OCR – Level 3 Cambridge Introductory Diploma in Media
Unit 30: UK Media Publishing
LO2 - Be able to plan an original UK based media product.
Emily Thompson 6107
OCR – Level 3 Cambridge Introductory Diploma in Media
Unit 30: UK Media Publishing
LO2 - Be able to plan an original UK based media product.
Emily Thompson 6107
Slack (or Teams) Automation for Bonterra Impact Management (fka Social Soluti...Jeffrey Haguewood
Sidekick Solutions uses Bonterra Impact Management (fka Social Solutions Apricot) and automation solutions to integrate data for business workflows.
We believe integration and automation are essential to user experience and the promise of efficient work through technology. Automation is the critical ingredient to realizing that full vision. We develop integration products and services for Bonterra Case Management software to support the deployment of automations for a variety of use cases.
This video focuses on the notifications, alerts, and approval requests using Slack for Bonterra Impact Management. The solutions covered in this webinar can also be deployed for Microsoft Teams.
Interested in deploying notification automations for Bonterra Impact Management? Contact us at sales@sidekicksolutionsllc.com to discuss next steps.
Epistemic Interaction - tuning interfaces to provide information for AI supportAlan Dix
Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
Software Delivery At the Speed of AI: Inflectra Invests In AI-Powered QualityInflectra
In this insightful webinar, Inflectra explores how artificial intelligence (AI) is transforming software development and testing. Discover how AI-powered tools are revolutionizing every stage of the software development lifecycle (SDLC), from design and prototyping to testing, deployment, and monitoring.
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• Inflectra's AI Solutions: See demonstrations of Inflectra's cutting-edge AI tools like the ChatGPT plugin and Azure Open AI platform, designed to streamline your testing process.
Whether you're a developer, tester, or QA professional, this webinar will give you valuable insights into how AI is shaping the future of software delivery.
Connector Corner: Automate dynamic content and events by pushing a buttonDianaGray10
Here is something new! In our next Connector Corner webinar, we will demonstrate how you can use a single workflow to:
Create a campaign using Mailchimp with merge tags/fields
Send an interactive Slack channel message (using buttons)
Have the message received by managers and peers along with a test email for review
But there’s more:
In a second workflow supporting the same use case, you’ll see:
Your campaign sent to target colleagues for approval
If the “Approve” button is clicked, a Jira/Zendesk ticket is created for the marketing design team
But—if the “Reject” button is pushed, colleagues will be alerted via Slack message
Join us to learn more about this new, human-in-the-loop capability, brought to you by Integration Service connectors.
And...
Speakers:
Akshay Agnihotri, Product Manager
Charlie Greenberg, Host
Essentials of Automations: Optimizing FME Workflows with ParametersSafe Software
Are you looking to streamline your workflows and boost your projects’ efficiency? Do you find yourself searching for ways to add flexibility and control over your FME workflows? If so, you’re in the right place.
Join us for an insightful dive into the world of FME parameters, a critical element in optimizing workflow efficiency. This webinar marks the beginning of our three-part “Essentials of Automation” series. This first webinar is designed to equip you with the knowledge and skills to utilize parameters effectively: enhancing the flexibility, maintainability, and user control of your FME projects.
Here’s what you’ll gain:
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- Optimization Strategies in FME Flow: Explore the creation and strategic deployment of parameters in FME Flow, including the use of deployment and geometry parameters, to maximize workflow efficiency.
- Pro Tips for Success: Gain insights on parameterizing connections and leveraging new features like Conditional Visibility for clarity and simplicity.
We’ll wrap up with a glimpse into future webinars, followed by a Q&A session to address your specific questions surrounding this topic.
Don’t miss this opportunity to elevate your FME expertise and drive your projects to new heights of efficiency.
Generating a custom Ruby SDK for your web service or Rails API using Smithyg2nightmarescribd
Have you ever wanted a Ruby client API to communicate with your web service? Smithy is a protocol-agnostic language for defining services and SDKs. Smithy Ruby is an implementation of Smithy that generates a Ruby SDK using a Smithy model. In this talk, we will explore Smithy and Smithy Ruby to learn how to generate custom feature-rich SDKs that can communicate with any web service, such as a Rails JSON API.
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After immersing yourself in the blue book and its red counterpart, attending DDD-focused conferences, and applying tactical patterns, you're left with a crucial question: How do I ensure my design is effective? Tactical patterns within Domain-Driven Design (DDD) serve as guiding principles for creating clear and manageable domain models. However, achieving success with these patterns requires additional guidance. Interestingly, we've observed that a set of constraints initially designed for training purposes remarkably aligns with effective pattern implementation, offering a more ‘mechanical’ approach. Let's explore together how Object Calisthenics can elevate the design of your tactical DDD patterns, offering concrete help for those venturing into DDD for the first time!
State of ICS and IoT Cyber Threat Landscape Report 2024 previewPrayukth K V
The IoT and OT threat landscape report has been prepared by the Threat Research Team at Sectrio using data from Sectrio, cyber threat intelligence farming facilities spread across over 85 cities around the world. In addition, Sectrio also runs AI-based advanced threat and payload engagement facilities that serve as sinks to attract and engage sophisticated threat actors, and newer malware including new variants and latent threats that are at an earlier stage of development.
The latest edition of the OT/ICS and IoT security Threat Landscape Report 2024 also covers:
State of global ICS asset and network exposure
Sectoral targets and attacks as well as the cost of ransom
Global APT activity, AI usage, actor and tactic profiles, and implications
Rise in volumes of AI-powered cyberattacks
Major cyber events in 2024
Malware and malicious payload trends
Cyberattack types and targets
Vulnerability exploit attempts on CVEs
Attacks on counties – USA
Expansion of bot farms – how, where, and why
In-depth analysis of the cyber threat landscape across North America, South America, Europe, APAC, and the Middle East
Why are attacks on smart factories rising?
Cyber risk predictions
Axis of attacks – Europe
Systemic attacks in the Middle East
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https://sectrio.com/resources/ot-threat-landscape-reports/sectrio-releases-ot-ics-and-iot-security-threat-landscape-report-2024/
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
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In today's fast-changing business world, Companies that adapt and embrace new ideas often need help to keep up with the competition. However, fostering a culture of innovation takes much work. It takes vision, leadership and willingness to take risks in the right proportion. Sachin Dev Duggal, co-founder of Builder.ai, has perfected the art of this balance, creating a company culture where creativity and growth are nurtured at each stage.
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A presentation about the usage and availability of Varnish on Kubernetes. This talk explores the capabilities of Varnish caching and shows how to use the Varnish Helm chart to deploy it to Kubernetes.
This presentation was delivered at K8SUG Singapore. See https://feryn.eu/presentations/accelerate-your-kubernetes-clusters-with-varnish-caching-k8sug-singapore-28-2024 for more details.
UiPath Test Automation using UiPath Test Suite series, part 4DianaGray10
Welcome to UiPath Test Automation using UiPath Test Suite series part 4. In this session, we will cover Test Manager overview along with SAP heatmap.
The UiPath Test Manager overview with SAP heatmap webinar offers a concise yet comprehensive exploration of the role of a Test Manager within SAP environments, coupled with the utilization of heatmaps for effective testing strategies.
Participants will gain insights into the responsibilities, challenges, and best practices associated with test management in SAP projects. Additionally, the webinar delves into the significance of heatmaps as a visual aid for identifying testing priorities, areas of risk, and resource allocation within SAP landscapes. Through this session, attendees can expect to enhance their understanding of test management principles while learning practical approaches to optimize testing processes in SAP environments using heatmap visualization techniques
What will you get from this session?
1. Insights into SAP testing best practices
2. Heatmap utilization for testing
3. Optimization of testing processes
4. Demo
Topics covered:
Execution from the test manager
Orchestrator execution result
Defect reporting
SAP heatmap example with demo
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
2. My
Magazines
Price;
The price of this magazine will
be about £3.99. I have chose
this price because not many
competitors sell issues for this
cheap. Such as; XXL costs £4.99-
£5.99
Masthead Names;
- 808
- Beats
- TMM (typical monthly
music)
Target Audience;
The target audience will be from 16-35 years
old, this is because the genre of the
magazine is hip hop/rap suggesting that the
words in the song are explicit. The gender
for the magazine will be for both males and
females, this will mean my magazine will
have to include an artist on the front page of
a person that is liked by both gender.
Frequency of release;
My magazine will be released monthly,
the price determined this because it is
an expensive magazine to pay for every
week. Also, it will be hard to find
information to put in the magazine to
release weekly.
Colour Schemes; The colour scheme
for my magazine will be black with
white writing but will have partly gold
words throughout the magazine to
math the gold title. I have chosen this
colour because it signifies the reader
that the colours match the music
artists life in which it is fulfilled will
expensive jewelry.
Brand Identity; On the front of
magazine (across the masthead) I
will have all the social media
links that help self advertise my
magazine onto social media as
this is a much more cheaper
alternative to promotion than
releasing a advert on TV for more
audience.
Images;
On the front cover of my magazine I will have a
picture of the music artist that is going to have
the biggest amount of information inside the
magazine. This will be someone who is
extremely big in this music business of this
genre. The technical code of this photo will be
a long-shot, this will give the effect on the
reader that my magazine has exclusive photos
of this artist because not many photos are like
that.
3. Summary of Ideas
808
Genre – The genre of my magazine will cover rap and hip hop. The artists that
will suit this style of genre are; Asap Rocky, Bryson Tiller, Lil Uzi vert..
Colours – Black, Gold , white
Price - £4.99 released monthly
Size of the magazine: A4
TMM
Genre – This magazine will cover the same genre as 808 but will also have
sections of grime within. The artists that will appear in these magazines
are (same as 808) but some grime artists like aj tracey, big zuu etc.
Colours – Blue, Red and White
Price - £4.99 released monthly
Size of the magazine – A4
4. Font Style
http://www.dafont.com/next-
ups.font?text=808
This is my chosen font
http://www.dafont.com/mus
icografi.font?text=808
http://www.dafont.com/trapm
usic.font?text=808
http://www.dafont.com/house-
music.font?text=808
http://www.dafont.com/chloe
smusic.font?text=808
http://www.dafont.com/neon-
club-music.font?text=808
5. Target Audience
Using the socio-economic needs my magazines should relate to
categories B all the way to E the categories include middle class, lower
middle class, skilled working class, working class and casual/lowest
grade workers. The reason why it goes all the way to E is because no
matter what age you are, the music you listen to is whatever you
enjoy. However, the younger generation will suit this magazine more
as the hip/hop, rap and grime culture has its biggest following in the
young generation. This also leads on to the price in the fact that it is
only £4.99 a month, this will suit as the younger generation wont have
much money to spend a lot of it on a magazine. Because my audience
are in category B it means they are in the working class, this means
that their spending power is going to be limited therefore I have to
make the magazine affordable.
6. Target Audience
Gratifications and uses (Katz)
The theory is about the how the use of media can
be different for all different people and that the
choices made are their own and its what they want
to do. When they do this, they are supposed to get
gratification instead of just watching a video or
reading something. The Q magazine audience
would be a variation of inform and educated as
well as diverse reviews and other information that
can make the audience learn something from the
magazine or they may be focused on what happens
in the artist interviews.
Maslow’s hierarchy of needs
This is the theory in which the audience can
become motivated to achieve a specific need and
when they have achieved this they try to achieve
the next activity, this ends up working in a pyramid
shape. Q magazine would more likely to be
explorers because they are people that become
intrigued by social change. This is good for them
because Q magazine includes features of the
calendar that shows what the next music artists or
bands will be doing next.
7. Production Plan
Week Beginning
05/12/16 -
Monday
Tuesday –
06/12/16
Wednesday -
07/12/16
Thursday –
08/12/16
Friday -
09/12/16
Saturday -
10/12/16
Sunday –
11/12/16
Move into offices
with all
equipment
brought and
ready
Present ideas for
first issue of
magazine to all
staff
Set up interview
with main cover
artist and other
cover lines
included in
magazine
Gather
information and
pictures to
include in
magazine
Find business
that would like to
promote
magazine
Day Off Day Off
Week Beginning
12/12/16 -
Monday
Tuesday –
13/12/16
Wednesday -
14/12/16
Thursday –
15/12/16
Friday -
16/12/16
Saturday -
17/12/16
Sunday –
18/12/16
Take photo shoot
and interview
headline artist
inside magazine
Insert main
article into
magazine
Insert longer
articles into
magazine
Promote
magazine using
businesses who
would like to
promote
magazine
Insert longer
articles into
magazine
Day Off Day Off
8. Production Plan (Continued)
Week Beginning
26/12/16 -
Monday
Tuesday –
27/12/16
Wednesday -
28/12/16
Thursday –
29/12/16
Friday -
30/12/16
Saturday -
31/12/16
Sunday –
01/01/16
Find places to
distribute the
magazine once
they have arrived
Distribute
magazines to
stores and online
websites where
magazine will be
sold
Set up social
media account
and promote
them to people
Set up social
media account
and promote
them to people
Promote
magazine on all
social media
pages
Day Off Day Off
Week Beginning –
02/01/17
Magazine Launch
Week Beginning
19/12/16 -
Monday
Tuesday –
20/12/1
Wednesday -
21/12/16
Thursday –
22/12/16
Friday -
23/12/16
Saturday -
24/12/16
Sunday –
25/12/16
Find Short stories
for magazine
Find short stories
for magazine
Put together
magazine
Put together
magazine
Send finished
magazine for
production
Day Off Day Off
9. Equipment and Cost
Equipment Cost
Office Space in Rochester £21,000 a year
9 Apple Imacs £9,441
Adobe CS6 Master Collection £1,800
Desks (x9) £1,123.20
Chairs (x9) £486
Printer £50
Cameras (x4) £4,941
Pens £25.80
Paper £17.94
https://www.officefurnitureonline.co.uk/office-chairs/executive-leather-office-chairs/leather-
office-chairs-less-than-100/turin-leather-manager-chair.html
= £38,884
11. Printing costs of the Magazine
In this screenshot I have shown you how much money 15,000 copies of my 40 page
magazine will cost ( £6,983 ). The cost per issue is 38p.
13. Different ways of marketing the
magazine
I am going to make a Facebook page for my chosen magazine as this will be a cheap
alternative to advertising above the line thought TV adverts etc because I will not have
the capital to fund it.
The price to advertise of Facebook for a day is £5, however, this may only get you 5-30
clicks. The way in which advertising works on Facebook is the more money you pay,
the more people see your advert.
Cost Per Click (CPC) – the cost for 1 click to your website
Cost Per Mille (CPM) – the cost for 1,000 impressions, or views of your ad
14. Profit and loss
Advertising Revenue £1,212,000
Sales £74,850
Total £1,286,850
Expenses
Equipment £38,884
Staff £270,000
Printing £6,983
Advertising £3,640
Total 319,507
Net Profit (Income – Expenses) £ 967,343
20. Graphic Design
Cover Lines (white with
gold borders)
Cover Lines
(white with
gold borders)
Cover Lines
(white with
gold borders)
Main
Headline
(white with
gold
border)
Barcode
Main Image
(Picture of a
music artist)
Gold
Black
21. Main Image
(Picture of a
music artist)
Cover Lines
(white with
gold
borders)
Cover Lines
(white with
gold
borders)
Cover Lines
(white with
gold
borders)
Cover Lines
(white with
gold
borders)
Main Headline (white with
gold border)
Barcode
Graphic Layout
24. Magazine of Inspiration
The reason this is my magazine of
inspiration is firstly the layout of the
magazine. I like how all of the artists
of laid out on the front page. I also
like the fact that the main image on
the front page is looking straight
forward, this signifies to the reader
that the artist could be looking
straight at you to show how serious
he is about music. I also like the
contrast of colours used and the fact
that the masthead and headline are
both the same colour (red). I have
made my magazine like this because i
think it looks professional and shows
the reader the main image because
that is why that is what's going to
make them pick up the magazine.
25. Steve Neale: What will I repeat?
I will repeat the font style when I'm
writing the information that is going
to be put into the magazine. The title
font will also be used in headings and
sub headings when it shows the
article of the music artist. I will also,
use the same layout in which if an
important artist occurs I will set and
double page spread made specially
for them. Repetition will also be used
when a word may not be understood
by the readers (the word will have a
text like this) , the definition will then
be put to the glossary of the
magazine and they can see the
meaning of the word.
29. Connotations behind the name
The reason the magazine is called 808
is because that is the name of a drum
used in every hip/hop rap or grime
beat. I thought this would suit as those
genres are the ones that are being
covered in my magazine. I also like it
because it is short and easy to say and
with the bold writing it will be easy to
see on the shelves and will hopefully
attract more readers. I also like the
name because it will attract people
that are interested in music and will
understand what an 808 is, this is good
because it will make people think that
because it has good title, it will contain
high quality information.
36. Graphic Design
Cover Lines (white with
Blue borders)
Cover Lines
(white with
Blue borders)
Cover Lines
(white with
blue borders)
Main
Headline
(white with
blue
border)
Barcode
Main Image
(Picture of a
music artist)
39. Magazine of Inspiration
The reason in chose this magazine as
my inspiration is the colours. I like
the fact that the bright red and
white masthead sticks out of the
light blue background. I think this
looks aesthetically pleasing and will
make the reader pick up the
magazine as it will stick out on the
shelves due to the bright red and
white masthead. For this magazine
have combined both magazines
together because I prefer the way
the artist is standing in the Kendrick
Lamar XXL magazine compared to
this Lil Wayne one.
40. Steve Neale: What will I repeat?
I will repeat the colours used for the
masthead and for the detailing in the
headline. The reason behind this is
because I think it will stand out from
the rest of the shelves as they will be
using other colours but a bold red
with catch someone's eye and will
hopefully make them pick it up and
invest in my magazine so that I can
earn money in order to make my
magazine successful. I will also repeat
the little black details as I think it
makes the magazine look more
professional and well made, this will
make the reader feel that because the
front page looks professional, the
information inside will be interesting
and professional.
43. Connotations behind the name
The masthead ‘TMM’ or ‘The Music Magazine’ shows to the reader
that the magazine they are going to pick up is full of everything on the
genre of music I am covering. I have shortened ‘The Music Magazine’
down to just simply ‘TMM’ because I feel that it with its bold writing it
will stand out of shelves instead of the music magazine as it may come
across as something boring when intact it contains very detailed and
exciting music on the chosen genres.
44. Future Plan
My plan is too within a 3-5 year period increase
my sales by 3 times as much so that I will earn
over 200,000 and my magazine will become
extremely successful meaning I can charge more
for advertising in it because of the audience I
will have and from there I will grow into a multi-
million pound business.
45. Thank you for listening
Please can you fill put my survey monkey, I have
sent it to you or just type in this link
https://www.surveymonkey.co.uk/r/JH8CSY5