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This document discusses postmodernism and provides examples of key postmodern concepts and techniques. It examines the characteristics of modernism and postmodernism, including the breakdown of genres and styles in postmodernism. Key terms are defined, such as intertextuality, parody, and pastiche. The document then analyzes Lady Gaga's "Paparazzi" music video as a postmodern text that uses techniques like pastiche, homage, intertextuality, and blurring boundaries.
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7. theories for production
This document discusses theories of modernism and postmodernism and how they relate to media production. It provides context on modernism as a rejection of realism from the 1890s-1960s, noting modern art was self-reflexive. Postmodernism emerged in the 1970s, characterized by blurred genres, fiction/reality, and hyperreality where mediated reality is preferred over real reality. Jean Baudrillard's theory of simulacra and hyperreality is explained, where the real is replaced by simulations until the distinction collapses. Characteristics of postmodern music videos are identified, including bricolage, pastiche, intertextuality, breaking the fourth wall, parody, and homage.
Postmoderninsm Powerpoint
Modernism emerged between the 1890s-1960s as an artistic and social movement that rejected realism in favor of experimental styles. Postmodernism began in the 1970s as a rejection of the distinctions and boundaries that defined modernism, embracing styles like parody, pastiche, and bricolage that blended genres and mixed fiction with reality. Key aspects of postmodernism include intertextuality, questioning binary divides, and emphasizing style over content through techniques like sampling to create a hyperreal version of mediated reality.
Theories for production
Postmodernism describes artistic movements from the late 20th century that reject absolute truths and definitions. Postmodernist works often reference and mix styles from the past to challenge norms and express new perspectives. Key concepts include simulacra (copies of copies), intertextuality (references between media), pastiche (exaggerated parodies), and deconstruction to analyze postmodernism. The document discusses how the song and music video "Lyin' to Myself" by Todrick Hall exemplifies postmodernism through its references to other works like "Straight Outta Compton" while addressing current social issues. The author plans to apply postmodernist concepts in their own music video about class and status.
Postmodernism
This document discusses modernism and postmodernism in art and culture. It examines how postmodernism emerged in the 1970s as a rejection of modernism's emphasis on realism. Some key characteristics of postmodernism include the breakdown of genres, blurring of fiction and reality, and mixing of high and low cultural references. The document then analyzes Lady Gaga's "Paparazzi" music video as an example of postmodern pastiche and intertextuality through its references to classic films like Sunset Boulevard and Vertigo.
Pop Art, or Not! 2/3/21
This document provides information about pop art, including key characteristics and examples. It notes that pop art often uses bright colors and imagery from popular media like comic books and advertisements. Examples mentioned include Andy Warhol's Campbell's Soup Cans from 1962, Roy Lichtenstein's Drowning Girl from 1963, and James Rosenquist's I Love You with my Ford from 1961. The document seeks to distinguish pop art from other artistic styles by noting works by Barbara Kruger and TheThingsWeSay.com that are not considered pop art.
Pop art
The document discusses key elements of Pop Art including the use of recognizable imagery from popular media and culture like comic books, advertisements, and photographs. It notes Pop Art often uses bright colors and flat forms. Examples mentioned include Andy Warhol's Campbell's Soup Cans from 1962, Roy Lichtenstein's Drowning Girl from 1963, and Jasper Johns' Three Flags from 1958. The document provides images and sources for several notable Pop Art works.
Parody in Art
Parody is a work created to mock, comment on, or poke fun at an original work through humorous or satirical imitation. Parodies can be found in art and culture, including literature, music, and film. In visual art, parodies often employ recognizable works that are modified. Ron English is an American artist known for exploring popular imagery and advertising through parody, using techniques like mashups of cultural references and trompe l'oeil to create political and social commentary.
Intertextuality in Film
Intertextuality refers to references or connections between works of art such as films borrowing from other films, literature, or art forms. Deliberate intertextuality occurs when artists intentionally include references to other works. Shrek uses intertextuality by featuring characters from Disney films transformed with a different take. Allusion is a direct reference, such as Disney including a brief appearance of Sven from Frozen in Moana. Pastiche deliberately recreates another artist's style while parody mocks or mimics a particular genre through comedy. Recent films increasingly use intertextuality as "weaponized intertextuality" to trigger emotional responses in viewers through recognizable characters or images from other works.
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7. theories for production
This document discusses theories of modernism and postmodernism and how they relate to media production. It provides context on modernism as a rejection of realism from the 1890s-1960s, noting modern art was self-reflexive. Postmodernism emerged in the 1970s, characterized by blurred genres, fiction/reality, and hyperreality where mediated reality is preferred over real reality. Jean Baudrillard's theory of simulacra and hyperreality is explained, where the real is replaced by simulations until the distinction collapses. Characteristics of postmodern music videos are identified, including bricolage, pastiche, intertextuality, breaking the fourth wall, parody, and homage.
Postmoderninsm Powerpoint
Modernism emerged between the 1890s-1960s as an artistic and social movement that rejected realism in favor of experimental styles. Postmodernism began in the 1970s as a rejection of the distinctions and boundaries that defined modernism, embracing styles like parody, pastiche, and bricolage that blended genres and mixed fiction with reality. Key aspects of postmodernism include intertextuality, questioning binary divides, and emphasizing style over content through techniques like sampling to create a hyperreal version of mediated reality.
Theories for production
Postmodernism describes artistic movements from the late 20th century that reject absolute truths and definitions. Postmodernist works often reference and mix styles from the past to challenge norms and express new perspectives. Key concepts include simulacra (copies of copies), intertextuality (references between media), pastiche (exaggerated parodies), and deconstruction to analyze postmodernism. The document discusses how the song and music video "Lyin' to Myself" by Todrick Hall exemplifies postmodernism through its references to other works like "Straight Outta Compton" while addressing current social issues. The author plans to apply postmodernist concepts in their own music video about class and status.
Postmodernism
This document discusses modernism and postmodernism in art and culture. It examines how postmodernism emerged in the 1970s as a rejection of modernism's emphasis on realism. Some key characteristics of postmodernism include the breakdown of genres, blurring of fiction and reality, and mixing of high and low cultural references. The document then analyzes Lady Gaga's "Paparazzi" music video as an example of postmodern pastiche and intertextuality through its references to classic films like Sunset Boulevard and Vertigo.
Pop Art, or Not! 2/3/21
This document provides information about pop art, including key characteristics and examples. It notes that pop art often uses bright colors and imagery from popular media like comic books and advertisements. Examples mentioned include Andy Warhol's Campbell's Soup Cans from 1962, Roy Lichtenstein's Drowning Girl from 1963, and James Rosenquist's I Love You with my Ford from 1961. The document seeks to distinguish pop art from other artistic styles by noting works by Barbara Kruger and TheThingsWeSay.com that are not considered pop art.
Pop art
The document discusses key elements of Pop Art including the use of recognizable imagery from popular media and culture like comic books, advertisements, and photographs. It notes Pop Art often uses bright colors and flat forms. Examples mentioned include Andy Warhol's Campbell's Soup Cans from 1962, Roy Lichtenstein's Drowning Girl from 1963, and Jasper Johns' Three Flags from 1958. The document provides images and sources for several notable Pop Art works.
Parody in Art
Parody is a work created to mock, comment on, or poke fun at an original work through humorous or satirical imitation. Parodies can be found in art and culture, including literature, music, and film. In visual art, parodies often employ recognizable works that are modified. Ron English is an American artist known for exploring popular imagery and advertising through parody, using techniques like mashups of cultural references and trompe l'oeil to create political and social commentary.
Intertextuality in Film
Intertextuality refers to references or connections between works of art such as films borrowing from other films, literature, or art forms. Deliberate intertextuality occurs when artists intentionally include references to other works. Shrek uses intertextuality by featuring characters from Disney films transformed with a different take. Allusion is a direct reference, such as Disney including a brief appearance of Sven from Frozen in Moana. Pastiche deliberately recreates another artist's style while parody mocks or mimics a particular genre through comedy. Recent films increasingly use intertextuality as "weaponized intertextuality" to trigger emotional responses in viewers through recognizable characters or images from other works.
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Mher Mkrtchyan was born in 1930 in Armenia to refugee parents from the Turkish massacres. He had two names, Frunzik and Mher, and was known across Armenia for his acting talents. He began his career in 1955 and was renowned for his roles in films such as "Kidnapping Caucassian Style" and "The Big Win." Mkrtchyan believed that acting was his true calling from a young age despite his father's objections. He spent his final days in loneliness, grieving the loss of his daughter and his son's illness, and passed away in 1993 in Yerevan.
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This document discusses intertextuality in media, specifically music videos. It defines intertextuality as the relationships between texts, such as direct references, parodies, and allusions. Intertextuality is used to create familiarity and nostalgia for the audience, a sense of continuity, and can be used to relate controversial political topics to society. As an example, Madonna's "Material Girl" music video directly referenced Marilyn Monroe's iconic dress and scene from Gentlemen Prefer Blondes to invoke nostalgia. When creating their own music video, the author plans to reference themes and styles from Tame Impala music videos to connect to fans of that genre.
Parody and pastiche - Postmodernism
This document discusses parody and pastiche as examples of intertextuality, which is defining a work's meaning through references to other texts. Parody imitates another work's style for comic effect or ridicule, while pastiche borrows elements without mockery. Both are common in postmodern works and rely on audience familiarity with other media. Some critics like Linda Hutcheon view parody and pastiche positively as offering critique, while Frederic Jameson sees pastiche as "blank" mimicry without political meaning. The document asks questions about examples of intertextuality and why critics dislike postmodern uses of parody and pastiche.
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The document discusses the Romanticism movement in art and other creative works from the late 18th to mid 19th centuries. Key aspects covered include how Romanticism expressed intense emotion through works to provoke emotional responses in viewers, influenced other art forms like poetry and music, and was somewhat a reaction against Neoclassicism's lack of emotion. The concept of the sublime is also defined, referring to a sense of awe and shock beyond everyday experience. Several influential Romantic artists are mentioned like William Blake, John Henry Fuseli, and Caspar David Friedrich who captured themes of imagination, dreams, and the unknown.
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http://www.edicionestgd.com/tienda/productos/prod.php?p=271
Synopsis the fray
The document outlines a synopsis for a music video by The Fray called "You Found Me". It will follow an unnamed female protagonist dressed in dark winter clothes through a train station and streets of central London. Shot styles will include behind the shoulder shots and close ups. Locations were chosen to illustrate how hard it can be to be noticed in the rush of busy city life. The narrative will have the viewer journey with the protagonist, seeing the public from different perspectives and portraying the protagonist as lonely, conforming to indie/rock conventions and lyrics of the song.
Intertextuality
The document discusses intertextuality in music videos, which is when a text references or alludes to other texts. It defines intertextuality and explains how music videos incorporate, raid, and reconstruct other texts through parody and pastiche, creating nostalgic associations and new meanings. The document provides learning objectives for identifying, explaining, and evaluating intertextuality in music videos and prompts the reader to analyze several music videos from a chosen genre for intertextual elements.
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Parody & Pastiche
Parody mimics the style and conventions of another work to derive ridicule or ironic comment. Marcel Duchamp's painting LHOOQ parodies the Mona Lisa by adding a goatee and mustache. Self-parody involves artists satirizing themselves or their own work, like Ricky Gervais in Extras. Intertextuality refers to how texts influence each other through borrowing and transformation of prior texts. Pastiche prominently features in popular culture through genre works that blend and blur conventions, like Quentin Tarantino's films.
Modernism and PostModernism
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Modern vs Postmodernsim
Modernism arose in the late 19th and early 20th centuries as a philosophical movement that promoted social progress through experimentation, science, and technology. Postmodernism emerged later in the 20th century as a departure from modernism, rejecting its assumptions and embracing contradictions and mass culture. Postmodernism is skeptical of ideas of progress and master narratives, viewing reason and science as ideologies, while modernism sees them as providing an objective foundation for knowledge.
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This presenation was used to introduce staff and students to the Postmodern movement at St Stithians College, Randburg. Authors Andrew Moore and Piers Cruickshanks
Pomo what is postmodernism copy - copy (1)
Postmodernism is a late 20th century style that departs from modernism, characterized by intertextuality, pastiche, kitsch, mixing of art forms and genres, questioning of meaning, self-referentiality, contradictions, and blurred boundaries. As a constantly changing style, postmodernism is always becoming outdated even as it reinvents itself.
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Within the music video for "Wake Me Up" by Avicii, several narrative theories can be seen at work. Vladimir Propp's character archetypes of hero, princess, villain and helper are represented by the two sisters and the people of their town. Tzvetan Todorov's five-stage model of narrative is also evident, as the sisters disrupt the equilibrium of their town, leading one sister to search for where they truly belong. Roland Barthes' codes, including the symbolic tattoo motif, help establish differences between groups. Finally, Claude Levi-Strauss' concept of binary oppositions, such as modern/old-fashioned and happy/sad, reflect cultural values through the two contrasting towns depicted
Intertextuality
Intertextuality refers to relationships between texts, such as how they influence, reflect, or differ from each other. It creates a sense of continuity and reality by allowing works to reference society and other media. For example, The Simpsons uses intertextuality to relate current events to viewers and potentially spark controversy. Eminem also employs intertextuality in his music videos by referencing familiar themes like superheroes and including elements like titles and countdowns that build intrigue and encourage viewers to watch his full videos.
Intertextuality Studies
This document defines intertextuality as when a media text references another text such as a film, TV program, or painting. It provides the example of a Cadbury chocolate finger advertisement that references the TV show Dallas through its three panel introduction style, typography, and mid-shots of characters. Elements that can signify intertextuality include conventions from the original text, mise-en-scene, technical conventions like camerawork and editing style, and the use of parody, pastiche, or homage. Intertextuality pleasures audiences by making them want to watch more, privileging those who understand references, and nostalgically reminding them of the past.
Frunzik mkrtchyan
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Intertextuality in music videos
This document discusses intertextuality in media, specifically music videos. It defines intertextuality as the relationships between texts, such as direct references, parodies, and allusions. Intertextuality is used to create familiarity and nostalgia for the audience, a sense of continuity, and can be used to relate controversial political topics to society. As an example, Madonna's "Material Girl" music video directly referenced Marilyn Monroe's iconic dress and scene from Gentlemen Prefer Blondes to invoke nostalgia. When creating their own music video, the author plans to reference themes and styles from Tame Impala music videos to connect to fans of that genre.
Parody and pastiche - Postmodernism
This document discusses parody and pastiche as examples of intertextuality, which is defining a work's meaning through references to other texts. Parody imitates another work's style for comic effect or ridicule, while pastiche borrows elements without mockery. Both are common in postmodern works and rely on audience familiarity with other media. Some critics like Linda Hutcheon view parody and pastiche positively as offering critique, while Frederic Jameson sees pastiche as "blank" mimicry without political meaning. The document asks questions about examples of intertextuality and why critics dislike postmodern uses of parody and pastiche.
Presentace culture
This document provides brief biographies of eight famous Czech personalities from culture and history. It describes their dates of birth and death, occupations, major works, and awards for Jaroslav Hašek, Václav Havel, Karel Čapek, Miloš Forman, Karel Gott, Vlasta Burian, Antonín Dvořák, and Jiří Menzel.
Dissertation Proposal Presentation
This document outlines Nicole Harman-Smith's proposed dissertation on postmodernism and the auteur theory in film. It discusses exploring additional postmodern directors and films, expanding on a previous essay analyzing David Lynch's postmodern aesthetics in Twin Peaks and Blue Velvet. It proposes comparing Lynch to other auteur directors like Godard, Tarantino, and Anderson. The dissertation would examine postmodern film theories, the origins of auteur theory, and criticisms of focusing solely on the director's authorial role in collaborative filmmaking.
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The document discusses the Romanticism movement in art and other creative works from the late 18th to mid 19th centuries. Key aspects covered include how Romanticism expressed intense emotion through works to provoke emotional responses in viewers, influenced other art forms like poetry and music, and was somewhat a reaction against Neoclassicism's lack of emotion. The concept of the sublime is also defined, referring to a sense of awe and shock beyond everyday experience. Several influential Romantic artists are mentioned like William Blake, John Henry Fuseli, and Caspar David Friedrich who captured themes of imagination, dreams, and the unknown.
Modernism vs post modernism
Modernism began as a rejection of past ideas and cultural norms in the 19th century, driven by new ideas from evolution, psychology, and socialism. Modernism in art covered 1863-1960s and focused on new ideas and using techniques as subject matter over representing subjects. Postmodernism emerged in the 1970s from scrutiny of modernism, questioning its lack of diversity and utopian ideals. Postmodernism embraces irony, appropriation, juxtaposition, and examining bias through deconstruction.
Narrative theory
This document summarizes several narrative theories and theorists that are relevant to analyzing media texts. It discusses narrative as involving a chain of causally linked events with a beginning, middle, and end. The narrative theory analyzes how media conveys meaning through stories. Various theorists contributed approaches for analyzing characters, plot structure, codes, and underlying cultural themes/oppositions. Narrative analysis examines elements like mise-en-scene and editing that construct meaning and how audiences make sense of narratives.
The chinese 5th &6th generation film
This document discusses the history and evolution of Chinese cinema from 1949 to the present. It covers major periods and movements, including films during the Cultural Revolution, the rise of 5th generation filmmakers in the 1980s, and differences between 1950s films and more recent Chinese films. The document also analyzes genres from different eras and the politics of filmmaking in China over time.
Modernism
American Modernism, "An Introduction to North American Culture and Literature"
http://www.edicionestgd.com/tienda/productos/prod.php?p=271
Synopsis the fray
The document outlines a synopsis for a music video by The Fray called "You Found Me". It will follow an unnamed female protagonist dressed in dark winter clothes through a train station and streets of central London. Shot styles will include behind the shoulder shots and close ups. Locations were chosen to illustrate how hard it can be to be noticed in the rush of busy city life. The narrative will have the viewer journey with the protagonist, seeing the public from different perspectives and portraying the protagonist as lonely, conforming to indie/rock conventions and lyrics of the song.
Intertextuality
The document discusses intertextuality in music videos, which is when a text references or alludes to other texts. It defines intertextuality and explains how music videos incorporate, raid, and reconstruct other texts through parody and pastiche, creating nostalgic associations and new meanings. The document provides learning objectives for identifying, explaining, and evaluating intertextuality in music videos and prompts the reader to analyze several music videos from a chosen genre for intertextual elements.
The Birthday Party
This document provides biographical information about British playwright Harold Pinter and analyzes a scene from his famous play "The Birthday Party". It notes that Pinter was born in 1930 in Britain, won the Nobel Prize for Literature in 2005, and his notable works include "The Birthday Party". The scene summary describes Act II of the play, where Stanley denies having a birthday party but the guests force him to play a game called "blind man's buff" in the dark, during which Lulu is raped while crying out.
Parody & Pastiche
Parody mimics the style and conventions of another work to derive ridicule or ironic comment. Marcel Duchamp's painting LHOOQ parodies the Mona Lisa by adding a goatee and mustache. Self-parody involves artists satirizing themselves or their own work, like Ricky Gervais in Extras. Intertextuality refers to how texts influence each other through borrowing and transformation of prior texts. Pastiche prominently features in popular culture through genre works that blend and blur conventions, like Quentin Tarantino's films.
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Modernism and PostModernism
Modernism rejected tradition in art and embraced new styles like abstraction. It focused on the artist's process, formal elements like color and form, and did not require recognizable subjects. Post-Modernism embraced history and multiple styles within a single work. It emphasized cultural and political issues and identity, and sought to deconstruct cultural structures to reveal biases.
Modern vs Postmodernsim
Modernism arose in the late 19th and early 20th centuries as a philosophical movement that promoted social progress through experimentation, science, and technology. Postmodernism emerged later in the 20th century as a departure from modernism, rejecting its assumptions and embracing contradictions and mass culture. Postmodernism is skeptical of ideas of progress and master narratives, viewing reason and science as ideologies, while modernism sees them as providing an objective foundation for knowledge.
Postmodernism
Postmodernism emerged in the late 20th century as a departure from modernism in the arts, characterized by mixing styles and genres, self-referentiality, and skepticism of absolute truths. Postmodern works blur fiction and reality, value subjective taste over objective quality, and mediate reality through interpretation rather than direct experience. Postmodern art uses techniques like appropriation, juxtaposition, and deconstruction to combine high and low cultural forms and subvert conventions. For example, the film Pulp Fiction employs nonlinear storytelling and mixes genres to bring together elements from different eras.
Postmodernism
Postmodernism departs from modernism in the arts and is characterized by mixing styles and genres without preferences. It questions originality and theories, seeing everything as connected. Modernism believes new art forms are appropriate for their time and driven by social progress, seeing art movements as improvements until postmodernism reacted against a narrow theory of modernism.
MODERNISM AND POSTMODERNISM
The document traces the history of modernism and postmodernism in art, design, and architecture from the 1850s to the 1990s. It describes several influential movements including Arts and Crafts, Art Nouveau, Cubism, Futurism, Dada, Bauhaus, Op Art, Punk, and New Romantics. Key aspects of modernism included streamlined geometric shapes, use of new materials like steel and glass, and an emphasis on function over ornamentation. Postmodernism emerged in the 1960s and rejected strict modernist rules in favor of experimental, playful styles that mixed high and low cultural references.
Modernism vs postmodernism
Modernism and Postmodernism are two cultural movements that show differences. Modernism occurred between the 1860s-1940s and valued original works and logical thinking. Postmodernism began after 1968 and questioned modernism, believing thinking was irrational and there was no absolute truth. It favored applied art over original works and used digital media.
Emergence of modern architecture ppt
Modern architecture emerged in the early 20th century due to advances in technology and a desire to reconcile architectural design with modern society. It is characterized by simplified forms, subtraction of ornamentation, and an emphasis on function over decoration. Common themes include expressing the structure of a building and using industrially produced materials like steel and glass. The International Style popularized principles like "form follows function" that shaped urban planning and building design in the modern era.
Post modern architecture
Postmodern architecture emerged in the 1960s as a rejection of the strict functionalism of modern architecture. It sought to reintroduce ornamentation, color, and references to historical styles. Key characteristics included drawing from multiple sources rather than pure forms, moving away from neutral colors, and taking elements from different styles and combining them in new ways. Notable postmodern architects included Robert Venturi, Philip Johnson, and Michael Graves.
Post-Modern Architecture and the architects involoved in it.
Contains the comparison between modern architecture and post-modern architecture. The reasons that led to post-modern architecture. The architects who made important buildings with post-modern architecture.
Powerpoint(post modernism)
The Post-Modernism era came after World War II and the end of the Modern era, though there is no definitive start or end date. Post-Modernism rejected the idea of absolute truth and objectivity that defined Modernism. Post-Modern art, architecture, painting, and photography emphasized diversity, hidden meanings, and rejecting norms rather than focusing on one objective perspective or meaning. Key aspects included questioning assumptions, emphasizing personal journeys over logic, and avoiding strict adherence to rules or traditions.
Modernism v postmodernism
Postmodernism rejects the idea that any media is more valuable than another and that judgements of value are subjective. It also believes that the distinction between media and reality has collapsed, as we now live in a hyperreality defined by images and representations that refer to each other.
Modernism arose in the late 19th/early 20th century from transformations in Western society. It had faith in grand theories and social hierarchies but these began to break down. Modernist art focused on the medium over the subject and sought to use technique to get closer to the true nature of art.
Postmodern art is characterized by irony, appropriation, juxtaposition, pluralism, and deconstruction. It questions what
Modernism & postmodernism in architecture
Modernist architecture emerged in the late 19th to early 20th century as a philosophical movement to reconcile architectural design with technological advancement. It emphasized form following function through simplicity and clarity. Postmodernist architecture arose in the late 20th century as a reaction against modernism, replacing its functional forms with diverse aesthetics through pluralism, irony, and contextual references. Notable modernist architects included Mies van der Rohe and Le Corbusier, while postmodernists included Michael Graves and Philip Johnson.
literary criticism - the -isms of 19th and 20th century
The document provides an overview of four literary movements: Modernism, Postmodernism, Postcolonialism, and Feminist Criticism. It discusses some key aspects of each movement, including:
Modernism challenged 19th century traditions and authority in the aftermath of World War I and new scientific discoveries. It used new narrative techniques like stream of consciousness and nonlinear chronologies.
Postmodernism questions meaning and truth, seeing them as relative. It emphasizes intertextuality and the interconnection of ideas.
Postcolonialism examines the impact of colonialism and problems of poverty and social status after independence.
Feminist criticism emerged in the 1980s through movements like Riot Grrrl and
Modern Architecture
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Iml 466 situationists
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- 1. Postmodernism Aims of Lesson: - To examine the characteristics of modernism and postmodernism. - To analyse a postmodern music video.
- 2. Modernism - Art / social-political movement that aimed to reinvent culture that had become outdated. - Roughly occurred between 1890s - 1960s. - A rejection against realism. - Divisions of modernism include avant-garde and surrealism. - Films / novels / art were self-reflexive of society.
- 3. Postmodernism - 1970s onwards - The breakdown of barriers between genres and style - The breakdown of distinction between binary divides (E.g. human and machine) - Mixing up time, space and narrative - Emphasis of style over content - Blurring of fiction and reality / representation and the real - Becoming more use to a mediated version of reality, than reality itself (hyperreality).
- 4. Key Terms Intertextuality - one media text referring to another Parody - mocking something in an original way 1970s / 1980s cop series Sabotage music video
- 5. Parody - The Simpsons parodies both high and low culture to a wide range of audiences. - Part of the idea of postmodernism is that there is no divide between high art and mass culture.
- 6. Pastiche - An artistic work in a style that imitates that of another work, artist, or period. This is a self-conscious imitation. Gentlemen Prefer Blondes Material Girl Marilyn Monroe Madonna Goodfellas Ashanti Foolish music video
- 7. Bricolage - mixing up and using different genres and styles Shaun of the Dead: Zombie mixed with and romantic comedy. Blade Runner: Sci-Fi and film noir DJ Shadow’s Entroducing: The first album to be completely made up of sampled music.
- 8. Homage - imitation from a respectful standpoint Psycho - the 1960 original Psycho - the 1998 remake
- 9. Analysis of Postmodern Music Video Paparazzi (Lady Gaga) Directed by Jonas Akerlund
- 10. Pastiche / Homage • Generic conventions of a ‘golden age’ Hollywood film of which ‘Gaga’ is the leading lady
- 11. Sunset Boulevard (1950) Narrative and stylistic similarities and intertextual references
- 12. Intertextuality and the blurring of boundaries The breakdown of distinction between binary divides. Lady Gaga as an humanoid Fembot, Metropolis (RIGHT)
- 14. CASE STUDY: Lady Gaga Hitchcock Homage • Makes reference to the film ‘Vertigo’ • The use of icy, remote blonde ‘femme fatale’ character is also a hallmark of a Hitchcock film.
- 15. Blurring of fiction and reality / representation and the real
- 16. Plenary What are the conventions of a postmodern media text? What is the appeal to audiences?