, and messaging of a product. Negotiated briefs allow input from both the client and company, often developed over the phone. Formal briefs may change during the process due to new requirements. Informal briefs are more relaxed and done face-to-face. Tender briefs involve developing ideas for a new project. Competition briefs advertise competitions and prizes. Cooperative briefs involve working with
The document discusses different types of briefs used in business including contractual, negotiated, informal, formal, competitive, commission, cooperative, and tender briefs. Each type is defined, its purpose explained, what information it contains outlined, and its advantages and disadvantages described. Contractual briefs involve signed agreements, negotiated briefs require compromise, and informal briefs are verbal without official documentation.
Unit 5 : Working To A Brief - Task 1 ReportJames Corbin
This document discusses different types of briefs and how to work from a brief. It explores contractual, negotiated, cooperative, tender, and competition briefs. When reading a brief, it is important to identify the type of brief and key details like deadlines, requirements, and target audience. Features of the brief like budget, deadlines, and content may be negotiable. Working from briefs provides opportunities to develop new skills, industry contacts, portfolio work, and experience in areas like multi-skilling, communication, and meeting clients.
The document discusses different types of briefs that can be used for projects, including contractual, formal, informal, negotiated, commissioned, tender, competition, and co-operative briefs. It provides definitions and discusses the advantages and disadvantages of each type of brief. The key information is that different brief structures suit different needs, and it's important to thoroughly read the brief and discuss it with the client to fully understand what is being asked for before beginning production.
The document discusses different types of briefs including contractual, formal, informal, cooperative, negotiated, commission, tender, competition, and defines each along with their advantages and disadvantages. It also provides examples of how to read, discuss, and negotiate a brief to ensure the goals and expectations of both client and employer are clearly outlined to produce the desired outcome.
Working to a brief (task 2 recipe cards)AlanSmith96
Here are some potential legal/ethical/regulatory issues to consider with the Vegetarian Society brief's proposed product:
- Copyright/Intellectual Property - The recipes and design of the cards need to be original creations. Copying recipes or designs from other sources could violate copyright.
- Ingredients/Allergens - The recipes must be fully vegetarian as specified. Using animal products could mislead consumers and raise health/safety issues for those with allergies.
- Nutritional Claims - Any nutritional claims or health benefits mentioned need to be truthful and backed by facts to avoid legal issues around false advertising.
- Fair Trade/Sustainability - Using sustainably and ethically sourced ingredients
Understand the requirements of working to a briefWilliam Sargent
There are several different ways a client can communicate a brief to a media firm, including through a contractual agreement, negotiated discussion, formal briefing, informal discussion, commission, tender, cooperative effort between multiple firms, or competition between firms. The brief should clearly outline the objective, information about the client, existing research, desired results, target audience, budget, timeline, and structure of the brief (whether formal, informal, etc.). This particular brief has a tender structure, clearly outlining the required end products - three films of varying lengths capturing the history of Bexley College and prominently featuring the college's branding. Resources from the college's media department are available, but the brief cannot be negotiated due to its clear requirements and inclusion
This document provides an overview of different types of briefs including contractual, formal, negotiated, commission, informal, tender, co-operative, and competition briefs. It explains what each brief type entails, including examples. The key aspects are that briefs provide concise details and requirements for a project or task. Contractual briefs establish agreements and payments, while negotiated briefs find compromises. Commission briefs involve one company hiring another to create a product. The document also shares tips for understanding briefs such as thoroughly reading them and asking questions.
The document discusses different types of briefs, including contractual, commission, negotiated, formal, informal, tender, competition, and cooperative briefs. Contractual briefs involve both a client and company and make the process easy for the client. Commission briefs provide production companies with details on the target audience, purpose, and messaging of a product. Negotiated briefs allow input from both the client and company, often developed over the phone. Formal briefs may change during the process due to new requirements. Informal briefs are more relaxed and done face-to-face. Tender briefs involve developing ideas for a new project. Competition briefs advertise competitions and prizes. Cooperative briefs involve working with
The document discusses different types of briefs used in business including contractual, negotiated, informal, formal, competitive, commission, cooperative, and tender briefs. Each type is defined, its purpose explained, what information it contains outlined, and its advantages and disadvantages described. Contractual briefs involve signed agreements, negotiated briefs require compromise, and informal briefs are verbal without official documentation.
Briefs provide essential information about a project or job to clients. Negotiated briefs involve discussing details with the client to understand their needs and reach agreement. Competition briefs outline the goals and requirements of a competition, including deadlines and submission guidelines. Cooperative briefs are developed through discussion between collaborators, while formal briefs require strict adherence and informal briefs allow for open negotiation. Commission and tender briefs involve proposing a project for approval or selection.
A brief is a legal document or meeting that outlines an agreement between parties. There are several types of briefs including contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. Contractual briefs define expectations between a client and company. Formal briefs provide detailed client requirements while allowing room for company creativity. Informal briefs involve verbal discussions rather than written documents.
This document discusses different types of briefs that can be used when working on a project. It defines contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. For each type it provides the definition, advantages, and disadvantages. The document also discusses reading the brief for the vegetarian recipe cards project, which uses a formal brief that aims to create environmentally friendly recipe cards for vegetarians. It does not appear to have any legal, ethical or regulatory issues. Opportunities from this brief include further developing skills in project management, communication, and working with clients.
A formal production brief is a written document that precisely outlines the goals and details of a project without unnecessary information. It is aimed at businesses. If given a formal brief to create a radio show, one would communicate with the target audience, find out deadlines, and use time management skills to complete it on schedule. Commission briefs are used by broadcasters like the BBC to hire production companies and produce programs within a set timeframe and budget. Competition briefs are similar to tenders but provide less detail, allowing many firms to submit entries for a job.
The brief requires the creation of promotional images and an offline social media profile for a hair studio within 5 weeks. Key opportunities include developing photography and design skills, learning industry terminology, and multitasking across different roles like photography and graphic design. The freelancer contributed initial ideas that the client then shaped into a formal brief tailored to their business needs and audience.
This document discusses different types of briefs and the skills required for each. It defines contractual, negotiated, formal, informal, commission, tender, co-operative, and competitive briefs. For each brief type, it provides a 1-2 sentence description of the purpose and 1-2 sentences outlining the key skills learnt and required. Overall, the document serves to educate about various brief structures used in business and the skills needed to complete each successfully.
This document discusses different types of project briefs:
- A negotiated brief involves the client and employer agreeing on project details to avoid future disputes.
- A commission brief involves a large company hiring an independent company to create a product for them in exchange for payment and potential profit sharing.
- A tender brief involves a client advertising a needed project, with employers submitting proposals and budgets to pitch for the work.
- A competition brief allows multiple companies to independently develop project ideas for a client, who then selects a winner to publish.
The document is a contract agreement between parties for the design of a web site. It outlines the general description of work, payment details, deliverables, timetable and milestones. It also includes disclaimers, document history, contacts, and general terms around the work, payment, delivery and acceptance, licensing, and warranties. The purpose is to define the scope of work and terms for a web design project between the client and contractor.
A contractual brief is a legal document between a client and employee that outlines the specific time scale, price, and task. It provides advantages like being legally binding so either party can take action if the terms are not followed. However, it must be read thoroughly to understand what is being agreed to due to its specificity and potential legal implications. A formal brief only provides key information while an informal brief has no binding documents and allows more creative freedom but lacks protections. It is important to thoroughly read any brief to understand client expectations and gauge what is required to meet their needs and standards.
The document discusses different types of briefs that can be used for media projects, including contractual, formal, informal, cooperative, negotiated, tender, and competition briefs. It provides definitions and discusses the advantages and disadvantages of each type. Contractual briefs are legally binding agreements, while formal briefs outline the project but are not legally binding. Informal briefs involve verbal agreements only. Cooperative briefs involve multiple production companies working together, while negotiated briefs require companies to compromise on conflicting ideas. Tender and competition briefs involve clients selecting from submissions in response to a brief.
The document discusses different types of client briefs for media projects, including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. It provides details on the definition, advantages, and disadvantages of each brief type. Key points covered include how contractual briefs provide the most structure and legal protection, while informal briefs involve more trust between parties. The document also discusses how to read, negotiate, and identify opportunities within a client brief.
There are several types of production briefs that outline different levels of involvement between clients and production companies. A contractual brief allows clients more control over the process but can also lead to disagreements. A formal brief strictly outlines the client's goals without additional details, while an informal brief is a verbal agreement without official documentation. A negotiated brief involves compromise between differing ideas from clients and producers. A competition brief informs audiences of requirements for winning a competition.
The document discusses different types of client briefs that can be used for media projects, including contractual, formal, informal, cooperative, negotiated, commission, tender, and competition briefs. It also covers the importance of thoroughly reading and discussing the brief with the client prior to production. The client brief in this case requests the production of a graphic design project and specifies the deadline and constraints around fonts, images and copyrighted materials. Potential amendments to the product or budget are considered, as well as opportunities the brief provides for skill development, learning new skills, multi-skilling, and gaining experience contributing to a project.
The document discusses different types of briefs that can be used between clients and production companies for media projects. It defines each type of brief and outlines their key advantages and disadvantages. The different brief types covered are contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. The document provides a high-level overview of the purpose and considerations of each brief type in 3 sentences or less.
The document discusses different types of client briefs that can be used for media projects, including contractual, formal, informal, cooperative, negotiated, commission, tender, and competition briefs. It provides definitions and advantages and disadvantages of each brief type. The document also addresses topics like reading the brief thoroughly, discussing the brief with the client, potential legal issues, and opportunities working on the brief could provide.
A negotiated brief involves two or more parties working on a project set by a client. If disagreements arise, the client and parties must negotiate the brief to satisfy all involved while achieving the client's goals. This compromise makes the final product a team effort. The negotiated brief is best for the vegetarian recipe card project as the two parties may have differing ideas and this brief allows for discussion and compromise to create the ideal product.
A contractual brief explains the duties required of an employee and payment terms. It is a legal contract between companies and clients.
A commission brief provides artists an opportunity to develop and realize ideas for a commissioner within an agreed budget and timeline. It allows for collaboration between artist and commissioner.
A competition brief explains the guidelines and prize for a competition run by a company to advertise a new product or deal. It provides instructions for participating and what must be produced to enter.
This document discusses different types of client briefs that can be used for projects. It defines and compares contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief structures. Key advantages and disadvantages of each type are outlined. It emphasizes the importance of thoroughly reading and discussing the brief with the client prior to production to ensure mutual understanding and avoid potential issues. The document also considers opportunities for skill development, multi-skilling, and contributing to future work that this brief allows.
The client has requested that the student design business cards for their trucking company. Specifically, the cards should feature an image of one of the client's trucks as the background and include contact details. The brief is informal as the client filled it out in person with the student. It is important for the student to thoroughly read the brief to understand what is being requested and ensure they do not create something the client does not like. There are no major legal, ethical or regulatory issues with the proposed design. The project will provide learning opportunities for the student to develop new skills like business card design and working with clients.
The document lists appendices A through J, with each appendix labeled and attributed to Chelsie Brandrick. It provides a simple listing of appendix identifiers and the author's name repeated for each entry.
Lauren disappears on the night of her graduation party. Her friend Anna initially thinks Lauren stood her up but later learns she is missing. Anna tries to comfort Lauren's parents and in Lauren's room finds her diary, which reveals Lauren was tracking the terrorist group WIGI. Reading the diary, Anna sets out to find Lauren and take down WIGI.
The document outlines a proposed title sequence for the City of Westminster Staff Awards 2016. The sequence would open with an exterior shot of the college building and then use a documentary style to show the interior through a student's eyes, including action shots of staff performing their various roles. The last scene would feature all college staff shouting "We Are City of Westminster College" to the camera while graphics display the title of the awards event. The video aims to give viewers a sense of what the college is truly like in a fun and engaging way through fast-paced editing and an upbeat song. An example of the idea is provided for feedback.
Briefs provide essential information about a project or job to clients. Negotiated briefs involve discussing details with the client to understand their needs and reach agreement. Competition briefs outline the goals and requirements of a competition, including deadlines and submission guidelines. Cooperative briefs are developed through discussion between collaborators, while formal briefs require strict adherence and informal briefs allow for open negotiation. Commission and tender briefs involve proposing a project for approval or selection.
A brief is a legal document or meeting that outlines an agreement between parties. There are several types of briefs including contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. Contractual briefs define expectations between a client and company. Formal briefs provide detailed client requirements while allowing room for company creativity. Informal briefs involve verbal discussions rather than written documents.
This document discusses different types of briefs that can be used when working on a project. It defines contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. For each type it provides the definition, advantages, and disadvantages. The document also discusses reading the brief for the vegetarian recipe cards project, which uses a formal brief that aims to create environmentally friendly recipe cards for vegetarians. It does not appear to have any legal, ethical or regulatory issues. Opportunities from this brief include further developing skills in project management, communication, and working with clients.
A formal production brief is a written document that precisely outlines the goals and details of a project without unnecessary information. It is aimed at businesses. If given a formal brief to create a radio show, one would communicate with the target audience, find out deadlines, and use time management skills to complete it on schedule. Commission briefs are used by broadcasters like the BBC to hire production companies and produce programs within a set timeframe and budget. Competition briefs are similar to tenders but provide less detail, allowing many firms to submit entries for a job.
The brief requires the creation of promotional images and an offline social media profile for a hair studio within 5 weeks. Key opportunities include developing photography and design skills, learning industry terminology, and multitasking across different roles like photography and graphic design. The freelancer contributed initial ideas that the client then shaped into a formal brief tailored to their business needs and audience.
This document discusses different types of briefs and the skills required for each. It defines contractual, negotiated, formal, informal, commission, tender, co-operative, and competitive briefs. For each brief type, it provides a 1-2 sentence description of the purpose and 1-2 sentences outlining the key skills learnt and required. Overall, the document serves to educate about various brief structures used in business and the skills needed to complete each successfully.
This document discusses different types of project briefs:
- A negotiated brief involves the client and employer agreeing on project details to avoid future disputes.
- A commission brief involves a large company hiring an independent company to create a product for them in exchange for payment and potential profit sharing.
- A tender brief involves a client advertising a needed project, with employers submitting proposals and budgets to pitch for the work.
- A competition brief allows multiple companies to independently develop project ideas for a client, who then selects a winner to publish.
The document is a contract agreement between parties for the design of a web site. It outlines the general description of work, payment details, deliverables, timetable and milestones. It also includes disclaimers, document history, contacts, and general terms around the work, payment, delivery and acceptance, licensing, and warranties. The purpose is to define the scope of work and terms for a web design project between the client and contractor.
A contractual brief is a legal document between a client and employee that outlines the specific time scale, price, and task. It provides advantages like being legally binding so either party can take action if the terms are not followed. However, it must be read thoroughly to understand what is being agreed to due to its specificity and potential legal implications. A formal brief only provides key information while an informal brief has no binding documents and allows more creative freedom but lacks protections. It is important to thoroughly read any brief to understand client expectations and gauge what is required to meet their needs and standards.
The document discusses different types of briefs that can be used for media projects, including contractual, formal, informal, cooperative, negotiated, tender, and competition briefs. It provides definitions and discusses the advantages and disadvantages of each type. Contractual briefs are legally binding agreements, while formal briefs outline the project but are not legally binding. Informal briefs involve verbal agreements only. Cooperative briefs involve multiple production companies working together, while negotiated briefs require companies to compromise on conflicting ideas. Tender and competition briefs involve clients selecting from submissions in response to a brief.
The document discusses different types of client briefs for media projects, including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. It provides details on the definition, advantages, and disadvantages of each brief type. Key points covered include how contractual briefs provide the most structure and legal protection, while informal briefs involve more trust between parties. The document also discusses how to read, negotiate, and identify opportunities within a client brief.
There are several types of production briefs that outline different levels of involvement between clients and production companies. A contractual brief allows clients more control over the process but can also lead to disagreements. A formal brief strictly outlines the client's goals without additional details, while an informal brief is a verbal agreement without official documentation. A negotiated brief involves compromise between differing ideas from clients and producers. A competition brief informs audiences of requirements for winning a competition.
The document discusses different types of client briefs that can be used for media projects, including contractual, formal, informal, cooperative, negotiated, commission, tender, and competition briefs. It also covers the importance of thoroughly reading and discussing the brief with the client prior to production. The client brief in this case requests the production of a graphic design project and specifies the deadline and constraints around fonts, images and copyrighted materials. Potential amendments to the product or budget are considered, as well as opportunities the brief provides for skill development, learning new skills, multi-skilling, and gaining experience contributing to a project.
The document discusses different types of briefs that can be used between clients and production companies for media projects. It defines each type of brief and outlines their key advantages and disadvantages. The different brief types covered are contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. The document provides a high-level overview of the purpose and considerations of each brief type in 3 sentences or less.
The document discusses different types of client briefs that can be used for media projects, including contractual, formal, informal, cooperative, negotiated, commission, tender, and competition briefs. It provides definitions and advantages and disadvantages of each brief type. The document also addresses topics like reading the brief thoroughly, discussing the brief with the client, potential legal issues, and opportunities working on the brief could provide.
A negotiated brief involves two or more parties working on a project set by a client. If disagreements arise, the client and parties must negotiate the brief to satisfy all involved while achieving the client's goals. This compromise makes the final product a team effort. The negotiated brief is best for the vegetarian recipe card project as the two parties may have differing ideas and this brief allows for discussion and compromise to create the ideal product.
A contractual brief explains the duties required of an employee and payment terms. It is a legal contract between companies and clients.
A commission brief provides artists an opportunity to develop and realize ideas for a commissioner within an agreed budget and timeline. It allows for collaboration between artist and commissioner.
A competition brief explains the guidelines and prize for a competition run by a company to advertise a new product or deal. It provides instructions for participating and what must be produced to enter.
This document discusses different types of client briefs that can be used for projects. It defines and compares contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief structures. Key advantages and disadvantages of each type are outlined. It emphasizes the importance of thoroughly reading and discussing the brief with the client prior to production to ensure mutual understanding and avoid potential issues. The document also considers opportunities for skill development, multi-skilling, and contributing to future work that this brief allows.
The client has requested that the student design business cards for their trucking company. Specifically, the cards should feature an image of one of the client's trucks as the background and include contact details. The brief is informal as the client filled it out in person with the student. It is important for the student to thoroughly read the brief to understand what is being requested and ensure they do not create something the client does not like. There are no major legal, ethical or regulatory issues with the proposed design. The project will provide learning opportunities for the student to develop new skills like business card design and working with clients.
The document lists appendices A through J, with each appendix labeled and attributed to Chelsie Brandrick. It provides a simple listing of appendix identifiers and the author's name repeated for each entry.
Lauren disappears on the night of her graduation party. Her friend Anna initially thinks Lauren stood her up but later learns she is missing. Anna tries to comfort Lauren's parents and in Lauren's room finds her diary, which reveals Lauren was tracking the terrorist group WIGI. Reading the diary, Anna sets out to find Lauren and take down WIGI.
The document outlines a proposed title sequence for the City of Westminster Staff Awards 2016. The sequence would open with an exterior shot of the college building and then use a documentary style to show the interior through a student's eyes, including action shots of staff performing their various roles. The last scene would feature all college staff shouting "We Are City of Westminster College" to the camera while graphics display the title of the awards event. The video aims to give viewers a sense of what the college is truly like in a fun and engaging way through fast-paced editing and an upbeat song. An example of the idea is provided for feedback.
City of Westminster Staff Awards - Unit 5 - Part C - Pitch Without VideoChelsie Brandrick
A student proposed a 1-minute documentary-style title sequence for the City of Westminster Staff Awards 2016 featuring staff members doing their jobs through jump cuts and variety of shots set to the song "Suddenly I See" by KT Tunstall, ending with a graphic welcoming viewers in college colors. The student provided an example video link and asked for any questions.
The document provides a brief for creating video content for a staff awards ceremony. It outlines key deliverables including a title sequence, interviews with award recipients, and recording the ceremony. The brief contains important information like deadlines, award categories, and the client's requested format. It also provides opportunities for the students to improve skills like planning, public speaking, correspondence, directing, and experience working on a multi-camera production.
The document is a proposal for producing a title sequence for a staff awards ceremony at City of Westminster College. It includes a concept, objectives, target audience, budget, and timeline. The proposed title sequence would use a documentary style to showcase the college through shots of its exterior, interior spaces, staff, and architecture over an uptempo pop song. Research on other title sequences informed the proposed one-minute length, use of graphics, and emphasis on capturing the college's atmosphere.
A teenage boy and his family move to a small town in Surrey, England called Farley. The boy, Hugo, wants a normal life but must choose between avenging his family's past by uncovering town secrets or living normally. Other residents hunt for who is exposing secrets. Meanwhile, two girls who grew apart reunite at graduation but one disappears. Her friend decodes clues and retraces steps to solve the mystery and find her. Finally, a 17-year-old moves to a new town, befriends classmates, and they plan a night at an abandoned fairground for Halloween. However, the boy's schizophrenic personality emerges and murders the group, who must identify the killer before they are killed.
Lauren and Anna were childhood friends who grew apart in high school but reconnected at graduation. After graduation, Lauren disappeared while investigating a terrorist group. Anna finds Lauren's diary and uses it to retrace Lauren's steps to try and solve the mystery of her disappearance and save her friend, as the terrorist group is still hunting Lauren down. The story is a thriller about friendship, secrets, and sacrifice.
This document provides character breakdowns for 8 characters that will be involved in the story "Uncover". It describes their physical appearances, personalities, backgrounds and current lives. The characters include: Anna Wright, an 18-year-old recent high school graduate preparing to attend university in California; her mother Kathleen Wright, who works excessively; Lauren Hammond, an 18-year-old who feels like an outcast and will attend NYU; her mother Patricia Hammond who runs a flower shop; Patricia's husband Dave Hammond; and Principal Dennis Keller of Dartmouth High School.
The document discusses the key conventions of the soap opera genre including being set in contemporary times, having multi-storyline plots, cliffhanger endings to episodes, and focusing on the personal and professional lives of a diverse set of regular characters. It provides examples of several iconic soap operas like Coronation Street and Crossroads that exemplify these conventions through their hospital, hotel, or community settings and by addressing social issues of their eras.
This document discusses copyright and legal issues related to creating a digital video. It defines copyright as the legal right granting creators exclusive control over the use and distribution of original works. Music, sound recordings, and photographs are provided as examples of content that may be subject to copyright. Two websites for copyright-free music and one for free/low-cost photographs are listed. Location and contributor release forms are described as important documents to protect creators from legal issues by obtaining permission to include private locations and individuals in a video project.
1. The document outlines steps for becoming a YouTuber, beginning with equipment like a camera (phone camera is sufficient) and optional tripod. Regular uploading of engaging, passionate content is important.
2. Showing your personality and making content you would watch yourself is key. No one wants to watch someone boring or fake.
3. Editing is important to make videos look professional and engaging. Only include clips that add to the story. Promotion on social media is also important to build an audience.
This document defines key terms related to digital video production, including video formats like MOV and AVI, streaming video through services like Hulu and BBC iPlayer, file compression to reduce file sizes, aspect ratios of 4:3 and 16:9 and how letterboxing occurs when the ratios do not match, and common frame rates of 24, 25, and 30 frames per second. Examples are provided for many of the terms.
The document discusses interactive media and analyzes examples of viral marketing videos and user-generated videos on interactive platforms like YouTube. It summarizes two viral marketing videos from Dove and Old Spice that received millions of views each through their innovative and engaging content. It also analyzes two user-generated videos on YouTube, one being a travel vlog and the other a prank video, and how they demonstrate creativity from non-professionals. The document concludes that interactive media is growing in popularity as it allows users more control over their viewing experience compared to traditional television.
The document provides a production schedule and plan for filming a video tutorial over one week in October 2016. It details 10 shots to be filmed at various locations in London using a camera, tripod, iPhone and MacBook. It also includes a props list, shooting schedule and editing notes with planned dates and times for editing each shot. The video will be filmed and edited according to this schedule to explain a 5 step process using jump cuts, music and various filming techniques.
The document outlines ideas for "How To" videos, including topics like how to be famous, how to rap, how to bake a cake, how to build a fire, how to style your hair, how to dress like a celebrity, how to survive college, how to enroll at university, and how to be a YouTuber. For each idea, it provides details on the approach, locations, and shots that could be used. The majority of the ideas involve filming in different locations to demonstrate the topic in a comedic, factual, or tutorial style.
The commissioning process for television and film scripts involves many steps and roles. Writers create scripts that are submitted to agents, then commissioning editors at production companies decide which scripts to produce. If a script is commissioned, it is passed to script editors who provide feedback and help prepare it for production. Producers oversee the entire process and work with directors to bring the script to life through filming. Writers have several options for getting scripts commissioned, including independent production companies, competitions, and organizations.
A brief provides an outline of a project to give both parties a clear understanding of goals, technical details, and guidelines. Briefs can be formal, serving as a legal agreement, or informal for competitions or examples of creative work. Key elements typically include an overview, list of bullet points breaking down key points, important dates, and technical specifications depending on the project. The level of formality and content included depends on the circumstances and purpose of the brief.
A brief provides an outline of a project for both parties involved. It lists technical details, goals, and guidelines for the creator and client. Briefs come in different formats depending on circumstances and formality. A contractual brief acts as a legal agreement between client and creator, detailing rights, licensing, and responsibilities. A commission brief provides production companies details about a proposed video, like duration, music, and locations. A competition brief clearly outlines rules, prizes, and submission details to get relevant entries from competitors.
The brief asks the media company to create a set of vegetarian recipe cards. It provides some key details such as the deadline of 10 weeks and ingredients to include, making it similar to a formal or informal brief. Thoroughly reading the brief is important to understand what is expected of the project and ensure all important details are included to meet the client's needs. The nature of the vegetarian recipe card brief is to design creative and interesting front and back templates for the cards within the 10 week deadline.
The document provides an overview of different types of client briefs that can be used when an employee or contractor is hired for a project. It discusses contractual, negotiated, formal, informal, commission, tender, cooperative, and competition briefs. For each type of brief, it provides examples and outlines the key characteristics including structure, tone, level of input from the client and employee, and common uses. The overall purpose is to explain the different options for establishing the requirements and expectations for a project through a client brief.
The document discusses different types of briefs used when contracting work between clients and companies. A contractual brief outlines the project details, duties, prices, and payment terms in a legally binding document. A formal brief provides detailed information about the client's goals for the project in a straightforward manner. An informal brief involves verbal discussions rather than a written document, allowing more flexibility. A co-operative brief involves multiple companies working together on a project with a deadline. A negotiated brief involves agreement between the client and company on the project details.
This document discusses different types of briefs used in competitions and between companies. A competition brief informs competitors of rules and how to enter a competition. It is more intense than other briefs as it directly addresses audiences from the beginning. A contractual brief is a legal agreement between a company and client detailing work requirements and payments. A negotiated brief involves two parties reaching agreement on ideas when they initially disagree. A tender brief involves companies providing estimated costs and work descriptions for a client to consider.
The document discusses different types of client briefs, including contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. It emphasizes the importance of thoroughly reading and discussing the brief with the client prior to production in order to confirm requirements and scope. The brief for this project involves creating three product posters with creative freedom within some aesthetic recommendations. Legal and ethical advertising guidelines must also be considered for the brewery product. The brief presents opportunities for self-development, learning new skills like graphic design, and multi-skilling through completing the project.
The document discusses different types of briefs that can be used for media projects, including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. Contractual briefs involve a signed agreement and payment, while formal briefs only provide necessary details. Informal briefs have no documentation and details are discussed verbally. The student's brief for a vegetable recipe card project has aspects of both a formal and informal brief, with a deadline but limited initial details provided. Thoroughly reading the brief is important to understand expectations and avoid missing key details.
The document discusses different types of briefs that a media company may receive for a project, including contractual, formal, informal, co-operative, negotiated, commission, tender, competition, and my brief. It provides definitions and discusses advantages and disadvantages of each type. Key details about the vegetarian recipe cards brief are that it has similarities to both a formal and informal brief, as it provides some details but leaves creative aspects open and there is no legal contract. It is important to thoroughly read the brief to understand project expectations and avoid missing important details.
The document discusses different types of briefs that can be used when contracting work between a client and media company. It defines contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. For each type it provides the definition and advantages and disadvantages. It also discusses reading the brief for the recipe card project, the nature of that brief, and importance of negotiating the brief with the client prior to production.
Will Davis provides a summary of the key points in a client brief for designing posters to promote a children's book. The informal brief requests posters for Twitter and Instagram with specified dimensions, using all characters and fonts from the book. It allows creative freedom but requires family-friendly content. Davis will discuss the brief with the client, read it carefully to understand requirements, and negotiate any issues before production. The opportunities include developing skills in client communication, using Photoshop, and helping to promote the author's work.
The Game Jolt brief involves creating a game within 72 hours for a game jam event. The game must be legal and cannot attack specific groups. Only assets created during the 72 hour period can be used. The target audience is game enthusiasts and indie developers, as well as PewDiePie who will play the games.
The Valve brief involves submitting a film created using Source Filmmaker within a week. The target audience are Steam and Valve game players who will vote on submissions. There are no constraints besides using Source Filmmaker and no advertisements. Entrants work independently to submit an entry for votes.
The Informal brief has little communication, unspecified timeline, and allows work at your own pace with few limitations
The document provides definitions and examples of different types of briefing styles that can be used for media projects, including contractual, formal, informal, co-operative, negotiated, tender, and competition briefs. It then discusses how a formal brief is being used for a corporate promotional video project. The response explains that the brief provides detailed instructions but allows for some negotiation, and following the brief closely will help ensure the project is completed on time and meets the client's needs. However, a downside is that less creativity could risk producing something the client does not want. It emphasizes the importance of thoroughly reading the brief to understand the client's requirements and have starting points to include the necessary elements.
The document defines and discusses several types of client brief structures, including contractual, formal, informal, cooperative, negotiated, commission, tender, competition, and informal briefs. For each type, it provides the definition, advantages, and disadvantages. It also includes sections discussing reading the brief thoroughly, negotiating the brief with the client, potential legal/ethical issues, and opportunities a brief can provide.
The document discusses different types of briefs including contractual, formal, informal, cooperative, negotiated, commission, tender, competition, and defines each along with their advantages and disadvantages. It also provides examples of how to read, discuss, and negotiate a brief to ensure the expectations of both client and employer are met for a specific project developing vegetarian recipe cards.
The document discusses different types of briefs that can be used when a media company is hired by a client to complete a project. It describes contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. For each brief type, it provides details on things like whether it is legally binding, the level of communication expected, time management approach, technical skills required, and likelihood of future contracts.
The document provides definitions and discussions of different types of client briefs, including contractual, formal, informal, co-operative, negotiated, commission, tender, and competition briefs. It emphasizes the importance of thoroughly reading and discussing the brief with the client to understand expectations and avoid issues. The nature of the client briefs for this individual involve creating marketing materials for one client within certain guidelines, and taking photographs for another client's website with creative freedom.
The document discusses different types of creative production briefs:
1. Contractual briefs are formal legal agreements between clients and employees that specify duties, payment terms, and insurance requirements.
2. Negotiated briefs involve compromise between clients and creators as they develop a shared vision for the final product.
3. Formal briefs provide precise details about goals but allow for some negotiation, while informal briefs are more relaxed discussions.
4. Commission briefs involve a large company hiring an independent producer to create a product, tender briefs evaluate new creators, and competition briefs have multiple entrants pitching ideas to a client.
The brief provides an opportunity for the team to create 3,500 vegetarian recipe cards for the Vegetarian Society. It allows them to develop new skills like Photoshop techniques and layout design, as well as improve self-management through adhering to schedules. Working in a small team means each member will take on multiple roles to multitask and contribute to writing, developing ideas, and the final product. Overall, the brief offers a new experience for skill development.
Unit 6 – Task 2 – Analysis Of A Magazine Cover – Focus GroupsChelsie Brandrick
Focus groups are a market research tool used by companies to gather feedback on products and services from 4-10 participants. They provide qualitative data to help identify customer needs, understand views and opinions, and ensure products appeal to target audiences. Questions are asked by a facilitator to prompt discussion in a safe environment. Engagement questions are open-ended to start conversation, while exploration questions probe for details. Exit questions confirm understanding before ending the session. Focus groups help improve products, develop effective advertising campaigns, and provide cost-effective feedback to ensure commercial success. However, they risk being influenced by one or two vocal participants.
Unit 6 – Task 2 – Analysis Of A Magazine Cover – QuestionnairesChelsie Brandrick
This document contains two questionnaires about magazine reading habits and preferences. The first asks general questions about magazine purchasing frequency, favorite titles, most interesting sections, spending habits, demographics, and attractive features. The second focuses specifically on the ELLE magazine, asking about subscription status, length of readership, satisfaction levels, desired changes or interactions, social influences, and opinions on the front cover design like color palette and use of celebrities. The responses will provide insights into how readers engage with fashion magazines, including ELLE.
Unit 6 – Task 4 – Analysis Of A Film – Romeo And JulietChelsie Brandrick
This document provides an analysis of Baz Luhrmann's 1996 film adaptation of Romeo and Juliet. It discusses the commercial and critical success of the film, as well as its setting of modern-day Venice Beach called "Verona Beach." The film won several awards for direction, screenplay, music, and production design. Leonardo DiCaprio and Claire Danes won awards for their lead performances. The analysis then covers the plot elements and faithfulness to Shakespeare's original story. Finally, it discusses the cultural context of the time period the story is set in and how the film reflects this through its portrayal of society, language, and blending of old and new elements.
Unit 6 – Task 2 – Analysis Of A Magazine Cover – ElleChelsie Brandrick
This document provides a detailed analysis of the cover of the December edition of Elle magazine. It summarizes the key linguistic and visual features used on the cover to attract readers. These include the prominent masthead displaying the magazine's title "Elle", buzzwords along the left side like "fashion" and "success" to entice purchases, and a large central image of celebrity Rihanna making direct eye contact with readers. The goal is to present Rihanna as a role model and suggest readers can learn her secrets to beauty, style and success by buying the magazine.
The document is a proposed budget for a student film production. It allocates £77.60 for production costs, which are minimal as the cast, director, locations, and equipment are provided freely by the college. An additional £17.80 is allocated for post-production costs like travel. With a 10% contingency of £9.54, the total proposed budget is £104.94.
Permission is granted to Dylan Cheesman and employees to enter and use the property located at City of Westminster College from the day of the shoot until the day of editing during afternoon and night hours for the purpose of photographing and recording scenes for a commercial. Producer is given the rights to photograph, film, record sound and use resulting materials without restriction. Producer will restore the property to its original condition by 30-31st unless otherwise agreed in writing.
A film shoot will take place on April 27th at 25 Paddington Green in London. The shoot will be for a scene set in a theatre where a group hides from security but gets locked in and terrorized by a serial killer. The shoot will run from 4pm to an estimated wrap time of 6pm. There will be four actors playing the characters in the scene.
This risk assessment identifies only one potential hazard - a tripod and cables used for filming. However, the risk is rated as low (risk factor of 2) since no cables will be present, and the crew and actors will be aware of the tripod to avoid it. The overall summary is that the risk of any issues in the private college theatre space is extremely low, as it will be used after hours by a controlled film crew, with only the visible tripod posing a minimal risk if avoided.
The document summarizes the production diary of a group project to create a film trailer. It describes:
1) The initial formation of the group and assigning roles, with the author being the director.
2) Early meetings to choose a script and plan production roles and responsibilities.
3) Ongoing challenges coordinating schedules, completing assigned tasks, and difficulties filming within budget and skill constraints.
4) Frustrations as the author takes on more work to complete deadlines while other group members remain unproductive.
The document outlines a production schedule for a film trailer called "The Last Day". Pre-production will take 3 weeks to finalize locations, hire crew, and finalize the script. Production will occur from March 20-22nd and involve filming scenes over 2 days with a maximum of 3 hours per day. Post-production will begin on March 24th and take 1 day to complete the first edit using Final Cut Pro and Logic Pro software. The full production process for the trailer will take less than 1 month.
The document discusses the history and purpose of corporate and promotional videos. It explores how corporate videos are used internally by companies to communicate with employees, and how promotional videos are used externally to advertise products and services. The document provides examples of both, including a current Frontier Airlines corporate video and a HARIBO promotional video. It also discusses the evolution of these types of videos over time, from expensive reel-to-reel productions in the 1970s to inexpensive digital productions today, which more companies are utilizing on their websites and social media.
YouTube is a video sharing website launched in 2005 that allows users to upload, view, and share video content. It grew rapidly after launch and was purchased by Google in 2006. The site now hosts hundreds of hours of new video uploads each minute and reaches more 18-49 year olds than any cable network in the US. While it provides entertainment and opportunities for creators, YouTube also faces issues like inappropriate content and restrictions on creators. Overall, YouTube has become one of the most used sites on the internet and its future growth is expected to continue.
Virtual reality uses headsets to generate realistic images and sounds to immerse users in simulated or imaginary environments. Early versions from the 1950s-1970s were bulky and had simple graphics. In the 1990s, VR started being used commercially for gaming and other industries. Today, many major tech companies are developing VR products and the technology is being used for training, education, healthcare, and entertainment. While VR offers advantages like new experiences and long-distance connections, challenges remain around cost, lack of realism compared to real-world training, and lack of regulations regarding online behavior.
This document discusses the history and development of streaming media and websites like Netflix and YouTube. It describes how ESPN streamed the first live event in 1995 and how companies like RealNetworks, Microsoft, and Adobe contributed to the evolution of streaming technology over the next decade. The document outlines advantages like access to a variety content from any location and disadvantages like dependence on internet connectivity and temporary availability of content. It concludes that while streaming technology is still improving, it has revolutionized media consumption.
Satellite television delivers programming to viewers via radio signals transmitted from satellites orbiting Earth. It was first demonstrated in 1962, relaying signals between Europe and North America. Since then, satellite television has grown significantly, with over 33 million subscribers worldwide. It provides hundreds of channel options and access to programming from around the world. However, the high upfront costs of equipment and potential for weather-related service disruptions are disadvantages compared to other television delivery methods.
3D television was first demonstrated in 1928 but did not become popular until 2010 when major manufacturers began selling full lineups of 3D TVs. However, sales began declining in 2013 due to issues like the need to wear glasses, which caused headaches and eyestrain for many viewers. Additionally, early 3D Blu-rays were only compatible with specific brand TVs, limiting content options. While 3D TVs provided an immersive home theater experience, disadvantages like mandatory glasses and limited compatibility led to a loss of consumer interest before problems could be addressed. The technology may see renewed interest if glasses-free 3D or virtual reality integration can be achieved.
Unit 8 – Task 3 – Limitations And Obligations ChapterChelsie Brandrick
This document discusses several key limitations and obligations in the television and film industry, including confidentiality contracts, intellectual property, health and safety regulations, ethical issues, and the British Board of Film Classification (BBFC) rating system. Confidentiality contracts are used to prevent unauthorized disclosure of projects, and violations can result in legal action. Intellectual property like copyrights and patents protect creations and innovations. Health and safety laws protect workers on film sets. Ethical issues around representation and discrimination must also be considered. The BBFC system rates films based on their content to determine appropriate age ratings.
The document is a proposal for a video installation titled "Inner Workings of the Mind" by Chelsie Brandrick. The 30-50 second video will portray memories and the emotions they evoke through overlay effects on footage of people with distant expressions. It will start slow and build to a climax using a dark and psychotic soundtrack. The goal is to show how hidden mental processes are portrayed and make people aware of the effects of recalling memories. A small crew will be needed, and the video will be filmed and edited within a week for premiere.
The production schedule will last less than a week total. Pre-production from May 16-19 will include hiring crew, securing a location, and completing paperwork. Production on May 19 will involve filming the installation in one location with a Lumix G camera and 4-5 actors. Post-production from May 22-25 will include editing on a MacBook Pro using Final Cut Pro X, adding copyright-free music, and delivering the final installation by May 25.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Gender and Mental Health - Counselling and Family Therapy Applications and In...PsychoTech Services
A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
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In this presentation, we will explore how barcodes can be leveraged within Odoo 17 to streamline our manufacturing processes. We will cover the configuration steps, how to utilize barcodes in different manufacturing scenarios, and the overall benefits of implementing this technology.
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
1. Unit 5: Working to a Brief in the Creative Media Industries
November 1st 2016
Task One.
CWC Productions are looking to expand their business into the area of
television and video production. The managing director has little experience of
what is involved in working on a client’s brief and has asked you to write a
report on the ‘working to a brief’ process.
Your work must be presented in the form of a report. The following headings
must be covered in your report:
Structure of briefs
Reading a brief
Negotiating a brief
Opportunities created by a brief
Your report must include at least two examples of different video production
briefs to illustrate the points you are trying to make.
2. Introduction
A brief is a statement of a client’s requirements for a task that needs to be
completed. It is given as a task to someone the client is hiring to complete
said task. For example, a graphic designer can be given a brief to design a
new logo for a company; the brief will contain a deadline and what the client
wants from the designer.
This report will identify what is involved in working on a client’s brief, as well
as explain the different types of structures, show you how to read a brief,
negotiate with a client while working on a brief and explore the opportunities
that arise whilst working on a brief.
Structureof a Brief
Briefs can come in a multitude of different structures as the format can vary
depending on the task it is helping you to complete.
Contractual Briefs
A contractual brief is a legally binding contract between a client and a person
they are hiring to complete a task. It is very descriptive, contains fixed non-
negotiable content and will be written formally. The brief will state the required
duties of the employee, guidelines, legal and ethical information, a start date
and deadline, salary, hours required to work and a signature. Signing a
contractual brief is a legal commitment to a task and failing to comply with the
regulations can result in legal action for the employee or the client. A
contractual brief is often used in situations where there is a lack of trust
between the employee and client, for example if a client doesn’t know who
they are hiring that well or the client is a large corporation who needs to
uphold their professional formal reputation. See appendix A for an example of
a contractual brief.
Negotiable Briefs
Negotiated briefs content is decided on mutually by the client and employee
as both party’s compromise and come to an agreement on what the brief
3. should include. A negotiable brief will still contain the same information as the
majority of briefs such as start date, a deadline, salary and working hours, the
only difference is it can be altered by the employee rather than be final. The
client and employee can have equal input and it also allows the employee to
be more creative and suggest ideas that the client may not have otherwise
thought of, which is an advantage. However, the main disadvantage is the
client and employee may not come to an agreement about the task at hand so
consequently problems can arise. A negotiated brief is normally used when
the client is open to suggestions and ideas regarding the project at hand. For
example if a company want to create an advertisement video to represent
their company, the brief will state that an advert is required to be completed
but how the video is to be completed and what it will include is up to the
employee. See appendix B for an example of a negotiable brief.
Formal Briefs
A formal brief outlines the specifications of a product or service. It is well set
out and structured in a neat and orderly manner. It will be written solely using
formal language and high standards of grammar and punctuation so
abbreviations and slang will not be used. A formal brief is similar to a
contractual brief in its delivery, content and format but a signature is not
required for a formal brief. Meetings are often arranged by the client, which
enables the employee to ask questions to the client and discuss exactly what
the client wants the employee to create. Briefs of this style often feature
company logos and a formal font to make it look more professional. See
appendix C for an example of a formal brief.
Informal Briefs
An informal brief is usually a short piece of text delivered by email or face-to-
face in a meeting. It is not contractual and cannot be documented in some
cases. Informal briefs are known for featuring informal language such as
abbreviations, slang and grammatical errors. This style of brief is often seen
when dealing with friends, close colleagues or when very little or no money is
involved. Informal briefs are much similar than other structures of briefs and
can contain fewer requirements for the employee to complete. For example, if
4. you wanted your friend to help you film a project you’re working on, you could
send an informal brief. See appendix D for an example of an informal brief.
Commission Briefs
Commission briefs involve two companies; the larger company will employ a
smaller, private company for production purposes. The larger company can
also use the product or service created for external clients, who will then give
the smaller company a share of the profits. Commission briefs can be used in
the production of a film; the major film company may employ a smaller
animation company to create a title sequence, like James Bond. They will
include them in the credits and give them a fraction of the profits. This style of
brief can save time compared to a tender brief (see next paragraph) as the
company already knows who they would like to work with and doesn’t need to
look for potential employees. See appendix E for an example of a commission
brief.
Tender Brief
A tender brief are used by the client to advertise a project, then potential
employees have the opportunity to form a proposal and pitch it to the client,
the client can then choose who to employ. There is no limit on the amount of
people who can pitch which enables the client to choose whom they deem is
the most appropriate to the role. A tender brief includes a start and deadline
date, what is required of the employee, the budget and legal and ethical
information. For example, a tender brief could be used for a sponsorship for a
football team. The client, the football team have the opportunity to look at a
number of companies in order to find the best sponsor on offer. As the clients
have the choice about whom they wish to work with it can be a disadvantage
when many people apply for a certain project, as a lot of companies will have
put in large amount of work to pitch an idea to the client for it only to be
rejected. See appendix F for an example of a tender brief.
Cooperative Brief
A cooperative brief involves two or more companies who are contracted to
work on the same assignment. The brief will include the companies and client
5. names, what the client desires, individual role requirements, a start and end
date as well as payment and contact details. The main reason for this is so
each company can work on a section of the assignment that best suits their
skill sets, as one company may not have the necessary skills required to
complete the whole project, this approach results in a better project overall.
Another popular reason would be if the deadline is too close for one company
to complete the work in time, sharing the workload will enable the project to
be finished twice as fast. However, this format can be more prone to create
disagreements and conflict between the companies hired by the client. See
appendix G for an example of a cooperative brief.
Competition Brief
Competition briefs are released by the client in the hopes of attracting
potential employees who would enter the competition by submitting what the
brief requires, which is typically a pitch or idea. The client will then review the
entries and select a winner who will win the job or a prize. A competition brief
includes the competition details such as the requirements of what to submit to
have a chance to win, the start and deadline date, prize details and details on
entering the competition, such as where, who to submit to and how.
Competition briefs are commonly open to the public and used for short film
competitions such as the London Sundance competition or Winchester Film
Festival. See appendix H for an example of a competition brief.
Reading a Brief
Reading a brief is the most important step when working on a brief, as if done
correctly it will inform you about what the client requires from you, the start
and end dates for the project and salary information. However, as there are a
variety of different briefs available, reading a brief and extracting the vital
information can become tricky.
Knowing what structure the brief has is the first step, as this way you know
what is going to be expected of you as well as what to expect from a brief. Not
6. reading a brief properly can result in a project of a lower standard, which
could result in legal action.
All briefs include a deadline and start date, which will enable you to plan your
time wisely and work out whether you are capable of completing the project
within the time limit.
The second step is to find these dates and before starting the brief, establish
whether the project is within your capabilities.
The third step when reading briefs is to read the specifications and think about
whether you have the right skill set to successfully complete the brief.
If you do then the last step to cover is, after reading the brief; is it a project
you want to work on, or is the client someone you would want to do business
with.
I have annotated two briefs using the method above, which has resulted in
extracting the most important information as well as showing you what the
steps above may look like on real life briefs. You can find the briefs in the
appendix under I and J.
The two briefs I used were both competition briefs and were called ‘the
Norwich Film Festival’ and ‘the Cinemagic Belfast Film Festival’.
Both briefs mention the client’s name (name of the festival) in the opening
paragraph as that is who the project is for. This is followed by a description of
the task at hand and who is eligible to enter, such as what categories the
festival offers and what you need to submit for your application to be eligible.
After this, the prizes are mentioned which should entice the reader, as it is the
only form of payment for competition briefs. Next, the briefs state where and
how you should send your application. Lastly the brief mentions where to find
the competition guidelines and a deadline date, which are vital to fulfil if you
want your application to be valid.
Both of the briefs I annotated are what you will typically find when dealing with
competition briefs as they feature the same information, are in a similar order
and feature similar wording.
7. Negotiating a Brief
A brief doesn’t have to have the structure of a negotiable brief to negotiate it.
All briefs, except contractual briefs, are negotiable to an extent as there will
always be an opportunity to have a consultation with the client. Meeting with
the client are good opportunities to raise any issues you may have with the
project, so it is important to read the brief prior to the meeting and be
prepared so you get all of your questions answered, as many clients do not
like to have multiple meetings with their employees.
Popular areas of briefs where problems can arise are the start date and
deadline, budget or salary, the requirements themselves (idea) or legal and
ethical information.
A start date needs to be either in the present or future, otherwise you are
already at a disadvantage as you have lost time, and a deadline needs to
provide you with enough time to successfully complete the task at hand to the
client’s specifications, if the dates are not realistic, then negotiation would be
a sensible way of resolving this problem.
The budget should be realistic, once you have worked out how much it will
cost to make the project if you are going to be at a loss or not working for very
much, and then this could be an area to negotiate with the client. The legal
and ethical information on a brief needs to be correct and compatible with
your needs as well as the projects, if they are not then you could mention this
to the client.
Finally, when negotiating with the client, the requirements and specifications
for the project they need to be sensible and within your capabilities and skill
set. If they are not, depending on the structure of the brief, you can suggest a
different idea to work on or involve another party to help you complete the
brief. Either of these options would need to be negotiated and discussed with
the client.
8. Opportunities a BriefProvides
There are many opportunities available when working on a brief in addition to
the financial benefits. Working on a brief will expose you to new tasks;
dilemmas and you will have a chance to mix with a new group of people. This
will help you to develop your communication skills, enable you to add new
skills to your repertoire and through networking you can gain useful contacts
that can help you in the future.
Working within a professional environment can also help you to identify the
areas that you need to work on to improve your skill set, as well as offering
you experience that is valued by employers.
In addition to this, a project may allow you to travel, which will broaden your
mind, offer you a new perspective and inspiration, which you can incorporate
into future creative projects. Travel will also offer you experience which will
improve your CV and make you more employable in the future.
Conclusion
There are many different types of briefs that you can encounter or create in
the media industry and the way you would deal with each type of brief is
different. Reading a brief is the most important step to take when dealing with
briefs, the main information to look out for is a start date, deadline, what is
required of you and the budget. Once found, this information can be used to
create questions to ask the client for when you have a meeting booked or a
negotiation session planned. You cannot negotiate when working on a
contractual brief but all other types of briefs are negotiable. Negotiations are
helpful and can be vital for the employee to get the most out of the brief from
the client.
Briefs can offer many opportunities such as a financial benefit, improving your
skill set and self-development skills. Working on new projects can enable you
to create a network of useful people you can use in the future, in addition to
gaining experience, which can make you more employable in the future.