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April 1, 2011
Christensen and Haas Conclusions
 “Political movies have debated the great issues of the
 day as the nation debated them, sometimes ahead of
 the public and sometimes lagging behind, sometimes
 dissenting and sometimes reinforcing. Regardless of
 the state of the union, however, some ideas about
 politics are constantly reiterated by movies. If
 audiences absorb these repeated messages, their
 cumulative effect must surely be cynicism and
 apathy.” (p. 278)
Structural Constraints
 The use of stars to portray “heroes”
 Audience preference for melodramas (conflict that
 must be solved by heroes)
More from Christensen and Haas
 Hollywood movies have “rightly condemned
  intolerance and corruption.”
 More negatively, they have “told us to rely on leaders
  and heroes for salvation, ignored the alternative of
  collective action, and neglected or condemned
  opinions that stray from the mainstream.”
 They have “disparaged politics in presenting it as evil
  and corrupting.”
 They “warn us to stay away from politics…”

                   p. 288
Films that Christensen and Haas Admire
 Mr. Smith Goes to Washington
 Reds
 Matewan
 Do the Right Thing
 Natural Born Killers
 Wag the Dog (viewed more favorably than the more
 successful film, Dave)
Images of Democracy
 Visual Symbols of American Democracy
    The monuments and buildings of Washington, D.C.
    The founding fathers
    The great presidents: Washington, Jefferson, Lincoln
    The people and the land
 Elections and Campaigns
 Government in Action
 Grass Roots Politics
7
Imagery of Power
 Military vs. non-military capabilities
 Coercive vs. persuasive power
 Legitimate or institutionalized power (authority) vs.
  illegitimate power
 Representation of power in terms of institutional
  symbols




                                                          8
Frescoes in Siena by Ambrogio
Lorenzetti 1338-1340
                                9
11

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Polf15

  • 2. Christensen and Haas Conclusions  “Political movies have debated the great issues of the day as the nation debated them, sometimes ahead of the public and sometimes lagging behind, sometimes dissenting and sometimes reinforcing. Regardless of the state of the union, however, some ideas about politics are constantly reiterated by movies. If audiences absorb these repeated messages, their cumulative effect must surely be cynicism and apathy.” (p. 278)
  • 3. Structural Constraints  The use of stars to portray “heroes”  Audience preference for melodramas (conflict that must be solved by heroes)
  • 4. More from Christensen and Haas  Hollywood movies have “rightly condemned intolerance and corruption.”  More negatively, they have “told us to rely on leaders and heroes for salvation, ignored the alternative of collective action, and neglected or condemned opinions that stray from the mainstream.”  They have “disparaged politics in presenting it as evil and corrupting.”  They “warn us to stay away from politics…” p. 288
  • 5. Films that Christensen and Haas Admire  Mr. Smith Goes to Washington  Reds  Matewan  Do the Right Thing  Natural Born Killers  Wag the Dog (viewed more favorably than the more successful film, Dave)
  • 6. Images of Democracy  Visual Symbols of American Democracy  The monuments and buildings of Washington, D.C.  The founding fathers  The great presidents: Washington, Jefferson, Lincoln  The people and the land  Elections and Campaigns  Government in Action  Grass Roots Politics
  • 7. 7
  • 8. Imagery of Power  Military vs. non-military capabilities  Coercive vs. persuasive power  Legitimate or institutionalized power (authority) vs. illegitimate power  Representation of power in terms of institutional symbols 8
  • 9. Frescoes in Siena by Ambrogio Lorenzetti 1338-1340 9
  • 10.
  • 11. 11