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This document discusses several topics related to Hollywood and the film industry. It lists several important films about Hollywood from the 1950s to the 1990s. It also mentions some influential documentaries and books about Hollywood. The document notes that Hollywood has significant power to influence culture but is dependent on market forces. It discusses how Hollywood has faced political constraints like censorship and blacklisting in the past. Finally, it suggests there is hope for the future through independent studios, film festivals, and new internet-based video platforms.
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Polf16
The document discusses several topics related to globalization including illegal immigration, organ trafficking, and medical tourism. It also covers films about Hollywood and how Hollywood influences culture through reinforcement of prevailing ideologies while being dependent on market forces. Political constraints on Hollywood from past censorship and McCarthyism are mentioned as well as how Hollywood provides content that appeals to mass audiences' strengths and weaknesses.
British vs American films
- British films tend to focus on reality and middle-class people while portraying different areas of the country, whereas American films portray an idealized "American Dream" and the entire British population as posh Londoners.
- British films receive government funding and support from smaller production companies to promote less mainstream films, while American films have larger budgets from major studios like Universal, Warner Bros, Disney, and Paramount to film in exotic locations with more CGI effects.
- Both British and American films are distributed by major companies, but British films also rely on smaller independent distributors to promote smaller films and get them into film festivals.
British and american film
The document provides a historical overview of British and American cinema from the late 19th century to the 2000s. It notes that early silent films were short clips shown before 1910, and pioneers like the Lumiere Brothers experimented with techniques. Charlie Chaplin became the first Hollywood star in the 1910s. Sound was introduced in the late 1920s. Iconic directors from the 1930s-1960s included Alfred Hitchcock and influential actors included James Dean. Popular genres of the 1990s-2000s included action, comedy, animation, and superhero films from directors like Christopher Nolan and Quentin Tarantino.
World cinemascope
1. The document discusses the term "world cinema" and how it refers to films made outside of Hollywood and the United States.
2. It notes that films from other parts of the world are often seen as more experimental and willing to take risks compared to many Hollywood films.
3. The author reflects on their early exposure to and growing appreciation of films from Asia, Europe, and other global regions, which expanded their understanding of cinema beyond just Hollywood.
American cinema
This document provides an overview of the history and development of American cinema. It discusses how the United States became the leading film producing country in the 1920s. It outlines the major stages in the evolution of the film industry in America, from the early films of Thomas Edison to the rise of Hollywood and major studios. It also profiles some of the most famous American actors, directors, and blockbuster films that came to dominate global box offices. The document concludes by noting America's continued dominance in worldwide film production and distribution.
The hollywood film industry
The Hollywood Studio System has gone through four main periods: the Silent Film Era from 1894-1929 dominated by silent films without recorded sound; Classical Hollywood Cinema from 1927-1963 known as the "Golden Age" utilizing continuity editing; New Hollywood from the late 1960s-early 1980s when young directors took on more authorial roles; and the Contemporary Period from the 1970s-present defined by blockbuster franchises and special effects. Independent filmmaking has also expanded globally with affordable cameras and film festivals.
Media History 3
The document discusses the history and development of the film industry and Hollywood studio system from early cinema through present day. It covers topics like the rise of nickelodeons, movie theaters, and studios in LA; the studio system and vertical integration; technological changes like sound, color, and CGI; methods of controlling the industry through censorship codes; and how Hollywood style and genres became normalized expectations. It also notes Hollywood's continued global dominance, though independent films now find audiences through new distribution methods.
Evaluation Question 3
This document discusses film distribution and the differences between mainstream and independent distributors. Mainstream distributors are large companies that market films to mass audiences, while independent distributors focus on niche audiences. The document also explains that the film "Photograph" was chosen to be distributed by a mainstream company because it targets a general audience and follows mainstream thriller conventions.
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Polf16
The document discusses several topics related to globalization including illegal immigration, organ trafficking, and medical tourism. It also covers films about Hollywood and how Hollywood influences culture through reinforcement of prevailing ideologies while being dependent on market forces. Political constraints on Hollywood from past censorship and McCarthyism are mentioned as well as how Hollywood provides content that appeals to mass audiences' strengths and weaknesses.
British vs American films
- British films tend to focus on reality and middle-class people while portraying different areas of the country, whereas American films portray an idealized "American Dream" and the entire British population as posh Londoners.
- British films receive government funding and support from smaller production companies to promote less mainstream films, while American films have larger budgets from major studios like Universal, Warner Bros, Disney, and Paramount to film in exotic locations with more CGI effects.
- Both British and American films are distributed by major companies, but British films also rely on smaller independent distributors to promote smaller films and get them into film festivals.
British and american film
The document provides a historical overview of British and American cinema from the late 19th century to the 2000s. It notes that early silent films were short clips shown before 1910, and pioneers like the Lumiere Brothers experimented with techniques. Charlie Chaplin became the first Hollywood star in the 1910s. Sound was introduced in the late 1920s. Iconic directors from the 1930s-1960s included Alfred Hitchcock and influential actors included James Dean. Popular genres of the 1990s-2000s included action, comedy, animation, and superhero films from directors like Christopher Nolan and Quentin Tarantino.
World cinemascope
1. The document discusses the term "world cinema" and how it refers to films made outside of Hollywood and the United States.
2. It notes that films from other parts of the world are often seen as more experimental and willing to take risks compared to many Hollywood films.
3. The author reflects on their early exposure to and growing appreciation of films from Asia, Europe, and other global regions, which expanded their understanding of cinema beyond just Hollywood.
American cinema
This document provides an overview of the history and development of American cinema. It discusses how the United States became the leading film producing country in the 1920s. It outlines the major stages in the evolution of the film industry in America, from the early films of Thomas Edison to the rise of Hollywood and major studios. It also profiles some of the most famous American actors, directors, and blockbuster films that came to dominate global box offices. The document concludes by noting America's continued dominance in worldwide film production and distribution.
The hollywood film industry
The Hollywood Studio System has gone through four main periods: the Silent Film Era from 1894-1929 dominated by silent films without recorded sound; Classical Hollywood Cinema from 1927-1963 known as the "Golden Age" utilizing continuity editing; New Hollywood from the late 1960s-early 1980s when young directors took on more authorial roles; and the Contemporary Period from the 1970s-present defined by blockbuster franchises and special effects. Independent filmmaking has also expanded globally with affordable cameras and film festivals.
Media History 3
The document discusses the history and development of the film industry and Hollywood studio system from early cinema through present day. It covers topics like the rise of nickelodeons, movie theaters, and studios in LA; the studio system and vertical integration; technological changes like sound, color, and CGI; methods of controlling the industry through censorship codes; and how Hollywood style and genres became normalized expectations. It also notes Hollywood's continued global dominance, though independent films now find audiences through new distribution methods.
Evaluation Question 3
This document discusses film distribution and the differences between mainstream and independent distributors. Mainstream distributors are large companies that market films to mass audiences, while independent distributors focus on niche audiences. The document also explains that the film "Photograph" was chosen to be distributed by a mainstream company because it targets a general audience and follows mainstream thriller conventions.
Hollywood Film Industry
Hollywood evolved from its origins in the late 19th century to become the dominant force in global cinema by the 1920s. In the 1930s-1940s, five major studios controlled Hollywood and produced highly successful films. The studios' monopolistic practices led to reforms in the late 1940s. Hollywood struggled in the 1950s with the rise of television but recovered in the 1980s, dominated by six major studios producing blockbuster films in genres like action and sci-fi. Jurassic World, released in 2015, was one of the highest grossing films and demonstrated Hollywood's global marketing power.
Glocalization (Hollywood)
Hollywood has become the most influential film industry globally due to economic, cultural, social, and political factors. After World War 2, Hollywood secured early governmental support and over 35% of its profits came from overseas markets. By the 1980s-1990s, overseas markets greatly expanded due to improved theaters, broadcasting deregulation, and cable/satellite growth. Hollywood also effectively internationalized after WWII with over 50% of revenues from abroad. Dubbing films accelerated foreign consumption. Culturally, Hollywood provided a window into American social life and became part of socialization worldwide through popular films and TV shows. Politically, the global spread of English and internet increased Hollywood's international reach and cultural influence.
Hollywood Industry Research
Hollywood is a neighborhood in Los Angeles known as the center of the American film industry. It originated in the 1880s when landowners named their ranch Hollywood. The first motion picture studio was built there in 1911. Over time, major film studios like Disney, Warner Bros., and Paramount emerged and turned Hollywood into the global film production hub that it is today. Some defining aspects of Hollywood include influential directors like Christopher Nolan, Steven Spielberg, and Quentin Tarantino, as well as the annual Academy Awards ceremony honoring achievements in film.
British film vs american film
The document compares key differences between British and American films. It notes that British films often feature location shooting, wide shots, unknown actors, semi-improvised scripts, and explore social issues in a realistic way. They also have a combination of humor and seriousness. American films typically have higher budgets, use of studios over locations, feature professional actors, focus on romance and escapism, and employ special effects. It then provides details on major British and American film companies and funding sources for British films.
Hollywood : Heart of the American cinema
Hollywood has evolved from its origins in the early 20th century through changes in technology and business practices. Major film studios originally dominated the industry through strict control over production and distribution. While the studio system declined, new directors emerged and blockbuster films relying on special effects became popular. Debate continues around the future of cinema as viewing shifts to home theaters and theaters enhance the experience through 3D, high frame rates, and other immersive technologies.
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Year 12 AS Media Studies Evaluation Question 3 -What kind of media institution might distribute your media product and why?
Horror censorship
The document discusses early horror films that were censored or banned, including Todd Browning's 1932 film 'Freaks' which was banned in many countries for its casting of actors with physical deformities. The 1973 film 'The Exorcist' was also banned in some areas for its intense violence and religious content. In the UK in the 1980s, the term 'video nasties' emerged to describe extremely violent horror films that were newly available for home viewing on videotape, but not properly censored. One such film, 'Child's Play' from 1988, was later blamed for influencing the brutal 1993 murder of James Bulger by two 10-year old boys. This led to a moral panic around children
Hollywood industry
Hollywood is a district in Los Angeles known for the American film industry. The major film studios in Hollywood that produce thousands of movies per year include Warner Bros, Walt Disney, Columbia Pictures, 20th Century Fox, Universal Studios, and Paramount Pictures. These studios earn significant profits and contribute greatly to taxes. The American film industry began developing in the late 19th century and Hollywood became the prominent center for film production starting in the early 20th century.
What kind of media institutions would distribute
Based on the document, there are several media institutions that would be suitable to distribute an independent horror film with a low budget:
Universal, Lionsgate, Blumhouse Productions, and Vertigo Entertainment. Universal has a history of distributing indie horror films. Lionsgate is very influential and has found success with horror films like SAW. Blumhouse Productions has produced highly profitable horror films like Paranormal Activity and Insidious. Vertigo Entertainment focuses on horror films, bringing international titles to American audiences. Deal with the Devil, the production company mentioned, could also seek distribution from these established horror film distributors.
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Hollywood research
Hollywood began in 1911 with the establishment of the first movie studio. By 1920, Hollywood was producing 80% of the world's movies, mostly silent black and white films starring early stars like Charlie Chaplin and Mary Pickford. Although the film industry now has a global reach, Hollywood remains the dominant force in film production and marketing. Major media conglomerates like Disney, Warner Bros., and Universal Pictures distribute Hollywood films worldwide. The highest grossing film of 2014, Jurassic World, was produced by Amblin Entertainment and Legendary Pictures and distributed by Universal Pictures.
History of hollywood cinema
This document provides an overview of Hollywood from 1910-2009 in decade increments. Some of the key events and developments highlighted include:
- DW Griffith directing early masterpieces like The Birth of a Nation in the 1910s that helped establish Hollywood.
- The 1920s saw the rise of the studio system and the transition to sound films with The Jazz Singer.
- The 1930s was Hollywood's golden age of studio dominance producing iconic films.
- World War 2 patriotic films dominated the 1940s but blacklisting impacted the industry in the 1950s.
- Independent films rose in popularity in the 1960s-70s challenging the studio system.
- Blockbuster franchises like Star Wars renewed cinema in the 1970
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Media Summer Project - History of Horror
The document discusses the history and evolution of the horror genre from the 1930s to the 2000s. In the 1930s, horror films were based on classic monsters like Dracula and Frankenstein due to limited technology. During the 1950s-60s, films like Godzilla used monsters to reflect fears around nuclear weapons. The 1970s saw more realistic special effects added. By the 2000s, hybrid genres like horror-comedy became popular, and audiences grew with advances in CGI technology. The document also examines horror subgenres, the impact of technology, film classification systems, and censorship issues.
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This document discusses several topics related to design and access in cities, including:
1) Segregation patterns in many US cities from the 2000 Census, with racial groups often clustered in separate neighborhoods.
2) An 1854 example from London of Dr. John Snow tracing a cholera outbreak to a contaminated public water pump on Broad Street.
3) The concept of public space as areas generally open and accessible to people, like roads and parks, and how privately owned buildings can still impact the public visual landscape through advertising.
Belton Chapter 5: The Star System
This document summarizes the history of stardom in Hollywood from the silent film era to contemporary times in 3 pages. It discusses [1] how the advent of sound exposed the artifice of silent films and established stars as economic drivers for studios. It then [2] analyzes the construction of different star personas and images across different decades from the 1920s to the 1960s/70s, how they reflected and shaped social norms. Finally, it [3] notes that stars continue to be commodities manufactured primarily for economic purposes but that also provide pleasure to audiences through their performances.
Question 3
The document discusses three potential British film companies - Vertigo Films, Hammer Film Productions, and Film 4 Productions - that could help distribute Alice Hicks' film. Vertigo Films is highlighted as having successful experience distributing both British and American films worldwide. Hammer Film Productions is known for distributing horror films and has connections to major Hollywood studios. Film 4 Productions has experience collaborating with large studios and a track record of successful films targeted at young adults, which matches Alice's target audience.
Film studios (1)
The document summarizes several major film studios:
Benderspink is a successful management firm turned production company known for films like The Hangover and We're the Millers. Blumhouse Productions specializes in low-budget horror films like Paranormal Activity and Insidious. Eon Productions is famous for the James Bond franchise, with Skyfall and Spectre earning over $1 billion each. Hammer Film Productions produced classic Gothic horror films in the 1950s-1970s and more recent titles like The Woman in Black. Legendary Entertainment, now owned by Wanda Group, has co-produced blockbusters with Warner Bros and Universal like Jurassic World, The Dark Knight trilogy, and Inception.
Media evaluation distribution
Distribution involves sharing a film with an audience through a film distributor. For a low-budget independent psychological thriller, suitable distribution companies may include Momentum Pictures, which distributed Christopher Nolan's early film "Following," or Polygram Filmed Entertainment, which has distributed both big-budget Hollywood films and smaller British independent films like "Lock, Stock and Two Smoking Barrels." The film also has potential wide appeal, not just in the UK but also in the US, as although British, it has an American feel and themes common to American thrillers.
Polf10
The document discusses several topics related to film and culture, including:
1) Early beliefs saw film as an accurate representation of reality and a tool for political propaganda during WWI.
2) Historical films often fictionalize events, and debates emerge around their accuracy in portraying wars like Vietnam and Iraq.
3) There is disagreement over whether truly "objective" history is possible, and how popular myths and culture can shape historical narratives.
4) Myths play an important role in society and film, both reflecting shared understandings and changing over time to represent new realities, as seen in archetypes from Star Wars.
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Hollywood Film Industry
Hollywood evolved from its origins in the late 19th century to become the dominant force in global cinema by the 1920s. In the 1930s-1940s, five major studios controlled Hollywood and produced highly successful films. The studios' monopolistic practices led to reforms in the late 1940s. Hollywood struggled in the 1950s with the rise of television but recovered in the 1980s, dominated by six major studios producing blockbuster films in genres like action and sci-fi. Jurassic World, released in 2015, was one of the highest grossing films and demonstrated Hollywood's global marketing power.
Glocalization (Hollywood)
Hollywood has become the most influential film industry globally due to economic, cultural, social, and political factors. After World War 2, Hollywood secured early governmental support and over 35% of its profits came from overseas markets. By the 1980s-1990s, overseas markets greatly expanded due to improved theaters, broadcasting deregulation, and cable/satellite growth. Hollywood also effectively internationalized after WWII with over 50% of revenues from abroad. Dubbing films accelerated foreign consumption. Culturally, Hollywood provided a window into American social life and became part of socialization worldwide through popular films and TV shows. Politically, the global spread of English and internet increased Hollywood's international reach and cultural influence.
Hollywood Industry Research
Hollywood is a neighborhood in Los Angeles known as the center of the American film industry. It originated in the 1880s when landowners named their ranch Hollywood. The first motion picture studio was built there in 1911. Over time, major film studios like Disney, Warner Bros., and Paramount emerged and turned Hollywood into the global film production hub that it is today. Some defining aspects of Hollywood include influential directors like Christopher Nolan, Steven Spielberg, and Quentin Tarantino, as well as the annual Academy Awards ceremony honoring achievements in film.
British film vs american film
The document compares key differences between British and American films. It notes that British films often feature location shooting, wide shots, unknown actors, semi-improvised scripts, and explore social issues in a realistic way. They also have a combination of humor and seriousness. American films typically have higher budgets, use of studios over locations, feature professional actors, focus on romance and escapism, and employ special effects. It then provides details on major British and American film companies and funding sources for British films.
Hollywood : Heart of the American cinema
Hollywood has evolved from its origins in the early 20th century through changes in technology and business practices. Major film studios originally dominated the industry through strict control over production and distribution. While the studio system declined, new directors emerged and blockbuster films relying on special effects became popular. Debate continues around the future of cinema as viewing shifts to home theaters and theaters enhance the experience through 3D, high frame rates, and other immersive technologies.
AS Media Evaluation Question 3- What kind of media institution might distribu...
Year 12 AS Media Studies Evaluation Question 3 -What kind of media institution might distribute your media product and why?
Horror censorship
The document discusses early horror films that were censored or banned, including Todd Browning's 1932 film 'Freaks' which was banned in many countries for its casting of actors with physical deformities. The 1973 film 'The Exorcist' was also banned in some areas for its intense violence and religious content. In the UK in the 1980s, the term 'video nasties' emerged to describe extremely violent horror films that were newly available for home viewing on videotape, but not properly censored. One such film, 'Child's Play' from 1988, was later blamed for influencing the brutal 1993 murder of James Bulger by two 10-year old boys. This led to a moral panic around children
Hollywood industry
Hollywood is a district in Los Angeles known for the American film industry. The major film studios in Hollywood that produce thousands of movies per year include Warner Bros, Walt Disney, Columbia Pictures, 20th Century Fox, Universal Studios, and Paramount Pictures. These studios earn significant profits and contribute greatly to taxes. The American film industry began developing in the late 19th century and Hollywood became the prominent center for film production starting in the early 20th century.
What kind of media institutions would distribute
Based on the document, there are several media institutions that would be suitable to distribute an independent horror film with a low budget:
Universal, Lionsgate, Blumhouse Productions, and Vertigo Entertainment. Universal has a history of distributing indie horror films. Lionsgate is very influential and has found success with horror films like SAW. Blumhouse Productions has produced highly profitable horror films like Paranormal Activity and Insidious. Vertigo Entertainment focuses on horror films, bringing international titles to American audiences. Deal with the Devil, the production company mentioned, could also seek distribution from these established horror film distributors.
Fans presentation
This document discusses the growing power of fans and their ability to influence media industries. It provides examples of fans banding together through online campaigns to force changes to films, like getting alternate cuts of Superman II released or getting the independent film Cherrybomb a wider theatrical release. The document also discusses how George Lucas reduced the role of Jar-Jar Binks in Star Wars Episode II after fan backlash, and how the website Ain't It Cool News, launched in 1996, has been able to positively or negatively impact films through early reviews and leaked information that studios pay attention to.
Hollywood research
Hollywood began in 1911 with the establishment of the first movie studio. By 1920, Hollywood was producing 80% of the world's movies, mostly silent black and white films starring early stars like Charlie Chaplin and Mary Pickford. Although the film industry now has a global reach, Hollywood remains the dominant force in film production and marketing. Major media conglomerates like Disney, Warner Bros., and Universal Pictures distribute Hollywood films worldwide. The highest grossing film of 2014, Jurassic World, was produced by Amblin Entertainment and Legendary Pictures and distributed by Universal Pictures.
History of hollywood cinema
This document provides an overview of Hollywood from 1910-2009 in decade increments. Some of the key events and developments highlighted include:
- DW Griffith directing early masterpieces like The Birth of a Nation in the 1910s that helped establish Hollywood.
- The 1920s saw the rise of the studio system and the transition to sound films with The Jazz Singer.
- The 1930s was Hollywood's golden age of studio dominance producing iconic films.
- World War 2 patriotic films dominated the 1940s but blacklisting impacted the industry in the 1950s.
- Independent films rose in popularity in the 1960s-70s challenging the studio system.
- Blockbuster franchises like Star Wars renewed cinema in the 1970
Belton (16) film school generation
This document discusses the rise of film schools and their influence on Hollywood in the late 20th century. It describes how French film critics-turned-directors launched the New Wave movement in the 1950s-60s without formal training. American film schools then grew in the 1960s-70s, training a new generation of directors like Spielberg, Lucas, and Coppola. Hollywood recognized this generation's appeal to younger audiences and began hiring them to direct big-budget genre films that were profitable. These directors paid homage to earlier films through references and allusions in their works.
Media Summer Project - History of Horror
The document discusses the history and evolution of the horror genre from the 1930s to the 2000s. In the 1930s, horror films were based on classic monsters like Dracula and Frankenstein due to limited technology. During the 1950s-60s, films like Godzilla used monsters to reflect fears around nuclear weapons. The 1970s saw more realistic special effects added. By the 2000s, hybrid genres like horror-comedy became popular, and audiences grew with advances in CGI technology. The document also examines horror subgenres, the impact of technology, film classification systems, and censorship issues.
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Design and Access to the city
This document discusses several topics related to design and access in cities, including:
1) Segregation patterns in many US cities from the 2000 Census, with racial groups often clustered in separate neighborhoods.
2) An 1854 example from London of Dr. John Snow tracing a cholera outbreak to a contaminated public water pump on Broad Street.
3) The concept of public space as areas generally open and accessible to people, like roads and parks, and how privately owned buildings can still impact the public visual landscape through advertising.
Belton Chapter 5: The Star System
This document summarizes the history of stardom in Hollywood from the silent film era to contemporary times in 3 pages. It discusses [1] how the advent of sound exposed the artifice of silent films and established stars as economic drivers for studios. It then [2] analyzes the construction of different star personas and images across different decades from the 1920s to the 1960s/70s, how they reflected and shaped social norms. Finally, it [3] notes that stars continue to be commodities manufactured primarily for economic purposes but that also provide pleasure to audiences through their performances.
Question 3
The document discusses three potential British film companies - Vertigo Films, Hammer Film Productions, and Film 4 Productions - that could help distribute Alice Hicks' film. Vertigo Films is highlighted as having successful experience distributing both British and American films worldwide. Hammer Film Productions is known for distributing horror films and has connections to major Hollywood studios. Film 4 Productions has experience collaborating with large studios and a track record of successful films targeted at young adults, which matches Alice's target audience.
Film studios (1)
The document summarizes several major film studios:
Benderspink is a successful management firm turned production company known for films like The Hangover and We're the Millers. Blumhouse Productions specializes in low-budget horror films like Paranormal Activity and Insidious. Eon Productions is famous for the James Bond franchise, with Skyfall and Spectre earning over $1 billion each. Hammer Film Productions produced classic Gothic horror films in the 1950s-1970s and more recent titles like The Woman in Black. Legendary Entertainment, now owned by Wanda Group, has co-produced blockbusters with Warner Bros and Universal like Jurassic World, The Dark Knight trilogy, and Inception.
Media evaluation distribution
Distribution involves sharing a film with an audience through a film distributor. For a low-budget independent psychological thriller, suitable distribution companies may include Momentum Pictures, which distributed Christopher Nolan's early film "Following," or Polygram Filmed Entertainment, which has distributed both big-budget Hollywood films and smaller British independent films like "Lock, Stock and Two Smoking Barrels." The film also has potential wide appeal, not just in the UK but also in the US, as although British, it has an American feel and themes common to American thrillers.
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Polf10
The document discusses several topics related to film and culture, including:
1) Early beliefs saw film as an accurate representation of reality and a tool for political propaganda during WWI.
2) Historical films often fictionalize events, and debates emerge around their accuracy in portraying wars like Vietnam and Iraq.
3) There is disagreement over whether truly "objective" history is possible, and how popular myths and culture can shape historical narratives.
4) Myths play an important role in society and film, both reflecting shared understandings and changing over time to represent new realities, as seen in archetypes from Star Wars.
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The document outlines film rating categories in the UK:
Universal - suitable for all ages, allows mild language, kissing but no explicit sexual behavior or drug use. Must be suitable for young children.
PG - may explore more mature themes but will not upset children aged 8 and over, allows mild language.
12A/12 - unsuitable for those under 12 without adult, allows some strong language, brief sexual references or depictions, moderate violence but not dwelling on details.
15 - suitable for ages 15+, allows strong language, stronger violence and sexual activity but not in strong detail, verbal sexual references, discriminatory language may be explored but not endorsed. Drug use may be shown but not instructional on
Polf04
The document discusses the history of politics and film in the United States from the 1920s to the 2000s. It covers the formation of the MPPDA and the Production Code in the 1920s-1930s, the end of the Production Code and rise of new ratings in the 1960s-1970s, and the growth of blockbuster films, multimedia mergers, and changes in the film industry through the 1980s-2000s.
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The Hays Production Code was a set of industry guidelines that governed the production of motion pictures between 1934 and 1968 in the United States. It was introduced as a form of self-regulation for the film industry to avoid government censorship and satisfy public demands for morally acceptable films. The Code prohibited depictions of certain types of content like drug use, sexual perversion, and profanity. It also banned the portrayal of clergy members or interracial relationships in a negative light. The Code began to break down in the 1950s due to the rise of television and more liberal social values, and was eventually replaced in 1968 by the modern film rating system.
Film politics and ideology
This document provides an analysis of the film Rambo and how it advances Reagan-era conservative ideology. It argues that Rambo promotes militarism, imperialism, and hypermasculinity while depicting Americans as good and communists as evil. It also notes how Rambo appropriates some countercultural symbols but uses them to celebrate individualism and anti-statism, in line with Reaganism. The analysis emphasizes the need to consider how ideology operates through images and narratives in addition to explicit messages. Examining representations of gender and race is also important to fully understand a film's ideological workings.
Hollywood Censorship
During the Great Depression of the 1930s and 1940s, Hollywood faced censorship due to several scandals involving inappropriate content in its films. One cause of censorship was movie studios copyrighting each other's film titles, leading to legal battles. In response, morality groups like the Catholic Legion of Decency and censors implemented a strict production code to ensure films promoted wholesome, Christian values and proper social behavior. This production code, along with pressure from churches and other morality groups, aimed to clean up Hollywood's image and prevent further government regulation over the movie industry's content during this turbulent time period.
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Scarface and the Gangster Films’ Scarcity of Shame at the Pre-Code Era
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Ironman & Hollywood Final Draft 2016
This document is a 7-page essay analyzing the 2013 film Iron Man 3 and discussing whether it contains any political or propaganda messages about terrorism. The essay examines similarities between the film's villain The Mandarin and Osama Bin Laden in their culture, attitudes, and goals. It argues the film subtly portrays America's military power and resolve to fight terrorism through entertainment. In conclusion, the essay states that while Hollywood produces all types of content, it continues to influence audiences and fulfill prophecies about current trends like terrorism, instilling confidence that threats can be protected against.
Polf07
The document discusses several topics related to documentaries and feature films including:
1. The differences between documentaries and feature films with documentaries typically being shorter, having lower production values, and more journalistic style while feature films increasingly integrate documentary footage.
2. Box office figures for the top 10 documentaries of all time led by Fahrenheit 9/11 and Bowling for Columbine.
3. Influential early documentaries like Nanook of the North and propaganda films like Triumph of the Will that were designed to induce action.
Polf08
The document discusses several topics related to documentaries and feature films including:
1) Differences between documentaries and feature films such as documentaries being shorter, having lower production values, and more journalistic style with interviews.
2) Top 10 highest grossing documentaries at the box office led by Fahrenheit 9/11 and Bowling for Columbine.
3) Influential documentaries such as Nanook of the North and The Sorrow and the Pity.
4) Controversy over the work of Michael Moore and accusations of bias in his documentaries.
MAFMP - Ellen A. Saputra 22051422 - Practice of Cross-Genre in 'Modern' Holly...
This document discusses the practice of cross-genre filmmaking in modern Hollywood. It provides context on the evolution from classicism to modernism to postmodernism. Postmodernism is characterized by hybridity, with films mixing genres. Examples discussed include Alien (1977) as science fiction and horror, and Who Framed Roger Rabbit (1988) mixing live-action and animation. Famous postmodern directors like George Lucas, Robert Zemeckis, and James Cameron are noted for their hybrid films like Star Wars, Who Framed Roger Rabbit, and Titanic respectively.
Film History part 2 - REVISED
This presentation was created for film production classes - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of the silent era through the creation of the MPPA and includes a brief side trip to explore the impact of McCarthyism.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/5BjcJF4XN7c Please feel free to use it in your classrooms.
Film history part 2
1) In the early 1900s, the film industry was growing rapidly but also facing criticism over its influence. Several major film companies formed a trust called the Motion Picture Patents Company to gain control of the industry.
2) In response, independent film studios moved to Hollywood to escape the trust's control. This helped establish Southern California as the major center for American filmmaking.
3) In the 1950s, the McCarthy hearings and blacklist ruined many lives in the film industry, accusing many in Hollywood of being communist sympathizers. Charlie Chaplin was among those targeted by Senator McCarthy.
Contexts ()understanding people in their social worldsHom.docx
Contexts (/)understanding people in their social worlds
Home (/) Departments (/departments/) Blog (/blog/) About (/about/) Search (/search/)
guest posts (https://contexts.org/category/guest-posts/)
more oscars diversity won’t solve hollywood’s whiteness
problem
by Rachel King | February 25, 2016
(https://flic.kr/p/8NyHL6)
Photo via Craig Piersma, Flickr CC.
For the second year in a row, the Academy of Motion Picture Arts and Sciences released a
disappointing list of Oscar nominees that is, like its members, overwhelmingly White,
heterosexual, and male. As bad as that is, the biggest problem with #OscarsSoWhite isn’t
just that neither Ryan Coogler nor Will Smith will be taking home a statue on February 28 .
It’s that Hollywood remains inside a bubble of privilege, and that precious little emanating
from it reflects what’s actually happening in this country. For many Americans, everyday
existence has taken on a greyish, dystopian cast; nearly a decade after the collapse of the
economy, we’re still living with depressed wages and lost jobs and homes, as well as
rampant gun violence, and more mental illness
(http://www.theatlantic.com/health/archive/2011/10/why-more-americans-suffer-from-
mental-disorders-than-anyone-else/246035/#slide3) than just about any other country in the
world. And driven by high levels of substance abuse and suicide, mortality is on the rise for
young (http://www.nytimes.com/2016/01/17/science/drug-overdoses-propel-rise-in-
mortality-rates-of-young-whites.html) and middle-aged
(http://www.nytimes.com/2015/11/03/health/death-rates-rising-for-middle-aged-white-
americans-study-finds.html?_r=0) Whites.
th
https://contexts.org/
https://contexts.org/
https://contexts.org/departments/
https://contexts.org/blog/
https://contexts.org/about/
https://contexts.org/search/
https://contexts.org/category/guest-posts/
https://flic.kr/p/8NyHL6
http://www.theatlantic.com/health/archive/2011/10/why-more-americans-suffer-from-mental-disorders-than-anyone-else/246035/#slide3
http://www.nytimes.com/2016/01/17/science/drug-overdoses-propel-rise-in-mortality-rates-of-young-whites.html
http://www.nytimes.com/2015/11/03/health/death-rates-rising-for-middle-aged-white-americans-study-finds.html?_r=0
The Depression did call forth escapist fare, but it also elicited a great deal of
biting social critique. Back then, Hollywood made big-budget movies with
major stars that were designed to appeal to a nation of people who, like
today, were both terrified and angry. But for all their rabble-rousing, the
studios of that era weren’t brave.
And yet, of the eight Best Picture nominees, only one (the surprise indie nominee Room) is a
contemporary domestic drama. All the rest are historical or speculative, taking place
anywhere from a decade to a century in the past or off in some distant future. In fact, the
most overtly socially conscious of the Best Picture nominees may be the film about the
financial crisis of a decade ago, .
Film historia
Classical Hollywood cinema developed between the 1910s and 1960s as the dominant style of American filmmaking, characterized by narrative and visual continuity. Some exemplary films from this era include The Wizard of Oz, Gone with the Wind, and Mr. Smith Goes to Washington. Post-classical or New Hollywood cinema emerging in the 1960s featured changing storytelling methods like nonlinear plots and blurred protagonist/antagonist roles. Pioneers included Steven Spielberg and filmmakers producing both critical and box office successes in the 1970s. Olivia de Havilland at age 103 is among the last surviving stars of Classical Hollywood's Golden Age.
Hollywood industry research a2
This document provides an overview of the history and development of the American film industry, with a focus on Hollywood. It discusses how Hollywood became the dominant center of American film production in the early 20th century due to favorable weather and the migration of film studios to the Los Angeles area. It describes the classical Hollywood era from the 1920s-1950s, known as the Golden Age, when the major studios controlled production, distribution, and exhibition. It also outlines the decline of the studio system after World War II due to legal rulings and the rise of television, as well as the transition to the "New Hollywood" era from the 1960s onward.
Hollywood
The Hollywood film industry based in Los Angeles, California has become a global powerhouse due to its early establishment, organized studio system, and broad cultural appeal. It was founded in the early 20th century as independent studios moved to Los Angeles to escape legal battles and benefit from the sunny weather and inexpensive land. A studio system developed that standardized production and ensured profits through controlling distribution. While other film industries existed, Hollywood's success was cemented after World War I when European film production was disrupted but Hollywood continued to grow its system and audience. As a result, Hollywood came to dominate global film production and remains the leading industry today.
Industry Research
Hollywood has been the dominant force in the global film industry since the early 20th century. It adapted to changes in technology like sound and color films. Today, American studios collectively produce hundreds of films per year. Major production companies in Hollywood include Warner Bros with a 17.1% market share, Disney with 15.9%, Columbia Pictures with 11.2%, 21st Century Fox with 10.8%, and Paramount with 8.94%. These companies have produced many famous and successful films over the decades.
Hollywood film industry
The document provides a history of the Hollywood film industry, beginning with its origins on the East Coast of the US in the early 1900s. It then discusses how the industry shifted to Hollywood, California in the 1910s due to its mild climate and varied scenery. Hollywood soon became dominated by major studios producing hundreds of films per year. The Golden Age of Hollywood lasted from the 1920s-1950s, characterized by big studio productions and star systems. However, the studio system declined in the late 1940s due to federal antitrust actions that separated production and exhibition, as well as the rise of television which changed leisure habits.
Golden Age Of Hollywood
During the 1930s and 1940s, known as the Golden Age of Hollywood, the film industry provided important escapism for Americans during the Great Depression. Studios like MGM took audiences to magical worlds like The Wizard of Oz, while comedies like the Three Stooges lifted spirits. However, concerns over content led to the establishment of the Breen Office to censor films. The Golden Age began to decline in the late 1940s due to new technologies like television and political pressures in Hollywood.
HOLLYWOOD and rise of cultural protectionism
This document discusses the global film industry and the dominance of Hollywood. It notes that Hollywood films have faced some criticism for negatively impacting other cultures. Some key points made include:
- Hollywood films are very popular worldwide but foreign films have less than 1% of the US market share.
- Some argue Hollywood films can distort history, promote ethnocentric views, and spread American English and cultural references globally.
- Governments have tried to protect domestic film industries through subsidies and quotas to limit foreign films, but this may weaken local industries.
- Hollywood is now a multinational industry, though it still dominates global film revenues.
Hollywood Golden Age
The document discusses the "Golden Age of Hollywood" from the 1920s to 1948. It was a period where movie studios had complete vertical control over financing, producing, and distributing films. While this led to many commercially successful but formulaic movies, it also resulted in some true cinematic masterpieces. However, by 1948, factors like television and changes in anti-trust laws weakened the studio system and marked the end of the Golden Age.
The Evolution of Hollywood's Hottest Movies A Captivating Journey Through Tim...
In the ever-evolving landscape of Hollywood, movies have always been a significant source of entertainment, art, and cultural influence. Over the years, certain films have stood out for their exceptional storytelling, groundbreaking visuals, and unforgettable performances. The hollywood movie poster featured a striking collage of characters from various eras and genres, capturing the essence of the film's diverse storytelling. These films, often referred to as Hollywood's "hot" movies, capture the essence of their respective eras while leaving a lasting impact on audiences worldwide.
Industry research a22
Hollywood started as a small community in 1870 that was later incorporated into Los Angeles in 1910. To escape patent lawsuits from Thomas Edison's film company on the East Coast, early filmmakers began moving to Hollywood in the early 1900s, establishing the first movie studios. The Nestor Company opened the first Hollywood film studio in 1911. Hollywood soon became the global center of the film industry and gave its name to the American film business as a whole.
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More from Jeffrey Hart
Berkeley Internet.pptx
Talk delivered at a seminar in the ISchool at UC Berkeley on November 17 about the history and politics of the Internet.
Essays on the History and Politics of the.pptx
The document highlights several key individuals who contributed to the development of the internet including Vint Cerf and Robert Kahn who developed TCP/IP, Tim Berners-Lee and Robert Cailliau who created HTML and the World Wide Web, Robert Metcalfe who developed Ethernet, and Mark Andreessen who created the Mosaic web browser. It also mentions Vic Hayes' contribution to WiFi and notes Albert Gore and John Perry Barlow but does not specify their contributions to internet development.
Right-Wing Populism in Europe and the United States
This document defines and discusses the rise of right-wing populism in Europe and the United States. It outlines key elements of right-wing populism including emphasizing sovereignty of the people, advocating for ordinary citizens, attacking elites, ostracizing outsiders, and invoking traditional regions. Several prominent European right-wing populist party leaders are profiled, and factors explained for the rise of populism like slow economic growth, anti-globalization sentiments, and the refugee crisis. The document concludes that supporters of European right-wing populist parties are largely anti-immigration and anti-EU, and that continued economic struggles could exacerbate the movement's challenges to democracy.
The European Union: Challenges and Opportunities
The European Union faces several challenges, including sluggish economic growth, high youth unemployment, and the Eurozone debt crisis. The adoption of austerity policies to address budget shortfalls have slowed growth and increased unemployment in some countries. Rising populism and nationalism have increased opposition to EU policies and threatened the stability of the bloc. Events like the Greek debt crisis, Brexit referendum, and the migration crisis have further divided member states and weakened the EU. How the EU addresses these issues will impact its future as both an economic and political union.
Techinnovation
This document summarizes technological innovation in the age of the Internet. It discusses the exponential growth of Internet hosts and users since 1981. It describes how the Internet has lowered barriers for forming groups and collaborating across distances. Many human activities have migrated online, blurring regulatory boundaries between technologies and industries. While a few large companies like Google and Facebook dominate certain markets, smaller innovative firms can still thrive if they remain nimble. The document outlines several policies that impact technological innovation, such as antitrust laws, net neutrality regulations, infrastructure subsidies, and intellectual property regimes. It also notes some transatlantic issues between the US and Europe regarding these topics.
International politics in the age of the internet
The document discusses how the internet has affected international politics in several ways:
1) It has given individuals and non-state actors greater ability to organize and express views, as seen during events like the Arab Spring.
2) It has increased transparency of governments and institutions through tools like blogs, YouTube, WikiLeaks and Edward Snowden's leaks.
3) However, it has also allowed greater government surveillance of citizens' online activities.
4) The rise of cyber warfare and threats to cyber security are new issues governments must address.
Net neutrality
The document discusses the origins and evolution of the net neutrality debate in the United States. It outlines key events and perspectives from both supporters and opponents of net neutrality. These include the initial coining of the term in 2002, various FCC rulings and policy statements, lobbying efforts, and legal challenges around issues like the Comcast throttling case and FCC regulations. The debate remains ongoing with shifting positions of government agencies and industry groups.
Politics of competitiveness
Lecture on the Politics of International Competitiveness for Emeriti House, Indiana University, October 16, 2013
Isa12a
1) The PROTECT IP Act (PIPA) and Stop Online Piracy Act (SOPA) aimed to curb online piracy but faced strong opposition.
2) Internet companies mobilized users against the bills through website blackouts and petitions, convincing many in Congress the bills could damage the internet.
3) With bipartisan support eroding, both bills were shelved in January 2012 due to concerns they could undermine free speech, national security, and internet stability.
Ipe21
The document summarizes major global economic changes since 1989, including the end of the Cold War, increased globalization, financial crises, and the rise of China and India. It discusses issues related to the future of the Eurozone, austerity measures, and growing economic volatility. Finally, it briefly profiles several thinkers who have studied topics like globalization, poverty, property rights, and international governance.
Polinter12
This document discusses key questions around how the internet has impacted media concentration and power dynamics. It examines the extent to which online media has replicated traditional patterns of ownership concentration in print and broadcast. It also looks at how the internet has changed news production and distribution. Additionally, it explores the effects of file sharing, open-source software, and intellectual property disputes. The document then analyzes different definitions of power and how information and communication technologies have impacted capabilities-based power, relational power, structural power, and meta power.
Polinter11
This document contains summaries of several topics related to politics and control of the internet. It discusses protests in Poland against the Anti-Counterfeiting Trade Agreement (ACTA), China's structure for controlling internet access, a correlation between internet users and press freedom in China, concerns about how the internet may impact diversity of political views and comparisons to traditional media, types of user-generated content on the internet, and questions about how certain groups may be helped or hurt by an open internet model.
Ipe19
Economic globalization involves the integration of markets for goods, services, and factors of production across national borders. It has increased the importance of international supply chains. ICTs like the internet have reduced the costs of coordinating activities globally, similar to past infrastructure innovations. National governments employ various coping strategies to deal with globalization, such as promoting inward investment, workforce skills development, and R&D spending.
Ipe20
This document summarizes several criticisms of corporate capitalism, including too much power, insufficient public oversight, and short-term profit orientation. It also discusses concerns about corporate agriculture practices like monoculture farming and factory farms. The document then profiles several authors who have written critically about the food system, like Michael Pollan and Ruth Ozeki, and discusses the Slow Food movement. It also examines issues around intellectual property and bioprospecting as it relates to genetic resources and indigenous communities.
Ipe18
This document discusses technology and economic growth. It examines why some countries innovate and lead technological revolutions while others do not. Specifically, it analyzes how and why the US led the Fordist and ICT revolutions. The document also considers what may be the next major technological innovation and which country could take the lead. Finally, it reviews theories of economic growth and compares GDP and high-tech industries of various nations over time to understand patterns of leadership and decline.
Isa12b
Jeffrey A. Hart from Indiana University presented a paper at the annual meeting of the International Studies Association in San Diego, California in April 2012. The paper discussed how different international relations theories like realism, liberal institutionalism, and constructivism approach issues related to information and communication technologies (ICTs) and cybersecurity. It argued that theories need to better account for how ICTs impact the diffusion of information, empower non-state actors, and potentially transform power structures and identities. The paper also examined questions around how ICTs influence globalization processes and production networks.
Ipe17
The document discusses the challenges of transitioning to a green economy including obstacles related to ideas, implementation, politics, and international cooperation. It notes the negative externalities of fossil fuel consumption and analyzes potential solutions like a green new deal as well as debates around climate science and pricing carbon. Implementation problems, varying public support across countries, and challenges of past international agreements on climate change are also summarized.
Polinter10
The document discusses the history of net neutrality in the United States. It describes how (1) the issue first emerged in 2002; (2) supporters argued the open internet must be preserved while opponents said regulation was unnecessary; and (3) the policy debate continued through the 2000s with various laws and court rulings affecting the FCC's ability to enforce net neutrality principles.
Ipe16
The document discusses several topics related to globalization and a "flat world" including: America needing to produce knowledge workers to succeed; other countries racing to the top not the bottom; potential "races to the bottom" in areas like taxes and regulations; shortages of scientists and engineers in the US; the potential of green energy technology; criticisms of corporate capitalism; and examples of pro- and anti-corporate websites focused on large brands like McDonald's, Starbucks, and Nike.
Ipe15
The document summarizes the various groups that make up the anti-globalization movement, including organized labor, environmental groups, feminists, indigenous peoples, and anarchists. It discusses why each of these groups opposes aspects of economic globalization, such as fears over loss of jobs and wages for labor groups, concerns about the environment and indigenous groups' resources, and a belief that globalization supports patriarchal politics. Large anti-globalization demonstrations have taken place at forums like G8 summits and WTO meetings.
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Event Link:- https://meetups.mulesoft.com/events/details/mulesoft-mysore-presents-mule-event-processing-models/
Agenda
● What is event processing in MuleSoft?
● Types of event processing models in Mule 4
● Distinction between the reactive, parallel, blocking & non-blocking processing
For Upcoming Meetups Join Mysore Meetup Group - https://meetups.mulesoft.com/mysore/YouTube:- youtube.com/@mulesoftmysore
Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N
Speaker:-
Shivani Yasaswi - https://www.linkedin.com/in/shivaniyasaswi/
Organizers:-
Shubham Chaurasia - https://www.linkedin.com/in/shubhamchaurasia1/
Giridhar Meka - https://www.linkedin.com/in/giridharmeka
Priya Shaw - https://www.linkedin.com/in/priya-shaw
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The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
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A proprietary approach developed by bringing together the best of learning theories from Psychology, design principles from the world of visualization, and pedagogical methods from over a decade of training experience, that enables you to: Learn better, faster!
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🔥🔥🔥🔥🔥🔥🔥🔥🔥
إضغ بين إيديكم من أقوى الملازم التي صممتها
ملزمة تشريح الجهاز الهيكلي (نظري 3)
💀💀💀💀💀💀💀💀💀💀
تتميز هذهِ الملزمة بعِدة مُميزات :
1- مُترجمة ترجمة تُناسب جميع المستويات
2- تحتوي على 78 رسم توضيحي لكل كلمة موجودة بالملزمة (لكل كلمة !!!!)
#فهم_ماكو_درخ
3- دقة الكتابة والصور عالية جداً جداً جداً
4- هُنالك بعض المعلومات تم توضيحها بشكل تفصيلي جداً (تُعتبر لدى الطالب أو الطالبة بإنها معلومات مُبهمة ومع ذلك تم توضيح هذهِ المعلومات المُبهمة بشكل تفصيلي جداً
5- الملزمة تشرح نفسها ب نفسها بس تكلك تعال اقراني
6- تحتوي الملزمة في اول سلايد على خارطة تتضمن جميع تفرُعات معلومات الجهاز الهيكلي المذكورة في هذهِ الملزمة
واخيراً هذهِ الملزمة حلالٌ عليكم وإتمنى منكم إن تدعولي بالخير والصحة والعافية فقط
كل التوفيق زملائي وزميلاتي ، زميلكم محمد الذهبي 💊💊
🔥🔥🔥🔥🔥🔥🔥🔥🔥
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- 1. Y200 Politics and Film April 5, 2011