Props powerpoint
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The document discusses props for a music video shoot, including a black cane with a white top to be used by the lead singer Britney in solo scenes to portray a ringleader attitude, and a black microphone also to be used by Britney in some solo and ensemble scenes to portray a performance, though the mic may not be needed during dance scenes. Neither prop is deemed absolutely essential to the production.
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Props
The document discusses props needed for a music video including handcuffs, a guitar, piano, and drums. Handcuffs will be used to show the main character Josh getting arrested after breaking into a house. A guitar will be played by Josh at the start of the music video to coincide with the start of the song. A piano will be played by Josh towards the end when it is the only instrument heard in the song. Drums will be played by Josh when they are prominently featured in the song, though they are not crucial to the music video.
Initial prop idea
The document outlines initial prop ideas for a music video including:
1) Using a pocket watch when lyrics about stopping time are heard to connote the meaning and show an old fashioned style.
2) Using a magnum gun throughout to represent the film noir theme and mysterious detective narrative.
3) Showing a detective badge in the beginning to introduce the character.
4) Including shots of the band's instruments to allow viewers to watch the performance.
Uploud now
The document discusses potential props for a folk genre music video, including a trilby hat, guitar, and messy hair. The trilby is a traditional folk hat seen commonly in folk and folk rock music. Munford and Sons incorporate the trilby hat into their style. Guitars are also commonly used as props in music videos, even when the artist cannot play. Ben Howard uses a guitar prop in one of his black and white music videos. Messy hair is another common element seen in many folk artists that could help give the video an authentic folk feel.
Props, costumes and locations
The document discusses the props, costumes, and locations that will be used to film a music video. There will be four props - tea light candles surrounding a bath, a guitar played by the actor at the start, and a dress worn by the actor that is white but torn at the bottom. There will also be four locations - a long grass field where the actor walks and sings, a bathroom with candles around the bath, the bottom of a staircase, and a bedroom where the actor lays on the bed singing. The props and locations were chosen to set intimate and emotional scenes to match the indie folk song and tell a narrative of the actor searching for someone through the different areas of a house.
Gunslinger Treatment sheet
This document proposes ideas for lighting, background, costumes, and endings for a music video for the song "Gunslinger" by Avenged Sevenfold. The lighting idea is to use a spotlight on the singer to make him appear like a "narrator" while silhouettes of the band are in the background. The background idea is to have TV screens on either side of the singer playing war footage to connect the lyrics to war. Costume ideas include dressing the singer in classic, casual, or genre-specific "narrator" styles. Ending ideas involve the singer at a tombstone that is revealed to be his own or of someone he lost, connecting him personally to the themes of the song.
Editing stages
The sequence begins with a close-up shot of an artist that fades out as a long shot of a female fades in, overlapping the two shots. It then fades back to a close-up of the artist, fading out the female shot. This suggests the female is in the artist's mind. The lighting makes it seem as though she is fading in from bright light between trees. It emphasizes she is dressed in white to make the audience wonder what is fading in. The constant fading between shots of the artist and female implies she is who he is thinking about, as emphasized by the song's lyrics.
Analysis of nickelback ‘how you remind me’
1) The clothing, lighting, and setting depict the man's sadness over a lost love and represent the rock genre of the song. High key lighting is used when the woman appears and low key when she leaves.
2) Close-ups show the man's sadness when he realizes the woman is not really there, reflecting the emotional tone of the rock song. Mid shots of the band playing instruments establish it is about a rock band.
3) Rapid cutting between scenes of the band and the man's story keeps the viewer engaged and shows the relationship between the music and lyrics. Shot/reverse shot is used when the man sees the woman to reveal his look of pain.
Nick turpin (street)
Nick Turpin is a street photographer from London. His photos depict random people in everyday street scenes and are meant to make the viewer think about what is being portrayed. The photos have different compositions since they were taken in various locations. Shutter speeds vary depending on whether the subject is stationary or moving. Depth of field is typically central to keep subjects in focus. The reviewer likes how Turpin's photos make people think and analyze what they see, particularly one photo showing a grid road laid out incorrectly.
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Props
The document discusses props needed for a music video including handcuffs, a guitar, piano, and drums. Handcuffs will be used to show the main character Josh getting arrested after breaking into a house. A guitar will be played by Josh at the start of the music video to coincide with the start of the song. A piano will be played by Josh towards the end when it is the only instrument heard in the song. Drums will be played by Josh when they are prominently featured in the song, though they are not crucial to the music video.
Initial prop idea
The document outlines initial prop ideas for a music video including:
1) Using a pocket watch when lyrics about stopping time are heard to connote the meaning and show an old fashioned style.
2) Using a magnum gun throughout to represent the film noir theme and mysterious detective narrative.
3) Showing a detective badge in the beginning to introduce the character.
4) Including shots of the band's instruments to allow viewers to watch the performance.
Uploud now
The document discusses potential props for a folk genre music video, including a trilby hat, guitar, and messy hair. The trilby is a traditional folk hat seen commonly in folk and folk rock music. Munford and Sons incorporate the trilby hat into their style. Guitars are also commonly used as props in music videos, even when the artist cannot play. Ben Howard uses a guitar prop in one of his black and white music videos. Messy hair is another common element seen in many folk artists that could help give the video an authentic folk feel.
Props, costumes and locations
The document discusses the props, costumes, and locations that will be used to film a music video. There will be four props - tea light candles surrounding a bath, a guitar played by the actor at the start, and a dress worn by the actor that is white but torn at the bottom. There will also be four locations - a long grass field where the actor walks and sings, a bathroom with candles around the bath, the bottom of a staircase, and a bedroom where the actor lays on the bed singing. The props and locations were chosen to set intimate and emotional scenes to match the indie folk song and tell a narrative of the actor searching for someone through the different areas of a house.
Gunslinger Treatment sheet
This document proposes ideas for lighting, background, costumes, and endings for a music video for the song "Gunslinger" by Avenged Sevenfold. The lighting idea is to use a spotlight on the singer to make him appear like a "narrator" while silhouettes of the band are in the background. The background idea is to have TV screens on either side of the singer playing war footage to connect the lyrics to war. Costume ideas include dressing the singer in classic, casual, or genre-specific "narrator" styles. Ending ideas involve the singer at a tombstone that is revealed to be his own or of someone he lost, connecting him personally to the themes of the song.
Editing stages
The sequence begins with a close-up shot of an artist that fades out as a long shot of a female fades in, overlapping the two shots. It then fades back to a close-up of the artist, fading out the female shot. This suggests the female is in the artist's mind. The lighting makes it seem as though she is fading in from bright light between trees. It emphasizes she is dressed in white to make the audience wonder what is fading in. The constant fading between shots of the artist and female implies she is who he is thinking about, as emphasized by the song's lyrics.
Analysis of nickelback ‘how you remind me’
1) The clothing, lighting, and setting depict the man's sadness over a lost love and represent the rock genre of the song. High key lighting is used when the woman appears and low key when she leaves.
2) Close-ups show the man's sadness when he realizes the woman is not really there, reflecting the emotional tone of the rock song. Mid shots of the band playing instruments establish it is about a rock band.
3) Rapid cutting between scenes of the band and the man's story keeps the viewer engaged and shows the relationship between the music and lyrics. Shot/reverse shot is used when the man sees the woman to reveal his look of pain.
Nick turpin (street)
Nick Turpin is a street photographer from London. His photos depict random people in everyday street scenes and are meant to make the viewer think about what is being portrayed. The photos have different compositions since they were taken in various locations. Shutter speeds vary depending on whether the subject is stationary or moving. Depth of field is typically central to keep subjects in focus. The reviewer likes how Turpin's photos make people think and analyze what they see, particularly one photo showing a grid road laid out incorrectly.
final idea
This document outlines the plan for a music video including 5 different location shots: 1) a dark road with a close-up of the performer's face, 2) a studio with a black background, 3) a bar to show the performer is lonely with no friends, 4) a toilet scene of the performer staring in the mirror, and 5) the performer singing to a wall and dropping to the floor at the end. It discusses having one main performer and additional actors at the bar and bathroom scenes. Costumes will start casual and change to a white vest for the studio scenes and a dress for party scenes. The narrative will show a girl missing an important person by looking at her phone throughout the night. Visual styles will include
Case Study
1. The music video tells the story of a female artist who shoots a man who had raped her outside a club the night before. She sings about taking revenge and shooting the man in public.
2. The video uses a conceptual and narrative style to relate the story to real life situations. Flashbacks show her happy lifestyle in Barbados before the rape traumatized her.
3. The artist is represented as a typical young black Caribbean woman, dressed colorfully with bright red hair, though the video does not emphasize partying or stereotypes.
4. Various camera techniques like mid shots, continuity editing, and closeups are used to make the story seem realistic as it follows a narrative the audience can
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
Nick turpin (street)
The document analyzes and summarizes the street photography work of Nick Turpin. It discusses the overall theme of Turpin's images being random people in public places around London. It notes the different compositions and techniques used in the photos, such as varying angles and shutter speeds. It highlights photo number 4 as a strength, where the grid pattern is facing the wrong way, making it memorable. In general, the analysis praises Turpin's photos for making the viewer think and for not having any particular weaknesses.
Guy richie
Guy Ritchie began his career doing odd jobs on film sets before directing music videos and commercials. This experience helped him direct the short film "The Hard Case" in 1995, which caught the attention of Sting's wife Trudie Styler. Styler invested in Ritchie's first feature film "Lock, Stock and Two Smoking Barrels" in 1998, which was a success. However, Ritchie's next two films attempted new things and were not as well received.
Guy Richie
Guy Ritchie began his career doing odd jobs in film and television before directing music videos and commercials. His short film The Hard Case caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film Lock, Stock and Two Smoking Barrels in 1998. This film established Ritchie's signature style of fast-paced crime thrillers, but his next two films failed to follow the same successful formula.
Recce
The document discusses the locations that will be used in an upcoming music video. It describes 6 locations: the music room, studio, dance studio, living room, bedroom, and bathroom. Each location will portray different scenes related to the singer's insecurities in her relationship and her boyfriend making her feel insecure. The scenes will use various shots and lighting will be adjusted to create a sense of dullness and gloominess to complement the theme of insecurity in the song.
Pp1
The document discusses the process of developing an opening sequence for a thriller film. It describes researching techniques used in films like Vertigo to establish tension. Test shots were taken from different angles to see which most clearly showed the main character running without camera shake. The opening sequence aims to create mystery around the identity of a man under a bag and keep the audience wondering if he is the antagonist or protagonist, following thriller conventions while also breaking some rules to intrigue viewers.
Frith's 3 typologies
Frith identifies three typologies of music videos: performance videos showcase the artist's talent through simply performing the song, narrative videos tell a story, often a love story, through the video, and conceptual videos offer abstract or alternative meanings to the song that may contradict the lyrics and make the viewer think differently about it.
Frith's 3 typologies
Frith identifies three typologies of music videos: performance videos showcase the artist's talent through live performance without elaborate production elements; narrative videos tell a story, often a love story, to accompany the song; and conceptual videos offer abstract or alternative interpretations of the song's meaning through non-literal visuals that may contradict the lyrics.
Evaluation 7
1) The document discusses how the author's skills in using software and hardware for filmmaking have improved. For their preliminary task, they did not use titles, sound design, lighting techniques, or varied shot composition.
2) For their final film opening, the author researched conventions of the thriller genre and used varied techniques - including lighting with a phone flashlight, directing an actor rather than performing, choosing an indoor/outdoor location, incorporating three pieces of music, and using different shots and angles from a tripod and handheld camera.
3) While handheld camerawork was still shaky, the author notes it added to the emotions of the final scene.
Omarion Touch Evaluation
The music video depicts an R&B song about a man who is interested in a woman he sees. Much of the video shows him dancing either alone or with the woman from a distance as he pursues her, though they are interrupted at times by others. Various camera shots and angles are used to tell the story through their dancing and depict the man's difficulty in getting close to the woman. By the end of the video, it appears he has managed to connect with her as was his goal from the beginning.
Jack rabbit slims
The document identifies several postmodern features in the "Jack Rabbit Slims" sequence from the film "Pulp Fiction". These include intertextuality through references to other films like "The Seven Year Itch", parody through mimicking John Travolta's famous dance scene from "Saturday Night Fever", pastiche in celebrating Travolta's previous work, reflexivity by breaking the fourth wall, bricolage through mixing different historical eras in costumes and sets, and self-referentiality from references to other films by the same director like "Kill Bill".
7th December Photo Shoot
The document discusses different photo options for the cover of a music magazine. It considers an image of two artists pretending to fight over the number one spot but notes this could be misleading given the magazine's title "SOLO". Another photo of an artist is criticized for not making it clear what genre of music he performs. The author's favorite photo shows an artist holding an acoustic guitar, signaling he is a solo musician in a clear way for the cover.
Props
The document discusses props that will be used in a music video including a door, piano, drums, guitar, and microphone. A door will be used a few times to show an actor opening and closing it. A piano will be played briefly at the beginning to introduce the song. Drums and guitar will be featured to emphasize the rock genre. Finally, a microphone will be used intermittently to indicate the main actor is performing.
Props
The document describes various props that will be used in a music video to set the scene and advance the narrative. This includes microphones, guitars, drums, and other musical instruments to make the actors appear as a band performing. Other props like mobile phones, cars, pool cues, pint glasses and bowling balls will be used to show characters interacting in relatable settings like making calls, traveling between locations, playing pub games, drinking in a pub, and going bowling. All props aim to make the story realistic and aid in visual storytelling through their inclusion in relevant scenes.
Props
The document discusses four props that will be used in a music video: 1) musical instruments including a drum kit, guitars, bass, and microphone to show the band performing; 2) alcohol bottles to show the main character getting drunk; 3) an iPhone to show the main character texting his ex-girlfriend; 4) paracetamol pills to symbolize the main character taking drugs to cope with his feelings. The props will be used by actors and placed throughout shots in the video to advance the storyline and themes of love, danger, coping mechanisms, and relatability to a young audience.
Recce
The document discusses the locations that will be used in an upcoming music video. It describes 6 locations: the music room, studio, dance studio, living room, bedroom, and bathroom. Each location will portray different scenes related to the singer's insecurities in her relationship and her boyfriend making her feel insecure. The scenes will use various shots and lighting will be adjusted to create a sense of dullness and gloominess to complement the theme of insecurity in the song.
Props
This document describes props that will be used in a music video. It provides details for 8 props: a TV remote, microphone, guitar, hair wax, beer bottles, bottle of vodka, and plastic cups. Each prop description specifies how the prop will be used, who will use it, how frequently it will appear, and why it is important to the music video. The props help set the scene of a house party and live musical performance, and make the video seem more realistic and relatable to the target audience.
Props
This document describes props that will be used in a music video. It provides details for 8 props: a TV remote, microphone, guitar, hair wax, beer bottles, bottle of vodka, and plastic cups. Each prop description specifies how the prop will be used, who will use it, how frequently it will appear, and why it is important to the music video. The props help set the scene of a house party and live musical performance, and make the video seem more realistic and relatable to the target audience.
Props
This document describes props that will be used in a music video. It provides details for 8 props: a TV remote, microphone, guitar, hair wax, beer bottles, bottle of vodka, and plastic cups. Each prop description specifies how the prop will be used, who will use it, how frequently it will appear, and why it is important to the music video. The props help set the scene of a house party and live musical performance, and make the video seem more realistic and relatable to the target audience.
Media A2 music video treatment sheet
Natalie Major is a 17-year-old singer-songwriter from Chicago who now lives in Los Angeles. She released her debut album "Little Mockingbird" in 2014. The treatment sheet describes plans for a music video for Natalie's unreleased song "Heartbreaker." The concept is that Natalie's character gets revenge on a former lover by destroying reminders of him and other girls. Locations include the school drama room, countryside, and houses. Costumes, makeup, and props help convey themes of rebellion, mystery, and empowerment.
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final idea
This document outlines the plan for a music video including 5 different location shots: 1) a dark road with a close-up of the performer's face, 2) a studio with a black background, 3) a bar to show the performer is lonely with no friends, 4) a toilet scene of the performer staring in the mirror, and 5) the performer singing to a wall and dropping to the floor at the end. It discusses having one main performer and additional actors at the bar and bathroom scenes. Costumes will start casual and change to a white vest for the studio scenes and a dress for party scenes. The narrative will show a girl missing an important person by looking at her phone throughout the night. Visual styles will include
Case Study
1. The music video tells the story of a female artist who shoots a man who had raped her outside a club the night before. She sings about taking revenge and shooting the man in public.
2. The video uses a conceptual and narrative style to relate the story to real life situations. Flashbacks show her happy lifestyle in Barbados before the rape traumatized her.
3. The artist is represented as a typical young black Caribbean woman, dressed colorfully with bright red hair, though the video does not emphasize partying or stereotypes.
4. Various camera techniques like mid shots, continuity editing, and closeups are used to make the story seem realistic as it follows a narrative the audience can
Analysis of 3 music videos
This document provides a summary and analysis of the music video for Foo Fighters' song "My Hero". The video tells a narrative of a man rescuing people from a house fire, including babies. It contrasts shots of the band casually performing with the dramatic rescue scenes. The video is shot in a single take to heighten the sense of urgency and match the song. It effectively uses the fire as a backdrop for the band's performance without making them the central focus.
Nick turpin (street)
The document analyzes and summarizes the street photography work of Nick Turpin. It discusses the overall theme of Turpin's images being random people in public places around London. It notes the different compositions and techniques used in the photos, such as varying angles and shutter speeds. It highlights photo number 4 as a strength, where the grid pattern is facing the wrong way, making it memorable. In general, the analysis praises Turpin's photos for making the viewer think and for not having any particular weaknesses.
Guy richie
Guy Ritchie began his career doing odd jobs on film sets before directing music videos and commercials. This experience helped him direct the short film "The Hard Case" in 1995, which caught the attention of Sting's wife Trudie Styler. Styler invested in Ritchie's first feature film "Lock, Stock and Two Smoking Barrels" in 1998, which was a success. However, Ritchie's next two films attempted new things and were not as well received.
Guy Richie
Guy Ritchie began his career doing odd jobs in film and television before directing music videos and commercials. His short film The Hard Case caught the attention of Sting's wife Trudie Styler, who funded Ritchie's first feature film Lock, Stock and Two Smoking Barrels in 1998. This film established Ritchie's signature style of fast-paced crime thrillers, but his next two films failed to follow the same successful formula.
Recce
The document discusses the locations that will be used in an upcoming music video. It describes 6 locations: the music room, studio, dance studio, living room, bedroom, and bathroom. Each location will portray different scenes related to the singer's insecurities in her relationship and her boyfriend making her feel insecure. The scenes will use various shots and lighting will be adjusted to create a sense of dullness and gloominess to complement the theme of insecurity in the song.
Pp1
The document discusses the process of developing an opening sequence for a thriller film. It describes researching techniques used in films like Vertigo to establish tension. Test shots were taken from different angles to see which most clearly showed the main character running without camera shake. The opening sequence aims to create mystery around the identity of a man under a bag and keep the audience wondering if he is the antagonist or protagonist, following thriller conventions while also breaking some rules to intrigue viewers.
Frith's 3 typologies
Frith identifies three typologies of music videos: performance videos showcase the artist's talent through simply performing the song, narrative videos tell a story, often a love story, through the video, and conceptual videos offer abstract or alternative meanings to the song that may contradict the lyrics and make the viewer think differently about it.
Frith's 3 typologies
Frith identifies three typologies of music videos: performance videos showcase the artist's talent through live performance without elaborate production elements; narrative videos tell a story, often a love story, to accompany the song; and conceptual videos offer abstract or alternative interpretations of the song's meaning through non-literal visuals that may contradict the lyrics.
Evaluation 7
1) The document discusses how the author's skills in using software and hardware for filmmaking have improved. For their preliminary task, they did not use titles, sound design, lighting techniques, or varied shot composition.
2) For their final film opening, the author researched conventions of the thriller genre and used varied techniques - including lighting with a phone flashlight, directing an actor rather than performing, choosing an indoor/outdoor location, incorporating three pieces of music, and using different shots and angles from a tripod and handheld camera.
3) While handheld camerawork was still shaky, the author notes it added to the emotions of the final scene.
Omarion Touch Evaluation
The music video depicts an R&B song about a man who is interested in a woman he sees. Much of the video shows him dancing either alone or with the woman from a distance as he pursues her, though they are interrupted at times by others. Various camera shots and angles are used to tell the story through their dancing and depict the man's difficulty in getting close to the woman. By the end of the video, it appears he has managed to connect with her as was his goal from the beginning.
Jack rabbit slims
The document identifies several postmodern features in the "Jack Rabbit Slims" sequence from the film "Pulp Fiction". These include intertextuality through references to other films like "The Seven Year Itch", parody through mimicking John Travolta's famous dance scene from "Saturday Night Fever", pastiche in celebrating Travolta's previous work, reflexivity by breaking the fourth wall, bricolage through mixing different historical eras in costumes and sets, and self-referentiality from references to other films by the same director like "Kill Bill".
7th December Photo Shoot
The document discusses different photo options for the cover of a music magazine. It considers an image of two artists pretending to fight over the number one spot but notes this could be misleading given the magazine's title "SOLO". Another photo of an artist is criticized for not making it clear what genre of music he performs. The author's favorite photo shows an artist holding an acoustic guitar, signaling he is a solo musician in a clear way for the cover.
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Similar to Props powerpoint
Props
The document discusses props that will be used in a music video including a door, piano, drums, guitar, and microphone. A door will be used a few times to show an actor opening and closing it. A piano will be played briefly at the beginning to introduce the song. Drums and guitar will be featured to emphasize the rock genre. Finally, a microphone will be used intermittently to indicate the main actor is performing.
Props
The document describes various props that will be used in a music video to set the scene and advance the narrative. This includes microphones, guitars, drums, and other musical instruments to make the actors appear as a band performing. Other props like mobile phones, cars, pool cues, pint glasses and bowling balls will be used to show characters interacting in relatable settings like making calls, traveling between locations, playing pub games, drinking in a pub, and going bowling. All props aim to make the story realistic and aid in visual storytelling through their inclusion in relevant scenes.
Props
The document discusses four props that will be used in a music video: 1) musical instruments including a drum kit, guitars, bass, and microphone to show the band performing; 2) alcohol bottles to show the main character getting drunk; 3) an iPhone to show the main character texting his ex-girlfriend; 4) paracetamol pills to symbolize the main character taking drugs to cope with his feelings. The props will be used by actors and placed throughout shots in the video to advance the storyline and themes of love, danger, coping mechanisms, and relatability to a young audience.
Recce
The document discusses the locations that will be used in an upcoming music video. It describes 6 locations: the music room, studio, dance studio, living room, bedroom, and bathroom. Each location will portray different scenes related to the singer's insecurities in her relationship and her boyfriend making her feel insecure. The scenes will use various shots and lighting will be adjusted to create a sense of dullness and gloominess to complement the theme of insecurity in the song.
Props
This document describes props that will be used in a music video. It provides details for 8 props: a TV remote, microphone, guitar, hair wax, beer bottles, bottle of vodka, and plastic cups. Each prop description specifies how the prop will be used, who will use it, how frequently it will appear, and why it is important to the music video. The props help set the scene of a house party and live musical performance, and make the video seem more realistic and relatable to the target audience.
Props
This document describes props that will be used in a music video. It provides details for 8 props: a TV remote, microphone, guitar, hair wax, beer bottles, bottle of vodka, and plastic cups. Each prop description specifies how the prop will be used, who will use it, how frequently it will appear, and why it is important to the music video. The props help set the scene of a house party and live musical performance, and make the video seem more realistic and relatable to the target audience.
Props
This document describes props that will be used in a music video. It provides details for 8 props: a TV remote, microphone, guitar, hair wax, beer bottles, bottle of vodka, and plastic cups. Each prop description specifies how the prop will be used, who will use it, how frequently it will appear, and why it is important to the music video. The props help set the scene of a house party and live musical performance, and make the video seem more realistic and relatable to the target audience.
Media A2 music video treatment sheet
Natalie Major is a 17-year-old singer-songwriter from Chicago who now lives in Los Angeles. She released her debut album "Little Mockingbird" in 2014. The treatment sheet describes plans for a music video for Natalie's unreleased song "Heartbreaker." The concept is that Natalie's character gets revenge on a former lover by destroying reminders of him and other girls. Locations include the school drama room, countryside, and houses. Costumes, makeup, and props help convey themes of rebellion, mystery, and empowerment.
Actors, props and costumes
Actor 1 will play himself as the main character lip syncing in the music video due to availability and control over the final product. Some shots will be self-filmed using a tripod while others will be filmed by friends.
Actor 2, Poppy Tiller, was chosen because she is attractive and comfortable wearing minimal clothing, fitting the target audience's expectations for a pop music video.
Actor 1 will wear a white t-shirt, black skinny jeans, grey trainers and occasionally a grey hoodie to appear fashionable and relatable to the target audience. Actor 2 will wear red underwear to enhance the emotional lyrics, and occasionally a baggy jumper.
Props like a lighter, headphones and items
Final Storyboard
The document provides a storyboard for a music video titled "The Ghost of Samantha - Evacuate". It describes 14 scenes that will visualize the lyrics of the song. Scene locations include a front door, garden, picnic area, barn attic, cafe, and field. Camera techniques like tracking shots, close-ups, and stop motion will be used. Lighting will be natural sunlight except for scenes requiring extra lighting due to low light. The artist will wear bright colors to stand out against backgrounds and convey feelings of loneliness through their movements in each scene.
Props for ‘she said’ by sundara
The document describes various props that will be used in a music video, including alcohol bottles, plastic cups, a sports bag, handbag, coffee table, electric guitar, drums, drum sticks, and a microphone stand. The props will be used to set the scenes of a party, school, and band performance to help tell the story and make the music video feel realistic for a young audience. The characters will use the props to drink alcohol, carry belongings, place drinks, and perform music.
Initial location ideas
The document proposes initial location ideas for a music video narrative, including a pub where the detective will interrogate patrons about his missing love interest and show a poster; a recording studio to show the band performing; a park bench where the singer will sit and write lyrics; an abandoned room where the female is held hostage; a dark street to introduce the detective character; and the singer's bedroom where he will play guitar and think about the woman.
Task 3- Still image analysis
This document analyzes 7 shots from an indie music video and how they follow conventions of the genre. Shot 1 introduces the lonely artist filmed in a city location on a low budget. Shot 2 is a close-up showing the artist's emotions. Shot 3 shows the artist in an abandoned warehouse living in poverty, relating to the song lyrics. Shot 4 features the artist singing, a common music video convention. Shot 5 uses plain clothing and lighting to illustrate the dark lyrics. Shot 6 emphasizes the artist's isolation in a wide landscape shot. Shot 7 connects the closing lyrics to the artist's changed expression, suggesting change can be positive. Overall, the shots use techniques like location, lighting and cinematography typical of indie music videos to
Florence and the machine cosmic love
Florence and the Machine's music video for "Cosmic Love" tells a narrative of unrequited love through Florence's pained expressions and ghostly images. Various editing techniques like cross-cutting and fast pacing create a manic atmosphere conveying her pain and search for love. The video features Florence in forests and mirrored rooms, locations that make her seem ordinary yet extraordinary. Through the video's production over time, Florence and the Machine have developed a more professional image with improved lighting and cinematography.
Chosen locations
The document discusses locations and shots for a music video. It describes using a black box room to film the actor singing with red lighting to create silhouettes and convey emotion. Various close-up shots of the actor's face and mouth singing will be used. London is selected as a location to film the actor walking and 'finding himself' with close-ups, mid, and long shots. Shots at the document writer's house will show the actor's loneliness by living alone, including the actor singing on the kitchen floor and in the loft with dimmed lights.
Initial ideas
The document outlines three initial ideas for music videos. Idea 1 follows a solo artist who buys a guitar from a homeless man and plays it around the city before returning it. Idea 2 uses a narrative structure to show the singer's parents arguing as he purchases alcohol and fireworks. Idea 3 would be an entirely performance-based black and white video using various camera angles and slow motion shots to avoid repetition. This option may be the most difficult as it requires finding someone skilled at guitar to perform the song.
Convections of a gangster film
The document discusses and analyzes the opening scenes of four films: Pulp, Lock Stock and Two Smoking Barrels, The Postman Always Rings Twice, and Se7en. For each film, it describes key elements that are established in the first few minutes such as characters, settings, plot details, and production information. It also analyzes the mise-en-scene techniques used in each opening scene, including camera angles, lighting, sounds, and how they set the tone for the film.
Prop list
The document discusses props for a music video including a bass guitar, pedalos, and microphone. The bass guitar will create a natural, homely feel to accompany the singer. Pedalos in Hyde Park will highlight the everyday activities and relationship between the couple in the video, allowing point-of-view shots. A microphone is needed to record the live song and will be featured in the video to give a realistic performance look.
Evaluation task 1
Evaluation Task 1
In what ways does your media product use, develop or challenge forms and conventions of real media products ?
Three Music Videos
The document summarizes and analyzes three music videos:
1) Rihanna's "Disturbia" video features her in a surreal torture chamber setting with spooky dancers and jolted movements matching the song's beat.
2) Britney Spears' "Circus" video portrays her as the ring leader of a circus with fireworks, lions, and flashy lighting for her dance routines.
3) Chipmunk's "Oopsy Daisy" video has a slower tone and focuses on close-ups showing strong emotion, along with imagery of memories burning away.
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Evaluation 1
Hannah Lortie created a music video for the song "Circus" by Britney Spears for her portfolio. She researched the codes and conventions of the pop genre. Some key conventions she included are relatable costumes, meaningful lyrics, bright colors, sexualization, and multiple locations. For her video, she chose simple black and red costumes to represent a circus theme. The locations progressed from a changing room to dance studio to outdoor amphitheater for the final performance. Overall, she aimed to create a fun and entertaining video that would appeal to her target audience.
Evaluation 2 Final
The document discusses the effectiveness of combining a main product with ancillary texts while maintaining an underlying theme. The author's main product is a music video with a circus theme portrayed through costumes like a ringleader coat. Ancillary products like a digipak and magazine ad use circus elements like borders and matching color schemes to clearly link them to the main theme. Consistency across products helps build the brand and allows audiences to recognize related works, potentially increasing sales.
Evaluation 2
The document discusses the effectiveness of combining a main product with ancillary texts while maintaining an underlying theme. The author's main product is a music video with a circus theme portrayed through costumes like a ringleader coat. Ancillary products like a digipak and magazine ad use circus elements like borders and matching color schemes to clearly link them to the main theme. Consistency across products helps build the brand and allows audiences to recognize related works, potentially increasing sales.
How effective is the combination of your main
The document discusses how the author effectively combined their main music video product with ancillary texts like a digipak and magazine advert. It was important to employ continuity throughout the products to make them look professionally branded and give a unique niche appearance. Key themes from the video like freedom and self-expression were represented in the ancillary products through imagery like facial expressions and LGBT symbols. Consistent font, color schemes, and motifs linked the products together and clearly conveyed the overarching brand identity.
Question 1
The document discusses how the media student's music video for "Grace Kelly" by Mika challenges and adheres to conventions of the genre.
The video challenges conventions around sexualization by keeping costumes dignified. It also challenges product placement and aims to be more relatable.
Conventions that are adhered to include use of bright colors, fast-paced editing to match the song, and settings like a bedroom that audiences can relate to. Props are also used prominently to enhance the narrative.
Overall, the student aimed to produce a unique yet professional product that both followed and pushed boundaries of typical music video conventions.
EVALUATION - QUESTION 2 - HOLLY MORSLEY
The document discusses the importance of consistency between a main product and ancillary texts. It analyzes how the overarching themes of freedom, self-expression and sexuality from an artist's music video were represented in the digipak and magazine advert through imagery like facial expressions, rainbow motifs, and typography. Maintaining continuity of themes, imagery and fonts across products creates a cohesive brand identity for the artist and company.
Costume PowerPoint
The document discusses costume designs for a singer named Britney in three different scenes. Costume 1 for dancers and Britney includes black leotards, tights and boots for rehearsal scenes. Costume 2 also for dancers and Britney features heels that the singer will wear in most scenes to look confident, while dancers wear them in the main dance scene. Jazz shoes are included as backups. Costume 3 for Britney alone consists of jeans and a tailcoat worn in changing room scenes that are suitable for the song's style and allow for dancing without damaging the material.
Location powerpoint
The document discusses four potential filming locations for a music video: 1) A performing arts studio that could be used for rehearsal shots and solo performance shots using its stage lighting and curtains. 2) A dance studio that would be good for additional rehearsal shots and allow a change in scenery. 3) A changing room that could be used for costume shots and close-ups of the singer's attitude. 4) A main hall with professional stage and lighting that would be suitable for concluding shots of a full performance.
Actors powerpoint
Hannah Lortie chose herself to be the lead singer in a music video due to her confidence and experience from studying performing arts. She describes herself as having an open personality that can easily change expressions for acting. Her strong female appearance and fashionable style will suit the role of an independent lead singer. Five dancers - Libby Mellor, Jessica Bairstow, Ellie Forrester, Alice Crawshaw, and Gertrude Collins - were chosen from auditions to be secondary actors based on their ability to show attitude and technique during routines and freestyle sections of the audition. Many of the dancers have experience at external dance schools.
Step guide digipak
Holly created panels measuring 140mm by 126mm for each panel of the digipak. She imported images from her school media drive that she had previously used for a photo shoot. Holly used layer duplication and colored overlays to create a cascading effect. She added text for the logo and album title using effects like gradients and glows. The back cover, track list, label logo, and barcode were also designed. Circles were made with the shape tool to imitate a CD for the design.
Original music video review
The music video for Sia's "Alive" features Japanese karate star Mahiro Takano performing martial arts moves in an abandoned warehouse, symbolizing the internal struggle and fight for survival described in the song's lyrics. Through precise movements synchronized to the song and use of natural lighting, the video tells a story of overcoming challenges alone without help from others. It effectively uses the karate uniform, warehouse setting, and Mahiro Takano's talent to visually represent the themes of self-defense, discipline, and fighting through difficult times.
Music video representation
This music video by Will.i.am featuring Eva Simons tells a romantic story through two main locations - Tower Bridge in London and a computer screen. Tower Bridge represents a classic romantic setting for a walk, while the computer screen shows a younger party scene. The video portrays the different genders through Will.i.am in suits singing and Eva Simons dancing in party dresses. Though they are in their 20s, the partiers shown on the computer appear to be teenagers, representing the target audience. Costumes fit a middle-class party theme and props like a piano and party items advance the story without any commercial product placement.
Locations
This document considers several potential locations for filming a music video:
1) A dance studio which would provide natural lighting but may be too expensive.
2) A historic building called Piece Hall which could be used for indoor and outdoor shots but availability depends on the local council.
3) A friend's bedroom that could serve as a mock dressing room but may have scheduling issues.
4) An abandoned mill that would suit the artist's image but could only be used during the day for safety and lighting reasons.
5) A public park that would require extra lighting if shot at night and may be too disconnected from the song. The document analyzes the pros and cons of each location.
Props
This document discusses props for a music video including makeup, a laptop, and a microphone. Makeup props like lipstick and eyeshadow will be used and dirty to reflect the chaotic nature of the industry. A laptop will show a video of a woman and represent the materialism of the pop industry. A microphone will be used by the artist to show them performing and relate to both older and younger audiences, though using a microphone stand could appeal more to older viewers.
Costumes
The document discusses costume choices for a music video that aims to rebel against pop music conventions. It describes five costumes: a black leather jacket, black jeans, a white t-shirt, Doc Martens boots, and a black floral dress. The black leather jacket, jeans, boots, and ripped white t-shirt are meant to portray the artist's defiance of the pop genre. The black floral dress for the actress alludes to elegance and femininity commonly associated with older cinema. Most of the costumes were chosen because they are casual, relatable items that younger audience members could identify with while still conveying the song's anti-pop message.
Actors
Nathan Coulson will play the artist Mika in the production. Nathan matches Mika's flamboyant and outgoing personality, and has experience in school musical productions. His thin, tall build and curly hair would make him memorable onscreen.
Holly Morsley will play the woman quoting Grace Kelly during the song. She has experience in school musicals and an outgoing personality that allows her to lip sync songs well. Her thick lips and hair relate to 1950s beauty ideals, connecting her to the decade of Grace Kelly's career.
Music Video Review
The music video for Mika's song "Grace Kelly" is a performance video that shows Mika singing and playing instruments in a studio setting. The video mocks the music industry by having Mika conform to pop conventions like bright costumes ironically. While using some pop elements, the video challenges the industry's pressure on artists to change their style. It celebrates individual artistic expression.
Representation PP
The music video for Katy Perry's "Chained to the Rhythm" is set in a fictional theme park called Oblivia that represents modern society. While presented as idealistic, the theme park highlights the dark nature of constant distraction in modern life. The video uses various elements like costumes, gender roles, and ethnic representation to portray how society enforces illusion and false ideals.
20 music videos review
The document reviews 20 music videos and discusses elements from each that provide inspiration or ideas for the reviewer's own music video. Some common elements that many of the videos inspired for the reviewer's video are the use of outdoor locations, natural lighting, costumes, camera shots that capture emotion, and storylines that intrigue the target audience. Elements from specific videos that influenced the reviewer's ideas include using a dull outdoor setting from "Yellow" by Coldplay, close-up shots from "Diamonds" by Rihanna, and including an actor's vulnerabilities by changing their appearance through lighting effects like in "Human" by Christina Perri.
Question 2
This document discusses how a film title and opening sequence represents the social group of young adults aged 18-24. Costumes like jeans, tops, and folders were used to depict this age group. Props like phones, household items, and folders were included because they are relatable items used daily by 18-24 year olds. The sales girl character, though inexperienced, pushes products in an arrogant stereotypical way associated with teenagers and young adults. Overall, the film aims to create a true representation of attitudes and styles of the target 18-24 age group through acting and visual elements.
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- 2. Prop 1: Cane The cane is black with a white top that will be used by the main singer, Britney. It will be used in her solo scenes. This prop is common in your typical circus prop box, it is mainly used by the ringleader and because Britney is acting as a ringleader it is her using the prop. This shot will show Britney playing around and acting superior and showing her ‘show bizz’ attitude. This prop isn’t extremely important because as it is not used enough to make it necessary. No dancers will be using a prop as it doesn’t fit with the dance choreographed and in a usual circus atmosphere the ringleader is the main person to have some form of hand held prop.
- 3. Prop 2: Microphone This microphone is black and will only be used by the lead singer, in some of her solo scenes and a few of her ensemble scenes. This prop links to the performance within the video, in a typical show a performer will have a mic in order to be heard by the audience over the music and noise of the crowd. The shots using this prop will show Britney performing to the camera. This prop isn’t extremely important and can be replaced if needs be. The prop may not be needed because the main performance is a dance scene and it will be difficult to hold a hand held mic whilst dancing. No dancers will be using this prop either.