The document outlines essential principles for writing scripts for animation movies, emphasizing the importance of audience involvement through engaging stories, well-designed characters, and emotional resonance. It highlights a structured approach to storytelling, comprising setup, conflict, and resolution, while advocating for concise scripts that encourage visual storytelling. Collaboration and consistent revision are also identified as key factors in creating successful animated content that appeals to a diverse audience.

1. SCRIPT WRITING FOR
ANIMATION MOVIE
Dr. Janardhan Juvvigunta

2. MAGIC FORMULA FOR ANIMATION MOVIE
● Audience involvement is the magic ingredient
● It comes with three basic elements
STORY
CHARACTER
EMOTIONS
● For audience involvement, animation must be clean
● So that it will not distract audience common sense

3. STORY
● Basic principle is it must be entertaining
● Simple with traditional approach such as
THE SETUP
CONFLICT
RESOLUTION
● Bad stories can not survive with best animation and
● Bad animation can not survive with best stories
● Entertaining is nothing but comic,
● It must be a combination of all human emotions (sad, happy, etc..)

4. CHARACTERS
● Character becomes alive when it moves the way it should be
● Attitude is important part of it
● Characters must be designed with all human emotions
● Writer must aware of that audience are having presumption about
some animals/ type of caricatures already in their minds
● How the particular animal behaves and What is the strength of
particular caricatures? Etc..

5. EMOTIONS
● It is very important element among three magic elements
● Physiological, facial expression and dialogues constitute emotions of
characters on screen
● Finally, clean motion helps to grab the audience attention along
with the three elements such as good story-character-emotions

6. STRUCTURE OF STORY
● The story has something common and that’s its structure.
SETUP
CONFLICT
RESOLUTION
SETUP:
● Your job is to make the impression on the audience
● introduce your new world, characters to the audience

7. STRUCTURE OF STORY
SETUP:
● Your job is to make the impression on the audience
● introduce your new world, characters to the audience
● It’s the basic plot you create, where story is going to happen
● Once loose here the audience attention, never going to be involved
in the story

8. STRUCTURE OF STORY
CONFLICT:
● its right time to challenge the characters through the situation or
introducing the villain character
● The conflict situation must be believable for audience
● It will be not much difficult if..
● You clearly understand the your story world and the characters
● You are successfully created the first phase of “SET-UP”.

9. STRUCTURE OF STORY
RESOLUTION:
● Finally it's time to charge up our hero, or character to fight with
situation,
● Make it struggle with it, stretch themselves against their
limitations,
● Be smart and remove the Conflict which is created in the story

10. RULES FOR SCRIPT WRITING FOR ANIMATION
● Animation movies are not meant for specific audience
● It must appealing to all ages
● Ensure the emotion balance
● Make use of advantages of collaborations in animation filmmaking

11. CAN DO & CAN’T DO
● Anything can possible with animation
● Can create fifteen thousand helicopters fly over the sky
● All kind of emotions can be shown between all the characters
● Unless you one doing 3D animated thing
● It might capture every little nuance
● So there is some characters or facial nuances that might not be
able to pulled off in animation

12. FINDING THE RIGHT STORY
● Right story is nothing but exploring the story with proper emotions
● It's important to screen it for fresh eyes for different audiences

13. EVER- EVOLVING SCREENPLAY
● Writing is rewriting
● We should constantly re-writ until start the production
● Animation is expensive that we really try to work out the story as
much as possible

14. KEEP YOUR SCRIPT SHORT AND TO THE POINT
·
● keep your animation 1-2 minutes long.
● Read your script out loud!
● Do the words sound natural to you?
● Use a timer to time yourself reading the script at a normal pace.
● If it reads too long, adjust it as necessary.
● Basic corrections that you make now can save you time and effort
later.

15. USE FEWER WORDS AND MORE VISUALS
● The purpose of animation is to visually inform your viewer.
● Don’t just spoon-feed words, information, and data to your
audience.
● Give your viewers a chance to process and put pieces together
● Think about visual ways to show the message you are trying to
convey.

16. COLLABORATION IS KEY
● Keeping your client involved before and during pre-production stage
● Collaboration of a group of talent is the organic thing where it kind
of grows.
● Once you finish your script, you will want to make sure the content
is locked and approved.

17. ENGAGING AUDIENCES OF ALL AGES
● Animation is a medium
● It is not just for families with kids
● it is for people of all ages
● Must aim to have content for everyone

18. THANK YOU