The document analyzes the results of a survey about film preferences. Key findings include:
- Trailers have the biggest impact on whether audiences see a film. The poster needs to grab attention visually.
- Audiences prefer films shown in major cinemas and on physical copies, indicating the trailer and marketing should target a major film release.
- Elements like characters, plot, music, cinematography and hints of surprise are important to include in the trailer to attract audiences. The trailer should reflect the genre while leaving some mystery.
The document summarizes the key questions from a final survey conducted to inform the creation of a thriller film trailer and ancillary materials. It discusses 10 questions that gauged respondents' demographics, viewing habits, preferences around thriller film genres and characteristics, and conventions for magazine covers and posters. The results showed that the target audience was primarily 16-20 year olds who enjoyed thriller films and preferred conventional coloring and single images for ancillary materials.
Post Production Audience Questionnaire Results Final 2Rachel Gibson
The document summarizes the responses to a questionnaire about a thriller film's opening title sequence. It discusses how most viewers correctly predicted plot points and found many shots suspenseful. Respondents generally agreed that using a lullaby and focusing on children increased tension. Most also felt scene durations and transitions fit the atmosphere. Viewers recognized conventions like stalking and could identify details like a silhouette shot. They found the set, costumes, and mise-en-scene effective but props less so. Responses to the titles were also positive overall. As a result, the filmmaker decided no further edits were needed.
Post Production Audience Questionnaire Results FinalRachel Gibson
The document summarizes the results of a questionnaire about a thriller film's opening title sequence. It discusses each question in the questionnaire and analyzes the responses. The key findings were that the audience was able to predict plot points and interpret clues, identified suspenseful shots, found a children's lullaby built tension effectively, felt the film reached them personally, thought scene lengths were good, and found children as subjects more frightening than adults. Transitions, conventions, mise-en-scene, and titles were also evaluated positively overall by respondents. Based on this positive feedback, the creator decided no further edits were needed for the opening sequence.
The focus group provided valuable feedback on the trailer. All 3 participants enjoyed the trailer and felt the social realism genre was clear. They liked the opening and mysterious ending but felt the title was not emphasized enough. One participant said the editing looked choppy while another thought it flowed well. The feedback will help the producers strengthen the connection to the title and consider the editing in more detail for future projects.
The researcher conducted product research, questionnaires, and interviews to inform their comedy movie project. Questionnaires provided consistent responses but simple questions, while interviews lacked preparation time. The response was from a specific group rather than expected diversity. The survey was distributed broadly via email within a college, allowing a general audience but with less control over responses.
The document summarizes the feedback received from a questionnaire given to 10 people to evaluate a movie poster. Most respondents rated the poster's aesthetics highly and said it effectively conveyed a horror/thriller genre. When asked about the storyline suggested by the poster, most said it involved a young boy haunting a house. The feedback provided valuable insights that the dark, blurry imagery and conventions used successfully communicated the intended genre.
This document analyzes the results of a questionnaire given to an audience to gather their views and opinions on movie trailers, posters, and magazines. The sample included 21 people of varying ages, genders, and employment statuses. Key findings include that the majority of the audience is over age 15, prefers movies priced under £10, and watches films regularly in cinemas. Common thriller themes like being jumpy or having supernatural elements were popular. When designing promotional materials, the audience preferred bright colors, intriguing layouts, and strategically posed models. They responded best to a se7en movie poster due to its colors and poses mirroring the film's themes. Based on these insights, the document proposes creating promotional content for
The document summarizes the key questions from a final survey conducted to inform the creation of a thriller film trailer and ancillary materials. It discusses 10 questions that gauged respondents' demographics, viewing habits, preferences around thriller film genres and characteristics, and conventions for magazine covers and posters. The results showed that the target audience was primarily 16-20 year olds who enjoyed thriller films and preferred conventional coloring and single images for ancillary materials.
Post Production Audience Questionnaire Results Final 2Rachel Gibson
The document summarizes the responses to a questionnaire about a thriller film's opening title sequence. It discusses how most viewers correctly predicted plot points and found many shots suspenseful. Respondents generally agreed that using a lullaby and focusing on children increased tension. Most also felt scene durations and transitions fit the atmosphere. Viewers recognized conventions like stalking and could identify details like a silhouette shot. They found the set, costumes, and mise-en-scene effective but props less so. Responses to the titles were also positive overall. As a result, the filmmaker decided no further edits were needed.
Post Production Audience Questionnaire Results FinalRachel Gibson
The document summarizes the results of a questionnaire about a thriller film's opening title sequence. It discusses each question in the questionnaire and analyzes the responses. The key findings were that the audience was able to predict plot points and interpret clues, identified suspenseful shots, found a children's lullaby built tension effectively, felt the film reached them personally, thought scene lengths were good, and found children as subjects more frightening than adults. Transitions, conventions, mise-en-scene, and titles were also evaluated positively overall by respondents. Based on this positive feedback, the creator decided no further edits were needed for the opening sequence.
The focus group provided valuable feedback on the trailer. All 3 participants enjoyed the trailer and felt the social realism genre was clear. They liked the opening and mysterious ending but felt the title was not emphasized enough. One participant said the editing looked choppy while another thought it flowed well. The feedback will help the producers strengthen the connection to the title and consider the editing in more detail for future projects.
The researcher conducted product research, questionnaires, and interviews to inform their comedy movie project. Questionnaires provided consistent responses but simple questions, while interviews lacked preparation time. The response was from a specific group rather than expected diversity. The survey was distributed broadly via email within a college, allowing a general audience but with less control over responses.
The document summarizes the feedback received from a questionnaire given to 10 people to evaluate a movie poster. Most respondents rated the poster's aesthetics highly and said it effectively conveyed a horror/thriller genre. When asked about the storyline suggested by the poster, most said it involved a young boy haunting a house. The feedback provided valuable insights that the dark, blurry imagery and conventions used successfully communicated the intended genre.
This document analyzes the results of a questionnaire given to an audience to gather their views and opinions on movie trailers, posters, and magazines. The sample included 21 people of varying ages, genders, and employment statuses. Key findings include that the majority of the audience is over age 15, prefers movies priced under £10, and watches films regularly in cinemas. Common thriller themes like being jumpy or having supernatural elements were popular. When designing promotional materials, the audience preferred bright colors, intriguing layouts, and strategically posed models. They responded best to a se7en movie poster due to its colors and poses mirroring the film's themes. Based on these insights, the document proposes creating promotional content for
The document summarizes the results of a questionnaire given to 20 people within the target audience of a new film project. The questionnaire aimed to gather information to help with designing promotional materials like the trailer, poster and magazine cover.
Some key results were that the protagonist in promotional materials should be aged 15-25, trailers should include a mix of narrative and surprises as well as a "sting" or scare at the end, and elements like sound, gore and editing would attract audiences most to the trailer. For posters, audiences preferred seeing both the antagonist and location rather than just a close-up, and nearly all wanted the release date included. Music was also found to be important for horror movie trailers.
1) The document summarizes the results of a demographic survey about thriller films. It was shared across multiple social media platforms to get responses from different age groups and genders.
2) Most respondents were female, and action thrillers were the most popular sub-genre. Suspense/storyline and plot were seen as the most important elements of thrillers.
3) Respondents disliked that thrillers are often repetitive and don't explain mysteries. They preferred thrillers set in cities and staying home on Saturdays. Mise-en-scene and surprising twists were also seen as important appealing elements. Overall, thrillers were highly rated.
This document summarizes the key findings from a questionnaire about audience preferences for a psychological thriller film trailer. Some of the main points gathered are: the target audience is 17-21 years old, both male and female. Comedies and horror are popular genres but the audience wants something interesting and gripping. Plot twists and revealing who is driving the story are important. Music that builds tension and hints at blood/mystery without giving everything away are desired. Online advertisements on platforms like Snapchat and Instagram would be effective marketing strategies. The trailer should hook viewers and make them feel anxious without revealing the entire plot.
This document provides information about research techniques used in film including quantitative and qualitative research, audience profiling, and codes and conventions. It then discusses the British Board of Film Classification (BBFC) rating system and provides examples of alternative, niche, and mainstream films. The document also analyzes survey results from an exit poll about the film Bridget Jones's Baby, finding that most heard about it on social media and enjoyed it as expected.
1) The document discusses audience theories and responses to the film Fight Club based on a survey the author conducted. The survey asked questions about demographics, how people found out about the film, their ratings and opinions of it, and how they interpreted it according to reception theory.
2) The results showed that most respondents were younger males who had heard about the film from friends/family or online. While some criticisms existed, most people rated the film positively and felt the violence was appropriate. Respondents' interpretations ranged from preferred to negotiated readings.
3) The survey provided insight into why people did or did not enjoy the film and showed that despite some negative views of its violence, it remains a film people are
The respondent learned several things from audience feedback on their survey:
1) The majority (66%) of respondents were female, which aligns with the film's target demographic as the main character is female.
2) Most respondents were between 15-24 years old, fitting the core target audience of teens and young adults.
3) The poster and magazine cover successfully conveyed that the film was a horror/thriller genre, with 89% and 100% accuracy respectively.
4) Test audiences rated the poster and magazine cover highly, with both scoring an average of 8.5/10 or higher for quality and effectively communicating the horror genre.
The document summarizes feedback from a target audience on film trailers, posters, and magazines created by media students. Over 100 people attended a showcase to view the trailers and provide feedback through questionnaires. Most respondents said the trailers elicited the intended emotions of feeling sad, sick, and emotional. 40% expressed interest in watching the full film after the trailer. Feedback indicated the trailers were most effective at communicating through the use of music and camera shots together, which was the goal. The posters and magazine covers were also found to generally support and sell the ideas presented in the trailers.
The document provides survey results from audience feedback on a film trailer.
The survey received 24 responses. It asked questions about gender (75% male, 25% female), age (most 18-24 years old), and what appealed most about the trailer (music and camerawork appealed most). Suggested improvements included longer shots and improved plot/character development.
Most respondents said the trailer and poster worked well together and would motivate them to watch the film. The main feature article would most entice people to read a film magazine, and reviews/articles influence some people's decisions to watch films.
- The document discusses the results of a demographic survey about thriller films conducted across multiple social media platforms to gain perspectives from different age groups and genders.
- The survey found that females completed it more than males, and that action thrillers were the most popular sub-genre over political thrillers. Suspense/storyline and plot were seen as most important to a good thriller.
- Issues like typical plots and unexplained mysteries turned people away from the genre. Thrillers were thought to be set primarily in cities. Staying home on Saturdays was a popular activity over going to the cinema. Surprising twists and the mise-en-scene were appealing elements, and thrillers overall received
1) The document discusses the results of a demographic survey about thriller films. It was shared across multiple social media platforms to get responses from different age groups and genders.
2) The results showed that more females completed the survey than males, and that action thrillers were the most popular sub-genre over political thrillers. Suspense/storyline and plot were seen as the most important elements of a thriller.
3) Respondents disliked that thrillers can become repetitive and have unexplained mysteries. They also preferred thrillers to be set in cities rather than more calm locations like suburbs. Most would spend their Saturday at home over going to the cinema.
The document provides an analysis of a movie distribution company's social media strategy and compares it to two competitors. It analyzes the client's Facebook page layout, tone of posts, use of photos and frequency of updates. Popular and unpopular past posts are identified by engagement metrics. Best practices include promotional events and sharing positive reviews while too many details in one post is identified as a weakness. Competitor analyses also examine Facebook metrics and identify popular tagging prompts and clear targeting as strengths while repetitive blank filling and cluster posting are weaknesses.
Horror Focus Group & Questionnaire Analysissamhodgson105
The focus group provided useful insights for the target audience of 16-17 year old males. They enjoyed elements of gore, fear that stays with you, and wondering what's behind closed doors. Characters should be relatable. The villain's actions are important, not the villain itself.
The online questionnaire with 15 respondents of various ages provided additional perspectives. Most felt the genre should be clear from the opening. Opinions varied on cliffhangers. Soundtrack, atmosphere, characters, and location representing the genre were deemed important by most.
Common horror audiences include younger adults and teenagers. While males are regularly targeted, recent films have increased female audiences by including female protagonists. The production will aim for a
The document summarizes feedback from a target audience on a film trailer, poster, and magazine cover created by the media class. Over 100 people attended a showcase to view the trailer and provide feedback through questionnaires. Most respondents said the trailer elicited the intended emotions of sadness, sickness, and emotion. 40% expressed interest in watching the full film after the trailer. Respondents identified music and camera shots as the most effective elements. Testing showed the poster and magazine cover were generally successful in representing the trailer and attracting interest, though some revisions were suggested based on audience feedback.
What have you learned from your audience feedbackehuggan
The document discusses the results of a questionnaire given to an audience after viewing the filmmaker's short film. Key findings include:
- 90% of respondents enjoyed the film, while 10% found the storyline too disturbing.
- Scenes were seen as too long by some and editing was called slightly scruffy.
- 16/20 felt the film fit horror/thriller conventions well, particularly its use of eerie music.
- Feedback will be used to refine the film, such as shortening scenes and improving editing.
- The audience perspective is valuable for improving the film's popularity.
The document summarizes feedback from a focus group questionnaire about a first cut of a short film. Key findings include:
- Over half of respondents found the narrative easy to follow while some found it difficult to follow who was texting or calling the main character at some points.
- Everyone who responded would recommend the film, indicating it appeals to the target audience.
- The ending scene was the most favorite while the scene in the woods was the least favorite and not seen as very important.
- The majority found the music suitable though some felt it didn't always match the mood changing between scenes.
- Suggestions to improve clarity included adding captions and time stamps to make the timeline clearer.
The document discusses various methods of primary research used in the film industry, including surveys, exit polls, and test screenings/focus groups. It then provides an analysis of an exit poll conducted after a screening of the film "A Walk Among the Tombstones." The exit poll consisted of 11 questions and 100 respondents. Key findings included that the primary audience was female aged 16-20, most heard about the film through word of mouth, and Liam Neeson's casting drew many viewers but some felt the film could have been faster paced and less cliche.
The document analyzes responses from a 20-person media questionnaire about psychological thriller films. Key results showed that most respondents preferred 1-2 protagonists, wanted the film to invoke fear and leave them thinking after, and for the film to have a clear resolution. Respondents also preferred a sense of confusion rather than knowing what would happen, and limited or no graphic violence in a psychological thriller. The analysis provided guidance on audience expectations for elements like protagonists, emotions, plot resolution and gore level.
Questionnaire, analysis and results on postersophcanning
Sophie Canning conducted a survey to help inform the design of a movie poster. The survey found that the target audience was primarily 15-24 year olds. It also found that the most popular horror movie posters featured the main character with direct eye contact. Respondents said color scheme, photos, and angles were important features. Specifically, black and red were called out as effective colors for horror posters. The survey also showed that posters influence the decision to see a movie. Finally, respondents preferred a bold, large font for the text on horror posters.
The document discusses the directing styles of several prominent neo-noir directors. It notes that Ridley Scott focuses heavily on visuals over narrative, Roman Polanski hides messages that lead to resolutions, and Christopher Nolan uses nonlinear storytelling and discreet camerawork. It also outlines consistent directorial styles for Curtis Hanson, Nicolas Winding Refn, Robert Altman, Bryan Singer, Robert Rodriguez, Joel Coen, and Chan-wook Park. The overview concludes that how a film is made visually through cinematography and composition is often more important than the narrative alone for commercial success.
This document analyzes and compares posters for several neo-noir films. It summarizes the key elements and intended purposes of posters for The Dark Knight (2008), Zodiac (2007), and Drive (2011). The posters for The Dark Knight showcase the development of character and narrative details as the release date approaches. The Zodiac poster emphasizes mystery over attractiveness through minimal narrative hints. The two Drive posters have little visual consistency but both feature Ryan Gosling and use color and composition to develop anticipated mystery and danger around his character.
The document summarizes the results of a questionnaire given to 20 people within the target audience of a new film project. The questionnaire aimed to gather information to help with designing promotional materials like the trailer, poster and magazine cover.
Some key results were that the protagonist in promotional materials should be aged 15-25, trailers should include a mix of narrative and surprises as well as a "sting" or scare at the end, and elements like sound, gore and editing would attract audiences most to the trailer. For posters, audiences preferred seeing both the antagonist and location rather than just a close-up, and nearly all wanted the release date included. Music was also found to be important for horror movie trailers.
1) The document summarizes the results of a demographic survey about thriller films. It was shared across multiple social media platforms to get responses from different age groups and genders.
2) Most respondents were female, and action thrillers were the most popular sub-genre. Suspense/storyline and plot were seen as the most important elements of thrillers.
3) Respondents disliked that thrillers are often repetitive and don't explain mysteries. They preferred thrillers set in cities and staying home on Saturdays. Mise-en-scene and surprising twists were also seen as important appealing elements. Overall, thrillers were highly rated.
This document summarizes the key findings from a questionnaire about audience preferences for a psychological thriller film trailer. Some of the main points gathered are: the target audience is 17-21 years old, both male and female. Comedies and horror are popular genres but the audience wants something interesting and gripping. Plot twists and revealing who is driving the story are important. Music that builds tension and hints at blood/mystery without giving everything away are desired. Online advertisements on platforms like Snapchat and Instagram would be effective marketing strategies. The trailer should hook viewers and make them feel anxious without revealing the entire plot.
This document provides information about research techniques used in film including quantitative and qualitative research, audience profiling, and codes and conventions. It then discusses the British Board of Film Classification (BBFC) rating system and provides examples of alternative, niche, and mainstream films. The document also analyzes survey results from an exit poll about the film Bridget Jones's Baby, finding that most heard about it on social media and enjoyed it as expected.
1) The document discusses audience theories and responses to the film Fight Club based on a survey the author conducted. The survey asked questions about demographics, how people found out about the film, their ratings and opinions of it, and how they interpreted it according to reception theory.
2) The results showed that most respondents were younger males who had heard about the film from friends/family or online. While some criticisms existed, most people rated the film positively and felt the violence was appropriate. Respondents' interpretations ranged from preferred to negotiated readings.
3) The survey provided insight into why people did or did not enjoy the film and showed that despite some negative views of its violence, it remains a film people are
The respondent learned several things from audience feedback on their survey:
1) The majority (66%) of respondents were female, which aligns with the film's target demographic as the main character is female.
2) Most respondents were between 15-24 years old, fitting the core target audience of teens and young adults.
3) The poster and magazine cover successfully conveyed that the film was a horror/thriller genre, with 89% and 100% accuracy respectively.
4) Test audiences rated the poster and magazine cover highly, with both scoring an average of 8.5/10 or higher for quality and effectively communicating the horror genre.
The document summarizes feedback from a target audience on film trailers, posters, and magazines created by media students. Over 100 people attended a showcase to view the trailers and provide feedback through questionnaires. Most respondents said the trailers elicited the intended emotions of feeling sad, sick, and emotional. 40% expressed interest in watching the full film after the trailer. Feedback indicated the trailers were most effective at communicating through the use of music and camera shots together, which was the goal. The posters and magazine covers were also found to generally support and sell the ideas presented in the trailers.
The document provides survey results from audience feedback on a film trailer.
The survey received 24 responses. It asked questions about gender (75% male, 25% female), age (most 18-24 years old), and what appealed most about the trailer (music and camerawork appealed most). Suggested improvements included longer shots and improved plot/character development.
Most respondents said the trailer and poster worked well together and would motivate them to watch the film. The main feature article would most entice people to read a film magazine, and reviews/articles influence some people's decisions to watch films.
- The document discusses the results of a demographic survey about thriller films conducted across multiple social media platforms to gain perspectives from different age groups and genders.
- The survey found that females completed it more than males, and that action thrillers were the most popular sub-genre over political thrillers. Suspense/storyline and plot were seen as most important to a good thriller.
- Issues like typical plots and unexplained mysteries turned people away from the genre. Thrillers were thought to be set primarily in cities. Staying home on Saturdays was a popular activity over going to the cinema. Surprising twists and the mise-en-scene were appealing elements, and thrillers overall received
1) The document discusses the results of a demographic survey about thriller films. It was shared across multiple social media platforms to get responses from different age groups and genders.
2) The results showed that more females completed the survey than males, and that action thrillers were the most popular sub-genre over political thrillers. Suspense/storyline and plot were seen as the most important elements of a thriller.
3) Respondents disliked that thrillers can become repetitive and have unexplained mysteries. They also preferred thrillers to be set in cities rather than more calm locations like suburbs. Most would spend their Saturday at home over going to the cinema.
The document provides an analysis of a movie distribution company's social media strategy and compares it to two competitors. It analyzes the client's Facebook page layout, tone of posts, use of photos and frequency of updates. Popular and unpopular past posts are identified by engagement metrics. Best practices include promotional events and sharing positive reviews while too many details in one post is identified as a weakness. Competitor analyses also examine Facebook metrics and identify popular tagging prompts and clear targeting as strengths while repetitive blank filling and cluster posting are weaknesses.
Horror Focus Group & Questionnaire Analysissamhodgson105
The focus group provided useful insights for the target audience of 16-17 year old males. They enjoyed elements of gore, fear that stays with you, and wondering what's behind closed doors. Characters should be relatable. The villain's actions are important, not the villain itself.
The online questionnaire with 15 respondents of various ages provided additional perspectives. Most felt the genre should be clear from the opening. Opinions varied on cliffhangers. Soundtrack, atmosphere, characters, and location representing the genre were deemed important by most.
Common horror audiences include younger adults and teenagers. While males are regularly targeted, recent films have increased female audiences by including female protagonists. The production will aim for a
The document summarizes feedback from a target audience on a film trailer, poster, and magazine cover created by the media class. Over 100 people attended a showcase to view the trailer and provide feedback through questionnaires. Most respondents said the trailer elicited the intended emotions of sadness, sickness, and emotion. 40% expressed interest in watching the full film after the trailer. Respondents identified music and camera shots as the most effective elements. Testing showed the poster and magazine cover were generally successful in representing the trailer and attracting interest, though some revisions were suggested based on audience feedback.
What have you learned from your audience feedbackehuggan
The document discusses the results of a questionnaire given to an audience after viewing the filmmaker's short film. Key findings include:
- 90% of respondents enjoyed the film, while 10% found the storyline too disturbing.
- Scenes were seen as too long by some and editing was called slightly scruffy.
- 16/20 felt the film fit horror/thriller conventions well, particularly its use of eerie music.
- Feedback will be used to refine the film, such as shortening scenes and improving editing.
- The audience perspective is valuable for improving the film's popularity.
The document summarizes feedback from a focus group questionnaire about a first cut of a short film. Key findings include:
- Over half of respondents found the narrative easy to follow while some found it difficult to follow who was texting or calling the main character at some points.
- Everyone who responded would recommend the film, indicating it appeals to the target audience.
- The ending scene was the most favorite while the scene in the woods was the least favorite and not seen as very important.
- The majority found the music suitable though some felt it didn't always match the mood changing between scenes.
- Suggestions to improve clarity included adding captions and time stamps to make the timeline clearer.
The document discusses various methods of primary research used in the film industry, including surveys, exit polls, and test screenings/focus groups. It then provides an analysis of an exit poll conducted after a screening of the film "A Walk Among the Tombstones." The exit poll consisted of 11 questions and 100 respondents. Key findings included that the primary audience was female aged 16-20, most heard about the film through word of mouth, and Liam Neeson's casting drew many viewers but some felt the film could have been faster paced and less cliche.
The document analyzes responses from a 20-person media questionnaire about psychological thriller films. Key results showed that most respondents preferred 1-2 protagonists, wanted the film to invoke fear and leave them thinking after, and for the film to have a clear resolution. Respondents also preferred a sense of confusion rather than knowing what would happen, and limited or no graphic violence in a psychological thriller. The analysis provided guidance on audience expectations for elements like protagonists, emotions, plot resolution and gore level.
Questionnaire, analysis and results on postersophcanning
Sophie Canning conducted a survey to help inform the design of a movie poster. The survey found that the target audience was primarily 15-24 year olds. It also found that the most popular horror movie posters featured the main character with direct eye contact. Respondents said color scheme, photos, and angles were important features. Specifically, black and red were called out as effective colors for horror posters. The survey also showed that posters influence the decision to see a movie. Finally, respondents preferred a bold, large font for the text on horror posters.
The document discusses the directing styles of several prominent neo-noir directors. It notes that Ridley Scott focuses heavily on visuals over narrative, Roman Polanski hides messages that lead to resolutions, and Christopher Nolan uses nonlinear storytelling and discreet camerawork. It also outlines consistent directorial styles for Curtis Hanson, Nicolas Winding Refn, Robert Altman, Bryan Singer, Robert Rodriguez, Joel Coen, and Chan-wook Park. The overview concludes that how a film is made visually through cinematography and composition is often more important than the narrative alone for commercial success.
This document analyzes and compares posters for several neo-noir films. It summarizes the key elements and intended purposes of posters for The Dark Knight (2008), Zodiac (2007), and Drive (2011). The posters for The Dark Knight showcase the development of character and narrative details as the release date approaches. The Zodiac poster emphasizes mystery over attractiveness through minimal narrative hints. The two Drive posters have little visual consistency but both feature Ryan Gosling and use color and composition to develop anticipated mystery and danger around his character.
The document analyzes various elements of a neo-noir trailer for the film Zodiac. It discusses how the incidental soundtrack resembles a heartbeat to create tension. Shots establish mystery through a bird's eye city view with fireworks resembling gunshots. Facial expressions and lack of character details add an air of mystery. Editing uses jump cuts and lack of reactions to prevent resolution and leave questions unanswered. Sound bridges link scenes to make the audience feel part of the narrative. A range of camera angles are used to portray different power dynamics. Costumes and props set the outdated period which aids the dark tone through low lighting. Fast pacing through short frames and sequences creates an intense effect.
Lost River (2014) is a neo-noir fantasy film directed by actor Ryan Gosling. The film had a small budget of $2 million but only earned $406,000 at the box office. The trailer uses various cinematic techniques to set the mood of a neo-noir film. It begins with establishing shots of a mysterious abandoned building and a boy playing in fields to introduce the flashback narrative. Throughout, it uses low-key lighting, unusual camera angles, and fades between clips to build suspense. The sound cuts to silence at key moments to draw attention to important dialogue. Despite the film's commercial failure, critics praised the trailer for its artistic style and clever use of micro-elements to
The document contains the analysis of audience feedback from a survey about a film magazine cover created by the author. The feedback was overall positive, praising elements like the use of actor names and film titles. However, one response suggested including a paragraph with an enticing tagline, which the author felt would be unconventional. The author also analyzes average ratings for different elements of the cover, such as its professionalism and composition. While aspects like the color palette could be improved, the feedback overall confirmed that the cover successfully pitched the film and enticed viewers as intended.
Mills and Somerset are detectives trying to catch a serial killer known as John Doe who is murdering people based on the seven deadly sins. The trailer uses dark cinematography and editing to set a gloomy tone, showing gruesome crime scenes without revealing full details to build mystery. It establishes the characters of Mills as a hot-headed rookie and Somerset as a wise but tired veteran, and hints their differing approaches may cause conflict in solving the complex case. The trailer intrigues viewers by implying the killer is always one step ahead and the graphic nature of the unsolved murders will take a psychological toll on the detectives.
Brick focuses on a high school neo-noir mystery. The trailer utilizes distinctive camera techniques like low angle shots and silhouettes to introduce characters and build intrigue. Stylistic editing includes smoke transitions between plot points summarized in narration. A tense musical score escalates during more suspenseful clips. Mise-en-scene reflects neo-noir conventions through isolated and dimly lit settings like empty streets lit only by streetlights, creating contrast between characters and their environments.
The document provides an analysis of the trailer for the film "Gone Girl" (2014). It summarizes the key details and conventions used in the trailer through its camera work, editing, sound, and mise-en-scene. Specifically, it notes the trailer's use of flashbacks, low-key lighting, plot twists, and incidental music to set the neo-noir tone and mystery surrounding the disappearance of Amy Dunne.
Film noir is typically set in dark, gloomy locations like alleys and empty streets. Characters wear trench coats and hats, and themes involve greed, betrayal, and corruption. Visual styles that create mood include low-key lighting, shadows, and angled shots. Over time, the noir genre has expanded to include neo-noir films in various settings and subgenres like science fiction noir or horror noir.
This document outlines several conventions of neo-noir films compared to classic noir films. It discusses how neo-noirs pushed boundaries with more explicit depictions of sexuality. It also notes that neo-noir protagonists often have personal codes of conduct and that plots frequently involve false accusations and betrayals. Additionally, neo-noirs make prominent use of unreliable narrators and complex, non-linear plots.
- The document summarizes the results of a survey conducted to gather information to help plan a short film project.
- The survey was distributed online and aimed to understand preferences around genre, storytelling style, themes, and preferred platforms for viewing short films.
- Key results found that drama was the most popular genre, responses were split on linear vs. nonlinear storytelling, and online distribution was preferred over film festivals for casual viewers.
The student created a teaser trailer, theatrical poster, and Twitter page to promote their film. They received feedback on these campaign products through an online questionnaire. Feedback indicated the products effectively conveyed genre and narrative details through consistent use of color schemes and fonts. However, responses also suggested the campaign lacked excitement and failed to attract attention, as the student's social media platforms received no engagement. This lack of audience interaction meant the campaign strategies were unsuccessful. Moving forward, the student would provide more diverse social media content across multiple platforms and incorporate viral marketing techniques to add thrill and emotional investment. While the campaign design was capable of information sharing, the feedback helped the student recognize improvements needed to attract and inform their target audience.
- The document summarizes the results of a questionnaire the author administered to evaluate their short film.
- Most respondents agreed the narrative was understood and found the film interesting, showing the author was successful in their goals.
- Six out of eight respondents categorized the film as horror, pleasing the author, though some also saw it as social which surprised the author.
- Respondents mostly rated the film 7+ and found the balance of narrative and visuals effective, further showing the film achieved its aims.
Post Production Audience Questionnaire ResultsRachel Gibson
The document summarizes the responses to a questionnaire about a thriller film's opening title sequence. Key findings include:
- Viewers correctly guessed the plot directions and found the cliffhanger engaging.
- Suspenseful shots like the silhouette scene were effective.
- Using a lullaby in the soundtrack helped build tension.
- Though not intended for their age group, some viewers found the film personally affecting.
- Scene durations and transitions supported the atmosphere without being distracting.
- Elements like stalking children effectively used thriller conventions.
- The convincing set, costumes, and mise-en-scene increased thrills more than props.
- Viewers found
What have you learned from you audience feedbackKellie Longhurst
The document summarizes target audience research conducted for a short film project, including three sets of research: 1) An online questionnaire, 2) A paper questionnaire distributed in-person, and 3) Research on similar short films. The online questionnaire provided insights into the target audience's preferences for engaging vs. passive short films. The in-person questionnaire found that people are more likely to respond manually. Both questionnaires helped understand the target audience's demographics, backgrounds and opinions on film. Research on similar short films informed genre and theme choices.
The document discusses analyzing a questionnaire given to a target audience to help determine what type of horror film content they would enjoy watching. Closed questions with structured answers were used to get quantitative data on preferences, while open questions allowed for qualitative opinions and ideas. The responses showed that the target audience, teenagers and young adults, frequently watch and enjoy horror films, with aspects like gore and suspense preferred. Iconic films mentioned often built suspense and had seemingly realistic but fictional narratives.
Evaluation Question 3 - What have you learnt from your audience feedbackJoss Simpson
The document summarizes audience feedback from surveys about a film poster and magazine front cover created by the author. Key findings include:
- The film title "Aurora" and dominant black and white image stood out most on the poster.
- The magazine masthead "MOTION" and cover image were most noticeable.
- Continuity between the two pieces was achieved through consistent black, red, and white color scheme.
- Audience interest in the film was generated and they would like to see the trailer.
- Constructive criticism included adding more character images to the poster and including more cover lines on the magazine.
The document summarizes the results of a questionnaire about horror film viewing habits. Most respondents watch a horror film once every two weeks. They prefer mysterious films that keep them intrigued. Most watch films at home rather than in theaters. Trailers influence the decision to watch films for 80% of respondents. Suspense is the most popular element in horror films. Directors and actors heavily sway the decision to watch a film. Marketing influences 70% of respondents' choices. A synopsis of the group's horror film trailer interested 90% of respondents.
This document summarizes the results of a survey conducted by Josh Eastham to inform the development of his final major project on the dangers of artificial intelligence. The survey asked questions about respondents' fears of AI, media preferences, and what elements they value most in films/TV shows. Key findings include that most respondents are afraid of AI, prefer character-driven dramas over plot-driven ones, and value good plot and characters most. This information will help Josh tailor his project's message, genre, and script elements to best engage his target audience.
This document provides details on the target audience for three horror film posters. The posters will target 16-19 year olds, with an even gender split, as primary research found 70% of this age group enjoys horror films. The target demographic likely falls under social grades D and E as students or low-income workers. In terms of psychographics, the posters will likely resonate most with "Aspirers" and "Explorers" who value status, adventure, and discovery. The narrative of the film serves as a warning for teenagers seeking fame online by exploring dangerous areas.
This document summarizes research conducted by Josh Eastham for his final major project on the dangers of artificial intelligence. He conducted a survey on Facebook to gather information from the general public. The survey asked questions about respondents' interests in AI topics, gender, favorite genres, and TV/movie preferences. The results showed that most people are scared of AI and prefer character-driven comedy and drama genres. This information will help Josh tailor his project format and story elements to best appeal to and convey his message to the target audience.
Xue Bai conducted an online survey through Survey Monkey to research the target audience for their short film. The survey found that most respondents were employees within the target age group who prefer watching short films online or learning about new shorts through internet and film festivals. Respondents also indicated that an ideal short film length is between 5-15 minutes and that they value a film with an entertaining or impactful message above all other qualities. With this audience analysis, Xue Bai plans to create a short film focused on entertainment that can be successfully promoted and distributed online.
Evaluation of my surveymonkey results to help me understand how to develop certain aspects of my media film products to appeal to a wider range of my target audience.
The document summarizes the results of a market research survey conducted to inform the production of a short film. The survey found that the target audience is likely to be employees and students who enjoy watching short films online or at film festivals. Respondents preferred drama and comedy genres and films between 5-10 minutes long that provide entertainment but also convey a meaningful message. These findings will be used to shape the script, genre, length, distribution strategy, and promotional materials for the short film.
Sian Hunt A Level Media - Question 3 - What have you learned from your audien...Sian Hunt
The document summarizes feedback received from an audience questionnaire about the creator's media texts, including a video and two ancillary texts. Key findings include:
- The target age group of 15-24 years was correctly identified, showing the media was appropriate.
- The genre of action was correctly identified by most.
- While most thought the target audience was male, some thought female, showing it appealed to both genders.
- The narrative was understood by all.
- Character roles were correctly identified by most but some were incorrect.
- Feedback from classmates was also received and suggestions for improvements were provided.
This document contains questions from a survey to evaluate what audiences want in a short film. The questions gather information on gender, age, genre preferences, important elements, sound, length, characters, expectations, and plot ideas. The responses will help the creator design a short film that effectively targets and appeals to their intended 16-23 year old audience.
By analyzing the results of a survey distributed through Survey Monkey, the document's author was able to learn about the needs and interests of their target audience for a horror film project. The most common age range that responded was 16-18, which is helpful as that is the author's age group. The majority of respondents watch horror films once a month, so they are knowledgeable about what makes a successful film in the genre. The top preferences indicated were paranormal as the genre, ghosts/spirits as the antagonist, and houses as the setting. Murders and possession were the most feared aspects.
The document analyzes the results of a questionnaire about preferences for film trailers. It summarizes the responses to 10 questions, which aim to understand the demographics, media usage, and tastes of the target audience. Key findings include that the majority of respondents are female, ages 16-24, and prefer to watch trailers online. This information will help the author design a thriller film trailer that caters to this audience's preferences.
The survey results showed that the target audience for the horror film trailer is primarily female (72.22%), between ages 17-20 (61.11%), and prefers to watch psychological (33.3%) and paranormal (22.22%) genres of horror. Most respondents said they would watch a horror film with friends (66.67%) and at home (61.11%). The quality of the trailer (61.11%) was the top factor to persuade viewers to watch the film. This information will help the filmmaker create an effective trailer that targets this key demographic and includes elements that appeal to their preferences.
The document discusses how audience feedback helped the creator improve their advertising campaign for a horror film. Key points:
- Feedback from peers and classmates helped shape the campaign to appeal to different people.
- A survey of the target audience (ages 15-24) informed choices like the setting, characters, and desire to see the villain.
- Feedback improved early designs of the poster, magazine cover, and film trailer by recommending a scary close-up image and adding sound/editing to the trailer.
- Revisions based on feedback made the text more readable in the poster and improved colors in the magazine cover.
- The audience feedback was vital in helping create a realistic and effective campaign that would
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Level 3 NCEA - NZ: A Nation In the Making 1872 - 1900 SML.pptHenry Hollis
The History of NZ 1870-1900.
Making of a Nation.
From the NZ Wars to Liberals,
Richard Seddon, George Grey,
Social Laboratory, New Zealand,
Confiscations, Kotahitanga, Kingitanga, Parliament, Suffrage, Repudiation, Economic Change, Agriculture, Gold Mining, Timber, Flax, Sheep, Dairying,
1. Survey Analysis
G324 Advanced Portfolio
I constructed a survey in order to gather knowledge who my key
demographic is primarily made up of, and what they
expect/demand. This survey is vital in the final stages of my
research leading into planning as it will have a huge impact on the
stylistic characteristics of my final production.
As in any media production – the demands and expectations of
my key demographic is what has the greatest impact on my final
construction, and balances success.
(Survey Made On SurveyMonkey.com)
2. Question 1
This question is practically mandatory for the typical survey
as I must develop a persona for my target audience, and so
need some of the basic information of which are needed to
develop a demographic.
If I was to ask more of these personal questions, then I could
also develop a sociographic – but for this trailer I believe
that the narrative doesn’t hold enough culturally specific
aspects to appeal to a specific sociographic.
4. Question 1: Conclusion
This question is not one of which will draw a conclusion that
will impact my planning and production, but it gives a
profile to my audience. I intentionally gave this survey to a
vastly younger range of individuals as the style and
consistencies in neo noir films are mainly attracted by a
younger audience. So I felt as though sticking to the generic
conventions would take me one step further to
professionalism.
I also asked a select few individuals from a slightly older age
group as a basis for comparison. The impact of this will be
made clear in the rest of the survey.
5. Question 2
Question 2 is to develop an idea around the individual’s general
knowledge around the genre of neo noir. By asking for an
identification of genre, the individual taking the survey will have to
utilise their knowledge of films. This will demonstrate whether the
production of my trailer should hold simply generic conventions of
neo noir, or have sub-genres of which more people might know.
With this question, I did not expect all answers to be correct (The
Dark Knight, Gone Girl, The Usual Suspects, Drive) but I hoped that
people would have a general assumption that ‘neo noir’ is a dark
genre, and so guess with the films that are typically ‘dark’ (e.g. The
Inbetweeners is clearly not a dark film, but most people know that
Batman is).
7. Question 2: Conclusion
As I had hoped, the higher percentage of people did answer this
question with a respectable level of accuracy. The Dark Knight was
voted as neo noir but all but 3 of the participants, whereas The
Inbetweeners Movie gathered 0 votes. This demonstrates that
people may not know the name ‘neo noir’, but the genre is broad
enough to appeal to those who don’t even know of it.
This demonstrates to me how in my planning/production I need to
use the genre of neo noir very generally. The only generic code that
everyone knows of the genre is a dark, slightly intimidating mise en
scene. The Dark Knight was assumed as neo noir due to its famous
dark portrayal of its characters, and so to appeal my target
audience, I need to stick to this vastly recognised generic approach.
8. Question 3
Question 3 is to categorise participants as modern or traditional
consumers of films. When constructing this question, I categorised
each answer as the following: Major Multiplex – preference of major
film, Independent Cinemas – Independent films, Streaming platforms
– Passive consumers of push media, Pyshical Copies – Not avid film
viewer, Films on TV – Push media consumers, No films – Not consumer
at all.
Simply, this question is to orientate the distribution of my film (trailer)
around the correct demographic.
10. Question 3: Conclusion
There were two clear front running answers for this question – Major
Cinemas (41.67%) and physical copies (33.33%). These two answers
are part of the typical distribution process for a major film release.
This confirms that the typical film audience look for confirmation of a
good film in the backbone of the way it is released –some films are
successful simply due to their release. Their rating don’t correspond
with their box office success.
This answer demonstrates how I must construct a major film trailer, as
my target audience look for assurance in quality through the stature
of the release (independent films rarely get put in multiplex
cinemas).
11. Question 4
Question 4 allows for me to develop an idea around the
importance of the final products I am creating. By
acknowledging the influence of the trailer, poster and
magazine front cover of which I am creating I will develop a
knowledge around how generically specific they must be.
If the questions are answered miscellaneously, then maybe I
must include aspects of other methods of marketing in my
production, such as interviews in magazines, social media
interactivity in the poster or product placements in the
magazine in a more discreet manner.
13. Question 4: Conclusion
Film trailers was the answer most chosen in this question (6.38). This
demonstrates the importance of my trailer’s visual and conceptual appeal
as that trailer is the leading factor in whether my audience choose to
watch the film or not. Additionally, the ‘own choice/preference’ answer
was second most chosen (5.23). This implies that I need to leave the trailer
open for discussion (best achieved by simple cliff hanger) as effects such
as the ‘water cooler effect’ are most likely to impact personal decisions as
they come from word of mouth, something of which people take more
personally than a marketing method that has been pushed upon their
consumption.
The lowest chosen answer was ‘placements in magazines’. As I am
constructing a magazine front cover , this denotes how I must make the
front cover visually impactful upon the wandering eye, as my target
audience don’t often choose to consume film magazines, but would be
best persuaded to do so if the magazine was to grab their attention.
14. Question 5
Question 5 allows me to primarily analyse the leading factors of a real life film
poster in terms of visuality. I chose each of the 4 posters for a specific reason,
each holding unique compositional elements:
- Run All Night: Use of protagonist and supporting lead characters (also using
image of names – Liam Neeson), also a very compact and ‘busy’ poster.
- Brick: Use of bold primary colour and contrast to black dominant cover
image, lack of detail on poster.
- The Samaritan: Use of intriguing props (gun) and clear character
emotion/connection (character embracing one another)
- The Last Seduction: Use of typography/words, this poster is in french so the
uniqueness of the text would stand out if that was the first thing the
consumer’s saw.
16. Question 5: Conclusion
Run All Night was the clear frontrunner in the visual mix up of these
posters (53.85%). This demonstrates how my poster must hold clear
aspects of my character and their character traits as well as giving
slight insinuations around the diegesis. Brick gathered 30.77% of the
vote, denoting how colour is also a vital aspect of a poster of
which needs to be taken into consideration to both add
professionalism and draw in the wandering eye.
The Samaritan only gathered 15.38% of the votes, which creates
an option over whether I want to include a vital prop – this will be
chosen after I have developed a narrative, as there may be some
vital props for the continuation. The Last Seduction gathered 0
votes, portraying how my text should hold information, not visual
value.
17. Question 6
This question is a continuation from question 5 and simply adds
substance to my conclusion. Answers:
The red background draws my eyes to it, Simply from the bright
primary colour, The colours used added a sense of mystery and
intrigue, Image not text, Dark, Gothic like, Was more vibrant, Black
and white filter, use of props (gun), The colour scheme was the
most eye catching, I like the blue colours and how you can see
four key characters, The actors stood out the most and the title
stood out well, Intriguing, More content, Colour scheme.
18. Question 6: Conclusion
What I gathered from the answers to this question is that my film
poster mustn’t be dominated by one of these visual aspects, but I
must include discreet aspect from an array.
The most common aspect of these answers was that the brightness
of the poster formed through a contrast of dark and light. My
poster doesn’t *need* vibrant colours, but even simple shades of
dark and light create a contrast of which works towards a vibrant
poster. The inclusion of the characters on the posters is also a
factor of which consumers found important, and so this is
something that I will definitely develop upon for my production.
19. Question 7
This question allows for similar answers as question 5, but for
another aspect of my project. I gave this question as an open
answer, giving three empty text boxes for participants to answer
without any options/boundaries.
I did not specify a genre for these trailers, as I wanted to give
participants the freedom to include aspects of any trailers. This is
now a very appropriate decision as question 2/3 made it clear that
each of my participant’s have different views on film, and so this
answer should allow me to pool different ideas and find
consistencies of which would appeal to a primary and secondary
audience.
20. Question 7: Findings
Brief Summary of Plot, Sound track, Overview of plot, Pace, Darker
lighting, Cinematography, A soundtrack that reflects the genre of
the film, Elements of surprise, Actors, True reflection of type of film it
is, Contain entertaining parts but not best parts, Meet characters,
Main character in the center of the rule of thirds, Dialogue, An
interest / cliffhanger, Hints about what might happen, Based on
real life events, Inclusion of props/weapons, Doesn’t jump about,
2-3 minute trailer.
21. Question 7: Conclusion
The most consistent answers for this question were: Overview of
plot but no ‘spoilers’ (insinuate ending), high quality soundtrack,
appealing cinematography.
These answers tell me how consumers are attracted most to trailers
that stick to traditional conventions. An element of surprise, good
soundtrack and high quality cinematography are the three basic
elements of a trailer of which are expected. By staying with these
conventions, I will be able to construct a trailer of which can be
directly compared to other trailers, leaving the quality of the
narrative insinuations and character introductions to be the
leading factors in whether or not the trailer appeals to its
consumers.
22. Question 8
This question is a more general addition to question 7. The three
options given here are the basic three methods used to enhance
the quality of a trailer.
The three answers will actually all be included in my trailer, as they
are the conventions of a trailer and question 7 demonstrated how I
should stick to them, but this question will allow for me to prioritise
and designate more time to the methods of which the participants
(my target audience) prefer.
24. Question 8
50% of answers for this question went to ‘intensity of action included’.
This denotes how I need to make my trailer contain a high tempo and
Reflect the intensity of which my target audience are used to in today’s
Modern era of constant major action films.
The other two answers shared 50% of the votes (25% each). This shows
A close division between the answer and how it is crucial that I take
These answers literally and make sure to balance the importance of
Cinematography and character introductions. This will create a trailer
Of which proportionally shares the aspects of which my target audience
Prefer.
25. Question 9
Question 9 briefs me on the mandatory inclusions of a film
magazine. I must conform to the demands of my target audience
when constructing my magazine as it is unlikely that, in the age of
web 2.0 and digital prints, many of my target audience will be avid
readers of a film print magazine. Due to this, I need to make the
front cover of the magazine hold aspects of which appeal to
everyone.
I left this answer open (unlimited empty text boxes) as I wanted the
answers to be from personal preference and detailed.
26. Question 9: Findings
Behind the scenes gossip, Interviews, Main actors, Newest films out,
Information about plot, Film reviews, Big pictures to get in the
readers face, Guide to how it was filmed, Character list and what
they've been in, Anecdotes of filming/ production, film rating,
Screen grabs from film, Not revealing too much about plot twists,
Short texts but descriptive, Films not to be missed - past and
present, Behind the scenes/Exclusives, Quizzes, Freebies/posters,
Photographs taken from films.
27. Question 9: Conclusion
The most consistent answer to this question was interviews.
Consumers like the personal insight into films and their
associating actors/producers/etc. Other than interviews,
most answers were quite miscellaneuos. This gives me an
archive of possible containments for my front cover.
Upon planning of my film magazine front cover, I shall use
this question to reference my target audience and gather
inspiration around whether or not a specific area of content
should be included.