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The document discusses the conceptualization and technical aspects of a photographic image. It was intended to make the audience feel compassion for the subject by having her look defeated with her head down at bruises on her shoulders, calling to mind the mistreatment of animals. The medium close-up shot and three-quarter angle were used to facilitate audience empathy and understanding of the message about the fur trade. While the composition and presentation were well-considered, the photographer notes potential improvements could have been making by reducing distraction from cage bars and the subject's top.
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Annotations 4
The document discusses the initial concept, angle, composition, and potential improvements of a photographic image. The initial concept was to convey the message that humans do not care as much about animal abuse because they do not see it directly and view animals as inferior. The eye-level angle of the subject in a dog cage was intended to allow viewers to connect and empathize with its look of defeat. The casual pose and visible blood was meant to shock audiences about how animal fur coats are made in a way most find acceptable today. Improvements could include removing the cropped top of the subject's head and a solid black background to focus solely on the subject.
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Annotations 4
The document discusses the initial concept, angle, composition, and potential improvements of a photographic image. The initial concept was to convey the message that humans do not care as much about animal abuse because they do not see it directly and view animals as inferior. The eye-level angle of the subject in a dog cage was intended to allow viewers to connect and empathize with its look of defeat. The casual pose and visible blood was meant to shock audiences about how animal fur coats are made in a way most find acceptable today. Improvements could include removing the cropped top of the subject's head and a solid black background to focus solely on the subject.
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This document describes the steps taken to design a magazine cover in the style of Little White Lies magazine. It involved scanning in an image and editing it for better contrast [1]. A Little White Lies badge was added by scanning and layering it [2]. The cover image was further edited to emphasize a split personality by making one eye red and the other perfect [3]. The title was manually positioned on the left shoulder [4]. A signature was added in the bottom corner following Little White Lies conventions [5].
Existing product research
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This document contains an artist's reflections on experimenting with a film camera to capture images in a natural way. They discuss several photos in terms of composition, lighting, exposure, and technical camera settings. The artist was able to experiment with features like ISO, exposure, focal length, and focus. Their aim was to capture fleeting moments of light and life through creative angles and compositions. However, some photos suffered from exposure or focus issues that they hope to improve on next time.
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The document describes the process taken to design a magazine cover image based on a film. It involved finding a suitable base image, tracing it, and then coloring the tracing to emphasize certain features and create drama. Inspiration was taken from previous "Little White Lies" magazine covers, including using heavier shading on one side of the face to indicate a split personality, and burn-like markings on the neck to reference demons in the film. The goal was to capture the psychological thriller genre in a dramatic visual style inspired by past magazine covers.
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This document provides tips and examples for different types of photography assignments, including headshots, environmental portraits, action shots, closeups, and more. It discusses compositional techniques like framing the subject, using leading lines, and capturing interactions. Example photos are analyzed and rated based on how well they follow the guidelines for each category. The goal is to help photographers learn techniques for telling stories and drawing attention through their images.
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The document summarizes a photographer's photo shoot of a band. For the first shot, the photographer used a plain cream background and positioned the models so there was unequal space between them. Subsequent shots improved on this by having all models look at the camera and positioning the taller models on the outside for balance. Another mid-shot was taken outside with a tree background. After reviewing the shots, the photographer chose one as the predominant image for its focus, interesting symmetry, eye contact from the main model, plain background, and contrasting colors of the central model.
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The photographer took several shots for a film poster. One shot clearly identified the protagonist and had good composition, lighting, and catch lights. However, the models looked squashed and it would be difficult to edit later. Another shot looked awkward and uncomfortable as the models' poses did not look natural. A third shot had glare on the glasses due to using flash in unpredictable natural light. The photographer found issues with each shot and would not use them for the poster.
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This document discusses planning and revisions for a table of contents (TOC) page for a magazine. It includes:
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- Details on the final darker design combining elements from previous versions to better fit the magazine's style
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This document provides guidance on key elements of filmmaking for student filmmakers working with limited budgets. It discusses the importance of considering script, locations, lighting, sound, and composition. For script, it notes the value of withholding information or having the audience know more than characters. Location selection requires considering affordability and conveying the desired mood. Lighting must support the story, characters, and genre. Sound recording quality is important. Effective composition involves techniques like a clear focal point, rule of thirds, simplicity, and leading lines to guide the viewer's eye. Careful attention to these elements even with constraints can help produce an effective film.
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Evaluation Question 1 - In what ways does your media product use, develop or ...
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The document discusses editing a photo shoot image to use as the cover of a magazine promoting a horror film. The editor crops the image to focus on the model's face and eyes. Adjustments are made to brightness, contrast, color balance and shadows to make the model's face look glowing yet cold and lifeless, enhancing scary and paranormal elements. These edits transform the image from an unprofessional room photo into a stark black background image with intense eye contact, suitable for drawing readers' attention as a magazine cover promoting a horror genre.
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49758806 diktat-pembinaan-olimpiade-matematika-versi-4
49758806 diktat-pembinaan-olimpiade-matematika-versi-4
Geostatistics Portal - a platform for census data visualization
Geostatistics Portal - a platform for census data visualization
Geostatistics Portal - the multitool for statistics on maps
Geostatistics Portal - the multitool for statistics on maps
GIS in Polish Official Statistics - from paper maps to Geostatistics Portal
GIS in Polish Official Statistics - from paper maps to Geostatistics Portal
Similar to Annotations
Annotation for cage marta
This document discusses the concept, composition, angle, and editing of a photographic image intended to connect the audience to the subject and make them feel compassion. The medium-close up portrait shows the subject's head turned downwards to appear defeated. Bars of a cage frame the subject and add to the effect while the angle allows viewers to empathize. Editing in black and white removed color and changed the message to seem more meaningless. Mask and eye drop tools were used to emphasize red details like blood and lips to contrast with the surreal, angelic face and further the message relating to animal skinning.
Edited Title Pictures
Lily Potter edited photos from a photoshoot to create titles for her horror film production. She adjusted lighting, cropping, saturation and other effects to give the photos a clearer horror aesthetic and correct errors. For example, she darkened backgrounds and added shadows to make subjects more mysterious. She also experimented with obscure focusing, lighting techniques, and mismatched objects to create unease. However, some heavily edited photos may not fit well in the title sequence due to limited space. Further adjustments to photo scale and consistency may be needed to ensure professional quality and readability.
Development pro forma
The proposal outlines a storybook about a child choosing a birthday present from three toy options - a toy car, bubbles, or a teddy bear - at a toy store called Magic Dust. The proposal provides details on the story overview, production methods using rotoscoping and photography, and target audience of children aged 3+. It could expand more on how the design will appeal to both children and adults. The idea generation includes a detailed mind map and mood board capturing story elements, though could include more images. Feedback praised the clear descriptions and techniques but suggested more detail on toy descriptions and book colors.
Development pro forma
newer edition of my development pro forma. Including newer pieces of text, shape task and also rotoscope
Development pro forma 2
The document outlines Grace Kennedy's digital graphic narrative development project which involved creating various images using different techniques like shapes, rotoscoping, and comic books. Grace provides evaluations of each image describing what she liked and opportunities for improvement. The feedback received praised the descriptions and ideas but suggested adding more details and images.
Development pro forma
The document describes a digital graphic narrative development task where the student created images in different styles including a comic book effect, photo story, text effects, and a narrative environment. The student provided an evaluation of each image, noting what they liked such as the simplistic comic book effect and details in the photo story, and improvements they would make such as adding more color or background details.
Development pro forma 1
Here is a revised version of the script based on the feedback:
Once upon a time there lived a poor widow and her young son, Jack. Struggling to make ends meet, Jack's mother told him they had no choice but to sell their beloved family cow, Bessie, in order to buy food for the winter.
Reluctantly, Jack led Bessie to the market. On the way, he came across a strange old man. "I'll trade you these magic beans for your cow," said the man. Jack was skeptical - what use were magic beans? But with his mother counting on him, he had no choice. He traded Bessie for five small, ordinary-looking beans.
Final 5 edits
The photographer intended to create scary images for a magazine through unsettling portrayals of models. One image featured a model with scary teeth and eyes to look "demonic" and "undead". Another aimed for a more subtle scare through a blue tint and dark lighting to imply a feeling of being watched. A third was meant as an advertisement poster for a drink but did not achieve the intended scary and dark theme, appearing too bright instead. The final photo used color changes to contrast a model's face with the background and show the difference between human and zombie, fulfilling the photographer's goal of an abstract catchy advertisement image.
Final 5 edits
The photographer intended to create scary and undead images to advertise a zombie energy drink. For one photo, they made the model look demonic with scary teeth and eyes to achieve an undead look. They were pleased with the result but wanted to add more details. For another photo, they aimed for a more subtle scare using a blue tint and dark lighting to create an eerie feeling of being watched, which they felt they accomplished. They would have liked to experiment with more effects. They felt a third photo was too bright and not scary enough to fit the theme.
Development
The document discusses initial ideas for illustrating a digital graphic narrative based on the story "The Elves and the Shoemaker". The student provides examples of character appearances that resemble the kind and pleasant shoemaker and wife as well as the childish and mischievous elves. They want to depict the locations and shoemaker's home accurately to the historical time period and the shoemaker's poor status. Of the font options presented, the student prefers the third font as it suits the child-friendly storytone.
Development pro forma
The document outlines Grace Kennedy's digital graphic narrative development project which involved creating various images using different techniques like shapes, rotoscoping, and comic books. Grace provides evaluations of each image created, noting what she liked about the images and how she could improve if doing the projects again. She also includes proposals, feedback, and draft scripts for a graphic narrative story.
Development pro forma(3) 09 24-46-138
An ant named Bina comes across a caterpillar trapped in its chrysalis and mocks it for being unable to move, unaware that it will soon emerge as a beautiful butterfly. A few days later, Bina sees the same butterfly and realizes it was the caterpillar, which reminds Bina that appearances can be deceiving and not to judge based on outward looks alone.
Updated Development pro forma
The student generated ideas for illustrating a children's book based on the folktale "The Shoemaker and the Elves." Strengths of the proposal included choosing a simple PDF format that is widely viewable, targeting a broad international audience of children, and planning to use rotoscoping and shaping in Photoshop to create bright, simplistic illustrations. Areas for improvement included providing more details on production methods and timeline. For idea generation, strengths were selecting inspiration images that fit the story's soft, kind tone and considering historical accuracy. Developing initial character/location sketches could have further strengthened ideas. Overall the proposal laid a solid foundation for the project but leaving some details unspecified left room for refinement.
Development pro forma
The proposal provides extensive details about the proposed digital graphic narrative, including a 9-10 page comic book format, PDF export format, story overview about a fairy named Bernard who hasn't gained his horn, production methods using rotoscoping, and a target audience of children aged 5-7. The idea generation includes detailed mood boards and a large mind map covering various story elements. Feedback notes the clear story and audience focus as strengths, while suggesting adding more backgrounds for production.
Magazine media[1]
The document discusses planning a school magazine, including analyzing images to understand composition and meaning. It compares two magazine covers, noting differences in design and feel. Photoshop editing techniques are explained, like removing blemishes and changing eye color. Potential cover photos from a photoshoot are evaluated, with one chosen for having the ideal composition and model expression to represent the magazine. Feedback on an initial cover draft prompts design revisions to improve readability.
Constructing my film poster
The document describes the process of creating a promotional film poster. The creator started with an image of the main character Sarah and used various Photoshop tools like the magic wand, eraser, and blur tools to separate her from the background. Text effects like burning and clouds were added to relate to the plot. Reviews and a tagline were included to provide intrigue and information. The final poster effectively contrasts modern and period images while drawing attention through its design elements. Feedback praised the eye-catching qualities and storyline hints but suggested including more institutional details.
Development
- The proposal is for a 10-page children's book adapting the story of Little Red Riding Hood. In this version, the roles of the wolf and little girl are switched, with the wolf being afraid of humans.
- Key elements include rotoscoping real animals for illustrations, a 10-15 year old audience, and JPEG format for the final export. While production details are provided, further explanation of techniques could strengthen the proposal.
- Initial idea generation included exploring different character roles through a mind map. Switching the wolf and girl roles introduces an intriguing twist, though developing the story's moral may enhance it. Overall strong foundations are laid but leaving room for further refinement.
Development pro forma
- The proposal is for a 10-page children's book adapting the story of Little Red Riding Hood. In this version, the roles of the wolf and girl are switched, with the wolf being afraid of humans.
- Key elements include rotoscoping real animals for illustrations, a 10-15 year old audience, and JPEG format for the digital book. The story involves an evil witch transforming the wolf cousin into a human to trick the little brown wolf.
- Strengths are the level of detail provided and interesting concepts like role reversal. Further work could expand on production methods and address pros and cons more fully. The idea generation effectively builds on the classic story with creative twists, and developing the moral or plot
Digital work development pro forma
Here is a revised script that further develops the characters:
(1) There once lived an elderly shoemaker named Thomas and his wife Margaret. Though they worked hard, times were difficult and they struggled to earn enough money to survive.
(2) One night, Thomas had only enough leather left to make one last pair of shoes. Exhausted, he said his prayers and went to sleep, leaving the uncut leather by his workbench.
(3) When Thomas awoke the next morning, he was amazed to find a perfectly crafted pair of shoes sitting on the table. The fine stitching and attention to detail were unlike anything he had made before.
(4) That day, a customer named John
Development pro forma
Here is a revised script with more details about the characters:
(1) There once lived an elderly shoemaker named Thomas and his wife Sarah. Though Thomas worked very hard at his craft, he struggled to earn enough money to support himself and his wife. One day, Thomas had used all of his leather and funds to make one last pair of shoes.
(2) That evening, exhausted from his work, Thomas cut out the leather for the shoes he planned to make the next day. Before going to bed, he said a prayer, hoping his skills would improve so that he may earn a living.
(3) The next morning, Thomas was shocked to discover that overnight, tiny elves had come and finished
Similar to Annotations (20)
More from eilisbell
Masthead anaylsis
The document analyzes and compares different magazine mastheads from various genres including Rolling Stone, NME, Kerrang!, and Country Weekly. For each masthead, the document examines elements like font, colors, layout, and how these visual components convey information about the magazine's target audience and genre. Key similarities noted across mastheads include the use of bold colors like red to represent passion for music and appeal to dedicated music fans. Differences in font styles and designs help distinguish magazines' genres and attract different age groups. Overall, the mastheads are analyzed for how their visual style works to represent their specific music genre and target particular reader demographics.
First annotations
This image shows a subject wearing a fur coat that covers the bottom third of the frame, making the fur and subject's face the main focus. The fur coat represents society's greediness and desire to wear animal skins without concern for consequences. The subject clinging to the coat also represents how humans exert control over animals and do not believe they should be free.
Orginal image
The document describes editing an image in Photoshop. The author used the mask tool to isolate and enhance the redness of blood on the subject's neck and add red lipstick. They also used the eye drop and paint brush tools to make the subject's face look surreal and angelic, helping convey the intended message. This original image was slightly altered from the final version to better relate to the artist's theme and message.
Black and white edit
This document discusses the author's experiment editing an original image into black and white to see how the color scheme changes the message. After editing the image to grayscale, the author found it looked more like a "fashion image" and that removing the red color made the image seem meaningless. The author concluded that color brings their message to life and makes the audience more aware of what they are trying to display.
Presentation1 marta cage
The document discusses the conceptualization and technical aspects of a photographic image. It was intended to make the audience feel compassion for the subject by showing her looking defeated with blood and bruises on her shoulders. The medium close-up shot and point-of-view angle were used to help viewers empathize with the subject and message about the inhumane treatment of animals for their skins. While the composition conveyed the intended feelings, the photographer notes improvements could be made by reducing distractions from bars in the cage and the subject's top.
Presentation2[1] (1)
The document analyzes key conventions of music magazine covers and double page spreads. Some conventions discussed include:
1) Music magazine covers typically feature a prominent artist and adapt colors/fonts to the artist's style while keeping the magazine title consistent.
2) Double page spreads usually have a larger main image of the featured artist to create connection with audiences, and columns of text are placed on the right side to draw attention to the image.
3) Elements like bold text, font changes, and background colors are sometimes altered on spreads to represent different aspects of the artist or story being featured.
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一比一原版加拿大多伦多大学毕业证（uoft毕业证书）如何办理
一模一样【微信：A575476】【加拿大多伦多大学毕业证（uoft毕业证书）成绩单Offer】【微信：A575476】（留信学历认证永久存档查询）采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
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二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信：A575476】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
→ 【关于价格问题（保证一手价格）
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
选择实体注册公司办理，更放心，更安全！我们的承诺：可来公司面谈，可签订合同，会陪同客户一起到教育部认证窗口递交认证材料，客户在教育部官方认证查询网站查询到认证通过结果后付款，不成功不收费！
哪里购买(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书原版一模一样
原版定制【微信:bwp0011】《(ucr毕业证书)美国加州大学河滨分校毕业证研究生文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka原版制作(UNITO毕业证书)都灵大学毕业证Offer一模一样
学校原件一模一样【微信：741003700 】《(UNITO毕业证书)都灵大学毕业证》【微信：741003700 】学位证，留信认证（真实可查，永久存档）原件一模一样纸张工艺/offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
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四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
哪里购买美国乔治城大学毕业证硕士学位证书原版一模一样
原版一模一样【微信：741003700 】【美国乔治城大学毕业证硕士学位证书】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
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➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKAARNAUVALERY RECORD STORE SCAVENGER HUNT.
This is my presentation for the Record Store Scavenger Hunt.
哪里办理(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书原版一模一样
原版定制【微信:bwp0011】《(sjsu毕业证书)美国圣何塞州立大学毕业证硕士文凭证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...➒➌➎➏➑➐➋➑➐➐Dpboss Matka Guessing Satta Matka Kalyan Chart Indian Matka
Sattamatka.satta.matka.satta matka.kalyan weekly chart.kalyan chart.kalyan jodi chart.kalyan penal chart.kalyan today.kalyan open.fix satta.fix fix fix Satta matka nambarRecently uploaded (20)
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
Tanjore Painting: Rich Heritage and Intricate Craftsmanship | Cottage9
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
Dpboss Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
Full CAD Project Cardiovascuwhore Debut PDF CAD Meena Pittman
My storyboard for a sword fight scene with lightsabers
My storyboard for a sword fight scene with lightsabers
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❼❷⓿❺❻❷❽❷❼❽ Dpboss Kalyan Satta Matka Guessing Matka Result Main Bazar chart
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Kalyan Matka Satta Matka Dpboss Matka Guessing Indian Matka
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Dpboss Matka Guessing Satta Matta Matka Kalyan panel Chart Indian Matka Dpbos...
Annotations
- 1. INITIAL CONCEPTS The concept for this image was the same as the previous enlargement however this image is more intimate that the last one as it is a mediumclose-up of the subject. Thus the audience may feel more connect to the subject.
- 2. COMPOSITION I considered the composition of this image thoroughly so that the audience would feel compassion for the subject. For instance, the subjects head it turned and is facing downwards which makes the subject look defeated and ashamed. I also wanted it too appear as if the subject is looking at the blood and bruises on her shoulders and wondering what 'she' did to deserve it. This relates highly to my theme of animal skins/fur and how skinning animals of their fur and skins has evolved into something that people are so nonchalant about.
- 3. ANGLE The angle for this image is again a 'point of view' angle which means that the audience are are able to empathize with the subject and the message that is being put across. The subjects face is also half turned away from the camera which again forces the audience to look to at the image closely to try to understated why the subject is not giving direct eye contact to the camera/viewer. As this shot is medium close-up I wanted the subjects face to be immaculate to draw a comparison between the surrealism of the subjects face and the message that I am trying to put across; the subject looks 'doll like' and not real just like how people choose to believe that nothing 'bad' really happens to the animals who are skinned.
- 4. IMPROVEMENTS Despite the fact that i like the composition of this image and the way that it is displayed to the audience i still believe that there are improvements that could have been made. For instance, i think that although the bars of the cage add to the effect of the image i still think that they almost get in the way of the subjects face and expression. As well as this the subjects top is also showing in the image which i think ruins the atmosphere slightly however there was not a lot i could do about that aspect of the image.