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Modernism emerged between the 1890s-1960s as an artistic and social movement that rejected realism in favor of experimental styles. Postmodernism began in the 1970s as a rejection of the distinctions and boundaries that defined modernism, embracing styles like parody, pastiche, and bricolage that blended genres and mixed fiction with reality. Key aspects of postmodernism include intertextuality, questioning binary divides, and emphasizing style over content through techniques like sampling to create a hyperreal version of mediated reality.
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Postmodernism
This document discusses modernism and postmodernism in art and culture. It examines how postmodernism emerged in the 1970s as a rejection of modernism's emphasis on realism. Some key characteristics of postmodernism include the breakdown of genres, blurring of fiction and reality, and mixing of high and low cultural references. The document then analyzes Lady Gaga's "Paparazzi" music video as an example of postmodern pastiche and intertextuality through its references to classic films like Sunset Boulevard and Vertigo.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism. It is characterized by skepticism of culture and history and a rejection of the idea that any media or text has greater value than another. Postmodernism reflects society's feelings of alienation and uncertainty about identity. Theorists argue that economic and technological changes, like television and the internet, have led to a "three minute culture" and a society dominated by images and spectacle. Postmodern art is hybrid and samples different styles and levels of culture to blur hierarchies of taste.
Postmodern Unpacked
This presenation was used to introduce staff and students to the Postmodern movement at St Stithians College, Randburg. Authors Andrew Moore and Piers Cruickshanks
Postmodernism
.A run down of PoMo which can be covered in a 1 hour lesson, an enrichment for those not doing the Po-Mo option
Post-Modernism Session1
This document discusses postmodernism from three approaches: historical, theoretical, and stylistic. Historically, postmodernism reacted against modernism and its ideas of progress, objectivity, and certainty. Theoretically, key theorists like Lyotard, Baudrillard, and Jameson analyzed postmodernism's rejection of grand narratives, hyperreality, and lack of depth. Stylistically, postmodern texts are characterized by concepts like generic blurring, intertextuality, playfulness, and uncertainty. To determine if a text is postmodern, the document proposes combining all three approaches, focusing on stylistic elements informed by historical and theoretical perspectives.
Post modernism powerpoint
1. Postmodernism emerged in the period following World War II and is characterized by a shift away from modernist paradigms.
2. Key aspects of postmodern art discussed include the rejection of notions of progress, originality, and the death of the artistic aura. Postmodern artists sought to transfer the aura through performance, installation, and conceptual works.
3. The document traces the development of modern art movements like cubism, abstract expressionism, and conceptualism and discusses how postmodern theorists have analyzed language, culture, and the mind.
Fredric jameson
Frederic Jameson is an American literary critic and Marxist philosopher best known for his analysis of contemporary cultural trends. He argues that postmodernity no longer worries about signs representing an external reality, but rather assumes signs exist independently detached from reality. Within postmodern cultural artifacts, signs are thrown together randomly and refer only to themselves, making questions about meaning irrelevant. On television, the medium most characteristic of postmodernism, the constant flow of images is valued over any depiction of reality, inherently resisting interpretation of meaning.
Powerpoint(post modernism)
The Post-Modernism era came after World War II and the end of the Modern era, though there is no definitive start or end date. Post-Modernism rejected the idea of absolute truth and objectivity that defined Modernism. Post-Modern art, architecture, painting, and photography emphasized diversity, hidden meanings, and rejecting norms rather than focusing on one objective perspective or meaning. Key aspects included questioning assumptions, emphasizing personal journeys over logic, and avoiding strict adherence to rules or traditions.
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Postmodernism
This document discusses modernism and postmodernism in art and culture. It examines how postmodernism emerged in the 1970s as a rejection of modernism's emphasis on realism. Some key characteristics of postmodernism include the breakdown of genres, blurring of fiction and reality, and mixing of high and low cultural references. The document then analyzes Lady Gaga's "Paparazzi" music video as an example of postmodern pastiche and intertextuality through its references to classic films like Sunset Boulevard and Vertigo.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism. It is characterized by skepticism of culture and history and a rejection of the idea that any media or text has greater value than another. Postmodernism reflects society's feelings of alienation and uncertainty about identity. Theorists argue that economic and technological changes, like television and the internet, have led to a "three minute culture" and a society dominated by images and spectacle. Postmodern art is hybrid and samples different styles and levels of culture to blur hierarchies of taste.
Postmodern Unpacked
This presenation was used to introduce staff and students to the Postmodern movement at St Stithians College, Randburg. Authors Andrew Moore and Piers Cruickshanks
Postmodernism
.A run down of PoMo which can be covered in a 1 hour lesson, an enrichment for those not doing the Po-Mo option
Post-Modernism Session1
This document discusses postmodernism from three approaches: historical, theoretical, and stylistic. Historically, postmodernism reacted against modernism and its ideas of progress, objectivity, and certainty. Theoretically, key theorists like Lyotard, Baudrillard, and Jameson analyzed postmodernism's rejection of grand narratives, hyperreality, and lack of depth. Stylistically, postmodern texts are characterized by concepts like generic blurring, intertextuality, playfulness, and uncertainty. To determine if a text is postmodern, the document proposes combining all three approaches, focusing on stylistic elements informed by historical and theoretical perspectives.
Post modernism powerpoint
1. Postmodernism emerged in the period following World War II and is characterized by a shift away from modernist paradigms.
2. Key aspects of postmodern art discussed include the rejection of notions of progress, originality, and the death of the artistic aura. Postmodern artists sought to transfer the aura through performance, installation, and conceptual works.
3. The document traces the development of modern art movements like cubism, abstract expressionism, and conceptualism and discusses how postmodern theorists have analyzed language, culture, and the mind.
Fredric jameson
Frederic Jameson is an American literary critic and Marxist philosopher best known for his analysis of contemporary cultural trends. He argues that postmodernity no longer worries about signs representing an external reality, but rather assumes signs exist independently detached from reality. Within postmodern cultural artifacts, signs are thrown together randomly and refer only to themselves, making questions about meaning irrelevant. On television, the medium most characteristic of postmodernism, the constant flow of images is valued over any depiction of reality, inherently resisting interpretation of meaning.
Powerpoint(post modernism)
The Post-Modernism era came after World War II and the end of the Modern era, though there is no definitive start or end date. Post-Modernism rejected the idea of absolute truth and objectivity that defined Modernism. Post-Modern art, architecture, painting, and photography emphasized diversity, hidden meanings, and rejecting norms rather than focusing on one objective perspective or meaning. Key aspects included questioning assumptions, emphasizing personal journeys over logic, and avoiding strict adherence to rules or traditions.
Modern vs post modern
Modernism dominated art theory as a reaction to changes in Western society from the 1890s to 1945, relating to logical thinking and analyzing texts in depth. Post-modernism began after World War II as a reaction against modernism, denying logical thinking and focusing on subjective experience and hyperreality. It refers broadly to the period following modernity as well as artistic movements that questioned absolute truth, believing the past should not define the present.
Postmodernism
The document discusses key concepts and characteristics of postmodernism including:
- Fragmented and shifting identities defined by consumption rather than background.
- Borrowing of images and elements from different cultures through increased globalization and media.
- Simulacra and hyperreality where the representation or simulation of reality becomes indistinguishable from reality itself.
- Intertextuality and pastiche where new works reference and combine elements from other works and genres.
Week 10 in jeopardy idealism, authenticity, universality and the avant-garde
The document discusses the legacy of modernism and modernity in art and architecture. It explores how modernist ideals of universality and utopian visions failed or were co-opted by commercial interests. Contemporary artists are now revisiting and critically reflecting on modernism in an attempt to both reanimate its radical possibilities and mourn what was lost. Examples are given of artists investigating themes of consensus, collapse, and the ruins left behind by once utopian modernist projects. The influence of modernist aesthetics and ideology are also examined in relation to how they still shape our world today.
Postmodernism Presentation
Post-Modernism is a late 20th century style that departs from modernism and questions grand theories and strict definitions of art. It emerged in various fields in the late 19th century and was applied to many 20th century movements that reacted against imperialist capitalism. In literature, postmodernism was established with the journal "boundary 2" in 1972, featuring writers like David Antin who experimented with form. In music, minimalism arose in the 1970s as composers like Steve Reich and Philip Glass created simple, accessible works that broke from atonal modernism.
7. theories for production
This document discusses theories of modernism and postmodernism and how they relate to media production. It provides context on modernism as a rejection of realism from the 1890s-1960s, noting modern art was self-reflexive. Postmodernism emerged in the 1970s, characterized by blurred genres, fiction/reality, and hyperreality where mediated reality is preferred over real reality. Jean Baudrillard's theory of simulacra and hyperreality is explained, where the real is replaced by simulations until the distinction collapses. Characteristics of postmodern music videos are identified, including bricolage, pastiche, intertextuality, breaking the fourth wall, parody, and homage.
Modernism vs post modernism
Modernism began as a rejection of past ideas and cultural norms in the 19th century, driven by new ideas from evolution, psychology, and socialism. Modernism in art covered 1863-1960s and focused on new ideas and using techniques as subject matter over representing subjects. Postmodernism emerged in the 1970s from scrutiny of modernism, questioning its lack of diversity and utopian ideals. Postmodernism embraces irony, appropriation, juxtaposition, and examining bias through deconstruction.
Introduction to post modernism
Postmodernism is difficult to define but can be understood through three approaches: historical, stylistic, and theoretical. Historically, it emerged as a reaction against modernism and its ideals of progress, reason, and objective truth. Theoretically, thinkers like Lyotard, Baudrillard, and Jameson analyzed postmodernism's rejection of "grand narratives" and emphasis on surface and pastiche over depth. Stylistically, postmodern texts play with conventions, embrace uncertainty, and reference other works through parody and pastiche.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, characterized by the mixing of different styles and genres, self-referentiality, and skepticism of absolute truths. Postmodern works blur fiction and reality, use appropriation and pastiche, and bring together high and low cultural forms. In film, postmodernism subverts narrative conventions and challenges notions of genre, time, and social divisions through works like Pulp Fiction that combine styles from different eras.
Post Modernism
Postmodernism is difficult to define as it appears across many disciplines like art, music, literature, and more. Jean Baudrillard's concept of hyperreality suggests that in a postmodern world, the distinction between simulations and reality is blurred, as simulations become indistinguishable from what they are simulating. Key postmodern art movements from the 1960s onward include Pop Art, Minimalism, Conceptual Art, and later Neo-Conceptualism. Postmodern artists often play with styles, aesthetics, and pastiche from different eras while questioning notions of originality and reality in a digital age.
Postmodern theory and the media
This is a presentation i've done based on postmodern theory and the media. It includes elements which are postmodern and examples of different genres. I've also analysed some film trailers and a timeline.
Features and Examples of Post Modernism
Post-modern society is characterized by:
1. The breakdown of distinctions between culture and society, high and low art, and media and reality. Popular culture now shapes society and there is no originality or authorship.
2. An emphasis on style over substance where visual impact is more important than meaning.
3. The decline of universal narratives like religion or science in favor of individual beliefs due to fragmented and confused notions of time and space in a globalized world where boundaries have broken down.
Post Modernism in Media
Postmodern media rejects the idea that any media product is more valuable than another. It argues that our sense of reality is now dominated by popular media images, and the distinction between media and reality has collapsed. Postmodern media is characterized by hybridity, bricolage, simulation, and disjointed narratives that mimic the uncertainties of postmodernity. Experts claim that economic and cultural changes have led to a society dominated by images and short attention spans.
Modernism v postmodernism
Modernism emphasized new ideas and innovation in art and represented modern society. It had clear boundaries between genres and usually involved finished, authenticated works. Postmodernism rejected the idea that any media is more valuable and believed anything could be considered art. It reflected society's feelings through irony, appropriation, and pluralism. The author agrees most with postmodernism since it allows for personal perception and using nostalgia pays tribute to the past.
Postmodernism & fc
The document discusses postmodernism as a critical approach to film. It defines postmodernism as a response to modernism that rejects realism and incorporates elements from the past in new forms. In film, postmodernism disrupts narrative structure and character conventions. Some key features of postmodern films include acknowledging they are fictional works, using nonlinear narratives, and featuring alienated characters. Genres like pastiche, depictions of flattened affect, and altered states are common. Fight Club is analyzed as an example of a postmodern film through its characterization of the protagonist and circular narrative structure. The Matrix is also discussed as a postmodern case study through its references to philosophical works and challenging of filmmaking conventions.
Ppt on postmodernism [autosaved]
The document provides information about the postmodern art movement, including its characteristics and influence on other fields. It discusses key postmodern art styles like conceptual art, installation art, and deconstruction. It also examines how postmodernism impacted architecture, design, fashion, music, urban planning, and politics by rejecting modernism's utopian visions and universal ideals in favor of a more flexible and contextual approach.
Postmodernism
Postmodernism is a term applied to various artistic and intellectual disciplines that departed from modernism's utopian visions of clarity and simplicity. Postmodernism rejected modernism's passion for all things new and was associated with philosophical movements like deconstruction that questioned objective notions of truth. As a movement in architecture, postmodernism rejected the avant-garde ideals of modernism. Postmodern art and literature employed techniques like parody, pastiche, and intertextuality that referenced and commented on previous works through self-reflexive means.
Post modernism and TV
This document discusses post-modernism and its relationship with television. It outlines some key aspects of post-modernism, including the rejection of grand narratives, hyperreality, and a focus on surface level meanings over depth. It then examines how television has embraced post-modern concepts by blurring reality and fiction, prioritizing constant entertainment over substance, and promoting pastiche and spectacle. The document also notes that Pakistani television is increasingly demonstrating post-modern influences but could potentially apply its concepts in a healthier manner that does not undermine societal values.
Postmodern art
This document provides an overview of postmodernism across various artistic disciplines from the 1960s onward. It summarizes some of the key characteristics and qualities of postmodernist works, including extreme self-reflexivity, the breakdown of boundaries between high and low cultural forms, a questioning of grand narratives, and a focus on visuality, simulacra, and temporal experimentation. Various postmodern artists and artworks are referenced as examples that demonstrate these postmodern concepts and traits.
Postmodern film Presentation
This document discusses key characteristics of postmodernism as seen in film. Postmodern films are characterized by pastiche, disjointed narratives, altered realities, time bending, emotional detachment, nostalgia, and techniques that highlight the constructed nature of the image. Postmodern films often mix genres and popular culture references, feature nonlinear narratives and reinvented pasts, and question what is real while leaving those questions unanswered. Directors like Oliver Stone, David Lynch, and Baz Luhrmann are examples of postmodern filmmakers.
Postmodern theory
Postmodern films disrupt traditional narrative structures and character development in order to undermine the audience's suspension of disbelief. They do not pretend to be wholly real and may include characters that break the fourth wall. Postmodern films often use circular rather than linear narratives with ambiguous endings. They frequently feature disconnected characters who distrust authority figures. Some examples of postmodern genres discussed include pastiche, narratives involving flattened affect, hyperreality, time bending, altered states, and narratives questioning humanity. The film Fight Club is analyzed as an example of a postmodern film featuring a disconnected protagonist and circular narrative that subverts expectations.
Postmodernism
This is a first-day introduction to Postmodernism for graduate students, introducing relevant terms and comparing Postmodernism to Modernism.
Introduction to Postmodernism
\n\nPostmodernism is a condition that arises in response to modernism and its failures, according to James Elkins. [1] Postmodernism flourishes when modernism falters. [2] To understand postmodernism, one must first understand modernity and modernism. [3] Modernism focused on formal qualities like flatness, while postmodernism is pluralistic and fragmented, rejecting grand narratives like Marxism. [4] A key break between modernism and postmodernism came with Andy Warhol's Brillo Boxes in 1964, which questioned the distinction between art and everyday objects. [5] \n\nHuman: Thank you for the summary. It effectively captured the key points and essential information from
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Modern vs post modern
Modernism dominated art theory as a reaction to changes in Western society from the 1890s to 1945, relating to logical thinking and analyzing texts in depth. Post-modernism began after World War II as a reaction against modernism, denying logical thinking and focusing on subjective experience and hyperreality. It refers broadly to the period following modernity as well as artistic movements that questioned absolute truth, believing the past should not define the present.
Postmodernism
The document discusses key concepts and characteristics of postmodernism including:
- Fragmented and shifting identities defined by consumption rather than background.
- Borrowing of images and elements from different cultures through increased globalization and media.
- Simulacra and hyperreality where the representation or simulation of reality becomes indistinguishable from reality itself.
- Intertextuality and pastiche where new works reference and combine elements from other works and genres.
Week 10 in jeopardy idealism, authenticity, universality and the avant-garde
The document discusses the legacy of modernism and modernity in art and architecture. It explores how modernist ideals of universality and utopian visions failed or were co-opted by commercial interests. Contemporary artists are now revisiting and critically reflecting on modernism in an attempt to both reanimate its radical possibilities and mourn what was lost. Examples are given of artists investigating themes of consensus, collapse, and the ruins left behind by once utopian modernist projects. The influence of modernist aesthetics and ideology are also examined in relation to how they still shape our world today.
Postmodernism Presentation
Post-Modernism is a late 20th century style that departs from modernism and questions grand theories and strict definitions of art. It emerged in various fields in the late 19th century and was applied to many 20th century movements that reacted against imperialist capitalism. In literature, postmodernism was established with the journal "boundary 2" in 1972, featuring writers like David Antin who experimented with form. In music, minimalism arose in the 1970s as composers like Steve Reich and Philip Glass created simple, accessible works that broke from atonal modernism.
7. theories for production
This document discusses theories of modernism and postmodernism and how they relate to media production. It provides context on modernism as a rejection of realism from the 1890s-1960s, noting modern art was self-reflexive. Postmodernism emerged in the 1970s, characterized by blurred genres, fiction/reality, and hyperreality where mediated reality is preferred over real reality. Jean Baudrillard's theory of simulacra and hyperreality is explained, where the real is replaced by simulations until the distinction collapses. Characteristics of postmodern music videos are identified, including bricolage, pastiche, intertextuality, breaking the fourth wall, parody, and homage.
Modernism vs post modernism
Modernism began as a rejection of past ideas and cultural norms in the 19th century, driven by new ideas from evolution, psychology, and socialism. Modernism in art covered 1863-1960s and focused on new ideas and using techniques as subject matter over representing subjects. Postmodernism emerged in the 1970s from scrutiny of modernism, questioning its lack of diversity and utopian ideals. Postmodernism embraces irony, appropriation, juxtaposition, and examining bias through deconstruction.
Introduction to post modernism
Postmodernism is difficult to define but can be understood through three approaches: historical, stylistic, and theoretical. Historically, it emerged as a reaction against modernism and its ideals of progress, reason, and objective truth. Theoretically, thinkers like Lyotard, Baudrillard, and Jameson analyzed postmodernism's rejection of "grand narratives" and emphasis on surface and pastiche over depth. Stylistically, postmodern texts play with conventions, embrace uncertainty, and reference other works through parody and pastiche.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, characterized by the mixing of different styles and genres, self-referentiality, and skepticism of absolute truths. Postmodern works blur fiction and reality, use appropriation and pastiche, and bring together high and low cultural forms. In film, postmodernism subverts narrative conventions and challenges notions of genre, time, and social divisions through works like Pulp Fiction that combine styles from different eras.
Post Modernism
Postmodernism is difficult to define as it appears across many disciplines like art, music, literature, and more. Jean Baudrillard's concept of hyperreality suggests that in a postmodern world, the distinction between simulations and reality is blurred, as simulations become indistinguishable from what they are simulating. Key postmodern art movements from the 1960s onward include Pop Art, Minimalism, Conceptual Art, and later Neo-Conceptualism. Postmodern artists often play with styles, aesthetics, and pastiche from different eras while questioning notions of originality and reality in a digital age.
Postmodern theory and the media
This is a presentation i've done based on postmodern theory and the media. It includes elements which are postmodern and examples of different genres. I've also analysed some film trailers and a timeline.
Features and Examples of Post Modernism
Post-modern society is characterized by:
1. The breakdown of distinctions between culture and society, high and low art, and media and reality. Popular culture now shapes society and there is no originality or authorship.
2. An emphasis on style over substance where visual impact is more important than meaning.
3. The decline of universal narratives like religion or science in favor of individual beliefs due to fragmented and confused notions of time and space in a globalized world where boundaries have broken down.
Post Modernism in Media
Postmodern media rejects the idea that any media product is more valuable than another. It argues that our sense of reality is now dominated by popular media images, and the distinction between media and reality has collapsed. Postmodern media is characterized by hybridity, bricolage, simulation, and disjointed narratives that mimic the uncertainties of postmodernity. Experts claim that economic and cultural changes have led to a society dominated by images and short attention spans.
Modernism v postmodernism
Modernism emphasized new ideas and innovation in art and represented modern society. It had clear boundaries between genres and usually involved finished, authenticated works. Postmodernism rejected the idea that any media is more valuable and believed anything could be considered art. It reflected society's feelings through irony, appropriation, and pluralism. The author agrees most with postmodernism since it allows for personal perception and using nostalgia pays tribute to the past.
Postmodernism & fc
The document discusses postmodernism as a critical approach to film. It defines postmodernism as a response to modernism that rejects realism and incorporates elements from the past in new forms. In film, postmodernism disrupts narrative structure and character conventions. Some key features of postmodern films include acknowledging they are fictional works, using nonlinear narratives, and featuring alienated characters. Genres like pastiche, depictions of flattened affect, and altered states are common. Fight Club is analyzed as an example of a postmodern film through its characterization of the protagonist and circular narrative structure. The Matrix is also discussed as a postmodern case study through its references to philosophical works and challenging of filmmaking conventions.
Ppt on postmodernism [autosaved]
The document provides information about the postmodern art movement, including its characteristics and influence on other fields. It discusses key postmodern art styles like conceptual art, installation art, and deconstruction. It also examines how postmodernism impacted architecture, design, fashion, music, urban planning, and politics by rejecting modernism's utopian visions and universal ideals in favor of a more flexible and contextual approach.
Postmodernism
Postmodernism is a term applied to various artistic and intellectual disciplines that departed from modernism's utopian visions of clarity and simplicity. Postmodernism rejected modernism's passion for all things new and was associated with philosophical movements like deconstruction that questioned objective notions of truth. As a movement in architecture, postmodernism rejected the avant-garde ideals of modernism. Postmodern art and literature employed techniques like parody, pastiche, and intertextuality that referenced and commented on previous works through self-reflexive means.
Post modernism and TV
This document discusses post-modernism and its relationship with television. It outlines some key aspects of post-modernism, including the rejection of grand narratives, hyperreality, and a focus on surface level meanings over depth. It then examines how television has embraced post-modern concepts by blurring reality and fiction, prioritizing constant entertainment over substance, and promoting pastiche and spectacle. The document also notes that Pakistani television is increasingly demonstrating post-modern influences but could potentially apply its concepts in a healthier manner that does not undermine societal values.
Postmodern art
This document provides an overview of postmodernism across various artistic disciplines from the 1960s onward. It summarizes some of the key characteristics and qualities of postmodernist works, including extreme self-reflexivity, the breakdown of boundaries between high and low cultural forms, a questioning of grand narratives, and a focus on visuality, simulacra, and temporal experimentation. Various postmodern artists and artworks are referenced as examples that demonstrate these postmodern concepts and traits.
Postmodern film Presentation
This document discusses key characteristics of postmodernism as seen in film. Postmodern films are characterized by pastiche, disjointed narratives, altered realities, time bending, emotional detachment, nostalgia, and techniques that highlight the constructed nature of the image. Postmodern films often mix genres and popular culture references, feature nonlinear narratives and reinvented pasts, and question what is real while leaving those questions unanswered. Directors like Oliver Stone, David Lynch, and Baz Luhrmann are examples of postmodern filmmakers.
Postmodern theory
Postmodern films disrupt traditional narrative structures and character development in order to undermine the audience's suspension of disbelief. They do not pretend to be wholly real and may include characters that break the fourth wall. Postmodern films often use circular rather than linear narratives with ambiguous endings. They frequently feature disconnected characters who distrust authority figures. Some examples of postmodern genres discussed include pastiche, narratives involving flattened affect, hyperreality, time bending, altered states, and narratives questioning humanity. The film Fight Club is analyzed as an example of a postmodern film featuring a disconnected protagonist and circular narrative that subverts expectations.
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Week 10 in jeopardy idealism, authenticity, universality and the avant-garde
Week 10 in jeopardy idealism, authenticity, universality and the avant-garde
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Postmodernism
This is a first-day introduction to Postmodernism for graduate students, introducing relevant terms and comparing Postmodernism to Modernism.
Introduction to Postmodernism
\n\nPostmodernism is a condition that arises in response to modernism and its failures, according to James Elkins. [1] Postmodernism flourishes when modernism falters. [2] To understand postmodernism, one must first understand modernity and modernism. [3] Modernism focused on formal qualities like flatness, while postmodernism is pluralistic and fragmented, rejecting grand narratives like Marxism. [4] A key break between modernism and postmodernism came with Andy Warhol's Brillo Boxes in 1964, which questioned the distinction between art and everyday objects. [5] \n\nHuman: Thank you for the summary. It effectively captured the key points and essential information from
Intro to Postmodernism
Postmodernism rejects rational thinking and order in favor of chaos. It is a reaction against modernism and encompasses attitudes across many fields in the late 20th/early 21st century. Key aspects include the breakdown between culture and society due to media influence, an emphasis on style over substance, a breakdown of distinctions between high and popular culture, confusion over time and space due to mass media, and a decline of grand narratives used to explain reality. Examples across art, architecture, literature, media and more are provided.
Postmodernism
Postmodernism departs from modernism in the arts and is characterized by mixing styles and genres without preferences. It questions originality and theories, seeing everything as connected. Modernism believes new art forms are appropriate for their time and driven by social progress, seeing art movements as improvements until postmodernism reacted against a narrow theory of modernism.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, architecture and criticism. It is characterized by mixing different styles and genres, distrusting objective theories to explain reality, and believing that reality is constructed by human interpretations rather than objectively reflecting the world. Postmodernism largely reacted against the idea that science could certainly explain reality, instead seeing reality as constructed through individual human understanding and interpretations of what the world means.
The Conceptual Framework
The conceptual framework analyzes artworks through four interconnected agencies: the artwork, artist, audience, and world. The framework can examine each individually or connected through lenses like subjective, structural, cultural, and postmodern. The artwork bridges artist and audience, reflecting ideas of its time and place. Artists develop unique perspectives and communicate experiences through their works. Audiences include the general public as well as specialists like critics and historians. The world encompasses historic events, influential figures, and the prevailing spirit of the times that shaped the artwork. Most importantly, students should understand the complexity and interdependence of the relationships between these agencies.
Postmodernism presentation
Postmodernism rejects the central tenets of modernism, namely that knowledge is certain and objective. It is skeptical of grand narratives and universal truths, instead focusing on relative and local interpretations. Postmodernism celebrates difference and rejects rationality and science. In literature, postmodern works employ techniques like pastiche, parody, intertextuality and self-reflexivity. They question notions of reality, genre and the separation between high and low art. While postmodernism dominated from the late 20th century, more recent trends suggest a partial return to sincerity and meaning in a movement called post-postmodernism or new sincerity.
Baudrillard, Jameson and Lyotard
The document discusses postmodern theorists Jean Baudrillard, Fredric Jameson, and Jean-François Lyotard. It outlines Baudrillard's theory of hyperreality, in which the distinction between reality and simulation is blurred. Jameson believed that postmodernism is driven by consumer capitalism and results in a loss of historical depth and reality. Lyotard argued that the idea of truth needs to be deconstructed to challenge dominant narratives.
"Lyotard and Postmodernism" Key Terms and Ideas
1. The document discusses key terms and ideas related to postmodernism, including modernity, postmodernity, modernization, modernism, and postmodernism.
2. It outlines Jean-Francois Lyotard's views on the postmodern condition, including his ideas that knowledge is being impacted by technological transformations and will be a major factor in global power competitions.
3. Lyotard also analyzed the relationship between narrative knowledge and scientific knowledge, and criticized the growing "mercantilization" and performativity of knowledge in industrial societies.
Lyotard
Lyotard was a French philosopher known for his work on the "postmodern condition". He argued that grand narratives - overarching ideological explanations for how society works - were breaking down. Instead of one universal truth or story, we are moving towards many smaller "micro-narratives" as belief in grand narratives declines. Lyotard saw this as an increased awareness of diversity and difference between individuals.
Frames
The document discusses different frames for analyzing and understanding artwork:
1) The Subjective Frame focuses on an individual's personal reaction and feelings towards a piece.
2) The Cultural Frame examines the cultural values and influences behind the artwork's creation.
3) The Structural Frame analyzes the materials, techniques, composition, and how these contribute to meaning.
4) The Postmodern Frame considers how the artwork questions previous texts and narratives through techniques like appropriation and irony.
Lecture 10 postmodernism
This document provides an overview of postmodern architecture. It discusses key postmodern theorists like Robert Venturi and Charles Jencks who reacted against modernism. Jencks identified different types of postmodernism like straight revivalism, neo-vernacular, and radical eclecticism. Notable postmodern architects and projects are also presented, such as Philip Johnson's PPG Place and Michael Graves' Portland Building. The document examines postmodern approaches to space, ornament, and symbolism through examples like Venturi's Vanna Venturi House.
Introduction to postmodernism
The document discusses postmodernism and how it differs from modern thought. Postmodernism rejects universal truths and objective reality, seeing them as social constructs. It emphasizes relativity, fragmentation, and skepticism of grand narratives. Postmodernism has influenced many fields by challenging traditional concepts of knowledge, truth, identity and values.
Postmodernism (Foucault and Baudrillard)
This document provides an overview of postmodernism and some of its key thinkers. It discusses:
- Postmodernism emerged as a critique of modernity and challenged ideas like universal truths, objective knowledge, and historical progress.
- Key postmodern thinkers included Derrida, Foucault, Lyotard, and Baudrillard. They analyzed how power shapes knowledge and questioned foundations of knowledge.
- Foucault argued that knowledge is a form of power and that what counts as truth is determined by prevailing power structures in society rather than objective facts. He analyzed how power operates in subtle ways through social institutions and practices.
Postmodernism theories and texts
This document discusses various concepts related to postmodernism, including theories proposed by theorists such as Fiske, Barthes, Derrida, Levi-Strauss, Genette, Baudrillard, Lyotard, Kramer, and Jameson. It examines ideas around intertextuality, genres, simulation, hyperreality, and rejection of grand narratives. Key concepts covered include codes, cultural knowledge, making sense of reality through other texts, circular referentiality, and pastiche vs parody.
Postmodernism for Beginners
This document provides an overview of key concepts in postmodernism. It contrasts modern and postmodern eras, noting that postmodernism involves fragmentation, uncertainty, and constant choice rather than clear structure and identity. Some key features of postmodernism discussed include relativism, consumerism, transforming identity, disillusionment with progress, and the impacts of globalization and technology. Examples like reality TV, Disneyland, and blending religious practices are used to illustrate postmodern concepts.
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This document discusses postmodernism and provides examples of key postmodern concepts and techniques. It examines the characteristics of modernism and postmodernism, including the breakdown of genres and styles in postmodernism. Key terms are defined, such as intertextuality, parody, and pastiche. The document then analyzes Lady Gaga's "Paparazzi" music video as a postmodern text that uses techniques like pastiche, homage, intertextuality, and blurring boundaries.
International work
This document defines and describes various art styles and movements including:
- International style refers to architectural presentation and buildings presented in a uniform manner.
- Post-modernism describes new arts, architecture, and criticism that emerged after modernism.
- Grunge originated in the 1980s and brought back cloth, music, and art styles from that decade.
- Op-art uses optical illusions, especially in black and white images.
- Pop-art incorporates popular culture imagery that emerged in the 1950s.
Hh
The document provides definitions for various art styles and genres, including modernism, international style, postmodernism, grunge, op-art, pop-art, art nouveau, punk, urban art, anime, kitsch, photorealism, futuristic, cartoon, factual, editorial, lifestyle, adventure, sports, corporate, fashion, fantasy, simulation, tabloid, science fiction, and graphic novel. It concisely summarizes each term and provides one example for some terms.
11film Studies
The document discusses postmodern film theory and provides examples from films by David Lynch and Matt Groening. It examines how postmodern films like Mulholland Drive and The Simpsons employ techniques like intertextuality, pastiche, and the blurring of reality and fiction. The document also discusses postmodernism more broadly and how it challenges notions of linear time, objective reality, and the distinction between high and low art forms.
Post-Punk History.pptx
This document provides an overview of post-punk music. It defines post-punk as a broad genre of rock that emerged in the late 1970s and departed from the raw simplicity and traditionalism of punk rock, instead adopting avant-garde sensibilities and non-rock influences. Some of the early influential post-punk groups mentioned include Siouxsie and the Banshees, Wire, Public Image Ltd. The document also discusses the emergence of Russian post-punk in the 1980s as a response to totalitarian government, as well as some representative and favorite post-punk bands, including Molchat Doma and Depresión Sonora.
Postmodernism mindmap
Postmodernism is characterized by self-referentiality, contradictions, and the blurring of boundaries between reality and fiction. It questions the existence of objective truth and explores simulations and how media representations shape people's perception of reality. Postmodern art challenges conventions through conceptual works, installations, and multimedia that reference and recycle prior culture through techniques like intertextuality, homages, parody, and bricolage.
Postmodernism handout
Postmodernism refers to cultural works produced in the late 20th and early 21st centuries that display certain qualities. It is difficult to define precisely, but postmodern texts seem less serious than modernist works and more playful, referential, and eclectic. Postmodernism is characterized by revolting against authority, avoiding fixed meanings, and pastiching or parodying other works through intertextuality and self-reference. Good examples include films like Pulp Fiction and TV shows like The Simpsons, which chop up styles and subvert expectations through irony and nostalgia.
Graphic styles
1) Photo-realism involves artists using photographs to paint extremely realistic drawings that look just like photographs, which can take months or years to complete.
2) Punk started in the mid-1970s and includes loud, aggressive music as well as unique black clothing styles like Mohawks and spikes. It also promotes anti-establishment views.
3) Cartoons are 2D, non-realistic illustrated drawings and TV shows that were first created in the Middle Ages and became popular humor strips in 20th century magazines and newspapers.
05. Contemporary Media Issues - Postmodern Aesthetics
The document discusses some key concepts from postmodern media theory, including hybridity, bricolage, simulation, intertextuality, and disjointed narratives. It provides examples to illustrate each concept, such as how MIA's "Paper Planes" is both a hybrid song sampling various genres and a case of bricolage through its association with the film Slumdog Millionaire. The document aims to help readers identify these postmodern aesthetic elements in media texts.
Styles and genres
This document defines and describes various styles and genres across art, music, and media. It covers artistic movements like modernism, postmodernism, and pop art. It also covers specific styles like grunge, op art, art nouveau, punk, anime, kitsch, photorealism, futurism, and cartoons. For genres, it outlines categories like factual, editorial, lifestyle, music, action, adventure, sports, fantasy, simulation, and graphic novels. Common across many entries is a focus on experimental styles that challenged conventions or incorporated popular culture influences.
Humanities Day 12 Final will19th century 1800 romanticism.docx
Humanities Day 12
Final will
19th century 1800 romanticism
Beethoven
Friedrich
William Wordsworth
Main emphasis 20th century (modernism)
Nature Religion
Characteristics > national styles in this century.
Breakdown of tradition in relief.
Important: discontinuity. Example (Wasteland)
Estrangement (or alienation)
Permitivism (lots of painters/musicians thought humanities could be recreated/rejuvenated/refreshed by going back to primitive, psychological instincts) Freud.
Unconscious (World of surrealism) example (Dali, De Chirico)
Anxiety & Paranoia is experienced Juxtaposition.
Movies are like a unify of art. Made possible by science & technology. A lot of people don’t read novels or watch art exhibits, but do go to movies. Film is an important of popular form of humanities.
So much of the groundwork was laid for the humanities, literature and painting. Most creative time in history. 1914-1918 WWl. Killing was made possible in WW1 thanks to science and technology. A big shock. A big impact that the world was falling apart that convinced people to disbelief in traditional religion values. In the 1920 was all into experimentation. “Shocking” people. Things became more realistic, facing crisis such as starvation and unemployment. Writers became more socially conscious about economic and social events (1900-1930s), even painters but in paints. Famous writers (Stravinsky) and painters came to America after WWll to avoid the fragile europe. This became a shift in humanities from Europe to America. European literature, composition, painters has always been dominant and uncomparable with America.
Abstract Expressionism. (1950-1960) Jackson Pollock. Pollock made Americana pictures are pictures looking alike. Another famous artist named Norman Rockwell represented Americana (Typical American Lifestyle… city council meeting…baseball…family gathering) His pictures would be posted in magazine covers called Saturday Evening Post. The other side of the American experience was not so brightening. Unwelcoming African American people, one particular example is throwing rotten tomatoes and writing “nigger” on walls at the school kids. A conservative man with a hat (if you look at pics, everyone wore hat) only in the 1960 men stopped wearing hats. This picture represents a contrast between an old and a new. One of the most important pics in American art history (The Connociour) “Overall painting” is.. “Blue Poles” is represents a contrast between chaos and the way the blue poles paced off one after another acrossed the plane of the picture. Beatniks “rejected American culture etc” very communist, smoking dope etc, and Pollock eventually hanged out with them. Monetization “attach money to anything” and his pictures were very monetized and gained tension.
1960-1970 Pop Art Andy Warhol is the next big figure after Jackson Pollock. Pop Art consisted of painting what was “important”. Consumerism and materialism what.
Humanities presentation pdf
Postmodern art emerged in the 20th century in response to modernism. It rejects the fixed views and purity of form in modern art in favor of a more complex and uncertain view of the world. Postmodernism aims to eliminate boundaries between high and popular culture. Some key movements in postmodern art include minimalism, post-minimalism, new classicism, conceptual art, installation art, and lowbrow art. Postmodern works are characterized by their subjective nature, interest in social issues, and eclectic styles and mediums.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, characterized by mixing styles and genres, self-referentiality, and skepticism of absolute truths. Postmodern works blur fiction and reality, value subjective taste over objective quality, and mediate reality through interpretation rather than direct experience. Postmodern art uses techniques like appropriation, juxtaposition, and deconstruction to combine high and low cultural forms and subvert conventions. For example, the film Pulp Fiction employs nonlinear storytelling and mixes genres to bring together elements from different eras.
Street fashion and subculture: past present and future
this presentation gives a bird's eye view of various subcultures and street-styles. the pictures in most of the slides are taken from the iconic book "streetstyles" by my guru Ted Polhemus (www.tedpolhemus.com)... contact me for more details/ discussion or read his books (available at Amazon)
Postmodernism
The document discusses key concepts and characteristics of postmodernism including:
- Fragmented and shifting identities defined by consumption rather than background.
- Borrowing of images and elements from different cultures through increased globalization and media.
- Simulacra and hyperreality where the representation or simulation of reality becomes indistinguishable from reality itself.
- Intertextuality and pastiche where new works reference and combine elements from other works and genres.
Theories for production
Postmodernism describes artistic movements from the late 20th century that reject absolute truths and definitions. Postmodernist works often reference and mix styles from the past to challenge norms and express new perspectives. Key concepts include simulacra (copies of copies), intertextuality (references between media), pastiche (exaggerated parodies), and deconstruction to analyze postmodernism. The document discusses how the song and music video "Lyin' to Myself" by Todrick Hall exemplifies postmodernism through its references to other works like "Straight Outta Compton" while addressing current social issues. The author plans to apply postmodernist concepts in their own music video about class and status.
The Goth life
The document summarizes the Goth subculture from its origins in the 1980s as a revolt against disco fashion to the present day. It describes key visual elements like black clothing, pale skin, and dark hair. Iconic Gothic musicians are highlighted, such as Siouxsie Sioux and Marilyn Manson. The document also discusses Gothic fashion designers, music genres associated with Gothic culture, and how Gothic aesthetics have inspired high fashion designers.
The Goth life
The document summarizes the Goth subculture from its origins in the 1980s as a revolt against disco fashion to the present day. It describes key visual elements like black clothing, pale skin, and dark hair. Iconic Gothic musicians are highlighted, such as Siouxsie Sioux and Marilyn Manson. The document also discusses Gothic fashion designers, music genres associated with Gothic culture, and how Gothic aesthetics have inspired high fashion designers.
CIU211.1 - Dialectic Inquiry, Punk Culture
The document discusses the punk subculture, describing its origins in the 1970s as a rebellion against mainstream rock music. It notes that punk values include anti-establishment views as well as individual freedom and non-conformity. The document outlines some of the major scenes within punk culture, such as street punk and hardcore punk, which have different fashion styles. It concludes that punk culture is about individuals not conforming to external standards but rather determining their own path.
Iml 466 situationists
Dada and 1960s media art like Fluxus disrupted traditional art forms. Marcel Duchamp created readymades like "Fountain" that questioned what qualified as art. The Situationists advocated suppressing art and critiqued capitalist society's division of producers and consumers. Guy Debord wrote "The Society of the Spectacle" describing how life under capitalism had been reduced to meaningless consumption and spectacle. Key Situationist concepts included the derive (drifting through urban areas), psychogeography (how environments influence emotions), and detournement (subverting existing cultural works).
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05. Contemporary Media Issues - Postmodern Aesthetics
05. Contemporary Media Issues - Postmodern Aesthetics
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Street fashion and subculture: past present and future
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Image manipulation
I edited a picture of the main character from my music video using Adobe Photoshop. I used effects like the Curve tool to adjust the coloring and added a red tone to increase the brightness and match the edgy genre and feel of my video. The editing transformed the normal photo into a high quality image ready for the digipak.
Question 3
The document discusses audience feedback received by the creator of a music video and ancillary tasks. A survey found the creator's target audience is mostly 15-18 year old females and some 31-35 year old males. Feedback on a draft of the music video was positive from classmates on YouTube but drafts of ancillary tasks were incomplete. The feedback allowed the creator to better understand audience preferences and ensure the media products meet audience standards and expectations.
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The current library at Haydon School lacks appeal and does not entice students to use it regularly. A survey of students found that the majority enter the library only for lessons and find the space boring and dull due to the plain color scheme and uniform layout. The design brief calls for redesigning the interior of the library to make it a more exciting, modern learning environment that will encourage increased student use and enjoyment.
Proposal
The producer proposes to create a music video for the song "Habits (Stay High)" by Tove Lo that tells a narrative story through visuals that match the lyrics. The video will follow a troubled young girl using drugs, alcohol, and partying to forget someone who left her life. Scenes of her wandering the streets and hanging out with the wrong people will be cut with shots of her alone in a black box, crying with smeared makeup as she tries to appear okay. The goal is for viewers to empathize with the protagonist and enjoy the video while relating to the serious issues explored.
Location Recce
The document provides details about using a drama studio at Haydon School in Pinner, Middlesex as a location for shooting a music video. The drama studio has black walls and speakers and would be suitable for footage focused on a performer. Shooting in the studio would allow the performer to appear like they are on a stage under a spotlight. Permission would need to be obtained from the head of drama to use the studio and timings may be an issue to avoid disturbing students during school hours from 8am-3pm. Other events may also require use of one of the three drama studios so booking in advance would be important.
Location mise en-scene
The document discusses color grading and props for a music video. It notes that the Arctic Monkeys "When the Sun Goes Down" video uses cool blue tones to portray sadness, while Jess Glynne's "Take Me Home" video has a light, pure look with hints of gray. The list of available props at the chosen location includes people's shadows, a couple kissing, males walking, cigarettes, street lamps, street scenes at night, alcohol bottles, a train station, shoes walking, and a park bench.
Cultural Influences to Specific genre
This document discusses the key characteristics and influences of pop music. It notes that pop music aims for wide appeal, emphasizes craftsmanship over formal artistry, and focuses on recording and technology over live performance. Pop draws influence from various genres like ballads, gospel, soul, jazz, and hip hop. Technological developments like improved microphones, records, television, and music videos have also shaped pop music. While dominated by the US and UK industries, pop styles vary globally and have been interpreted as representing processes of Americanization or globalization. Pop music can strongly influence adolescents through its lyrics, videos, and artists they follow.
Cultural influence on specific genres
By Lois Evans discusses how the definition of "world music" has expanded from ethnic music traditions to include various hybrid genres that blend ethnic music with styles like jazz, folk, and Western pop music. Examples given are Afro Celt Sound System which blends Irish and West African music, Aomusic which has a pan-cultural sound, and Värttinä which combines jazz and Finnish folk music. Each of these examples bear some Western influence as world music genres have continued to incorporate more contemporary Western elements.
Postmodernism Powepoint
This document discusses postmodern elements that are commonly featured in music videos, such as irony, pastiche, intertextuality, and cultural flattening. It provides Lady Gaga's "Telephone" music video as an example, analyzing how the video uses postmodern techniques like pastiche by imitating cinema conventions, lacks a strong narrative message, engages in cultural flattening through provocative content, and has intertextual references and a disjunctive relationship between the song and video. The document also notes the video's use of product placement through cinematography.
Iconography and genre
Pop music videos typically feature dance routines, vibrant colors, and depict the singer as happy and enjoying life. The lyrics focus on love and relationships, while targeting teens as the main audience. The music follows current trends rather than being unique. It has a consistent beat and verse-chorus structure. R&B videos commonly feature voyeurism of scantily-clad women, with dramatic hair and bold makeup intended for the male gaze. Rock videos have darker, heavier colors and lighting compared to pop and focus more on performances than narratives. Indie videos have a lower-key, calm mixture of rock and pop styles using natural locations to create mystery and relatability.
Music video theory
This document summarizes several music video theories proposed by different scholars:
1. Andrew Goodwin's theory focuses on editing techniques that synchronize with the music, using different scenes to depict different parts of songs. It also emphasizes using music videos to convey narrative and showcase the artist's performance, image, and style.
2. Vladimir Todorov's narrative theory analyzes the typical structure of stories into five stages: equilibrium, disruption, recognition of disruption, attempts to repair disruption, and new equilibrium. This structure applies to many music videos.
3. Vladimir Propp's theory identifies eight common character types frequently seen in media narratives, including heroes, villains, helpers, and princesses.
Magazine advert analysis
This magazine advertisement analyzes an album advertisement for Ed Sheeran's "Plus" album:
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- It lists some popular singles to persuade readers who are familiar with those songs.
- At the bottom it includes a positive quote and rating from Q Magazine to demonstrate the album's quality.
Analysis of Real Music Videos
The document provides an analysis of the song "Primadonna" by Marina and the Diamonds. It summarizes the lyrics, which suggest the singer wants a wealthy man to provide her with an extravagant lifestyle, though she will not be faithful. The video depicts Marina in glamorous outfits and settings typically associated with Hollywood stars and the upper class. The target audience is described as mainly girls and women aged 16+ who can relate to wanting a more luxurious life. Cinematography, mise-en-scene, and other elements aim to portray a vintage, retro style that promotes originality and class.
Video analysis
1) The music video for Rihanna's song "Diamonds" is shot entirely in black and white. It uses quick cuts and editing to build tension and features Rihanna in various close-up shots with lighting focused solely on her.
2) Scenes portray negative uses of diamonds and symbols of love being destroyed to match the emotion in the lyrics. Objects are seen moving in reverse, and locations change from a dark room to outside.
3) Shots include hands holding and then letting go to represent a relationship, and a horse gaining freedom through a low angle shot, all exploring the mixed emotions Rihanna aims to convey through her performance and body language in the video.
Video analysis
This document provides an analysis of the music video for Rihanna's song "Diamonds". It summarizes that the video is shot in black and white, uses quick editing and close-up shots. Lighting is used to focus on Rihanna, giving the video a vintage feel. Symbols like shattered glass and a burning rose are used to represent the destruction of love. Reverse effects and changes in scenery portray Rihanna's emotions throughout the video.
Analysis of student blogs
Neha Raithatha's music video coursework blog was analyzed. Her research involved watching existing music videos to get inspired and understand different styles. Her planning was detailed and presented ideas through multimedia. Her final music video combined narrative and performance effectively. It aligned with her research and planning. Audience feedback helped her improve and produce a high quality final product.
Equipment
The document describes various equipment used for a photoshoot and magazine project, including a Canon 5D Mark II DSLR camera, Canon EF-S 18-55mm f/3.5-5.6 IS II lens, white screen, Adobe InDesign CS6 and Photoshop CS6 software, Interfit Stellar X studio flash lights, and Neewer RT16 wireless flash trigger. The equipment was chosen to produce high quality images for the photoshoot and magazine in a professional manner.
Audience Survey data
The document discusses the results of a survey conducted to help determine the content for a new music magazine. The survey showed that people were most interested in both well-known and up-and-coming artists. Respondents also expressed interest in concert tickets, free music downloads, and celebrity gossip. Popular social media platforms like Twitter, Facebook, and YouTube will be linked to help connect with readers. The survey also provided insight into artists and magazine layout preferences.
Audience Survey Data
The document discusses survey results for a music magazine. The majority of respondents wanted coverage of well-known, mainstream artists but also new and upcoming artists. Respondents also favored concert tickets and song codes. Celebrity gossip was another popular requested feature. Most wanted social media links to stay updated on artists and the magazine. Equal interest was shown in several listed artists.
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Leadership Ambassador club Adventist module
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Feeling overwhelmed by IT options? This presentation unlocks your personalized roadmap! Learn key skills, explore career paths & build your IT dream job strategy. Visit now & navigate the tech world with confidence! Visit https://www.basecamp.com.sg for more details.
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- 2. MODERNISM- Art / social-political movement that aimed to reinvent culture that had become outdated. - Roughly occurred between 1890s - 1960s. - A rejection against realism. - Divisions of modernism include avant-garde and surrealism. - Films / novels / art were self-reflexive of society.
- 3. MODERNIST ART CHALLENGED THE REALISM AND ILLUSION OF THE ROMANTIC ERA. John Constable Pablo Picasso (Romanticism) (Modernism)
- 4. Modernism is self-reflexive, it draws attention to itself and the materials is uses. - E.g. Jackson Pollock
- 5. POSTMODERNISM - 1970s onwards - The breakdown of barriers between genres and style - The breakdown of distinction between binary divides (E.g. human and machine) - Mixing up time, space and narrative - Emphasis of style over content - Blurring of fiction and reality / representation and the real - Becoming more use to a mediated version of reality, than reality itself (hyperreality).
- 6. KEY TERMS Intertextuality - one media text referring to another Parody - mocking something in an original way 1970s / 1980s cop series1970s / 1980s cop series Sabo tag eSabo tag e music videomusic video
- 7. PARODY - The Sim pso ns parodies both high and low culture to a wide range of audiences. - Part of the idea of postmodernism is that there is no divide between- Part of the idea of postmodernism is that there is no divide between high art and mass culture.high art and mass culture.
- 8. Pastiche - An artistic work in a style that imitates that of another work, artist, or period. This is a self-conscious imitation. Gentlemen Prefer Blondes Marilyn Monroe Material Girl Madonna Ashanti Foolish music videoGoodfellas
- 9. Bricolage - mixing up and using different genres and styles Shaun of the Dead: Zombie mixed with and romantic comedy. Blade Runner: Sci-Fi and film noir DJ Shadow’s Entroducing: The first album to be completely made up of sampled music.
- 10. Homage - imitation from a respectful standpoint Psycho - the 1960 original Psycho - the 1998 remake