The document discusses potential locations for a coursework photo shoot. The first location, Armoa café, would fit the genre of indie rock by showing band members smoking and drinking during the day, but the owner did not allow photos. The second location, a graffiti-covered underpass called the "Walls of Art," was chosen instead as it offers more photo opportunities with its street art and fits the retro, urban indie rock scene better.
Shyamal Dam is a freelance photographer based in Kolkata, India who has been photographing for 10 years. He specializes in travel, photojournalism, and wedding photography. As a wedding photographer, he aims to capture special moments from weddings that only happen once in a lifetime. He is considered one of the best wedding photographers in Kolkata and is available for both local weddings as well as traveling to photograph weddings outside the city.
The document discusses potential filming locations for scenes in an opening sequence, including a school, alleyway, bedrooms, and outside a Chinese restaurant. A school is proposed for a scene showing students walking between lessons due to the ability to convey that the characters are students. An alleyway is suggested for a kidnapping scene since it would have limited people and lighting. The characters' bedrooms are proposed for a phone call scene that could easily be filmed and conveyed. Outside a Chinese restaurant is presented for a scene where characters wait for a friend, with the potential to use street lamps but also potential extra people.
The photographer will take pictures of a hip hop duo posing next to an expensive car outside a bungalow. This will show the contrast between where they came from and where they are now, and demonstrate wealth through displaying an expensive car, which is common in hip hop music videos and photos. The photos will be taken at night in an urban location to create more mood and interest for the audience, in keeping with conventions of the hip hop genre.
The document considers four potential locations for filming a music video: Rosary Cemetery, High Ash Farm, Bishop Bridge, and the City College Photography Studio.
For Rosary Cemetery, the autumn leaves provide color that contrasts with the dark cemetery shots. Filming must be checked for permission and be respectful of visitors.
High Ash Farm offers a large open field space near the filmmaker's home, though permission from the owner must be confirmed and transportation arranged.
Bishop Bridge is historically interesting, though filming must avoid times when people are crossing the bridge.
The City College Photography Studio facilities are convenient since the filmmaker attends there, but a time must be booked when no other activities are occurring.
This document contains images and descriptions of various architectural illustrations, scale models, and props created by the artist. The illustrations include locations such as a Voodoo doctor's house in New Orleans, a Chinese-French colonial hotel in Vietnam, and a Vietnamese tribal village. Scale models were constructed of buildings like the Chinese-French colonial hotel and a 1970s suburban house. Props were also fabricated, such as aged paint cans and prop food. Hand drawings were made of additional settings.
The document outlines the plans for a photo shoot with an artist. It will take place in a school media room after hours to get pictures for album covers and packaging. The artist will wear the same costume from their music video to maintain their indie rap style. Props will not be used initially so the focus is on the artist. Equipment used will be a green screen, Nikon camera, and two lights to ensure clear pictures. The shoot location allows using the green screen and lighting, and provides more variety than the video location.
The document discusses potential locations for a coursework photo shoot. The first location, Armoa café, would fit the genre of indie rock by showing band members smoking and drinking during the day, but the owner did not allow photos. The second location, a graffiti-covered underpass called the "Walls of Art," was chosen instead as it offers more photo opportunities with its street art and fits the retro, urban indie rock scene better.
Shyamal Dam is a freelance photographer based in Kolkata, India who has been photographing for 10 years. He specializes in travel, photojournalism, and wedding photography. As a wedding photographer, he aims to capture special moments from weddings that only happen once in a lifetime. He is considered one of the best wedding photographers in Kolkata and is available for both local weddings as well as traveling to photograph weddings outside the city.
The document discusses potential filming locations for scenes in an opening sequence, including a school, alleyway, bedrooms, and outside a Chinese restaurant. A school is proposed for a scene showing students walking between lessons due to the ability to convey that the characters are students. An alleyway is suggested for a kidnapping scene since it would have limited people and lighting. The characters' bedrooms are proposed for a phone call scene that could easily be filmed and conveyed. Outside a Chinese restaurant is presented for a scene where characters wait for a friend, with the potential to use street lamps but also potential extra people.
The photographer will take pictures of a hip hop duo posing next to an expensive car outside a bungalow. This will show the contrast between where they came from and where they are now, and demonstrate wealth through displaying an expensive car, which is common in hip hop music videos and photos. The photos will be taken at night in an urban location to create more mood and interest for the audience, in keeping with conventions of the hip hop genre.
The document considers four potential locations for filming a music video: Rosary Cemetery, High Ash Farm, Bishop Bridge, and the City College Photography Studio.
For Rosary Cemetery, the autumn leaves provide color that contrasts with the dark cemetery shots. Filming must be checked for permission and be respectful of visitors.
High Ash Farm offers a large open field space near the filmmaker's home, though permission from the owner must be confirmed and transportation arranged.
Bishop Bridge is historically interesting, though filming must avoid times when people are crossing the bridge.
The City College Photography Studio facilities are convenient since the filmmaker attends there, but a time must be booked when no other activities are occurring.
This document contains images and descriptions of various architectural illustrations, scale models, and props created by the artist. The illustrations include locations such as a Voodoo doctor's house in New Orleans, a Chinese-French colonial hotel in Vietnam, and a Vietnamese tribal village. Scale models were constructed of buildings like the Chinese-French colonial hotel and a 1970s suburban house. Props were also fabricated, such as aged paint cans and prop food. Hand drawings were made of additional settings.
The document outlines the plans for a photo shoot with an artist. It will take place in a school media room after hours to get pictures for album covers and packaging. The artist will wear the same costume from their music video to maintain their indie rap style. Props will not be used initially so the focus is on the artist. Equipment used will be a green screen, Nikon camera, and two lights to ensure clear pictures. The shoot location allows using the green screen and lighting, and provides more variety than the video location.
This document outlines location plans for filming in an apartment in London. It describes several shots that will be taken from the apartment's balcony and interior to establish the setting and protagonist. Exterior shots of the surrounding streets are also mentioned to portray the character venturing into the city in a way that conveys romance.
Who needs stocks when you’ve got solar panels | Journalist Profilefearlesstransla69
The head of GroSolar, a large residential solar panel installation company, says that despite the economic recession, the solar industry is still growing and finding new customers. GroSolar saw $60 million in sales last year, exceeding its sales targets for January. The CEO notes that many people still have savings and equity in their homes and are looking at solar panels as a guaranteed return, especially as an alternative to losses in the stock market. He predicts continued growth for the industry as solar technology improves and financing options expand.
This document provides a narrative analysis of the music video for "Fresh Start Fever" by You Me at Six. It summarizes that the video tells a linear narrative story without any musical performance. While it does not directly illustrate the lyrics, the protagonist's emotions are reflected in the song. The narrative follows Strauss and Todorov's theory of establishing equilibrium, disequilibrium, and a new equilibrium through the conflict between the main character's girlfriend and his motorbike coach.
In compliance with the orders of Hon’ble Supreme Court in WP(Civil) No.196/2001, dated 14.9.2011 to the Government of India to provide necessary infrastructure and financial support for ensuring the computerization of PDS and the direction of the Department of Food and Public Distribution, Govt. of India, New Delhi to implement “End-to-End Computerization of TPDS Operations”, erstwhile Government of Andhra Pradesh got the software developed by State NIC basing on the framework given by NIC, Delhi. The software is in use since April’2013 in Hyderabad and Ranga Reddy districts and has been rolled out to all the 10 districts of Telangana State in June’2014.
The whole concept of computerisation of PDS operations fall under 2 components. Component I deals with supply and distribution of PDS including ration card management and Component II deals with F P Shop automation. So ePDS and Supply Chain management (SCM) comprising of Component I was developed by State NIC. Hyderabad and RR district were chosen as pilots for ePDS and SCM is being piloted in Hyderabad District. The grievance redressal system is handled through toll free number in a call centre placed at the Office of the commissioner, Department of civil supplies. The calls are recorded and the resolution of the complaints is monitored.
ePDS (electronic Public Distribution System) is online software application catering to the Ration cards management, allocation and seeding of Aadhaar data. The processes involved in the distribution of Essential Commodities (ECs) to the BPL families are automated so as to bring efficiency, accountability and transparency to the PDS of Civil Supplies Department. The initiative was taken up as per GOI orders for end to end computerization of PDS to arrest the leakage of subsidy.
The document discusses the lighting techniques used in the opening sequences of several post-apocalyptic films. In "I Am Legend", the protagonist drives through a brightly lit abandoned New York City, which is unusual for the genre that typically features dark and dreary openings. "The Terminator" opens in a dark, dull, and tense future Los Angeles. "The Road" has a washed-out brown tone to portray a bleak post-apocalyptic world. And "Mad Max 2: The Road Warrior" opens in daylight but still builds tension through a car chase, setting the tone and engaging audiences.
This document provides details about a school trip to London taking place from October 31st to November 3rd 2017. It outlines the itinerary, including visits to St. Paul's Cathedral, the Science Museum, Tower of London, and Buckingham Palace. It lists the staff members leading the trip and departure time. It also includes packing lists, rules for behavior, safety procedures, and contact information in case of an emergency. The overall goals of the trip are to experience city life and support the school's curriculum in areas like literacy, science, and religious education.
The document provides an analysis of several music videos in the glam rock genre. It summarizes the camera work, mise-en-scene, editing, sound, and other technical elements for videos by Lady Gaga, Beyoncé, Kylie Minogue, and White. It notes conventions like colorful costumes, flashy sets, and fast editing that help define the glam rock style. It also discusses themes around gender, sexuality and cultural references present in some of the videos.
Body composition refers to the relative proportions of fat and fat-free mass in the body. Percent body fat is a key measure used to define body composition. Essential fat is necessary for normal body functions, while excess body fat can increase health risks like cardiovascular disease and diabetes. Body composition is influenced by factors like gender, age, genetics, lifestyle habits, and diet. It is important to assess body composition, not just weight, to understand health and fitness status.
The document provides information about a Year 4 overnight camping trip taking place from June 7-9, 2016. Students will stay overnight in yurts and be provided with meals and activities. The cost of the trip is £35 per student, with final payment due by June 2nd. A detailed kit list is provided of what students should bring, including clothing, sleeping gear, toiletries, and bags. Medical forms and permissions are required for any medications students need. Attendees can direct any additional questions to the contact information provided.
O documento propõe a criação de um ambiente interativo para análise de big data na Globo.com utilizando Spark e IPython. O sistema permitiria acessar todos os dados da empresa, rodar algoritmos de machine learning para identificar informações relevantes, formular hipóteses e experimentos para tomada de decisões baseadas em dados.
The document discusses strategies to increase awareness of Homepage for the Homeless. It notes that the organization's full potential is not being reached due to low public awareness and a lack of traditional advertising. It then profiles Morgan Peters, a 20-year-old university student living independently who enjoys music and helping his community when possible. The document also mentions that 18-34 year olds make up about a third of the online audience and are socially conscious, making them good targets to empathize with the organization's cause. It outlines several proposed marketing activities, including distributing flyers at a university open day and post office, as well as an Instagram campaign to further boost exposure.
The document discusses the production of an indie rock music video. It began with research into conventions of music videos by bands like Coldplay and The Killers. The video aimed to represent how slowly one moves on from death but gets better over time, as the song was about a friend who drowned. Key conventions used and challenged in the video included lip syncing, an all-performance style, realistic mise-en-scene over expensive locations, varying camera shots and distances from the performer, and editing with dissolves and cuts on the beat.
The client, CityScreen cinema, was contacted by trial and error until an agreement was made. Extensive audience research was conducted including surveys and demographic analysis. A versatile shot list was created to produce both a trailer and shorter clips. The production occurred over 3 weeks, with challenges like equipment limitations. Post-production included editing, adding transitions and sound, with some requested changes. The final video is now complete pending any client feedback.
The document provides a personal evaluation of a music video the author created called "Away". It discusses how the music video both uses conventions of typical music videos, such as an artist lip syncing, but also challenges conventions through original shot angles, quick cuts, and unique transitions. The author aimed to capture the obscure trip-hop genre of the song through a visual style that presented the artist alone to match the lyrics about feeling distant. Feedback helped the author improve the pacing and ending. A range of media technologies were used in planning, producing, and promoting the music video, as well as creating a website and digital packaging to further develop the artist's imagery and themes.
What have you learnt from your audience feedbackconnoredmonds
The document discusses feedback the author received on a hip hop music video from various sources at different stages of production:
1) A questionnaire completed by the target audience before filming helped the author understand what elements the audience expected to see, such as displays of wealth through expensive possessions, houses, cars, and clothes in an urban setting.
2) Feedback from peers and teachers on a rough cut helped the author incorporate more split screens and motion keys to make the video more interesting, as well as advice on color correcting.
3) Additional feedback suggested making more cuts throughout the video to keep it engaging as well as fine-tuning some video transitions and split screen shots. The overall feedback was positive.
The student has chosen to complete both a 10-minute documentary and a series of digitally edited images for their second-year project. The documentary will focus on how music has shaped culture in the North-East of England, including interviews with people about how music has personally affected them. Potential challenges include finding willing interview subjects and suitable photography locations. The student will use college equipment and software to edit the images and record voiceovers for the documentary.
The document discusses locations for filming a music video for a rap song. The primary location chosen is "Muddicuts Hair Gallery" because its style fits the rap genre and its red and black color scheme matches the themes in the song. A secondary location of outdoor areas like streets and alleys is selected to give variety and a narrative. Another location, the "Black Box" drama room, is proposed for close-up lyrics filming as its dark color focuses lighting only on the artist and allows lighting adjustments suited to the song.
production and post production- ftc.pptxErinUsher3
Before filming, the filmmaker created a risk assessment, permission forms, and storyboards to plan their shoot. On the day of filming, they shot various locations like the fire station, winter gardens, and bridges using different shot sizes and angles. During editing, they added music, text, and cut clips to the beat to engage their target audience. Some issues like overexposed footage were easily fixed. The final promotional video was created to advertise Sunderland locations to 16-21 year olds.
This document outlines location plans for filming in an apartment in London. It describes several shots that will be taken from the apartment's balcony and interior to establish the setting and protagonist. Exterior shots of the surrounding streets are also mentioned to portray the character venturing into the city in a way that conveys romance.
Who needs stocks when you’ve got solar panels | Journalist Profilefearlesstransla69
The head of GroSolar, a large residential solar panel installation company, says that despite the economic recession, the solar industry is still growing and finding new customers. GroSolar saw $60 million in sales last year, exceeding its sales targets for January. The CEO notes that many people still have savings and equity in their homes and are looking at solar panels as a guaranteed return, especially as an alternative to losses in the stock market. He predicts continued growth for the industry as solar technology improves and financing options expand.
This document provides a narrative analysis of the music video for "Fresh Start Fever" by You Me at Six. It summarizes that the video tells a linear narrative story without any musical performance. While it does not directly illustrate the lyrics, the protagonist's emotions are reflected in the song. The narrative follows Strauss and Todorov's theory of establishing equilibrium, disequilibrium, and a new equilibrium through the conflict between the main character's girlfriend and his motorbike coach.
In compliance with the orders of Hon’ble Supreme Court in WP(Civil) No.196/2001, dated 14.9.2011 to the Government of India to provide necessary infrastructure and financial support for ensuring the computerization of PDS and the direction of the Department of Food and Public Distribution, Govt. of India, New Delhi to implement “End-to-End Computerization of TPDS Operations”, erstwhile Government of Andhra Pradesh got the software developed by State NIC basing on the framework given by NIC, Delhi. The software is in use since April’2013 in Hyderabad and Ranga Reddy districts and has been rolled out to all the 10 districts of Telangana State in June’2014.
The whole concept of computerisation of PDS operations fall under 2 components. Component I deals with supply and distribution of PDS including ration card management and Component II deals with F P Shop automation. So ePDS and Supply Chain management (SCM) comprising of Component I was developed by State NIC. Hyderabad and RR district were chosen as pilots for ePDS and SCM is being piloted in Hyderabad District. The grievance redressal system is handled through toll free number in a call centre placed at the Office of the commissioner, Department of civil supplies. The calls are recorded and the resolution of the complaints is monitored.
ePDS (electronic Public Distribution System) is online software application catering to the Ration cards management, allocation and seeding of Aadhaar data. The processes involved in the distribution of Essential Commodities (ECs) to the BPL families are automated so as to bring efficiency, accountability and transparency to the PDS of Civil Supplies Department. The initiative was taken up as per GOI orders for end to end computerization of PDS to arrest the leakage of subsidy.
The document discusses the lighting techniques used in the opening sequences of several post-apocalyptic films. In "I Am Legend", the protagonist drives through a brightly lit abandoned New York City, which is unusual for the genre that typically features dark and dreary openings. "The Terminator" opens in a dark, dull, and tense future Los Angeles. "The Road" has a washed-out brown tone to portray a bleak post-apocalyptic world. And "Mad Max 2: The Road Warrior" opens in daylight but still builds tension through a car chase, setting the tone and engaging audiences.
This document provides details about a school trip to London taking place from October 31st to November 3rd 2017. It outlines the itinerary, including visits to St. Paul's Cathedral, the Science Museum, Tower of London, and Buckingham Palace. It lists the staff members leading the trip and departure time. It also includes packing lists, rules for behavior, safety procedures, and contact information in case of an emergency. The overall goals of the trip are to experience city life and support the school's curriculum in areas like literacy, science, and religious education.
The document provides an analysis of several music videos in the glam rock genre. It summarizes the camera work, mise-en-scene, editing, sound, and other technical elements for videos by Lady Gaga, Beyoncé, Kylie Minogue, and White. It notes conventions like colorful costumes, flashy sets, and fast editing that help define the glam rock style. It also discusses themes around gender, sexuality and cultural references present in some of the videos.
Body composition refers to the relative proportions of fat and fat-free mass in the body. Percent body fat is a key measure used to define body composition. Essential fat is necessary for normal body functions, while excess body fat can increase health risks like cardiovascular disease and diabetes. Body composition is influenced by factors like gender, age, genetics, lifestyle habits, and diet. It is important to assess body composition, not just weight, to understand health and fitness status.
The document provides information about a Year 4 overnight camping trip taking place from June 7-9, 2016. Students will stay overnight in yurts and be provided with meals and activities. The cost of the trip is £35 per student, with final payment due by June 2nd. A detailed kit list is provided of what students should bring, including clothing, sleeping gear, toiletries, and bags. Medical forms and permissions are required for any medications students need. Attendees can direct any additional questions to the contact information provided.
O documento propõe a criação de um ambiente interativo para análise de big data na Globo.com utilizando Spark e IPython. O sistema permitiria acessar todos os dados da empresa, rodar algoritmos de machine learning para identificar informações relevantes, formular hipóteses e experimentos para tomada de decisões baseadas em dados.
The document discusses strategies to increase awareness of Homepage for the Homeless. It notes that the organization's full potential is not being reached due to low public awareness and a lack of traditional advertising. It then profiles Morgan Peters, a 20-year-old university student living independently who enjoys music and helping his community when possible. The document also mentions that 18-34 year olds make up about a third of the online audience and are socially conscious, making them good targets to empathize with the organization's cause. It outlines several proposed marketing activities, including distributing flyers at a university open day and post office, as well as an Instagram campaign to further boost exposure.
The document discusses the production of an indie rock music video. It began with research into conventions of music videos by bands like Coldplay and The Killers. The video aimed to represent how slowly one moves on from death but gets better over time, as the song was about a friend who drowned. Key conventions used and challenged in the video included lip syncing, an all-performance style, realistic mise-en-scene over expensive locations, varying camera shots and distances from the performer, and editing with dissolves and cuts on the beat.
The client, CityScreen cinema, was contacted by trial and error until an agreement was made. Extensive audience research was conducted including surveys and demographic analysis. A versatile shot list was created to produce both a trailer and shorter clips. The production occurred over 3 weeks, with challenges like equipment limitations. Post-production included editing, adding transitions and sound, with some requested changes. The final video is now complete pending any client feedback.
The document provides a personal evaluation of a music video the author created called "Away". It discusses how the music video both uses conventions of typical music videos, such as an artist lip syncing, but also challenges conventions through original shot angles, quick cuts, and unique transitions. The author aimed to capture the obscure trip-hop genre of the song through a visual style that presented the artist alone to match the lyrics about feeling distant. Feedback helped the author improve the pacing and ending. A range of media technologies were used in planning, producing, and promoting the music video, as well as creating a website and digital packaging to further develop the artist's imagery and themes.
What have you learnt from your audience feedbackconnoredmonds
The document discusses feedback the author received on a hip hop music video from various sources at different stages of production:
1) A questionnaire completed by the target audience before filming helped the author understand what elements the audience expected to see, such as displays of wealth through expensive possessions, houses, cars, and clothes in an urban setting.
2) Feedback from peers and teachers on a rough cut helped the author incorporate more split screens and motion keys to make the video more interesting, as well as advice on color correcting.
3) Additional feedback suggested making more cuts throughout the video to keep it engaging as well as fine-tuning some video transitions and split screen shots. The overall feedback was positive.
The student has chosen to complete both a 10-minute documentary and a series of digitally edited images for their second-year project. The documentary will focus on how music has shaped culture in the North-East of England, including interviews with people about how music has personally affected them. Potential challenges include finding willing interview subjects and suitable photography locations. The student will use college equipment and software to edit the images and record voiceovers for the documentary.
The document discusses locations for filming a music video for a rap song. The primary location chosen is "Muddicuts Hair Gallery" because its style fits the rap genre and its red and black color scheme matches the themes in the song. A secondary location of outdoor areas like streets and alleys is selected to give variety and a narrative. Another location, the "Black Box" drama room, is proposed for close-up lyrics filming as its dark color focuses lighting only on the artist and allows lighting adjustments suited to the song.
production and post production- ftc.pptxErinUsher3
Before filming, the filmmaker created a risk assessment, permission forms, and storyboards to plan their shoot. On the day of filming, they shot various locations like the fire station, winter gardens, and bridges using different shot sizes and angles. During editing, they added music, text, and cut clips to the beat to engage their target audience. Some issues like overexposed footage were easily fixed. The final promotional video was created to advertise Sunderland locations to 16-21 year olds.
The document outlines initial plans for a short documentary film covering underground music and fashion subcultures in York, UK. It will have three sections: one on underground music genres like grime, drum and bass, and hip hop, featuring interviews with local artists; one on graffiti art and the challenges of being a female artist; and one on modeling and freelance fashion work. The film aims to show how operating in creative industries is more difficult in a small northern town like York compared to larger cities. It will incorporate styles from old music videos and graffiti edits, like vintage camera filters and fast pacing. The music section will focus on promotion and narration with music clips, while the fashion section will have a more professional style
Ewan is planning a travel/music video to promote York to 16-24 year olds. He will film footage over a weekend and do extensive editing in post-production using techniques like speeding up footage, adding blur, and experimenting with transitions and cuts. Ewan created a mindmap of ideas and chose to do a music video incorporating elements of a travel video. He will either find a royalty-free song or make original music on GarageBand. Ewan created a moodboard for inspiration and analyzed color schemes. He tested effects in Premiere Pro and created backup plans to prevent issues like corrupt files or lost power.
The project was to create a music video for a deep house/dance pop song aimed at 15-21 year olds. Pre-production involved planning locations, costumes, props, and a storyboard. One location chosen was in trendy, modern Camden which created a great atmosphere, but busy areas made filming difficult. During editing, some scenes had to be cut or reworked as they did not fit well once in the video editing program. The finished product looked different than originally imagined but appealed to the target audience and had an upbeat, trendy urban feel to illustrate a modern house music video.
Mv production assignment evaluation form 2021DanRichardson44
The document provides feedback on a student's music video project. It includes positive feedback praising the engaging and stylish nature of the video, how it fit well with the music, and the seamless edits. Suggestions for improvement include using higher definition footage, splitting some longer scenes into multiple shots to maintain flow, and improving camera quality. The student agrees some shots were too long and should have been broken up to keep pace, and agrees their camera quality could be improved due to poor time management. However, they disagree that the changing colors at the start were random, seeing it as a reference to the original music video.
The group researched popular superhero films and music videos to develop their concept of a bullied teenager who becomes a vigilante superhero. They analyzed target audiences on YouTube and through personal experience to understand fans of electronic music are typically males aged 16-26. Their plans were influenced by a similar recent music video. Storyboarding and planning shots was important to envision the video and stay organized during the shoot. While locations were imperfect, teamwork helped get the shots completed.
The document discusses how the creator used media technologies in the construction, research, planning, and evaluation of their media project. They researched inspiration artists online using Google and social media. They used various software programs like SnipMp3, Final Cut, Microsoft Word, and Irfanview to make their music video, conduct audience research, and design their album cover. A camera was used to film footage, and Final Cut was used to edit the project together. Feedback was gathered from friends and family to improve the project. Overall, media technologies were central to all stages of creating this media work.
A2 Coursework Final Production Evaluation Question Onerooparora16
This document summarizes the media used in a student's media production project. It discusses:
1) Using YouTube to release the skateboarding music video due to its large audience size.
2) Creating a web pop-up advertisement using Adobe Illustrator and placing it on the BBC homepage.
3) Filming a product sponsorship video for drumsticks using an iPhone and presenting it on YouTube.
4) Choosing unconventional filming techniques like slow motion shots to make the videos more visually interesting compared to typical drumming advertisements.
The document provides guidance for a music video assignment. It outlines tasks for idea generation, research, pre-production assessment, and production planning. The student proposes a music video concept involving filming themselves in front of a green screen with grime freestyles playing in the background, inspired by Skepta's "That's Not Me" video. For pre-production, they identify equipment needs like cameras and lighting to hire within their £2000 budget. Location plans involve a studio and public areas. They propose a 2 week pre-production, 1 week filming over 2 college days, and 2 weeks for post-production.
Final major project evaluation revisitedJack Dixon
Jack Dixon created a music video for his final major project. He filmed scenes at a country park and music festival after his initial footage was poor quality. Editing challenges included syncing footage to the beat and speeding up clips. Feedback was positive from friends who found it funny, showing the intended humor was effective. While the final video differed from his original plan, it still targeted the desired demographic of students interested in house music and festivals. Through this project, Jack improved his skills with Adobe software, camerawork, and independent working.
- The document outlines Walidul Amad Islam's process for creating a music video for class. He chose an R&B/pop song featuring Chris Brown, Lil Wayne, and French Montana and aimed to create unique editing and effects.
- His target audience was fans of those artists, primarily males attracted to the song's lyrics and dance scenes. He sought to use common music video conventions like different shots, camera movement, costumes, lighting, and transitions.
- The pre-production went well with scheduling, storyboarding, and location planning. Though filming took longer than planned, the footage turned out well. Editing was lengthy but color correction improved darker clips.
- The finished video differed from the planned
1) The document discusses the author's final evaluation for their Unit 21 Creative Production project where they created a music video.
2) They chose to do a music video because they have a personal interest in filmmaking and passion for music. Their initial idea was to create a performance and narrative style video.
3) Throughout production, the author used their time on holiday well, spacing out shots over multiple days. Their pre-production was less organized as they had to plan around their free days on holiday.
The document provides guidance for a music video assignment, including templates for pre-production tasks like idea generation, research, budgeting, scheduling, and visual planning. Some key points:
- The student's final idea is to create a music video for the song "96 Fukries" that combines elements of the Skepta music video "That's Not Me" and random, unplanned footage.
- Locations will include a studio with green screen and public areas. Equipment to rent includes a camera, lighting, and tripod.
- A budget of £2,000 is proposed, with examples of studio costs and equipment rental prices provided.
- Pre-production planning includes storyboarding, shot
The document provides initial plans and reactions for a short documentary film. The film will focus on underground music scenes in York like grime, drum and bass, and hip hop. It will also cover related creative industries like fashion, modeling, and graffiti art. The goal is to inspire and empower other creatives in York by showing that it is possible to pursue these scenes even in a small northern town. Sections on music will use styles from old grime videos including filters, fast pacing, and BPM music. Narration will provide context. Fashion segments will have a more professional style with cinematography techniques. Overall the film aims to spark a new attitude and potentially a underground scene in York.
Question 3: What Have You Learnt From Your Audience FeedbackGeorge_Mugglestone
The document describes feedback from an audience on a music video, digital packaging, and website. It summarizes the key findings:
- The majority of the audience were female teenagers who responded positively to the products.
- Feedback highlighted unintentional elements like the sexualization of the female performer and how the video represented themes of love/loss.
- Respondents noted how editing techniques used were appropriate for the electronic music genre and helped tell the story.
- The products were seen as cohesive and professionally designed, effectively building an identity around the themes of the song.
The document outlines the necessary equipment, props, people, and locations for a film shoot, including a Canon DSLR camera, Jessop's tripod, tripod wheels, a white dress, a performer named Lizzie, St. Michael's & All Angels Church graveyard, and the Sixth Form Photography Studio.
The document discusses the locations being considered for a video shoot - a church graveyard and a school photography studio. The graveyard of St. Michael's & All Angels Church in South Normanton was chosen as it was near the actress and would be easy for her to access. Permission will be sought to use the locations and they will be treated with respect. Pre-shoot visits were made to scout the locations and help with planning.
The document analyzes and summarizes several electronic dance music (EDM) artist websites, including Skrillex, David Guetta, Zedd, and Daft Punk. The summaries highlight how each website prominently features the artist's latest music and tour dates, merchandise for purchase, opportunities to follow the artist on social media, and forums for fan interaction. Daft Punk's website stands out for its unique layout resembling an online shop and use of their helmet icon to reveal video content.
- The document discusses researching potential record labels for a hypothetical new electronic dance music artist.
- It first discusses why the artist would not be a good fit for Fueled By Ramen and instead proposes the smaller label Big Beat Records.
- Big Beat Records is outlined as an American record label owned by Warner Music Group that started in 1987 and helped launch careers in underground dance music. It is known for artists like Knife Party, Martin Solveig, Icona Pop, and Skrillex.
- Product distribution methods like CDs, concerts, and social media are discussed. Specific festival appearances by Knife Party and Skrillex are also mentioned.
This focus group questionnaire asks participants to choose between two ideas, explain their preference, and provide additional ideas or suggested changes. Participants are asked to circle the preferred idea from two options and then explain their choice in the space provided. The questionnaire also asks for any other ideas the participant may have as well as potential changes to improve the proposed ideas.
For a music video, the author envisions abstract, mysterious visuals that portray hallucinatory or psychedelic effects, seamlessly complementing the haunting melody of their song. They have been inspired by the fluid, continuous styles of music videos by Brooke Candy, Lana Del Rey, Zayn, Melanie Martinez, Gwenno, Skrillex, and Calvin Harris & Disciples, due to sharing the electronic dance music genre.
The document discusses the planning of a music video for the eerie song "Echoes" by Silhouettes. The creator wants to reflect the haunting atmosphere of the song through locations like abandoned buildings, cellars, and graveyards to establish a ghostly and edgy atmosphere. They have also been inspired by the music videos of Kelly Clarkson's "Behind These Hazel Eyes", several In This Moment videos, Brooke Candy's "A Study in Duality".
To present my Audience responses, I created a Twitter account. Here is an analysis of that Twitter account, what interactions I did upon it and why I did these.
This document discusses the target audience for electronic dance music (EDM). It notes that EDM fans tend to be younger, between the ages of 16-34. EDM fans are also very active on social media, more so than other music fans, and are likely to share and discuss EDM music, concerts, and live streams online. As such, EDM fans represent a good target audience for marketing products through social media platforms, as they will help spread word about new music and provide valuable feedback.
This document provides an analysis of two music videos from the genres of house/electronic dance music. For the song "Rhythm of the Night" by Corona, the summary notes that the quick edits and dancing fit the feel-good but agitating nature of the genre. Camera work uses various shots and computer imagery to maintain a euphoric feeling. Scenes take place in various outdoor and indoor locations. For "Clarity" by Zedd featuring Foxes, the summary states the video has a conceptual, disorienting style fitting for electronic music through its disjointed narrative and hallucinatory camera work, including computer-generated imagery and shots of the artists. Both videos aim to match the visuals and
This document provides details for a shoot on Sunday, January 17th 2016. It will take place at night inside a nightclub and feature Tyler Brown as Bebe Bundy and Dylan Leadered as Turn Turnon. The equipment needed includes cameras, a tripod, lighting such as strobe lights or club lighting.
This document discusses the concept of intertextuality in music videos. It defines intertextuality as the shaping of a text's meaning through references or allusions to other texts. The document then provides several examples of intertextuality in Lady Gaga, Katy Perry, and Beyoncé music videos. Lady Gaga's "Paparazzi" references films like Sunset Boulevard and Chicago. Her video for "Telephone" with Beyoncé imitates the style of Quentin Tarantino films like Pulp Fiction. Katy Perry's "Roar" references the Survivor song "Eye of the Tiger" and her video for "This is How We Do" references the artist Piet Mondrian
Record labels are companies that manage the production, distribution, and promotion of music recordings. They sign artists, organize the production and release of albums and singles, and market the music to retailers and fans. Fueled by Ramen is an American record label owned by Warner Music Group that specializes in pop punk and alternative rock genres. It promotes bands like Paramore, Fall Out Boy, and Panic! At the Disco. Record labels rely heavily on social media to connect with fans, promote their artists, and market their music. They use platforms like Twitter, Facebook, and YouTube to share content and gain feedback from audiences. Record labels are also responsible for enforcing copyright on the music recordings and videos they release to protect the
The document discusses where music videos can be found and viewed, the purposes of music videos, and examples of product placement in music videos. It states that the largest outlets for finding music videos are internet platforms like YouTube, which allow users to both view and upload videos. Music videos are used as marketing tools to promote artists' music and sell songs/albums. They can be performance-based, narrative-based, or a combination. Product placement in music videos is a way for companies to advertise their products by paying to feature them prominently in artists' videos. Several examples of product placement are given.
This document discusses an idea for a music video featuring drag queens in a nightclub setting. The creator realized their original idea of an abandoned house did not fit the upbeat tone of the song. Nightclubs are associated with dance and fun, providing inspiration. Several example music videos set in nightclubs are listed that could help shape the new idea, such as Cher's "Believe" and Zedd and Selena Gomez's "I Want You To Know".
The document discusses planning for a music video. While drag queens were always part of the concept, the theme and portrayal were still undecided. Originally, the performer envisioned an "American Horror Story" and "RuPaul's Drag Race" crossover, with the queens located in an abandoned house in dark surroundings. Specific music videos provided inspiration for this concept by also placing performers in abandoned house or stately home settings. The goal is for the style of the music video to mirror a Tim Burton-esque environment with drag queens.
A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
Main Java[All of the Base Concepts}.docxadhitya5119
This is part 1 of my Java Learning Journey. This Contains Custom methods, classes, constructors, packages, multithreading , try- catch block, finally block and more.
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Dr. Vinod Kumar Kanvaria
Exploiting Artificial Intelligence for Empowering Researchers and Faculty,
International FDP on Fundamentals of Research in Social Sciences
at Integral University, Lucknow, 06.06.2024
By Dr. Vinod Kumar Kanvaria
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
বাংলাদেশের অর্থনৈতিক সমীক্ষা ২০২৪ [Bangladesh Economic Review 2024 Bangla.pdf] কম্পিউটার , ট্যাব ও স্মার্ট ফোন ভার্সন সহ সম্পূর্ণ বাংলা ই-বুক বা pdf বই " সুচিপত্র ...বুকমার্ক মেনু 🔖 ও হাইপার লিংক মেনু 📝👆 যুক্ত ..
আমাদের সবার জন্য খুব খুব গুরুত্বপূর্ণ একটি বই ..বিসিএস, ব্যাংক, ইউনিভার্সিটি ভর্তি ও যে কোন প্রতিযোগিতা মূলক পরীক্ষার জন্য এর খুব ইম্পরট্যান্ট একটি বিষয় ...তাছাড়া বাংলাদেশের সাম্প্রতিক যে কোন ডাটা বা তথ্য এই বইতে পাবেন ...
তাই একজন নাগরিক হিসাবে এই তথ্য গুলো আপনার জানা প্রয়োজন ...।
বিসিএস ও ব্যাংক এর লিখিত পরীক্ষা ...+এছাড়া মাধ্যমিক ও উচ্চমাধ্যমিকের স্টুডেন্টদের জন্য অনেক কাজে আসবে ...
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This slide is special for master students (MIBS & MIFB) in UUM. Also useful for readers who are interested in the topic of contemporary Islamic banking.
2. When planning, I deliberated various venues to shoot my video within. I
wanted something slick, stylish and classy. I want to create an high-
class appeal of my performers and their surroundings. I wanted my
audience to crave to be involved. A venue where people would want
to visit. When deliberating, I contemplated various factors such as
what would look right and where I would feel comfortable (due to the
LGBTQ nature and the drag queen content, I wanted a place where
we would feel accepted).
3. The Late Lounge Night Venue, I felt, would be perfect for my video. The reason for this
was because it’s stylish, modern, fashionable and of high-class. I contacted the manager
of this club/bar, explaining my concept, who stated, depending when I wanted to film,
something could be sorted. I was grateful for this.
However, there were various cons also to this venue. For example, its build includes
many windows, and therefore, I’d have to film during the evenings if I was wanting my
sophisticated nightclub scenes, . This wouldn’t be convenient as my performers would be
using public transport and we'd have to be careful how long we filmed for due to their
travel arrangements. My performers also do not live near this venue and so it would be
inconvenient to reach.
4. BAMBUU NIGHTCLUB,
NOTTINGHAM
During my research, when discussing possible venues with one of my performers, a worker
at Propaganda nightclub in Nottingham, he asked their sister nightclub, Bambuu of their
availability. Once the venue had got back to us, I was entitled the use Bambuu's premises if
I so wished. This was extremely beneficial to me, however I still wanted to research various
other options.
5. Propaganda, Nottingham was my final decision in the venue I desired to place my music video within.
There were various reasons behind my decision for this. First of all, it being an LGBTQ venue, I felt my
drag queen concept would only be right here. It would be a place where I would feel comfortable filming
as this wouldn't be anything unusual or out of the norm for them. Aside from this, my drag performers
worked here, keeping my project all in one place. They would know the venue and people and so this
would not only help me out in the planning process, it would also help out with the aesthetics of my
video; they would know what would and wouldn't work. I am eternally grateful for all at Propaganda as
without their help, my music video concept wouldn't be where it is today.
6.
7.
8.
9.
10. My use of Propaganda
As the concept for my music video are drag queens are within a nightclub. I will use the
venue to film my video. Here, I will use the facilities to create a high-quality product,
using all elements of the nightclub such as the bar, the dance-floor, the seating area. I will
film on a Sunday, going until I have finished my filming.
11. What permissions are required and how do you intend to get them?
It goes without saying I would need permission from the nightclub to film in their premises.
To do this, a few months ago, I informally messaged the manager of the club, who stated it
Would depend when I would want to film. However, during my final stages of planning, I
then
E-mailed the venue again, of which, I did not receive a reply. Despite this, one of my
Performers spoke to his manager informally and I was granted access.