This document summarizes Aristotle's definitions of tragedy and epic poetry. According to Aristotle, tragedy is an imitation of an action that is serious, complete, and of a certain magnitude, told through dramatic form using language that arouses pity and fear, accomplishing a catharsis. An epic is a lengthy narrative poem about significant heroic deeds. While both involve plots and unity, Aristotle found tragedy superior to epic in its effects, unity of action, and methods of poetic imitation, with the purpose of giving pleasure.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
An Apology for Poetry[7] (also known as A Defence of Poesie and The Defence of Poetry) – Sidney wrote the Defence before 1583. It is generally believed that he was at least partly motivated by Stephen Gosson, a former playwright who dedicated his attack on the English stage, The School of Abuse, to Sidney in 1579, but Sidney primarily addresses more general objections to poetry, such as those of Plato. In his essay, Sidney integrates a number of classical and Italian precepts on fiction. The essence of his defence is that poetry, by combining the liveliness of history with the ethical focus of philosophy, is more effective than either history or philosophy in rousing its readers to virtue. The work also offers important comments on Edmund Spenser and the Elizabethan stage. from wikipidea
Poetry, he wrote in the Preface, originates from ‘the spontaneous overflow of powerful feelings’ which is filtered through ‘emotion recollected in tranquillity’.
Plato's Objection to Poetry and Aristotle's DefenceDilip Barad
This presentation deals with Greek philosopher Plato's objections to poetry and Aristotle's clarification on the confusion created by Plato. It is said that Plato confused study of morals/ethics with that of aesthetics. Aristotle removed this confusion.
This is my presentation for my MA English class. You are free to modify, share, redistribute and add to it in any way you like.
*I do not own the images used in the presentation. They are the property of their respective owners.
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Plato's Objection to Poetry and Aristotle's DefenceDilip Barad
This presentation deals with Greek philosopher Plato's objections to poetry and Aristotle's clarification on the confusion created by Plato. It is said that Plato confused study of morals/ethics with that of aesthetics. Aristotle removed this confusion.
This is my presentation for my MA English class. You are free to modify, share, redistribute and add to it in any way you like.
*I do not own the images used in the presentation. They are the property of their respective owners.
Literary Theory and Criticism
By Belachew Weldegebriel
Jimma University
College of Social Sciences and Humanities
Department of English Language and Literature
Samuel Coleridge- Biographia Literaria Ch 14Dilip Barad
This presentation deals with chapter 14 of 'Biographia Literaria' written by Samuel Taylor Coleridge. It deals with his famous defence of Wordsworth's poetic creed, difference between prose and poem; and more importantly, difference between poem and poetry
Cleanth Brooks - The Language of ParadoxDilip Barad
This presentation is based on Cleanth Brooks's essay "The Language of Paradox,", wherein Cleanth Brooks emphasizes how the language of poetry is different from that of the sciences, claiming that he is interested in our seeing that the paradoxes spring from the very nature of the poet's language: “it is a language in which the connotations play as great a part as the denotations. And I do not mean that the connotations are important as supplying some sort of frill or trimming, something external to the real matter in hand. I mean that the poet does not use a notation at all--as a scientist may properly be said to do so. The poet, within limits, has to make up his language as he goes.”
Introduction of Writer, his works, essay tradition and individual talent, theory of poetry( impersonality of poetry, historical sense, poetic emotion, comparison of Wordsworth and T.S eliot theory of poetry, objective correlative, dissociation of Sensibility, unification of sensibility, meta-physical poetry, conceit , use of Conceit in John Donne’s poetry.
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Tragedy and epic according to aristotle
1. Tragedy and Epic according
to Aristotle.
Name Ramiz Solanki
Sem 01
Paper no 03 (Literary Thory and Criticism)
Enrollment No 2069108420180051
Roll no 34
Submitted to S.B Gardi Department of English
MKBU.
2. Introduction…
• Aristotle
• Aristotle was an ancient
Greek philosopher and
the scientist in 350 BC.
• He is considered as one
of the best students of
Plato in Plato’s academy.
3. What is Tragedy…
• Tragedy is a play dealing with tragic events and
having an unhappy ending.
• Aristotle’s Definition of Tragedy.
• “Tragedy is an imitation of an action that is
serious, complete and a certain magnitude,
complete in itself, in appropriate and pleasurable
language, in a dramatic rather than narrative
form, with incidents arousing pity and fear,
wherewith to accomplish a catharsis of these
emotions”
4. Continue…
• Tragedy is an imitation of
• An action that is serious
• Complete, and a certain magnitude,
• Complete in itself
• In appropriate and pleasurable language.
5. What is Epic Poetry…
• An epic is Lengthy narrative poem ordinarily
concerning a serious subject, containing
details of heroic deeds and events significant
to a cultural or nation.
• According to Aristotle epic is a narrative poem
written in heroic-metre.
(1) Plot and Unity
(2) Epic poetry must share many of the elements
of Tragedy.
6. Superiority of Tragedy on Epic…
• Tragedy can be found superior at some points.
• Length
• Tragedy seems more realistic
• Plot
• Tragedy has all the elements of an epic.
• According to Aristotle, the purpose of poetic
imitation is to give pleasure. (unity)
7. Let’s conclude…
• In concluding, we can say that Tragedy is
superior than the Epic in its effects, unity and
in its methods.
THANK YOU
