Focus group research #2
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This document discusses an idea for a music video featuring drag queens in a nightclub setting. The creator realized their original idea of an abandoned house did not fit the upbeat tone of the song. Nightclubs are associated with dance and fun, providing inspiration. Several example music videos set in nightclubs are listed that could help shape the new idea, such as Cher's "Believe" and Zedd and Selena Gomez's "I Want You To Know".
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лекция4
ОРГАНИЗАЦИЯ МЕДИКО-ПСИХОЛОГИЧЕСКОЙ, ПСИХОТЕРАПЕВТИЧЕСКОЙ И ПСИХИАТРИЧЕСКОЙ ПОМОЩИ В УСЛОВИЯХ ЧРЕЗВЫЧАЙНЫХ СИТУАЦИЙ Файл
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The document describes feedback from an audience on a music video, digital packaging, and website. It summarizes the key findings:
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лекция4
ОРГАНИЗАЦИЯ МЕДИКО-ПСИХОЛОГИЧЕСКОЙ, ПСИХОТЕРАПЕВТИЧЕСКОЙ И ПСИХИАТРИЧЕСКОЙ ПОМОЩИ В УСЛОВИЯХ ЧРЕЗВЫЧАЙНЫХ СИТУАЦИЙ Файл
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2015 Academic Affairs Winter Meeting_Barbara Vacarr
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- The products were seen as cohesive and professionally designed, effectively building an identity around the themes of the song.
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This focus group questionnaire asks participants to choose between two ideas, explain their preference, and provide additional ideas or suggested changes. Participants are asked to circle the preferred idea from two options and then explain their choice in the space provided. The questionnaire also asks for any other ideas the participant may have as well as potential changes to improve the proposed ideas.
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For a music video, the author envisions abstract, mysterious visuals that portray hallucinatory or psychedelic effects, seamlessly complementing the haunting melody of their song. They have been inspired by the fluid, continuous styles of music videos by Brooke Candy, Lana Del Rey, Zayn, Melanie Martinez, Gwenno, Skrillex, and Calvin Harris & Disciples, due to sharing the electronic dance music genre.
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This document discusses the concept of intertextuality in music videos. It defines intertextuality as the shaping of a text's meaning through references or allusions to other texts. The document then provides several examples of intertextuality in Lady Gaga, Katy Perry, and Beyoncé music videos. Lady Gaga's "Paparazzi" references films like Sunset Boulevard and Chicago. Her video for "Telephone" with Beyoncé imitates the style of Quentin Tarantino films like Pulp Fiction. Katy Perry's "Roar" references the Survivor song "Eye of the Tiger" and her video for "This is How We Do" references the artist Piet Mondrian
Research into record labels
Record labels are companies that manage the production, distribution, and promotion of music recordings. They sign artists, organize the production and release of albums and singles, and market the music to retailers and fans. Fueled by Ramen is an American record label owned by Warner Music Group that specializes in pop punk and alternative rock genres. It promotes bands like Paramore, Fall Out Boy, and Panic! At the Disco. Record labels rely heavily on social media to connect with fans, promote their artists, and market their music. They use platforms like Twitter, Facebook, and YouTube to share content and gain feedback from audiences. Record labels are also responsible for enforcing copyright on the music recordings and videos they release to protect the
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The document discusses where music videos can be found and viewed, the purposes of music videos, and examples of product placement in music videos. It states that the largest outlets for finding music videos are internet platforms like YouTube, which allow users to both view and upload videos. Music videos are used as marketing tools to promote artists' music and sell songs/albums. They can be performance-based, narrative-based, or a combination. Product placement in music videos is a way for companies to advertise their products by paying to feature them prominently in artists' videos. Several examples of product placement are given.
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The document discusses planning for a music video. While drag queens were always part of the concept, the theme and portrayal were still undecided. Originally, the performer envisioned an "American Horror Story" and "RuPaul's Drag Race" crossover, with the queens located in an abandoned house in dark surroundings. Specific music videos provided inspiration for this concept by also placing performers in abandoned house or stately home settings. The goal is for the style of the music video to mirror a Tim Burton-esque environment with drag queens.
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Focus group research #2
- 2. Thiswasmy second idea, aspreviously mentioned, I waswanting drag queensto bearunning theme throughout each idea, I just needed to know what I wasgoing to do with them. After re-listening to my song, I realised thetuneof my song wastoo upbeat for the“mysteriousabandoned house” themeI wasgoing for, and therefore, I needed something weassociatewith danceand “good times”... anightclub
- 3. Music videos/ Mediaproductsbased in a nightclub I could usefor inspiration C Cher- Believe Zedd ft. Selena Gomez- Want You To Know Rihanna- Don’t Stop The Music Calvin Harris and Disciples- How Deep Is Your Love Jennifer Lopez ft. Pitbull- On The Floor Cascada- Evacuate The Dancefloor Cascada- Everytime We Touch Agnes- Release Me Walk The Moon- Shut And Dance Paradiso Girls ft. Lil Jon, Eve- Patron Tequila
- 4. For thisidea, I envisioned Drag Queenslocated in anightclub, variousmusic videoshave helped meshapethisidea, for example: Cher’s“Believe” Zedd and SelenaGomez’s “I Want You To Know” Raja’s“Zubi Zubi Zubi”