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Site analysis
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- 2. EarlyMalaya 1396 • SumatranPrincearrivesfromTemasek(Singapore)on a huntingexpeditionandseekssanctuaryhere.He gave the nameMalacca • It is situatedatstrategicpoint,midwayalongthe straightsthat linked ChinatoIndia The Malay Fort • Constructedbyindigenous Malayatthebottomofthe hill, which is themost prominentfeatureofMalacca • Fortwasbuilt forprotectionmadeofa systemofearthworks surroundedbywoodenstockades
- 3. 1511-1641 Portuguese era •PortugueseforcesunderthecommandofAlfonsode Albuquerqueattackedanddefeatedthe armiesofMalacca Sultanate. • LocalMalayslived scatteredaroundthe land,while the Portuguesetookover thefort • The woodenfortwasreconstructedin 1511aftermuch damage.In 1511,the Portuguesebegan constructionon a stoneandmortarfortto replacewoodenone.It wascompleted onthe 1512. • Bastionswerebuilt; StPedro,StDomingos(BastionVictoria), SantiagoandOnzeMil Virgens andA’Famosa(in light red)
- 4. 1641-1700 Dutchera • DutchinvadedMalaccaafter8 monthsiege andbattleon the nightof13 January1641throughthebackdoorofSt Domingo(BastionVictoria) • Theyrebuilt thecityaftermuch destructionofthe battle • StDomingowasrenamedtobastionVictoria • TheStadthuys(in light red) wasbuilt between1641to 1660andwasusedad theadministrativecenteror successive governments
- 5. 1700-1807 Dutchera • TheDutchbuilt upmanypartsofthe city,including the systemofroads. • In 1753,ChristChurch(in light red) wasbuilt alongsidetheStadthuys • Populationexpandedandmorehouses andshops werebuilt outsidethefort
- 6. 1807-1957 Britishrule • BritishinvadedMalaccaanddestroyedthefort • However, Malaccaflourishedunderthe ruling ofthe British • Opening schools;SacredHeart CanossianConventin JalanKota,andexpandingthe city which is nowunder the UNESCO
- 7. 1957- Present Day •In 1957,Malaysiagainedindependence fromBritain • Malaccais anestablishedcityandis administeredbythe MalaccaCityCouncil • Landreclamationwasdonedue to increasing populationdemands. • In 2008,Malaccawasinscribed in the UNESCOWorldHeritage List
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- 10. Dutch Style 17thcentury – 18th century Simple Facade Design Limited Openings on upper floor One center window or two symmetrical windows Symmetrical facade design of centralized door and two windows Five foot way not connected to adjacent building Materials: Walls (Dutch Brick plastered with lime) Roof (Timber)
- 11. Southern China Style(18th – Early 19th century) Has lots of ornaments (To convey Luck, Direction, Seasons, The Wind and Constellations Has a courtyard Strong emphasis on roof Exposure of structural elements Use of various colors Materials: Walls (Brick plastered with lime) Roof (Timber)
- 12. Early Shophouse Style1800 – 1850s Recessed ground floor Simple pitched roof Facade as a means of filling the space between two end walls Upper floor facade supported by squat pillars Continuous row of panelled or louvered shutters Materials: Masonry dividing walls Timber upper floors Tiled roof
- 13. Early Transitional Style(1840 – 1900s) Structures are built to street edge Incorporate a five foot pedestrian walkway Expressive gable ends to rows Upper consoles enlarged and decorated with floral motifs Row of continuous timber shutter openings Materials: Masonry dividing walls Timber upper floor Tiled roof Timber beams
- 14. Early Eclectic Style(1880 – 1910s) Restrained use of ornaments on its facade Doors and windows made of timber Transoms are flat arched or semicircular with glass infill Symmetrical double doors Wide roof overhangs Materials: Extensive use of masonry with reinforced concrete lintels and beams Timber upper floors Tiled roof
- 15. Late Straits EclecticStyle (1920 – 1940s) Excessive use of ornamentation Extra windows reduce wall space and maximize ventilation Chinese panel frescoes combined with Malay timber fretworks More elaborate cantilevered details on facades Materials: Extensive use of masonry First floor timber fenestration and tiled roof
- 16. Neo Classical Style Sparinguse of ornaments Strict use of orders of architecture Well proportioned High ceilings and large porches Painted in pastel or white finishing on exterior face of building
- 17. Art Deco Style Useof straight lines Strong vertical or horizontal emphasis to structure Windows are arranged in groups Date of construction on facade of building Use of metal frame window Cantilevered sunshades Materials: Reinforced concrete masonry
- 18. Early Modern Style Radicallyornamented Simplified approach towards architecture Clean cut openings Aesthetics derive from simplicity Materials: Reinforced Concrete
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- 40. LANDMARK L o ca l ( M a l a c c a )
- 41. 1 S t .F r a n c i s X a v i e r ’ s C h u r c h R e d b u i l d i n g T h e S t a d t h u y s J o n k e r S t r e e t 1 2 2 3 3 4 4 C h i n a T o w n L i t t l e I n d i a 5 6 5 6
- 42. LANDMARK L o ca l ( M a l a y s i a )
- 43. 1 C h ic k e n R i c e B a l l R e d b u i l d i n g T h e S t a d t h u y s J o n k e r S t r e e t 1 2 2 3 3 4 4 S a n S h u G o n g C h e n g H o ’ s C u l t u r a l M u s u e m 5 6 5 6
- 44. LANDMARK T o ur i s t
- 45. 1 S t .F r a n c i s X a v i e r ’ s C h u r c h R e d b u i l d i n g T h e S t a d t h u y s J o n k e r S t r e e t 1 2 2 3 3 4 4 H a r d R o c k C a f e T h e D u t c h G r a v e y a r d 5 6 5 6
- 46. 1 R e db u i l d i n g T h e S t a d t h u y s J o n k e r S t r e e t 1 2 2 3 3
- 47. 1 R e db u i l d i n g T h e S t a d t h u y s J o n k e r S t r e e t 1 2 2 3 3
- 48. D o mi n a n t L a n d m a r k S t . F r a n c i s X a v i e r ’ s C h u r c h
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- 50. DAY TIME 3 2 1 1 2 3 MELAKA CLOCKTOWER TOURISTSTARTTO SWARMIN THEAREA AROUND 9AM DROPOFF THE GATHERING POINT
- 51. 3 4 2 1 DAY TIME 4 1 2 3 A CATHOLICCHURCHTHATSERVEON SUNDAY PIGEON SPOT TAKINGPHOTOAROUND THE SITE SHOPOF INDIANCULTURALFOOD
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- 54. 3 2 1 1 2 3 NIGHT TIME BABANYONYAFOOD OPEN KARAOKEFOR OLDFOLK TRAFFICCONGESTIONDURING ENTERING JONKER STREET
- 55. 3 2 1 1 2 3 NIGHT TIME HANGOUTPLACE DURINGNIGHT` TAKING ABOATTRIP ALONGSUNGAIMELAKA HAVINGA CANDLEDINNINGASIDE THE RIVER
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- 67. SURVEYOR’S INTEREST LOCAL( BORNINMELAKAOR MALAYSIA) NON -LOCAL( TOURISTOVERSEA) BASEONTHE SURVEYORMADE, THELOCALSHAVE MOREKNOWLEDGEONFOOD CATEGORY WHEREBYTOURISTAREMOREINTERESTEDIN TRADITIONALACTIVITIESPROVIDEDAROUNDTHE AREA. TOURISTTENDTOBEMOREADVENTURESTOEXPLOITTHE BEAUTYOFMALACCA ANDHAVE THELEASTCOMPLAINSABOUTTHE INFRASTURCTURE THERE.
- 68. ISSUES BASE ONSURVEYER NO BUS STOP TRAFFIC CONGESTION LACKOF POLICE LACK OF MAINTAINANCE LACK OF PUBLIC TOILET LACK OF CAR PARK
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- 70. Comparison of the HUMANDENSITY betweenSITE & The STADTHUYS
- 71. PROPOSEDPROGRAMME TO INCREASE HUMANDENSITY FOOD TRISHAW BISCYCLESTOP STREETPERFORMERS
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- 89. Center Point --strategiclocation –-leading tothecoreof UNESCOHeritage District CenterPoint between a) Commercial b) Heritage/ historical c) Government Near tothe maintourist attraction --JonkerStreet STRENGTH
- 90. Limited CarPark TrafficCongestion --Especiallyduringweekends PigeonsNesting Habits --Excretion,noise,smell WEAKNESS
- 91. InvolvementofBastionVictoriaruins --allowhistoryandcultureeducationtotakeplace. SecondaryEntrance --fromthe river Focal/ startingpoint --beforeentering UNESCOHeritage Core OPPORTUNITY
- 92. Foundationandearthworkmight affectthe soil stabilityneartheriver bankcausingthe river bankto collapse. THREAT
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- 103. 1. Bastion Victoria Coveredroofover bastion Experiencebastionthroughclear barriers Suspendedwalkwayover bastion ruins
- 104. Viewstoriver andshoplotsbydesigning overhangsRoofgardentoview church 2. Views
- 105. 3. Noises Avoid noisepollutionwithvegetationReducenoise pollutionthroughgreen walls
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- 107. Naturalthreat(birds)byproviding birdpits andusingflatroofsforeasy maintenance Naturalventilationthroughairwell andlargeopenings 5. Natural Ventilation
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- 112. Legend: 1. Main Entrance 2.Foyer 3. Courtyard 4. Main Exhibition (Ruins Excavation) 5. Former Vestry 6. Chapel Madonna Entrance 7. Chapel Madonna 1 2 3 4 5 6 7 A
- 113. Ground Floor PlanFirst Floor Plan Second Floor Plan SectionA-A C C A A B B C C A B B C C A B B
- 114. SectionB-B SectionC-C ExhibitionSpace Madonna Chapel St.Columba’s Ruin ExhibitionSpace BufferSpace Madonna Chapel
- 116. Moderna Museet Malmö Tham& Videgå rd Architect
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- 118. Legend: 1. MainEntrance 2. Reception 3.Cafe 4. Hallway 5. Exhibition Space 6. loading Area / Exhibition Space 7. Loading Area/ car 8. Office 9. Public Toilet 1 3 2 4 5 7 6 8 9C C A A B
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- 127. ARCHITECTURAL POSITION P RO G R A M M E I N T R O D U C E D E d u c a t i o n C u l t u r e T o C r e a t e A w a r e n e s s - P r e s e r v e & C u l t i v a t e B a s t i o n V i c t o r i a - S i t e P r e s e r v a t i o n S p r e a d T h r o u g h o u t R e g i o n a l a n d N a t i o n a l O u t r e a c h I n t e r n a t i o n a l l y
- 128. PROPOSAL BUILDING TYPE Mu s e u m C o m m u n i t y C e n t r e A r c h i v e / L i b r a r y S C H E D U L E O F A C C O M M O D A T I O N 2 0 0 m 2 L e a r n i n g C e n t r e 1 0 0 m 2 G a l l e r y 5 0 0 m 2 P u b l i c G a t h e r i n g S p a c e 2 5 0 m 2 L i b r a r y / R e s e a r c h USER GROUP T o u r i s t + L o c a l ( M a l a y s i a n ) – 6 4 % L e c t u r e H a l l 1 0 0 m 2 W o r k e r s o n S i t e – 2 7 % L o c a l s ( M a l a c c a ) – 9 %
- 129. THANK YOU T EA M M U N I N N b y